Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences And, the Community at Large

JUNE 2014 WELCOME

Earlier this year, theatre-lovers worldwide celebrated William Shakespeare’s 450th birthday. We’re delighted to contribute our own cake to the party with the start of our annual Summer Shakespeare Festival. America boasts a centuries-long tradition of great Shakespeare, and the Globe is proud to be one of this country’s major Shakespeare theatres. This summer we are pleased to host artists who are some of the best we have at bringing Shakespeare to life today, including director Mark Lamos, who is helming The Two Gentlemen of Verona. Barry, directing for the first time in the Lowell

DOUG GATES Davies Festival Theatre, has assembled an astonishing Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. team of actors for this production of Othello, including Blair Underwood, Richard Thomas, Kristen Connolly, Jonny Orsini, Angela Reed, and Noah Bean. Several members of San Diego’s own professional acting community are joining us too, and as always, our own Old Globe/University of San Diego M.F.A. students, a vital part of the fabric of the Festival, appear in both productions.

On our indoor stages this summer are two wonderful productions that complement our Shake- speare work. We welcome the landmark musical Into the Woods back to The Old Globe for the first time since it premiered here nearly three decades ago, in an inventive new production from Fiasco Theater. And we’re offering San Diego audiences their first look Quartetat , Ronald Harwood’s uplifting comedy about four retired opera singers who come together for one final encore.

The Old Globe has done its best to make San Diego as much of a hometown for Shakespeare as Stratford-upon-Avon. He’s our resident playwright, never far from the heart of our mission, and we’re thrilled to welcome you back to another summer with him—and other great theatre artists—under the stars.

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and, the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS UNION BANK Union Bank has proudly supported The Old Globe for nearly three decades. As a major arts and education institution in San Diego, The Old Globe has thrilled audiences with its performances and outreach programs in the community. Union Bank, which will celebrate its 150th anniversary in July 2014, has sponsored many Globe productions over the years, including Othello (2006), The Glass Menagerie, The Old Globe is pleased to acknowledge The Qualcomm Foundation as the 2014 Shakespeare As You Like It, Imaginary Friends, Allegiance – A New American Musical, and Sponsor. Through a very generous grant, the Foundation is supporting three productions:The A Midsummer Night’s Dream. The Old Globe applauds Union Bank for its longtime Winter’s Tale, which ran earlier this year, and the two outdoor summer productions of Othello and unwavering support and its commitment to the community. and The Two Gentlemen of Verona. The Qualcomm Foundation has supported The Old Globe’s Shakespeare Festival and its many associated education programs for more than a decade, including the touring production of Twelfth Night that reached more than 6,000 students at 21 BRIAN AND SILVIJA DEVINE schools throughout San Diego County in 2013. The Qualcomm Foundation’s leadership has helped For Brian and Silvija, supporting the performing arts is a lifelong endeavor. Their to ensure that the work of Shakespeare will continue to grace the stages of The Old Globe year regional theatre history spans nationwide and includes San Francisco’s American after year. The Foundation was established in 2010 by Qualcomm Incorporated and is dedicated Conservatory Theater, New York’s Roundabout Theatre Company and Washington, to strengthening communities worldwide. Most importantly, the Foundation aims to create D.C.’s Arena Stage, where they saw The Great White Hope with James Earl Jones and support educated, healthy, culturally vibrant communities, focusing on geographic regions and Jane Alexander. After moving to San Diego in 1990, they became involved where the company has a business presence. Through its support of arts education and outreach with San Diego Repertory Theatre, La Jolla Playhouse, and The Old Globe, where programs, it helps young people develop innovative minds and expands cultural enrichment Silvija joined the Board of Directors in 2012. Brian and Silvija ardently support live opportunities to in-need populations. music of all genres, including the La Jolla Music Society, on whose Board Silvija also serves, plus multiple charities for education. With Brian as Chairman of the Board at Petco, they are also strong advocates for animal welfare organizations, including the San Diego Human Society and SPCA. JOAN AND IRWIN JACOBS Joan and Irwin Jacobs have been enthusiastic supporters and loyal subscribers of The Old Globe for more than 20 years, during which time the theatre and the San NINA AND ROBERT DOEDE Diego community have greatly benefited from their generosity and involvement. Originally from Pennsylvania and Connecticut, Nina and Bob met through the Previous Globe productions sponsored by Joan and Irwin include Hershey Felder investment banking firm Jefferies Group in Los Angeles and eventually settled as George Gershwin Alone, Macbeth, Resurrection Blues, Smash, Julius Caesar, Avenue in La Jolla in 1981. The Globe became one of their favorite organizations, and Q, The Merry Wives of Windsor, King Lear, Golda’s Balcony, Amadeus, Inherit the they have been committed ever since. The Doedes have been Circle Patrons for a Wind, and last year’s Rosencrantz and Guildenstern Are Dead. The couple is active number of years as well as Season Sponsors, and Nina has served on the Board philanthropically throughout the San Diego community, supporting numerous and volunteered in numerous capacities including as Co-Chair of this year’s Gala, organizations, including University of California, San Diego (with a $75 million “Summer Splendor,” and last year’s Gala, “A Magical Evening.” In addition, Nina gift to build the new Jacobs’ Medical Center), the new Central Library, Museum of and Bob have been involved with many other medical, cultural, and educational Contemporary Art San Diego, San Diego Symphony, La Jolla Playhouse, Museum organizations including University of California, San Diego, La Jolla Music of Photographic Arts, the New Children’s Museum, and the San Diego Food Bank. Society, The Bishop’s School, San Diego Museum of Art, and Rady Children’s Hospital. Bob has a history in the investment business of over 35 years and is currently Chairman of the Board of United Capital Financial Partners. They have three children. ANN DAVIES Born and raised in England, Ann moved to San Diego after living in Canada. She was married to the late John Davies, son of Lowell Davies, in whose honor the PAMELA FARR AND BUFORD ALEXANDER Festival Theatre is named. Following an elementary school teaching career, Ann Buford and Pam have homes in Rancho Santa Fe, Greenwich, Connecticut, and now focuses much of her volunteer work on children’s charities. She has been Amsterdam. Pam joined the Globe’s Board of Directors in 2005 and is a member involved with Junior League, St. Germaine Auxiliary, and Voices for Children. She of the Audit, Finance, and Governance Committees. She is also a board member of served on the Board of the Child Abuse Prevention Foundation/Promises2Kids the National Corporate Theatre Fund and Washington Performing Arts. Pam has and is a former Board President at the San Diego Museum of Art. Currently, Ann served the American Red Cross as Chair of the Greenwich Chapter and the National delivers for Meals on Wheels and serves on the boards of The Old Globe and the Chair of Volunteers, and she received the Harriman Award for Distinguished Parker Foundation. She has enjoyed theatre at the Globe for many years and last Volunteer Service. Pam and Buford met through McKinsey & Company, where year sponsored Rosencrantz and Guildenstern Are Dead. after 32 years, mostly in Europe, Buford is now a Director Emeritus. In recognition of his not-for-profit work to enhance cultural, business, and educational relations between the U.S. and the Netherlands, Queen Beatrix bestowed upon him the Royal Distinction of Officer in the Order of Oranje-Nassau.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS EXTRAORDINARY LEADERSHIP The Heart and Future of Since the founding of The Old Globe in 1935, heroic leadership has The following individuals and organizations, recognized for made the theatre a cultural icon in San Diego and a forerunner in their tremendous cumulative giving, comprise a special group of the American theatre. Many individuals have paved that way and friends who have played leading “behind-the-scenes” roles, help- American Theatre enabled the theatre’s extraordinary success, and the Globe would ing to create the productions on the three stages, programs in the like to recognize and honor its most generous and committed phi- community, and our influence beyond this region. lanthropists who have helped make that possible. For more than 30 years, Darlene

— $25 million and higher — Marcos Shiley, along with her late Donald* and Darlene Shiley

— $11 million and higher — husband Donald, has shown an Conrad Prebys | San Diego Commission for Arts and Culture inspiring vision for The Old Globe — $8 million and higher — Karen and Donald Cohn | Sheryl and Harvey White (from left) Donald Shiley, Old Globe Founding Director and the American Theatre. Craig Noel, and Darlene Marcos Shiley celebrate their long — $7 million and higher — and fruitful relationship at The Old Globe. Kathy Hattox

— $3 million and higher — The plays of William Shakespeare provide lasting and powerful In addition to their support of the M.F.A. program, the Shileys’ Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego insight into the human experience, exploring motivations, fears, gift of $20 million to the Globe’s capital and endowment cam- triumphs, and dilemmas in complex and moving ways. And pro- paigns marked the largest contribution in Globe history. They — $2 million and higher — The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation ducing these works requires skilled talent in direction; set, cos- have been Season Sponsors since 1995, underwriting dozens of tume, lighting, and sound design; and large acting ensembles. productions, and have helped fund numerous major projects, — $1 million and higher — including the Shiley Artist-in-Residence and the Shiley Terrace The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* For nearly 80 years, The Old Globe has drawn on a myriad of tal- Apartments, which provide housing for Globe artists. In honor Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm ented professionals to mount these works, and the Old Globe/ of their enduring support, the stage of the Old Globe Theatre was California Cultural & Historical Endowment National Endowment for the Arts Bank of America University of San Diego Graduate Theatre Program has played a named the Donald and Darlene Shiley Stage. Stephen & Mary Birch Foundation, Inc. Helen Edison* Anonymous vital role, enabling the theatre to cast these large Shakespeare Jeannie and Arthur Rivkin Estate of Beatrice Lynds* productions with some of America’s finest young actors. It’s hard to imagine The Old Globe without the tremendous his- Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam tory of support from Donald and Darlene, and the Board, staff, In 1985, Globe Founding Artistic Director Craig Noel and Univer- and artists of the theatre are pleased to salute the Shileys during sity of San Diego Provost Sister Sally Furay saw a need in Ameri- the 2014 Shakespeare Festival. THE COUNTY OF SAN DIEGO can theatre for young actors trained in classical theatre. Out of these The County of San Diego plays a major role in promoting the early conversations, The Old Globe/ region’s cultural assets for all to enjoy. USD M.F.A. Program was born.

Through the County’s Neighborhood Reinvestment and Knowing the program’s future Community Enhancement Programs, a wide range of non- would only be certain through a profit arts and culture organizations throughout the County permanent funding source, Noel have received funding for capital projects and programs that and Furay approached Donald and improve the quality of life for County residents and visitors, Darlene Shiley, who established the promote economic development, and encourage tourism. program with a $1 million endowment gift, permanently designated The Old Globe is grateful to the San Diego County Board of to help provide full scholarships for Supervisors for approving the support of many of the the- In April, County Supervisor Dave Roberts presented Old Globe Artistic students in the program. Director Barry Edelstein with a $15,000 Neighborhood Reinvestment atre’s artistic and education programs and capital projects. Program grant to help build sets and costumes for Globe productions. This year, a Neighborhood Reinvestment Program grant is Since then the vision of Noel, Fu- helping fund sets and costumes for Globe productions and, COUNTY OF SAN DIEGO BOARD OF SUPERVISORS ray, and the Shileys has become the last year, funded a new wheelchair lift for the Lowell Davies most respected classical theatre Festival Theatre. M.F.A. program in the U.S., turning out talented and prominent per- The Old Globe commends the County of San Diego and the formers whose careers have led to County Board of Supervisors for valuing and supporting arts Broadway, regional theatre, televi- Greg Cox Dianne Jacob Dave Roberts Ron Roberts Bill Horn Members of the Old Globe/USD M.F.A. Program surround Darlene Marcos Shiley (center): (from left) Robbie Simpson, and culture. District 1 District 2 District 3 District 4 District 5 sion, and film. Adam Gerber, Danielle O’Farrell, Erin Elizabeth Adams, Allison Layman, and Jeremy Fisher.

4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS $50,000 and higher Season Sponsors In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following Season Sponsors who have generously supported the 2013-2014 season.

Leading Season Sponsors $75,000 and higher JIM COX JIM COX J. KATARZYNA WORONOWICZ KATARZYNA J. Globe Guilders John A. Berol The County of San Diego Charter Sponsor since 1995 Sponsor since 1996 Sponsor since 1996

Karen and Donald Cohn Darlene Marcos Shiley Charter Sponsor since 1995 Audrey S. Geisel Charter Sponsors since 1995 In memory of Donald Shiley Sponsor since 1998 Joan and Irwin Jacobs Valerie and Harry Cooper Mickey Stern Charter Sponsors since 1995 Sponsors since 2002 Sponsors since 2005 Sponsor since 2009

Gillian and Tony Thornley June E. Yoder Brian and Silvija Devine Sponsors since 2009 Sponsor since 2010 Sponsors since 2012 Kathryn Hattox Sheryl and Harvey White Conrad Prebys and Mary Beth Adderley Sponsor since 1998 Sponsors since 2000 Debra Turner Sponsor since 2004 Sponsors since 2004

Gloria Rasmussen Rhona and Rick Thompson Ann Davies Sponsor since 2012 Sponsors since 2013 Sponsor since 2013

Mary Ann Blair Peter Cooper and Elaine and Dave Darwin Paula and Brian Powers Sponsor since 2007 Norman Blachford Sponsors since 2011 Sponsors since 2012 Sponsors since 2008

Hal and Pam Fuson Vicki and Carl Zeiger Sponsors since 2013 Sponsors since 2014

Sponsor since 2000

Charter Sponsor since 1995 Sponsor since 2007 Sponsor since 2005 For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Sponsor since 2004 Director of Development, at (619) 231-1941 x2310. Photo for Globe Guilders: Lee Aaron Rosen and Sarah Manton in Time and the Conways, 2014; for John A. Berol: the cast of A Midsummer Night’s Dream, 2013; for The County of San Diego: Participants of the 2010 Summer Shakespeare Intensive. 6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 OUR THANKS OTHELLO

Thank you for joining us forOthello , Show us your commitment—your philanthropy can make a differ- Shakespeare’s classic tale of true love ence. Your financial support of the Globe, San Diego’s largest not- destroyed by jealousy and incipient evil. for-profit performing arts organization, helps close the funding gap I cannot wait to see this amazing cast of between the costs of presenting each show and ticket sales. We are The Old Globe’s namesake, the Lon- jure whole, self-contained worlds that operate some of America’s best-known actors, grateful for our audiences, our supporters, and everything you do FROM THE don theatre where Shakespeare’s on their own terms and without reference to led by Blair Underwood, Richard Thom- including purchasing tickets, attending performances, and spread- plays were first performed, was an stage designs for two other plays. We also roll as, and Kristen Connolly, as they stride ing the word about our productions and education programs among ARTISTIC outdoor venue. While a portion of out the first phase of a major overhaul of our our boards under Barry Edelstein’s able your friends. DIRECTOR the audience was roofed and a ceil- sound system, which will deliver Shakespeare’s direction. ing overhung a section of the stage, magnificent language to our audience’s ears We hope you will be immensely moved by this powerful story of love in the main the Elizabethan theatre- with renewed brightness and clarity. As your Globe Board Chair and a firm and betrayal. Again, thank you for your presence and for all that you goer experienced the Bard al fresco. believer in the restorative powers of the arts, I am pleased to rep- do for the Globe family. Four centuries later his works are still savored in Othello is one of Shakespeare’s true master- resent and support this amazing institution alongside our valued the open air. The elements, after all, are Shake- pieces, and to my mind one of his most effec- sponsors: Qualcomm Foundation, Joan and Irwin Jacobs, Union speare’s natural element. tive pieces of theatre. The story unfolds with Bank, Ann Davies, Brian and Silvija Devine, Nina and Robert Doede, hurtling inevitability and lands with an impact and Pamela Farr and Buford Alexander. I’ve been fortunate to work on open-air Shake- that’s almost physical in its power. Along the Elaine Bennett Darwin speare from the earliest days of my career. In col- way, Shakespeare deploys some of his most as- Chair, Board of Directors lege I directed Hamlet on a patch of grass behind tounding mid-period lyricism, a language whose the Tufts University library (and I got busted by distinctiveness the great early-20th century BOARD OF DIRECTORS the campus police for illuminating a scene with scholar G. Wilson Knight recognized and aptly Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* my car’s headlights). In graduate school I again dubbed “the Othello music.” In the play Shake- CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION dispatched the Melancholy Dane into the great speare depicts a martial world where, curiously, Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* outdoors, this time in the 17th-century front war never happens; he creates a glorious roman- TREASURER VICE CHAIR, NOMINATING SECRETARY quadrangle of Oxford’s Oriel College (and I got tic relationship only, terribly, to crush it. Too, he DIRECTORS Kathryn Hattox* Steven J. Stuckey HONORARY DIRECTORS EMERITUS DIRECTORS busted by the Provost for using a Jacobean-era gives us a villain whose scale is simultaneously Mary Beth Adderley* Patricia A. Hodgkin Daniel L. Sullivan, Ph.D. Mrs. Richard C. Adams Garet B. Clark chair as Claudius’s throne without permission— metaphysical in his scorching rage and banal in Elizabeth Altman Daphne H. Jameson Karen Tanz (1912–2005) J. Dallas Clark (1913–2005) the prop guy promised up and down that it had his ordinariness. It’s a striking work. Othello is a Pamela Cesak Jo Ann Kilty Rhona Thompson Clair Burgener (1921-2006) Bea Epsten been authorized, I swear!). My first professional gigantic achievement of dramatic art. Nicole A. Clay Sheila Lipinsky Evelyn Mack Truitt Mrs. John H. Fox Sally Furay, R.S.C.J. gig was at the Idaho Shakespeare Festival, a bu- Joseph J. Cohen Keven Lippert Debra Turner (1908–2003) Bernard Lipinsky colic outdoor amphitheatre on the banks of the I am proud to attempt the play’s heights in Donald L. Cohn* Mitzi Lizárraga Linda Van Vark Audrey S. Geisel (1914-2001) Boise River. And both my apprenticeship and the company of a particularly fine ensemble Valerie S. Cooper* Ramin Pourteymour Stacey LeVasseur Vasquez Paul Harter Delza Martin (1915–2005) later some of my most significant professional of distinguished American actors, led by Blair Ann Davies Paula Powers* Jordine Von Wantoch Gordon Luce (1925-2006) Darlene Marcos Shiley work happened in Central Park’s Delacorte The- Underwood, with whom I’m honored to work Silvija Devine Conrad Prebys* Pamela J. Wagner Dolly Poet (1921-2007) Patsy Shumway ater, the wonderful 2,000-seat outdoor home for the first time, and Richard Thomas and Stephen P. Embry Tim Rafalovich Lynne Wheeler Deborah Szekely Carolyn Yorston-Wellcome of New York’s Shakespeare in the Park. (To my Kristen Connolly, colleagues from my New York Pamela A. Farr David L. Reagan Debbie Wilson Hon. Pete Wilson relief, I got busted in neither place!) career I’m thrilled to welcome to my production Karen Fox Sandra Redman Karin Winner* at this theatre. Along with a first-rate design Robert Foxworth Crystal Sargent June Yoder *Executive Committee Member That it is now my privilege to make my directo- team and the always brilliant Globe staff, we Jack Galloway Jean Shekhter rial debut on one of America’s greatest outdoor dedicate ourselves to the venerated tradition of Victor P. Gálvez Ann Steck* Shakespeare stages, the Globe’s Lowell Davies outdoor Shakespeare as it is practiced in one of Festival Theatre, is a true good fortune. Here are its most illustrious and storied homes. ASSOCIATE ARTISTS OF THE OLD GLOBE all the things that I’ve learned make Shakespeare under the stars so thrilling: abundant fresh air, Thanks for coming. Enjoy the show. In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in a breathtakingly beautiful physical location, acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. the benediction of the moon and the twinkling stars, and theatrical talent at the highest level. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor This summer, returning to a producing model Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* that the Globe employed for decades prior to Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* introducing rotating rep 10 years ago, we once Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead again allow our designers to imagine and con- Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE CAST PRESENTS

OTHELLO, the Moor of Venice...... Blair Underwood* DESDEMONA, his wife...... Kristen Connolly*

MICHAEL CASSIO, his lieutenant...... Noah Bean* OTHELLO BIANCA, in love with Cassio...... Erin Elizabeth Adamsb IAGO, the Moor’s ensign...... Richard Thomas* BY EMILIA, Iago’s wife...... Angela Reed* WILLIAM SHAKESPEARE RODERIGO, a Venetian gentleman, in love with Desdemona...... Jonny Orsini* The DUKE of Venice...... Mark Pinter* BRABANTIO, Desdemona’s father, a Senator of Venice...... Mike Sears* GRATIANO, Brabantio’s brother...... Mike Sears* LODOVICO, kinsman of Brabantio...... Patrick Zellerb

MONTANO, Governor of Cyprus...... Kushtrim Hoxhab b Wilson Chin Katherine Roth Stephen Strawbridge Acme Sound Partners OTHELLO’S AIDE-DE-CAMP...... Jamal Douglas SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN with Jason Crystal SOUND DESIGN MESSENGERS, SENATORS OF VENICE, SOLDIERS OF VENICE AND CYPRUS, WOMEN OF CYPRUS, ATTENDANTS...... Meaghan Boeingb, Lindsay Brillb, Charlotte Bydwellb, Curtis Moore Ryan Nestor Jacob Grigolia- . Lowell Byersb, Adam Gerberb, Stephen Hub, b b b ORIGINAL MUSIC MUSIC DIRECTOR Rosenbaum . Tyler Kent , Robbie Simpson , Megan M. Storti FIGHT DIRECTOR MUSICIANS...... Jonathan Hepfer, Ryan Nestor Ursula Meyer Tara Rubin Casting Leila Knox VOICE AND TEXT COACH CASTING STAGE MANAGER UNDERSTUDIES...... For Emilia – Meaghan Boeingb; for Duke’s Attendant – Lindsay Brillb; for Desdemona – Charlotte Bydwellb; for Michael Cassio – Lowell Byersb; for Othello – Jamal Douglasb; for Roderigo – Adam Gerberb; for Brabantio, Gratiano, Lodovico, Othello’s Aide-de-Camp – Stephen Hub; for Duke of Venice, Montano, Senators of Venice – Tyler Kentb; for Iago – Robbie Simpsonb; for Bianca – Megan M. Stortib

STAGE MANAGEMENT STAGE MANAGER...... Leila Knox* DIRECTED BY ASSISTANT STAGE MANAGER...... Jess Slocum* BARRY EDELSTEIN STAGE MANAGEMENT INTERNS...... Savannah Goza, Nicole Hageman SETTING Venice and Cyprus

There will be one 15-minute intermission.

PRODUCTION STAFF DANCE CONSULTANT...... Annette Yé ASSISTANT DIRECTOR...... Jason McDowell-Green ASSISTANT COSTUME DESIGN...... Shelly Williams ASSISTANT LIGHTING DESIGN...... Jason Bieber ASSOCIATE MUSIC DIRECTOR...... Jonathan Hepfer MUSIC ASSISTANT...... Meaghan Boeingb

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Lowell Davies Festival Theatre bStudent in the Old Globe/University of San Diego Graduate Theatre Program. June 22 - July 27, 2014 Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY

a plea, / Whose action is no stronger than Iago talking: what he did can’t be compre- a flower?” What chance does beauty have hended anyway. It’s a strikingly modern, As I read Shakespeare’s against rage? It’s a mismatch: beauty is gos- existential stance, and it’s a chilling, terrify- samer like a flower, but rage is titanic. That’s ing moment for the surviving characters in plays in the order he the tragic struggle in the play, and Iago’s rage the play, and for us, too. defeats the beauty of Othello and Desdemo- wrote them, I see him na’s love. Are there particular challenges that the play presents in production? digging deeper and GREAT TRAGEDY, What are your thoughts on the great villain of the piece, Iago? It’s a long play. I’ve cut it pretty heavily, be- deeper into questions cause I’ve learned over the years that when There is a history of wildly different inter- you’re doing Shakespeare outdoors, it’s wise that he seems to know pretations of the character. There are the to hone it down. Still, it demands a kind of hugely melodramatic, mustachio-twirling mental intensity, particularly from the ac- cannot be answered, Human-Scaled Iagos; there are the banal Iagos; there are the tors who play Iago and Othello, but also Iagos driven by latent homosexual desire for from the entire company. There is a pressur- and I see him trying to Othello; there are the Iagos who are driven ized quality to it, a relentlessness, that’s the by misogyny; there are the Iagos who are most difficult thing about the play. Building tease out explanations An interview with director Barry Edelstein plain old psychopaths. I’ve cast an incred- the intensity by driving the language quickly ibly gifted actor in the role who’s known as and pushing the actors to really dig into the for mysteries that By Danielle Mages Amato What drew you to Othello for this tured characters who drive the action, and an extremely nice guy. One of the interest- dark emotional territory that the play goes summer? all eight of them are just tremendously juicy ing things to me about the casting of Richard to—that’s really hard to do. obsess him. roles. So I thought we’d be creating oppor- Thomas is that he’s most famous for playing It’s been a while since Othello has been seen tunities for really interesting actors to come one of the sweetest characters in American What’s your general approach to the at the Globe, and it’s been a while since and do really interesting work. The way the cultural history, John-Boy Walton. Every- play? Are there particular themes or we’ve done a major tragedy. Also, the roles in casting has unfolded, that view’s been vindi- body in the play goes around talking about elements that you’re most interested Othello are all tremendously great. In some cated. how honest Iago is and how terrific he is, and in? Old Globe Artistic Director and Othello director of the other Shakespearean tragedies, there I think having a guy who seems to be genu- And I’m really interested in the idea that it’s Barry Edelstein (second from right) with cast members Richard Thomas, Kristen Connolly, and are maybe two or three superb roles, but Plus, it’s just a really good play. It’s exceed- inely nice and yet is going around doing all Our setting is inspired by Europe in the a play about a man who has been a killer all Blair Underwood. Othello is unusual in that there are eight fea- ingly powerful. It has an emotional impact, these evil things is a conundrum that’s pro- Napoleonic period, in the early 19th cen- his life deciding that he wants to become a greater, I think, even than King vocative in a fabulously theatrical way. tury. It’s not strictly located there, but close lover. Shakespeare will write one more play Lear. That kind of emotional expe- enough. I think it’s really important that the about that—Antony and Cleopatra—but this rience is a function of the inten- As I read Shakespeare’s plays in the order play take place in a period where there are is his first sustained attempt at the idea. One sity of the characters in the play he wrote them, I see him digging deeper city-states warring, where that warfare takes of the things that’s very clear in the play is and the feelings they have for each and deeper into questions that he seems to place on horseback, where there are swords, that Othello’s feeling that he wants to be other. In form, the play is a melo- know cannot be answered, and I see him where travel is done by sailing vessel. The a different man, and Shakespeare gener- drama, domestic in scope. And trying to tease out explanations for myster- kind of modern technology that would ally frowns on that idea—that someone can that makes the characters human- ies that obsess him. I think that in Othello, allow someone to pick up the phone and say, completely reinvent himself in the opposite scaled in a way that the heroes of he confronts the ineffable and unexplained “Hey Desdemona, have you seen Cassio this direction. Or at least, he takes pains to show the other great tragedies aren’t. through Iago in particular. He gives us six or morning?” would wreck the play. Most of the how difficult it is to do. Few things in Shake- These people are more accessible seven reasons for why Iago’s doing the things time, I like to do modern-dress productions. speare defeat heroes more completely than a to us, and I think that’s why the he does: he’s a racist; he’s jealous because he But this is one of the very few Shakespeare divided sense of self. emotional experience is as com- wasn’t promoted; he loves Desdemona and plays where I just don’t think it works. pletely overwhelming as it is. The he can’t have her; he thinks that Othello has I know others disagree—the National The- But even these thematic questions in the last scene, in particular, is almost been sleeping with his own wife; he’s riven atre did a very famous and hugely success- play are for me secondary to the yarn of unbearable in the power that it by envy and class animosity. I think we have ful Othello last year set among the British it—it’s just an amazingly captivating, rivet- manifests. to take each one of these explanations at military forces serving in Afghanistan today. ing story. From the second it starts you’re face value even as we accept that ultimately, To me, not enough of the play works in our carried away: by the insinuation, by the Othello and Desdemona love each there is no explanation. A scorched-earth period: all the very theatrical eavesdropping, conflagration. Before you even know what’s other with a love that is as pure as evil as tremendously potent as his can’t be the men bent on getting copies of an em- happened, you are plunged into a maelstrom any in the canon. That love is then explained. It can only be witnessed. At the broidered handkerchief. Even the particular of recrimination and misunderstanding and flouted, crushed, by Iago’s evil. It end of the play, Iago says, “Demand me noth- racial attitudes so central to the play feel like loss. I don’t have some big Director’s Con- reminds me of the great line in ing. What you know, you know,” and then he they are not from our time. Basic pillars of cept about it. I just think it’s an amazing Shakespeare’s Sonnet 65: “How says that he’s never going to speak again. It’s the story stop making sense unless they are play. I boggle at its power in the theatre, and

JIM COX with this rage shall beauty hold Shakespeare’s view that there’s no point in located in the past. I want to unleash it.

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 THE PLAY ARTISTS ERIN ELIZABETH and Guildenstern Are Dead, as well as the she appeared in Sean Graney’s highly Or maybe it’s just that it is part of Shakespeare’s genius to be ADAMS Old Globe/USD M.F.A. Program produc- acclaimed These Seven Sicknesses direct- able to imagine how difficult any relationship is, given the (Bianca) was last seen in tions of Much Ado About Nothing, Measure ed by Ed Iskandar. At the 2012 William- inevitable differences existing between any two human beings. the Globe’s productions for Measure, and Tartuffe. Her regional stown Theatre Festival, she appeared in Certainly he puts the relationship in his play under incredible of A Midsummer Night’s credits include Imagine (South Coast Rep- The Importance of Being Earnest directed strain. Othello is black, Desdemona is white; he is old, she is Dream, The Merchant of ertory), Master Class (The Will Geer The- by David Hyde Pierce and A Month in the Othello, young; he is African, she is Venetian; his life has been exotic Venice, Rosencrantz and atricum Botanicum), Man of La Mancha (A Country directed by Richard Nelson. Her and dangerous, hers has been privileged and predictable. They Guildenstern Are Dead, and Pygmalion, Noise Within), Surf Orpheus (Getty Villa), one-woman show, Woman of Leisure and OR, LOVE’S differ in race, age, culture, and experience. as well as the Old Globe/USD M.F.A. various productions with The Antaeus Panic, debuted in the eighth-annual solo- But the problem is not that Othello and Desdemona love each production of Measure for Measure and Company, King Lear, The Two Gentlemen NOVA Arts Festival (New York Innova- other less than the lovers of the comedies. Surely they know reading of Once in a Lifetime. She has of Verona, As You Like It, The Misanthrope, tive Theatre Award nomination), played LABOR’S LOST each other at least as well—and they risk as much or more for worked in New York City on Gated (Mid- Sunday in the Park with George, The Pirates the 2013 New York International Fringe By David Kastan their love—as, say, Viola and Orsino in Twelfth Night, or Portia town International Theatre Festival) and of Penzance, The Sound of Music, and a Festival, and was translated into Spanish and Bassanio in The Merchant of Venice. regionally on Heist!, A Midsummer Night’s world premiere translation of Don Juan. for performances in Mexico. Ms. Bydwell Dream, and Post Wave Spectacular (Actors Ms. Boeing has appeared in national was most recently seen in the Old Globe/ I suppose we could name what differentiates Othello from the Theatre of Louisville), Henry IV Parts I commercials and independent films, per- USD M.F.A. Program productions Much comedies “Iago.” But that may give him more agency than and II (Actors’ Shakespeare Project), and forms vocal music of various styles, and Ado About Nothing, Antigone, and Reckless. Shakespeare does. Certainly Iago plays a role in bringing about Done (Providence Black Repertory Com- is a teacher of piano and voice. Ms. Boe- charlottebydwell.com. the play’s terrible events, pushing Othello towards doubts that ultimately destroy the lovers. pany). She is a former Acting Apprentice ing received her Bachelor of Music in with the Actors Theatre of Louisville. Ms. Voice Performance from Ithaca College. LOWELL BYERS Iago sets out to destroy what makes him feel inadequate. His Adams received her B.A. in Theatre and meaghanboeing.com. (Ensemble) appeared in malevolence is the attempted compensation for his own self- Literary Arts from Brown University. the Old Globe/USD M.F.A. loathing. He cannot in fact turn Desdemona’s “virtue into LINDSAY BRILL Program productions of pitch.” All he can do is make it seem as if she is not virtuous. NOAH BEAN (Ensemble) most recent- Much Ado About Noth- And what works on Othello is the manipulation of Othello’s (Michael Cassio) has ap- ly appeared as Mopsa ing, Antigone, and Reck- own insecurities. The reason Othello believes Iago rather than peared in New York in One and Lady in The Winter’s less. His Off Broadway Desdemona is that it is easier for him to do so. He has inter- Arm (The New Group),Yel - Tale at The Old Globe. She credits include Night Float (Playwrights nalized his outsider status. Desdemona’s father is sure that low Face (The Public The- also appeared as Antonia Horizons), Othello (Theatre Row),Balm only witchcraft could explain his daughter falling “in love with ater), Mary Rose (Vineyard and Verges in Much Ado in Gilead (New York Innovative Theatre what she feared to look on.” Nothing else could account “for Theatre), The Voyage of the About Nothing and Pooty in Reckless with Award for Outstanding Production of nature so preposterously to err.” And Othello, however much Carcass (Soho Playhouse), The Rise and the Old Globe/USD M.F.A. Program. In a Play), and You Never Can Tell and The he wants to believe that Desdemona loves him, finally cannot sustain the belief. He will himself speak the racist language Fall of Annie Hall (Acorn Theater), and New York, Ms. Brill has performed at Changing Room (T. Schreiber Studio). He of Brabantio: “And yet how nature erring from itself.” That is Kid Simple and The Map Maker’s Sorrow The Lion’s Theatre, The Ensemble Stu- has been seen regionally in North Shore the line that marks the crumbling of both his belief in Desde- (Summer Play Festival), among others. dio Theatre, Prospect Theater Company, Fish (Gloucester Stage Company), As You mona’s honesty and in his own self-worth. Iago jumps in there, Regionally he has appeared at William- The Actors Studio, Nora’s Playhouse, and Like It (Vermont Stage Company), and “Ay, there’s the point,” and pushes what might have been a com- stown Theatre Festival, Mark Taper New York Theatre Workshop. She recent- SMILE: The Musical (Deane Center for edy to the tragedy it was meant to be. “My life upon her faith,” Forum, Bay Street Theatre, and Hunting- ly won the John Chatterton Short Play the Performing Arts). He played the title Othello says hopefully, but finally it is her life that rests on his ton Theatre Company. His films include Festival award for the one-woman show role in Caligula: 1400 Days of Terror (His- David Kastan is one of America’s most respected Morning Glory, The Pill, Little Murder, Black Testify! in New York. She also performed tory Channel) and appeared in the films Shakespeare scholars. He is the George M. Bodman faith, and his fails. Marigolds, and Stay. He was a series regu- sketch comedy in the Chicago Wom- Chilling Visions: 5 Senses of Fear (Chill- Professor of English at Yale University, and in At the end of the play, Othello finds himself impossibly divided: addition to editing Henry IV Part I for the Arden lar on the Emmy Award-nominated series en’s Funny Festival and finished shoot- er/NBC Universal), Brewsie and Willie Shakespeare, his publications include Shakespeare in Aleppo once, “Damages” for FX and “Nikita” for The ing the new web series “Annie and Brie.” (Rocam Productions), and Things I Don’t after Theory and Shakespeare and the Book. His Where a malignant and turbaned Turk CW. He has also been seen in recurring Ms. Brill holds a B.A. in Dramatic Arts Understand (Best Feature Film winner, most recent book is A Will to Believe: Shakespeare Beat a Venetian and traduced the state, and guest-starring appearances on many from Washington University in St. Louis. Burbank International and Philadelphia and Religion, published by Oxford University Press. I took by th’ throat the circumcised dog, other television series. Next up, he will lindsaybrill.com. Independent Film Festivals). His origi- We asked him to share his thoughts on Othello, and And smote him – thus. appear as a series regular in the upcom- nal play, Luft Gangster, had its 2013 world we are delighted to be able to include them here. He is both the menacing Turk and the champion of Christian ing television movie 12 Monkeys for SyFy. CHARLOTTE BYDWELL premiere at Abingdon Theatre Compa- He is a graduate of Boston University’s (Ensemble) is a graduate ny directed by Austin Pendleton. A New Othello could have been comedy. It is easy to forget that the Venice. He is the one who “beat a Venetian and traduced the College of Fine Arts. of The Juilliard School and York City native, he received a B.A. in plot traces the almost inevitable arc of romantic comedy: a state,” and he is the one who will execute justice upon the evil- began her career as a danc- Theatre from Denison University where couple falls in love, the woman’s father doesn’t approve of the doer. His act completes his terrible journey to destruction, but MEAGHAN BOEING er with Monica Bill Barnes he competed as a 26-time All-American man, the couple leave the conventions of the city for a place at the same time it marks the return to his former dignity. He (Ensemble, Music Assistant) Company and Keigwin + Swimmer. where they can be together, and.... But there is no “they live enacts the paradox that he knows himself to be. He cannot happily ever after” here. be made one with the culture or even one with himself. The was most recently in The Company, performing at play, when it was first published, was called Othello, The Moor Old Globe’s The Winter’s Jacob’s Pillow Dance, American Dance The question is: “Why not?” Why isn’t Othello a comedy? Is it of Venice, but what makes the play a tragedy is that the Moor Tale, A Midsummer Night’s Festival, La Jolla Playhouse, and The that it was impossible for Shakespeare to imagine a happy mar- of Venice names not a well-integrated social identity but an Dream, The Merchant of Joyce Theater. As a member of the resi- riage between a young white woman and an older black man? impossibly divided self. Venice, and Rosencrantz dent acting company at The Flea Theater

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS KRISTEN CONNOLLY Antigone. His New York credits include As Are Dead for the Globe’s 2013 Shakespeare 2014. His other theatre credits include ANGELA REED ers Theatre),Birds of a Feather (Diver- (Desdemona) is making You Like It and the Off Broadway revival Festival. His Los Angeles credits include the Broadway revival of Macbeth (Lincoln (Emilia) is thrilled to sionary Theatre), Simpatico (New Village her Globe debut, having of Lebensraum (Harold Clurman Lab The- Macbeth and Richard III (The Will Geer Center Theater) and the Off Broadway return to the Globe, where Arts), Good Boys (Mo’olelo Performing worked with Barry Edel- atre). He has also worked in Tokyo, Japan Theatricum Botanicum) and the title role productions of An Early History of Fire she played Barbara in Arts Company), and Tuesdays with Mor- stein on King Lear, All’s on Hikobae (The Actors Clinic, Will Do). in Ching Chong Chinaman (Artists at Play). (The New Group), and Be a Good Little Wid- August: Osage County. Her rie (North Coast Repertory Theatre). Mr. Well That Ends Well, and Mr. Gerber has performed in numer- Some of his Bay Area credits include Over ow (Ars Nova). He has appeared region- credits include Broadway’s Sears is a graduate of the William Esper Measure for Measure, all ous other productions including Sex and the Asian Airwaves (Ferocious Lotus The- ally in The Little Dog Laughed (Hartford The Country Girl, Rock ‘n’ Studio in New York City. at The Public Theater/New York Shake- the Holy Land (New York Internation- atre Company), Concerning Strange Devices TheaterWorks), and After Ashley (Com- Roll, and The Rainmaker, first national speare Festival. She most recently com- al Fringe Festival) and Much Ado About from the Distant West (Berkeley Repertory pany One, IRNE Award nomination for tours of War Horse and Spring Awaken- ROBBIE SIMPSON pleted work on the History Channel Nothing, Macbeth, Twelfth Night, In the Theatre), and Beijing, CA (Asian Ameri- Best Actor). His film work includes Gen- ing, and Off Broadway productions at (Ensemble) was most miniseries Houdini opposite Adrien Bro- Boom Boom Room, and Dancing at Lugh- can Theater Company). Mr. Hu holds a eration Um..., Girl Most Likely, Beneath, Mint Theater Company, Keen Compa- recently seen at The Old dy and is best known for playing Chris- nasa (Stella Adler Studio of Acting), and B.A. in Theater Performance Studies from King Kelly, Rocksteady, and Cigarette Can- ny, The Actors Company Theatre, Clas- Globe in Barry Edelstein’s tina Gallagher on Netflix’s series “House he has been featured in various national UC Berkeley. dy, winner of Best Short Film at South by sic Stage Company, and Primary Stages. inaugural production of of Cards.” Her other film credits include commercials. He is a graduate of the Stel- Southwest (SXSW), Palm Springs, and Her regional credits include The Whale, The Winter’s Tale. His oth- The Cabin in the Woods, The Bay, The Hap- la Adler Studio of Acting and received his TYLER KENT Cleveland International Film Festivals, After Ashley, and Map of Heaven (The er Globe credits include pening, Revolutionary Road, Certainty, and B.A. from The George Washington Uni- (Ensemble) recently ap- as well as Outstanding Performance at Denver Center for the Performing Arts), the 2013 Shakespeare Festival and the soon-to-be-released A Good Marriage, versity where he appeared in The Winter’s peared in Much Ado About the Florida Film Festival for his portrayal Time Stands Still (City Theatre),Rabbit Freddy Eynsford Hill in the 100th anni- written by Stephen King. Her television Tale and Metamorphosis. Nothing, Antigone, and of a young Marine suffering from PTSD. Hole (Cleveland Play House), Olly’s Pris- versary production of Pygmalion direct- credits include “Nurse Jackie,” “The Good Reckless with the Old @JonnyOrsini on Twitter. on (American Repertory Theater), Tal- ed by Nicholas Martin. Mr. Simpson’s Wife,” “Law & Order: Criminal Intent,” KUSHTRIM HOXHA Globe/USD M.F.A. Pro- ley’s Folly (Pasadena Playhouse), The Real Old Globe/USD M.F.A. Program cred- “Mercy,” and the web series “iChannel.” (Montano) was recently gram. His regional cred- MARK PINTER Thing and Crimes of the Heart (Syracuse its include Benedick in Much Ado About She is a graduate of Middlebury College seen at The Old Globe in its include The Arabian Nights (Berkeley (The Duke of Venice)Stage), Proof (Coconut Grove Playhouse), Nothing as well as Measure for Measure. (B.A.) and the Yale University School of The Winter’s Tale and the Repertory Theatre, Kansas City Reper- appeared in The Old Globe’s How I Learned to Drive, Angels in America, His U.K. and New York credits include Drama (M.F.A.). 2013 Shakespeare Festival tory Theatre), The Cherry Orchard (Eugene 1977 Summer Shakespeare Othello, The Triumph of Love, Dracula, and Orlando in As You Like It (Shakespeare’s productions of A Midsum- O’Neill Foundation), A Doctor in Spite of Festival as Horatio in Ham- In Her Sight (Actors Theatre of Louisville), Globe), A Class Act directed by Bob Moss JAMAL DOUGLAS mer Night’s Dream, Rosen- Himself and The Lieutenant of Inishmore let and Jack Chesney in Center Stage, Round House Theatre, The (Playwrights Horizons), and Hanschen (Othello’s Aide-de-Camp) crantz and Guildenstern Are Dead, and The (Berkeley Rep), Much Ado About Nothing Charley’s Aunt. His Off Shakespeare Theatre of New Jersey, Two in Spring Awakening directed by Lauren is an M.F.A. candidate Merchant of Venice. He also appeared in (Extant Arts Company), Twelfth Night Broadway credits include My Sweetheart’s River Theater Company, and The Reper- Coulson (Roy Arias). His favorite region- with the Old Globe/Uni- the Old Globe/USD M.F.A. Program pro- (The San Francisco Shakespeare Fes- the Man in the Moon (Hypothetical The- tory Theatre of St. Louis. Her television al credits include A Class Act (Berkshire versity of San Diego Grad- ductions Much Ado About Nothing, Tar- tival), MEDEAStories (SITI Company), atre Company) and Three on the Couch credits include “The Blacklist,” “Believe,” Theatre Festival),Rent and Almost, Maine uate Theatre Program. He tuffe, and Measure for Measure. He has Little Shop of Horrors (Broadway By The (Soho Repertory Theater). Regionally all the “Law & Order” series, “Third (Papermill Theatre), The Sisters Rosens- was recently seen in the appeared in Rock ‘n’ Roll, King Lear, Sun Bay), Snapshots and Auctioning the Ains- he has been seen in Book of Days (Arena Watch,” and “Blue Bloods.” She received weig (New Century Theatre), and Miss Globe’s production of The Winter’s Tale. Monkey, The Glass Menagerie, and Ham- leys (TheatreWorks Silicon Valley), Fin- Stage), Clybourne Park (San Diego Reper- her M.F.A. from UC San Diego. Saigon, Inherit the Wind, and Lost in Yon- He also appeared in the Old Globe/USD let (National Theater of Kosovo), Patriot- ian’s Rainbow (Woodminster), Vera Wilde tory Theatre), The Price (Northern Stage), kers (The Majestic Theatre). Mr. Simpson M.F.A. Program productions of Reckless ic Hypermarket (Bitef Theater, Belgrade), (Shotgun Players), and What the Butler The Sound of Music(Syracuse Stage), West MIKE SEARS holds a B.F.A. in Acting from Syracuse and Much Ado About Nothing. Mr. Doug- and Yue Madeline Yue (Multimedia Center, Saw (Pacific Repertory Theatre). Mr. Kent Side Story (Pittsburgh Civic Light Opera), (Brabantio, Gratiano) has University. @MrRobbieSimpson on Twit- las has worked with Philadelphia Young Kosovo and Volkstheater, Vienna). He was among the American participants Victor/Victoria (North Shore Music The- appeared Off Broadway ter and Instagram. Playwrights, PlayPenn, Simpatico The- has performed in numerous theatre festi- in Kevin Spacey’s international Bridge atre), Equus (Arizona Theatre Company), in When Words Fail (John atre Project, Delaware Shakespeare Fes- vals in Columbia, Bosnia and Herzegovi- Project with The Old Vic. His cabarets and The Lion in Winter (North Coast Rep- Houseman Theater), Leap MEGAN M. STORTI tival, Arden Theatre Company, Plays & na, Slovenia, Italy, Sweden, Serbia, South Nobody’s Hart and Give Me the Simple Life ertory Theatre). Mr. Pinter has appeared (Abingdon Theatre Com- (Ensemble) is excited to Players, and the National Constitution Africa, Macedonia, and Kosovo. His film toured China in 2009 and 2011. He is a in the world premieres of Anna Ziegler’s pany), and To Have and to be back at The Old Globe Center, among others. In his spare time, and television credits include Human Zoo, graduate of Whitman College and also Another Way Home (Magic Theatre), and Hold (Phil Bosakowski Theatre). His Off after appearing last fall as he teaches with SAY (The Stuttering I Need You, and “Familja Moderne.” Mr. trained with CAP21, SITI Company, and Richard Montoya’s Federal Jazz Proj- Off Broadway credits include American Bazira in Much Ado About Association for the Young) in New York Hoxha studied at Kosovo’s University of the British American Drama Academy. ect (San Diego Repertory Theatre), and Globe Theatre, Boomerang Theatre Com- Nothing. Her other credits City. He holds a B.F.A. in Acting from Prishtina/Academy of Dramatic Arts and tylerkent.com. Melinda Lopez’s Becoming Cuba (North pany’s Summer Shakespeare, New Dra- with The Old Globe/USD Arcadia University. received a B.A. in Theater Performance Coast Rep). His television credits include matists, New York International Fringe M.F.A. Program include Rachael in Reck- from Greensboro College. JONNY ORSINI “Mad Men,” “NCIS: Los Angeles,” “Cold Festival, The Present Company, Musical less and Ismene in Antigone. Her Chicago ADAM GERBER (Roderigo) made his Case,” “Law & Order,” “All My Children,” Theatre Works, Producer’s Club Theatres, credits include The Liar (Writers’ The- (Ensemble) was last seen STEPHEN HU Broadway debut last year and “Another World.” His films include and The Duplex. His regional credits atre), As You Like It (Chicago Shakespeare in The Old Globe’s pro- (Ensemble) was last seen in opposite Nathan Lane in Other People’s Money, Vanilla Sky, The Eden include Sideways, His Girl Friday, Hands Theater),The Woman in White and The City ductions of A Midsummer The Old Globe/USD M.F.A. The Nance, for which he Myth, Season of Youth, and the short Play. on a Hard Body, and Bonnie & Clyde (La & the City (Lifeline Theatre),A Christmas Night’s Dream, The Mer- Program’s Antigone, Much received an Outer Critic’s He received his M.F.A. from Hilberry The- Jolla Playhouse), A Behanding in Spokane Carol (Metropolis Performing Arts Cen- chant of Venice, Rosen- Ado About Nothing, Tar- Circle Award nomination atre/Wayne State University. and Man from Nebraska (Cygnet Theatre tre), Marat/Sade (The Right Brain Project), crantz and Guildenstern Are tuffe, and Measure for Mea- and won Theater World’s Dorothy Loud- Company), Tortilla Curtain (San Diego Romeo and Juliet (Glass Onion Theatre), Dead, and Pygmalion, and the Old Globe/ sure. He also appeared in A on Award for Excellence in the Theater Repertory Theatre), Killer Joe (Compass and Titus Andronicus (DreamLogic The- USD M.F.A. productions of Measure for Midsummer Night’s Dream, The Merchant of and the Clive Barnes Award. The Nance Theatre), The Foreigner, The Glory Man, atreworks). Her regional credits include Measure, Much Ado About Nothing, and Venice, and Rosencrantz and Guilderstern was recorded and will air on PBS in fall and Rehearsal for Murder (Lamb’s Play- Shakespeare Festival St. Louis, Illinois

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ARTISTS Shakespeare Festival, Heartland The- BLAIR UNDERWOOD dren,” “One Life to Live,” and “The Young University of Southern California. His STEPHEN STRAWBRIDGE Cinderella, The Performers, Magic/Bird, atre Company, Phoenix Theatre Ensem- (Othello) is an award-win- and the Restless.” He also co-starred in book Thinking Shakespeare (called by New (Lighting Design) previously designed The Gershwins’ Porgy and Bess (Broadway ble, and Putnam County Playhouse. ning actor/director/pro- the award-winning feature film Virgin York magazine “a must-read for actors”) The Old Globe’s production of Double and national tour), Venus in Fur, Bengal Ms. Storti received her B.A. in Acting ducer. Mr. Underwood has Alexander. His other film credits include was published in 2007 and is now the Indemnity. He has designed more than Tiger at the Baghdad Zoo, Lombardi, and from Illinois State University. received two Golden Globe No Reservations, End of the Spear, and standard text on American Shakespear- 200 productions on and Off Broadway The Addams Family (Broadway, national Award nominations, 10 A Totally Minor Motion Picture. Most ean acting. He is also the author of Bard- and at most leading regional theatres and tour, and four international companies). RICHARD THOMAS NAACP Image Award recently Mr. Zeller has worked as a men- isms: Shakespeare for All Occasions. opera houses across the U.S. His interna- Mr. Crystal works in the sound and (Iago) starred in the nominations (six wins), and was awarded tor and teaching artist with The Unusual tional credits include major premieres in media departments of the Metropolitan award-winning series “The a Grammy Award for Best Spoken Word Suspects Theatre Company in Los Angeles. WILSON CHIN Bergen, Copenhagen, The Hague, Hong Opera House. Waltons,” for which he Album for former Vice President Al Gore’s patrickzeller.com. (Scenic Design) returns to The Old Globe Kong, Linz, Lisbon, Munich, Naples, won an Emmy Award for album An Inconvenient Truth. His theatre after designing The Winter’s Tale, Anna Sao Paulo, Stockholm, and Vienna. His CURTIS MOORE Best Lead Actor in a Dra- credits include the recent Broadway reviv- BARRY EDELSTEIN Christie (Craig Noel Award nomination), recent credits include Henry IV Parts I (Original Music) is a composer, song- ma Series, and has con- al of Tennessee Williams’s A Streetcar (Director, Old Globe Artistic Director) Engaging Shaw, and The American Plan. and II (The Shakespeare Theatre Com- writer, and musician in New York. tinued to star in series, films, plays, and Named Desire, which garnered him a 2012 is a stage director, producer, author, and His New York credits include Next Fall pany), Antony and Cleopatra, (The Public He recently composed the music for over 50 movies for television. His theatre Drama League Distinguished Perfor- educator. Widely recognized as one of (Broadway, Naked Angels), Too Much, Too Theater, Royal Shakespeare Company), Venice with Matt Sax and Eric Rosen, career began at age seven in 1958 with mance Award nomination; his one-man the leading authorities on the works of Much, Too Many (Roundabout Theatre Marie Antoinette (Soho Repertory The- which had a sold-out extended run at The Broadway’s Sunrise at Campobello and show IM4: From the Mountaintop to Hip Shakespeare in the United States, he has Company), The Jammer (Atlantic Theater ater), Proof (McCarter Theatre Center), Public Theater, as well as for Nora Ephon’s continued with Fifth of July, The Seagull, Hop; and Purlie, New York Shakespeare directed nearly half of the Bard’s works. Company), Len, Asleep in Vinyl (Second The Happy Ones (Magic Theatre),The Din- play Lucky Guy starring Tom Hanks in The Front Page, Tiny Alice, Peer Gynt, Rich- Festival’s Measure for Measure, The Game of He recently made his Globe directorial Stage Theatre), Dark Matters (Rattlestick ing Room (Westport Country Playhouse), his Broadway debut. In collaboration ard II, Richard III, Hamlet, The Stendhal Love and Chance, and Love Letters. His tele- debut with Shakespeare’s The Winter’s Playwrights Theatre), Boom (Ars Nova), The Train Driver and The Blood Knot (Sig- with Thomas Mizer, he was awarded the Syndrome, Democracy, and A Naked Girl on vision credits include “Ironside,” The Trip Tale starring Billy Campbell, the first As You Like it (Poortom Productions), nature Theatre Company), Rigoletto (Dal- 2009 Jonathan Larson Grant. Together the Appian Way, as well as the Broadway to Bountiful, “The Event,” “In Treatment,” Shakespeare to be staged in the compa- and King of Shadows (Working Theater). las Opera), Madame Butterfly (Houston they wrote the musicals Triangle (Lyr- national tour of 12 Angry Men and Ter- “Dirty Sexy Money,” “The New Adven- ny’s indoor theatre in over a decade. As His opera designs include Lucia di Lam- Grand Opera), and Azimuth (Pilobolus ic Theatre of Oklahoma), The Legend of rence McNally’s Unusual Acts of Devotion. tures of Old Christine,” “Sex and the City,” Director of the Shakespeare Initiative at mermoor (Lyric Opera of Chicago), Eine Dance Theatre). He has received Ameri- Stagecoach Mary (National Alliance for His recent projects include David Mam- Mama Flora’s Family, Murder in Mississip- The Public Theater (2008-2012), he over- Florentinische Tragodie and Gianni Schic- can Theatre Wing, San Francisco Bay Musical Theatre), and The Bus to Buenos et’s Race (Broadway), Timon of Athens pi, Soul of the Game, “City of Angels,” The saw all of the company’s Shakespear- chi (Canadian Opera Company, Dora Area Theatre Critics Circle, Connecticut Aires (The Ensemble Studio Theater). He (The Public Theater),Standing on Ceremo- Wishing Tree, Heat Wave, and “L.A. Law.” ean productions, as well as its extensive Award), The Saint of Bleecker Street (Cen- Critics Circle, Dallas-Fort Worth The- conducted and performed the music in ny: The Gay Marriage Plays, and An Enemy His film credits include The Art of Get- educational, community outreach, and tral City Opera), and Don Giovanni (San ater Critics Forum, Helen Hayes, Henry The Bridge Project’s critically acclaimed of the People (Manhattan Theatre Club). ting By, Madea’s Family Reunion, Something artist-training programs. At The Pub- Francisco Opera Merola). Regionally, he Hewes Design, and Lucille Lortel Awards world tour of Richard III, directed by Sam Mr. Thomas starred in the series “Just New, Full Frontal, Rules of Engagement, lic, Edelstein staged Julius Caesar star- has designed at American Conservato- and nominations. He is Co-Chair of the Mendes and starring Kevin Spacey, and Cause,” “It’s a Miracle,” and “The Adven- Deep Impact, Just Cause, Posse, Set It Off, ring Jeffrey Wright for Shakespeare in ry Theater, Barrington Stage Company, design department at Yale University composed the score for Barry Edelstein’s tures of Swiss Family Robinson.” His The Second Coming (director, executive the Park and The Merchant of Venice fea- Cincinnati Playhouse in the Park, Gef- School of Drama and Resident Lighting production of Timon of Athens at The Pub- television films include Stephen King’s producer, writer, and star), and The Bridge turing Ron Leibman’s Obie Award-win- fen Playhouse, Guthrie Theater, Hart- Designer for Yale Repertory Theatre. lic Theater. With Matthew Brookshire, Nightmares & Dreamscapes and It, All to Nowhere (directorial debut). Mr. Under- ning portrayal of Shylock. He was also ford Stage, The Shakespeare Theatre he wrote and performed the music for Quiet on the Western Front, The Red Badge wood earned his Bachelor of Fine Arts Associate Producer of The Public’s Broad- Company, Signature Theatre Company, ACME SOUND PARTNERS Todd Solondz’s film Palindromes (Venice, of Courage, The Master of Ballantrae, from Carnegie Mellon University. He has way production of The Merchant of Ven- Westport Country Playhouse, and Yale (Sound Design) is pleased to be return- Toronto, Telluride, New York Film Festi- Johnny Belinda, Berlin Tunnel 21, Liv- served as an artist-in-residence at Har- ice starring Al Pacino. From 1998-2003 Repertory Theatre. Mr. Chin is a gradu- ing to The Old Globe where they vals). trickybox.com. ing Proof: The Hank Williams, Jr. Story, vard University and holds two honorary he was Artistic Director of Classic Stage ate of UC Berkeley and Yale School of designed Dirty Rotten Scoundrels. Acme Hobson’s Choice, Roots: The Next Genera- doctorates, from Emerson College and Company, where he produced and direct- Drama. wilsonchin.com. has designed sound for over 30 Broad- RYAN NESTOR tions, Go Toward the Light, The Christmas Xavier University. ed some of New York’s most memorable way shows, including The Gershwins’ (Music Director) is a percussionist spe- Secret, Beyond the Prairie: The True Story classical productions. Edelstein’s Shake- KATHERINE ROTH Porgy and Bess (Tony Award nomination, cializing in classical music of the 20th of Laura Ingalls Wilder, Annie’s Point, Wild PATRICK ZELLER spearean directorial credits include The (Costume Design) recently designed the Drama Desk Award), The Merchant of century. Currently a candidate for the Hearts, and Hallmark’s Yesterday, Today (Lodovico) is thrilled to be Winter’s Tale with David Strathairn, Globe production of The Rainmaker. She Venice (Drama Desk nomination), Rag- Doctorate in Contemporary Music Per- and Tomorrow. Mr. Thomas produced at The Old Globe again. He Timon of Athens with Richard Thomas, designed the Broadway and interna- time (Drama Desk Award), Hair (Tony formance at UC San Diego, Mr. Nestor is What Love Sees and For All Time for tele- was last seen as Jailer in As You Like It with Gwyneth Paltrow, and tional tour productions of Twyla Tharp’s nomination), In The Heights (Tony and active with the percussion group red fish vision and appeared in the films The Won- The Winter’s Tale and Bora- Richard III with John Turturro. His addi- Come Fly Away and the recent New York Drama Desk nominations), Spamalot, blue fish and was recently the principal der Boys, Battle Beyond the Stars, The Todd chio in Much Ado About tional credits include the Lucille Lortel production of The Twenty-Seventh Man and Baz Luhrmann’s La Bohème (Drama percussionist of the La Jolla Symphony Killings, Last Summer, Winning, Red Sky Nothing. Mr. Zeller’s clas- Award-winning revival of Arthur Mill- directed by Barry Edelstein at The Pub- Desk and Ovation Awards). Acme is Tom Orchestra. Mr. Nestor has performed at at Morning, Ang Lee’s Taking Woodstock, sical theatre credits include The Mys- er’s All My Sons; the world premiere of lic Theater. She has designed costumes Clark, Mark Menard, and Sten Severson. the Sweet Thunder Festival, Monday Eve- and the forthcoming Anesthesia. He most teries (Shakespeare & Company), The Steve Martin’s The Underpants, which he for many regional theatres and in New ning Concert Series, Ojai Music Festival, recently appeared as Jimmy Carter in Comedy of Errors (New York Classical The- commissioned; Molière’s The Misanthrope York. Ms. Roth’s film credits include Neil JASON CRYSTAL Carlsbad Music Festival, Aspen Music Camp David at Arena Stage and can cur- atre), Edward II (Pet Brick Productions), starring Uma Thurman in her stage LaBute’s Some Velvet Morning, and her (Sound Design) is proud to be making Festival, and Bang on a Can Marathon. rently be seen as Agent Frank Gaad on Hamlet (Maine Shakespeare Festival), debut; and the world premiere of novelist television credits include “All My Chil- his Old Globe debut. His recent designs He was an adjunct lecturer in music at FX’s “The Americans.” and Romeo and Juliet and Midsummer Nathan Englander’s play The Twenty-Sev- dren” (two Daytime Emmy Awards). She include Somewhere (Hartford Stage) and Queensborough Community College in Night’s Dream (Shakespeare Now! Theatre enth Man. Edelstein has taught Shake- received her M.F.A. from Yale University Lady Day (Little Shubert). Mr. Crystal’s New York City and has presented master Company). Mr. Zeller has appeared on spearean acting at The Juilliard School, School of Drama. Broadway associate work includes Moth- classes and performances at universities “Law & Order,” “Medium,” “All My Chil- NYU’s Graduate Acting Program, and the ers and Sons, Rodgers + Hammerstein’s around the country. Mr. Nestor earned

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 ARTISTS his Master’s degree in Percussion Per- JASON MCDOWELL-GREEN Trying, Promises, Promises, A Little Night ing Arts Company, North Coast Reper- Dirty Rotten Scoundrels (Tony nomina- ernor’s Award for the Arts; University of formance at Stony Brook University and (Assistant Director) is a director hailing Music, Billy Elliot, Shrek, The Farnsworth tory Theatre, and Lamb’s Players Theatre. tion), Henry IV (Tony Award), Hairspray Arizona Alumni Association’s Outstand- his Bachelor’s degree in Music Education from Brooklyn, New York. He was last at Invention, Young Frankenstein, The Little She is a graduate of Vanderbilt Universi- (Tony Award), Imaginary Friends, The ing Citizen, for his contribution to their from University of Kentucky. Mr. Nestor The Old Globe as the assistant director Mermaid, Mary Poppins, Spamalot, Jer- ty. Proud member of Actors’ Equity. Invention of Love (Tony nomination, Dra- Fine Arts department; San Diego State is originally from Indianapolis, Indiana. on Nicholas Martin’s production of Pyg- sey Boys, The 25th Annual Putnam County ma Desk Award), The Full Monty (Tony University’s Outstanding Alumnus; Con- malion. His other recent work has been Spelling Bee, The Pirate Queen, Imaginary MICHAEL G. MURPHY nomination), More to Love, Getting Away servator of American Arts Award from JACOB GRIGOLIA-ROSENBAUM seen with Huntington Theatre Compa- Friends, The Producers, Mamma Mia!, The (Managing Director) served as General with Murder, Pride’s Crossing, The Little American Conservatory Theater; the San (Fight Director) is honored to return to ny, Guthrie Theater, Roundabout Theatre Phantom of the Opera, Oklahoma!, The Manager of The Old Globe from 2003 to Foxes, Hapgood (Lucille Lortel Award, Best Diego Press Club Headliner Award; San the Globe after 2013’s The Last Good- Company, Two River Theater Company, Frogs, Contact, and Thou Shalt Not. Their 2012, overseeing the Production, Edu- Director), Damn Yankees, Two Shakespear- Diego Gentleman of Distinction Award; bye. His credits as fight director include Williamstown Theatre Festival, New Off Broadway credits include Love, Loss, cation, Human Resources, Information ean Actors (Tony nomination), Porgy and and a combined tribute from the Public Peter and the Starcatcher (Broadway, New York International Fringe Festival, and and What I Wore and Old Jews Telling Technology, and Facilities Departments, Bess (Tony Award). Metropolitan Opera: Arts Advisory Council and the San Diego York Theatre Workshop, New World Stag- the Atlantic Acting School. He is an Jokes. Regionally they have cast for Yale as well as Front of House operations. He II Trittico. London: Love Never Dies, Hair- County Board of Supervisors. Mr. Noel es, national tour), Bloody Bloody Andrew alumnus of The Acting Company, where Repertory Theatre, Westport Country also managed the construction of the spray (Olivier nomination). National The- was particularly proud of the following Jackson (Broadway, The Public Theater, he toured for two years with productions Playhouse, and Bucks County Playhouse. Globe’s new theatre and education facili- atre: His Girl Friday. Six movies for PBS’s three honors representing education and Williamstown Theatre Festival),Cyrano of Romeo and Juliet and The Comedy of ties. Prior to the Globe, he was the Man- “American Playhouse.” Awards: 2008 The- theatre: Honorary Doctorate of Humane de Bergerac (Broadway), Here Lies Love Errors. His training comes from Boston LEILA KNOX aging Director of Austin Lyric Opera in atre Hall of Fame Inductee, 2005 John Letters, University of San Diego; Hon- (The Public Theater and its commercial University, London Academy of Music (Stage Manager) has previously worked Austin, Texas; Director of Administra- Houseman Award, ArtServe Michigan orary Doctorate in Fine Arts, San Diego remount), Sailor Man (also co-creator, and Dramatic Arts, and American Con- on the Globe productions of Cornelia, tion of San Diego Opera; and General 2008 International Achievement Award, State University; and the annual Awards New York International Fringe Festi- servatory Theater. The American Plan, Who’s Afraid of Vir- Manager of San Diego Repertory Theatre. Honorary Doctorate, University of Michi- for Excellence in Theatre named in his val, winner of Best Play), The Buccaneer ginia Woolf?, Ace, The Violet Hour, Himself Before relocating to San Diego from New gan. Honorary Doctor of Humane Letters, honor by the San Diego Theatre Critics (also playwright, The Tank, Fight Fest), JONATHAN HEPFER and Nora, Take Me Out, Dr. Seuss’ How the York, he held similar positions at The- University of San Diego. Film (actor): Sex Circle. In 2007, he received the National and Bill W. and Dr. Bob (Soho Playhouse). (Associate Music Director) is a percus- Grinch Stole Christmas! (2004-2013), the atre for a New Audience and the Joyce and the City 2. Jack Be Nimble: The Acci- Medal of Arts—the nation’s highest hon- Mr. Grigolia-Rosenbaum has been fight sionist, conductor, and concert curator 2004 Summer Shakespeare Festival, Res- Theater Foundation’s American Theater dental Education of an Unintentional Direc- or for artistic excellence—in a ceremony director for numerous regional and tour- specializing in recent music. He began urrection Blues, Bus Stop, Much Ado About Exchange. He also served as negotiating tor, his memoir about the early years of at the White House. Craig Noel died on ing companies including Connecticut playing classical music at age 17 after Nothing, Dirty Blonde, and Thinking Shake- assistant for the League of Resident The- his career, was released in the summer of April 3, 2010 at the age of 94. Free Shakespeare and National Theater discovering the music and philosophy speare Live! Her Broadway credits include atres and sales representative for Colum- 2013 by Farrar, Straus and Giroux. for Arts and Education and was stunt of John Cage. Subsequently, Mr. Hepfer Dirty Blonde, Amour, and One Mo’ Time. bia Artists Theatricals Corporation. coordinator on the forthcoming film attended Oberlin College Conservatory Her regional credits include production Mr. Murphy has served on the Board of CRAIG NOEL CASTING TARA RUBIN CASTING Dark Was the Night (Caliber). He was a of Music, UC San Diego, and the Musik- supervisor of Dirty Blonde (national tour Directors of the San Diego Performing (Founding Director) was first appointed Junior Olympic fencer and Division 1 hochschule Freiburg (with the support and West Yorkshire Playhouse); shows at Arts League and serves as a Manage- director in 1939, directing 15 produc- Tara Rubin CSA, Merri Sugarman, CSA varsity fencer at Yale University. When of a DAAD fellowship). Mr. Hepfer is the Lincoln Center Theater, Manhattan The- ment Trustee for San Diego County The- tions prior to World War II. Since then Eric Woodall CSA , Kaitlin Shaw CSA not making art out of violence, he can artistic director of Echoi and is a member atre Club, Roundabout Theatre Company, atrical Trusts, the pension and welfare he directed more than 200 plays of all Lindsay Levine CSA, Scott Anderson be found living in Brooklyn with his wife of the percussion ensemble red fish blue Second Stage Theatre, Berkeley Reperto- trust for IATSE stagehands in the San styles and periods and produced an addi- and son. fish. He has collaborated with ensem- ry Theatre, SITI Company, Playwrights Diego region. He was also an adjunct fac- tional 270 productions. His vision for bles such as Ensemble SurPlus, asamisi- Horizons, Huntington Theatre Company; ulty member of the Music Department at The Old Globe resulted in the establish- URSULA MEYER masa, hand werk, Palimpsest, ICE, and and 11 seasons with Williamstown The- the University of San Diego. Mr. Murphy ment of the Shakespeare Festival and SPECIAL THANKS (Voice and Text Coach) has studied voice Signal. He performs regularly in the atre Festival. She received her education earned his B.F.A. degree in Stage Man- the San Diego Junior Theatre in the late Steven Schick with Cicely Berry, Patsy Rodenburg, Monday Evening Concerts in Los Ange- at Northwestern University. agement from Webster University in St. ’40s, the expansion to two theatres in University of California, San Diego Andrew Wade, Arthur Lessac, and Kris- les, for which he is an associate curator Louis, Missouri, and his M.F.A. in Per- the ’50s, Globe Educational Tours in the tin Linklater. She graduated with dis- and producer. There, he has taken part JESS SLOCUM forming Arts Management from Brook- ’70s, and Teatro Meta and the Old Globe/ Michele Sharik tinction from the Advanced Voice Studies in the U.S. premieres of major works (Assistant Stage Manager) has previously lyn College of the City University of New University of San Diego Graduate The- Clairemont Lutheran Church Program at the Royal Central School of by Salvatore Sciarrino, György Kurtág, worked at The Old Globe on Water by the York. atre Program in the ’80s. During the Speech & Drama in London and is a des- and Rolf Riehm, amongst many others. Spoonful, The Winter’s Tale, A Doll’s House, 1940s, Mr. Noel served as dialogue direc- ignated Linklater teacher. Her regional His collaborators on these concerts have Pygmalion, A Room with a View, Rich- JACK O’BRIEN tor for the 20th Century Fox Studios and This theatre operates under an agreement between the League of Resident Theatres credits include The Old Globe, the Guth- included such luminaries as Alexei Lubi- ard O’Brien’s The Rocky Horror Show, the (Artistic Director Emeritus) served as the was the director of the Ernie Pyle The- and Actors’ Equity Association, the union of mov, Natalia Pschenitschnikova, Mario Artistic Director of The Old Globe from atre in Tokyo. Described by Variety as professional actors and stage managers in the rie Theater, The Shakespeare Theatre 2011-2013 Shakespeare Festivals, Rafta, United States. Company, South Coast Repertory, Yale Caroli, and Nicholas Isherwood. Rafta…, Robin and the 7 Hoods, Alive and 1981 through 2007. Mr. O’Brien will the eminence grise of San Diego theatre,

Repertory Theatre, La Jolla Playhouse, Well, Sammy, Cornelia, Since Africa, Dr. direct It’s Only a Play this fall on Broad- Mr. Noel is one of the few San Diegans The Directors are members of the Society and the Idaho, Santa Cruz, and Utah TARA RUBIN CASTING Seuss’ How the Grinch Stole Christmas!, way starring F. Murray Abraham, Mat- to have had an entire year (1987) proof Stage Directors and Choreographers, an independent national labor union. Shakespeare Festivals, as well as 15 sea- (Casting) previously cast the Globe pro- and The Glass Menagerie. Her Broadway thew Broderick, Nathan Lane, Stockard claimed in his honor, and to be named sons with the Oregon Shakespeare Festi- ductions of Dog and Pony, A Room with credits include In the Heights. Her region- Channing, and Megan Mullally. He most one of San Diego’s “Living Treasures.” val. Ms. Meyer is currently on the faculty a View, Robin and the 7 Hoods, Sammy, al credits include Side Show, Ruined, The recently directed the Broadway revival of He was a founder of the California The- This Theatre operates under an Agreement with the International Alliance of Theatrical at UC San Diego. In 2007, she was a recip- and The First Wives Club. Their selected Third Story, Memphis, and Most Wanted Macbeth with Ethan Hawke. His Broad- atre Council and a former vice president Stage Employees Local No. 122. ient of UCSD’s Saltman Distinguished Broadway credits include Bullets Over (La Jolla Playhouse), Post Office (Center way credits also include: The Nance, Dead of the California Confederation of the Teacher of the Year Award. Broadway, Aladdin, Mothers and Sons, Theatre Group), and Tranquility Woods Accounts, Catch Me If You Can, Impression- Arts. His numerous honors include the The Scenic, Costume, Lighting and Sound Les Misérables, Big Fish, The Heiress, How (Steppenwolf Theatre Company). Her San ism, The Coast of Utopia (Tony Award), Dr. San Diego Union-Tribune list of 25 persons Designers in LORT Theatres are represented by to Succeed in Business Without Really Diego credits include Mo’olelo Perform- Seuss’ How the Grinch Stole Christmas!, who shaped the city’s history; the Gov- United Scenic Artists Local USA-829, IATSE.

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 EDUCATION AT THE GLOBE The Old Globe celebrated the opening ofWater by the Spoonful, directed by Edward Torres, on Thursday, April 17, 2014. The festivities began with a pre-show dinner for Circle Patron donors, Board members, Production Sponsors, and members of the artistic team and For Students at the Globe, continued after the performance along with cast and crew members at the opening night cast party. It’s All About Shakespeare

Shakespeare has been at the heart of The Old Globe’s life since the and train with talented actors and directors. The Middle School Con- theatre began in 1935. During the California Pacific International servatory students, grades 6-8, will demonstrate their learning in a Exposition that year, thousands of people enjoyed short versions of showcase for parents and friends on the final day of their three-week many of Shakespeare’s plays in what was then a replica of London’s program. It’s an exhilarating course, and the students never fail to Globe theatre. Our own Craig Noel made pocket money by selling amaze us with their maturity and dedication. tickets to those shows. The edited versions of those productions are 1 2 still sold by the publisher for theatres looking to present shorter ver- Students in grades 9-12 are immersed in training and rehearsal in the sions of the Bard’s plays. Summer Shakespeare Intensive. Their work this year includes intense training in speaking and understanding Shakespeare. Daily classes of Our Summer Shakespeare Festival, a wonderful celebration of all studying text, using the logical and effective methods in Edelstein’s things Shakespeare, draws people from across the country to experi- book, help students prepare for their big performance in the Lowell ence brilliant productions of brilliant plays. Our Master of Fine Arts Davies Festival Theatre. They perform one-hour versions of two of students perform many roles in those summer shows in addition to Shakespeare’s plays, bringing us full circle to those early days of The lending their talents as teaching artists in pre-show workshops for Old Globe. school groups planning to see our productions. Our Artistic Director, Barry Edelstein, is one of America’s foremost authorities on Shake- Join us on August 18 to witness the Shakespeare Intensive perfor- speare and his experience as an educator supports our student train- mances and see what we’re doing to further this company’s history as 3 4 ing programs. a destination for actors, directors, and audiences who seek the very best of Shakespeare in America. This summer, dozens of students are spending their days on the Globe campus studying classical acting with an emphasis on Shakespeare. For more information about our Education programs email Those students will meet Barry; study his book, Thinking Shakespeare; [email protected].

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1. (from left) Nancy Brock, Randy Tidmore, Board Member Jordine Von Wantoch, Associate Artist Ralph Funicello, and Amanda Naughton. 2. Joe and Elsian Contreras and Virginia and Peter Jensen. 3. Cast and sponsors of Water by the Spoonful. Top row: Cast members Marilyn Torres and Sarah Nina Hayon, director Edward Torres, Production Sponsors Susanne and Tim Bacino of Gen7 Wines, and cast member Ruibo Qian. Bottom row: Cast members Robert Eli, Rey Lucas, M. Keala Milles, Jr., and Keith Randolph Smith. 4. Karen Aldridge, Old Globe Board Chair Elaine Darwin, and Water by the Spoonful director Edward Torres. 5. Old Globe Managing Director Michael G. Murphy, and Barbara and Howard Milstein. 6. Board member Peter Cooper, Ron and Ruth Leonardi, and Norman Blachford. 7. Old Globe Board Chair Elaine Darwin, Dave Darwin, Board member Vicki Zeiger, and Carl Zeiger. 8. Old Globe Artistic Director Barry Edelstein with the students of the 2013 Summer Shakespeare Initiative. Brigette Krantz and Steve Bjorg. Photos by Doug Gates.

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 AT THE GLOBE RELAX IN STYLE WHAT THE GLOBE MEANS TO US

BOARD MEMBER • DIRECTOR LEVEL CIRCLE PATRON Pamela Wagner

I’ve been going to The Old Globe for over 40 years, starting with the Summer Shakespeare Festival when I was in high school. It was the highlight of my summer then, and it is the highlight now. My goal is to share that feeling with as many people as I can.”

Board member Pamela Wagner (third from left) with Jerry and Nina Jackson and Hans Tegebo at the 2013 Globe Gala. Photo by Doug Gates. in the New and Improved Private Donor Lounge! DOUG GATES GLOBE BOARD MEMBER • SAN DIEGO PRESIDENT OF US BANK, CORPORATE PRODUCTION LEVEL SPONSOR Circle Patrons are vital supporters of The Old Globe. Their gifts of $2,500 and more allow the theatre to produce Steve Stuckey a wide array of productions and offer essential education and community programs to participants countywide.

My family’s patronage of The Old Globe has been a When you join the Circle Patron family of donors, you will embark on a new level of theatrical enjoyment as you continuing source of enrichment and pleasure for us all. As a Board member, I am very proud to serve this support the Globe’s mission and partake in a bevy of benefits, including personal VIP ticketing and access to the world-class arts institution and cultural treasure in Lipinsky Family Suite when attending performances. San Diego. There is no substitute for live theatre for exploring the complexities of the human condition.” To learn more about the Globe’s Circle Patron program, call Keely Tidrow or Rachel Plummer at (619) 231-1941.

Gia Stuckey and Board member Steve Stuckey at the 2013 Founders Circle Dinner at The Lodge at Torrey Pines. Photo by Bob Ross. 2014 GLOBE GALA – A SUMMER SIZZLER

Mark your calendars for Saturday, July 26 to attend, “Summer Splendor,” the 2014 Globe Gala! Co-Chairs Nina Doede, Deni DIRECTOR LEVEL CIRCLE PATRON • GLOBE GUILDER Jacobs, and Sheryl White have planned an amazing night filled Diana Glimm with great music, delicious food and drink, and hundreds of Old Globe supporters. The very first thing that caught my attention Set on the Globe plaza, the cocktail reception will begin at was the Globe’s dedication to young people. 6:00 p.m., followed by an exclusive, one-night-only concert by Tony The high school program for young students and Drama Desk Award winner Laura Benanti. A dinner dance on aspiring to become Shakespearean actors, who the Globe’s Copley Plaza completes this amazing evening. This are guided and inspired with Globe direction, in annual black-tie fundraiser has consistently raised over $1 million turn inspired me to help however I could. Our young people are our future, and all we can do to support The Old Globe’s education and artistic programs. to inspire them and give them self-confidence Individual tickets are $750 and $1,000 per person, and under- should be a top priority.” writing and table opportunities are also available. For additional Laura Benanti information, please contact Eileen Prisby, Events Manager at

Diana Glimm (center) with Time and the Conways cast members Kim Martin-Cotten and (619) 231-1941 x2303 or [email protected]. Max Gordon Moore at a recent Circle Patron lunch.

24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 AT THE GLOBE ENHANCE YOUR THEATRE EXPERIENCE Join the CRAIG NOEL LEAGUE Today Become a Member of the Globe’s Annual Fund! Ensure a Stronger Future for The Old Globe! Even with strong ticket sales, income from the box office only accounts for approximately 50% of the theatre’s $20 million operating budget. As a not-for-profit theatre, The Old Globe primarily relies on the generous The Old Globe is very dear to us, and to enjoy live the- support of patrons like you to contribute the rest. Annual Fund donations atre is an important part of our lives. We are happy support artistic work and educational programs that the Globe offers to that we are able to experience it and would like others the San Diego community. Annual Fund members also receive benefits to do the same. We try to help, within our ability, to that enhance the theatregoing experience. Check to see if your company support the theatre’s work and productions not only has a matching gift policy, which can double the impact of your donation. for us but for the future. With that in mind, we de-

JEFFREY WEISER cided to do something that would help the ongoing Annual Fund Benefits(by membership level): Old Globe Technical Director Ben Thoron leads a VIP backstage tour. success of The Old Globe: we chose to name the Globe • Complimentary backstage tour ($125) • Three complimentary blanket rentals ($500) as the beneficiary of an insurance policy we drafted • Subscription seating upgrade priority (commensurate with giving level) • Invitations to selected opening night receptions ($1,000) in 2012. This is a gift that will keep on giving long • Discounts at participating restaurants ($250) • Voucher for one complimentary admission for two to the after we have passed. Presently, we fund the insur- Ruth Wikberg-Leonardi and Ron Leonardi. • Opportunity to purchase tickets before the general public ($250) Lipinsky Family Suite ($1,000) ance policy with a tax-deductible annual contribution until the contract is paid off. Upon our passing the • Listing as an Annual Fund donor in all programs for one year ($500) • Invitations to all opening night dinners ($1,500) benefit will go directly to The Old Globe and help ensure that great live theatre will continue in San Diego • Invitations to attend Meet the Artist events ($500) • Gift from the Helen Edison Gift Shop ($1,500) for years to come.” —Ruth Wikberg-Leonardi and Ron Leonardi, Craig Noel League members To learn more about Annual Fund giving and benefits, contact Jessica Burger, Development Manager of Individual Annual Giving, at (619) 231-1941 x2311.

In Memoriam and Endowment Gifts

Donors to the Endowment Margaret Armbruster Betty Crates Dennis Tom Howell Delza Martin Forrest N. Shumway Craig Noel League Members John A. Berol William Armbruster Barney DeSelm David Huffman Maggie Mazur Diane Sinor Ronald Brown Colonel Albert A. Arnhym Jean DeSelm Helena Ingrum Bob McGlade John Sinor Anonymous (20) Mr. Alan Gary & Laurie Dale Munday Eric Leighton Swenson Ava Carmichael Leni Arnhym Chris Dimolias Barbara Iredale Cora Inez McGlade Mary Sisskind Ms. Joanee Udelf Anne C. Taubman Harry & Valerie Cooper Lois L. Bailey Trust Edith Dolnick Judge T. Bruce Iredale David McIntyre Anne Smith Diana Barliant* Stanley Nadel & Cecilia Carrick Maria Correia Grace Barbey Dozoretz Family Estate Thelma Irwin Paul Michael Larry Spear Jan Bart Nancy Reed Gibson Alice B. Nesnow Randy Tidmore Jane Cowgill Diana Barliant Mary Suzanne “Sue” Drew Bob Jamieson Eleanor Mikkelsen Marje Spear Nancine Belfiore Robert Gleason & Marc Matys Arthur & Marilyn Neumann Cherie Halladay Tirschwell Darlene G. Davies Lillie Mae Barr Bill Eaton Rudy Jarabek Elsa Mikkelsen Denise Spooner Alan Benaroya Marcy Goldstone Ronald J. Newell Evelyn Mack Truitt Danah Fayman Chester K. Barta, MD Jessica Eaton Donald Jenkins Judy Miller Andrew Stewart Carol & Don Green Greg & Polly Noel Ginny Unanue Mr. & Mrs. Feldman F. William Bartels, LS Helen Edison Mary Jermanok Francis M. Millican Jane Stillman Barbara Bolt Ellis Construction Joseph Basquez John Ellsworth Joseph E. Jessop, Jr. Richard C. Mitchell Charles E. Stoll Nancy Brock Betsy Hamblin PACEM (Pacific Academy of Jordine Von Wantoch Kathryn Hattox Katherine Black Anne Enoch Barbara Johnson Dr. Francis Montalbano Cora Sweet Ronald Brown Bernard & June Harland Ecclesiastical Music) Merle Wahl*

The Hollis Foundation Frank Bowers Montague Enoch Gram Jones Jack Mosher Kay Taylor-Hopkins CRAIG NOEL, 1957 Dr. & Mrs. Edgar D. Canada Kathryn Hattox Sarah B. Marsh-Rebelo & Holly J. B. Ward James and Jan LaGrone Patricia Wynand Brandon Pauline Evans Dana Juhl Jim Mulvaney Hie Thompson David & Debbie Hawkins John Rebelo Sarah Woodruff Watkins The Mr. Isaac C. Malamud Dorothy Brown Dennis Farmer Steve Kaster Josiah L. Neeper Marilyn Thompson Sandra & Harry Carter and Mrs. Agustina R. Lewis Brown Chuck Farr Anne M. Kay Rita Neeper Peg Thornton Garet & Wendy Clark Jill Denison Holmes Esther Rodriguez Sheryl & Harvey P. White Malamud Foundation Vincent Buckley Bunny Feldman Hank Kelley Kenneth Newton Martha Tingler Joseph J. Cohen & Craig & Mary Hunter Bruce Sherman Mrs. Jack Galen Whitney The Mission Valley Victor Buono Betsy Flannagan Peggy Kellner Craig Noel Howard Tirschwell Martha P. Farish Grace Johnston Darlene Marcos Shiley Julie Meier Wright Community Fund Clair Burgener Annette Ford Luther Kennett The Teresa A. Nugent Marian Trevor R. Patrick & Sharon Connell Gladys H. King Patsy & Forrest* Shumway Carolyn Yorston-Wellcome Mr. Stephen B. Nielander & Louis Yager Cantwell Mrs. John H. Fox Bill King Memorial Fund Walter Trevor Ms. Dominique K. Alessio C. Wayland Capwell Robert Friedenberg J. Robert King Martin B. Ortlieb Burton & Valeda Turner Jane Cowgill Marilyn Kneeland B. Sy & Ruth Ann Silver La Nona Royalty Funds Mary Delafield Carter Dorothea Gales Agnes Kinsella Victor Ottenstein Walter Varner Gigi Cramer Jean & David Laing Dee E. Silver, M.D. *In Memoriam National Endowment for Whitfield Case Dessie Galland Richard Kneeland Dr. Ralph W. Otterstrom Patti Vars Patricia W. Crigler. Ph. D., James & Janice LaGrone Stephen M. Silverman the Arts Jack Cecil Dorothy Garland Tony Kopas Douglas Pagliotti Dick Viertel CAPT/USN/Ret. Dr. Ronald & Roberta Simpson Jeannie Polinsky Rivkin J. Dallas & Mary Clark Sheldon Gero Jack Krill Margaret F. Peninger Ann C. Vojtko Artistic Fund Gordon Frank Cleator Shirley Gillespie Rose Ruth Kuntz William F. Penny, Sr. Phil Wahl Carlos & Patricia Cuellar Mrs. Ruth W. Leonardi Jen Sisskind The San Diego Foundation Marian Colby Tony Gillson Jeff Larsen Clive Nelson Pillsbury Merle G. Wahl Darlene Gould Davies Jerry Lester Foundation Dolores & Rod Smith Pat Thomas Hazel Goes Cook Dr. Viola Granstaff I. Lehman Trust Dolly & James Poet Harvey Von Wantoch Mrs. Philip H. Dickinson* Robin J. Lipman Marisa SorBello & Peter Czipott San Diego Trust & Savings David C. Copley Gracie Knudsen Gray John David Lentz Sheila Potiker Rusty Walker Doug Druley & Becky Young Heather Manion John & Cindy Sorensen Celeste & Gene Trepte Dudley R. Cooper Mike Gubitosi Georgie Leslie Dorothy S. Prough Tim Ward Pat and Christopher Weil Tom Corcoran Peg Graybill Marguerite “Peg” Lewis Anne Ratner Jim Webre Bernard J. Eggertsen & Chris & Jill Metcalf Nancy A. Spector & Tim & Ellen Zinn Geraldine Corda Sam L. Hall Nim Lindsey Allen Redman Alma Webster Florence Nemkov Paul I. & Margaret W. Meyer Alan R. Spector Clif Cowgill Dr. Winston Hall Bernard Lipinsky Hadley & Hester Richardson Robert West Dr. & Mrs. Robert Epsten Steve Miller Jeanette Stevens In Memoriam Gifts Kay Crick Patricia E. Hanft Dorris Lipinsky Will Roberson Jack Whitney Frank A. Frye, III Shirley Mulcahy Peter Stovin & Marilyn Johns to the Endowment Josephine Crum Connie Hedges Elaine Lipinsky Nancy Rondebush Hal Williams or Annual Fund Warren Currier James Hempstead Gordon Luce Eleanor Rose Dr. Stanley E. Willis II Jack Aaronson Francis Cushing Kerry Hogan-Bean Dr. Fraser L. Machpherson Serena Sams Dick Wilson Mary Adams Ethelind Davies Nina Hoke Irma Macpherson Margaret E. Schultz Dolores M. Wilson Richard Croxton Adams John Davies Chuck Hollinquest Marie Manning Rose Schweitzer Victor Wulff To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate John Robert Agajeenian Lowell Davies Bettie Holloway Bini Vincent Marquez Marilyn Shaw Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected]. Helen Albritton Lyn Ann Deems Violetta Horton Minerva Marquiz R. Ernest Sheperd

26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 Dean & Mrs. Michael H. Dessent Hannah & Gene Step Ms. Sandy Wichelecki & San Diego Branch of Jim & Sally Ditto Karen & Don Tartre Ms. Suzanne Dukes The English-Speaking Union OUR THANKS Devora & Ron Eisenberg of Great News! Michael T. Turner & Suzanne Poet Turner Howard & Christy Zatkin Jay & Julie Sarno Mr. & Mrs. Ira S. Epstein Mary R. Warkentin Brigid Hom-Schnapp & Russell Schnapp Diane & Elliot Feuerstein Jan Harden Webster & Raul Ortega GOLD Linda J. Seifert ANNUAL FUND DONORS Mary & David Fitz The Patricia and Christopher Weil ($500 to $999) Ms. Lari Sheehan Jean & Sid Fox Family Foundation George Amerault, Jr. Howard & Beverly Silldorf The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the Chuck Freebern Shirli, Damien and Justin Weiss Anonymous (3) Mr. William D. Smith & Dr. Carol Harter financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks Charles & Millicent Froehlich Mary Kay West Earl Asbury Don Stanziano & Michael Sikich Joy & Dr. Fred Frye Pat & Bob Whalen Alicia Atun & Elaine Rendon* Ronald & Susan Styn and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of Elaine Galinson & Herbert Solomon James E. & Kathryn A. Whistler The Backman Family Mr. & Mrs. Gordon Swanson those who have stepped into the spotlight. Barbara & Albert Garlinghouse Bruce & Patricia Becker Clifford & Kay Sweet Bill & Judy Garrett DIAMOND Amnon & Lee Ben-Yehuda Tim & Judy Tillyer Teresa George ($1,500 to $2,499) Jay Biskupski & Catherine Imrie Brenda & Robert Tomaras Wendy Gillespie Anonymous (2) Barbara Bolt Doris Trauner, M.D. & Richard Sanford ($100,000 and above) Robert Gleason & Marc Matys Jeff & Donna Applestein Deb & Brand Brickman Jeffrey & Sheila Truesdell Benefactors Sheila & Tom Gorey Mrs. Lazare F. Bernhard Ruth Bunn Natalie C. Venezia & Paul A. Sager Mary Beth Adderley Audrey S. Geisel/Dr. Seuss Fund at Conrad Prebys & Debra Turner George C. Guerra Holly & David Bruce Mary-Kay Butler Kathy & Jim Waring Anonymous The San Diego Foundation Qualcomm Foundation Ms. Cheryl Haimsohn Greg & Loretta Cass Luc Cayet & Anne Marie Pleska The Washkowiak Family City of San Diego Commission for Arts & Culture Globe Guilders Darlene Marcos Shiley, in memory of Donald Shiley Guy & Laura Halgren Gay and Lesbian Fund for San Diego Drs. Lynne Champagne & Wilfred Kearse Dennis & Carol Wilson Pat & Rick Harmetz at The San Diego Foundation Richard T. Clampitt Cass Witkowski Family Karen & Donald Cohn Kathy & John Hattox The Shubert Foundation Patrick Harrison & Eleanor Lynch Bill & Nancy Homeyer Jack & Carol Clark Brendan M. & Kaye I. Wynne Peter Cooper & Norman Blachford The James Irvine Foundation Sheryl & Harvey White Foundation Liz & Gary Helming Jake’s on 6th A Wine Bar Alan L. & Frances E. Cornell Elaine & Dave Darwin Microsoft Rhonda Heth & Thomas Mabie Dr. & Mrs. M. Joseph McGreevy Ronald D. Culbertson SILVER Gary & Carrie Huckell Judith & Neil* Morgan Honorable Vincent Di Figlia ($250 to $499) Edgerton Foundation Paula & Brian Powers Richard & Janet Hunter Akiko Charlene Morimoto & Dr. Donald & Eilene Dose Karen Adam Hutcheson Family Fund at Hubert Frank Hamilton, Jr. Jacqueline & Stanley Drosch Diane Ambrose ($50,000 to $99,999) The San Diego Foundation Elspeth & Jim Myer Berit & Tom Durler Anonymous (6) Season Sponsors Drs. Sonia & Andy Israel Susan C. Parker Bill Eiffert & Leslie Hodge John & Elizabeth Bagby The Legler Benbough Foundation HM Electronics, Inc. Rhona & Rick Thompson Pat JaCoby The Arthur & Jeanette Pratt Drs. George & Susan Dersnah Fee Sharon & Bill Beamer John A. Berol Joan & Irwin Jacobs Fund of the Gillian & Tony Thornley Mary & Russell Johnson Memorial Fund Richard & Beverly Fink Sally & John Berry Jackie Johnston Wade and Candi Rich Family Foundation Nicholas B. Binkley Mary Ann Blair Jewish Community Foundation United Katleman Family Fund of the Ryde Family Memorial Foundation at Pauline E. Forman & Jack Burke Robert Blanton & Ann Clark California Bank & Trust NCTF/Edgerton Foundation Fund for Wells Fargo Jewish Community Foundation The San Diego Foundation Steven & Susan Garfin Kathleen Blossfield Valerie & Harry Cooper New American Theatre June E. Yoder Dr. Gerald & Barbara Kent Jack & Louise Strecker Terrie Georgi Gaylyn N. Boone & James R. Dorcy Ann Davies The Parker Foundation (Gerald & Inez Grant Parker) Vicki & Carl Zeiger Edythe Kenton Ms. C. Anne Turhollow & Arthur Getis & Roberta King Douglas & Helen Boyden Gladys H. King Mr. Michael J. Perkins Norman & Patricia Gillespie LaVerne & Blaine Briggs Mr. & Mrs. Brian K. Devine Gloria Rasmussen Ken & Sheryl King J. M. Gillman Donor Advised Fund at the Hal & Pam Fuson Mickey Stern Webster & Helen Kinnaird PLATINUM Robert & Edry Goot Rancho Santa Fe Foundation Jane & Ray* Klofkorn ($1,000 to $1,499) Barbara & Leonard Gosink David Burns & Diane Lischio Curt & Nancy Koch In Memory of Freda Altschuler & Chris Graham & Michael Albo R. Nelson & Janice Byrne Production Sponsors ($25,000 to $49,999) Rosalie Kostanzer & Michael Keefe Sylvia Goldin Carol & Don Green Helen M. Caldwell Regina Kurtz, in fond memory Drs. Gabriela & Mike Antos Richard & Candace Haden Brent Carey Bank of America Higgs Fletcher & Mack, LLP Random House Children’s Books of Al Isenberg Sondra & Robert Berk Fund of the Jeff & Judy Handler Leslie & Shlomo Caspi Alan Benaroya Leonard Hirsch, in memory of Elaine Hirsch San Diego Gas & Electric® Bob & Laura Kyle Jewish Community Foundation James & Ruth Harris Fund of the Elaine Chortek Richard & Kathy Binford Holland America Line Sheraton San Diego Hotel & Marina Jean & David Laing Gary & Barbara Blake Family Fund of the Jewish Community Foundation Lisa Churchill Terry & Mary Lehr Jewish Community Foundation Virginia Hawkins K. Cline Pamela & Jerry Cesak The Hull Family Ms. Jeanette Stevens Ms. Sherrill Leist Bob & Joyce Blumberg Kaaren Henderson James Cochran & Sue Lasbury Cohn Restaurant Group/Prado Restaurant Jo Ann Kilty Torrey Pines Bank Ronald & Ruth W. Leonardi Walter & Cheryl Deegan Jamie Henson & Robert Houskeeper Boyd & Rita Collier The County of San Diego Elaine Lipinsky Family Foundation Evelyn Mack Truitt James & Pamela Lester Dorothy R. Dring Bruce & Jane Hopkins Michelle Conde Nina & Robert Doede Jeffrey & Sheila Lipinsky Family Foundation Union Bank Paul Levin Clare & Paul Friedman Joseph & Donna Hynes Maryanne Cordahl Sandy & Arthur Levinson Geraldo & Scarrain Gomes Fund Mrs. Susan Inot Dr. Cynthia & Mr. Martin Davis Pamela Farr & Buford Alexander National Corporate Theatre Fund U.S. Bank Robin J. Lipman Louise & Doug Goodman Ed & Linda Janon Florence C. De Lucia GEN7 Wines Neiman Marcus Mandell Weiss Charitable Trust Barbara & Mathew Loonin Hexagone Tony & Nancy Janus Angie DeCaro Susan and John Major Joan & George Hornig Dr. & Mrs. Clyde W. Jones Caroline S. DeMar Donor Advised Fund at the Isaacs Brothers Foundation at Anthony & Joyce Joseph Bethany Derrough Director Circle ($10,000 to $24,999) Rancho Santa Fe Foundation The San Diego Foundation Bob & Janice Kayler Sidney Djanogly Dr. Robert & Marcia Malkus Kenneth & Marilyn Jones Dr. Marvin M. Kripps Steve & Sandy Drew Jane Smisor Bastien Dr. & Mrs. Harry F. Hixson, Jr. Price Family Charitable Fund Jackie & Charlie Mann Fund of the Louis & Mary Beth Kelly LABS, Inc./Silvia Dreyfuss Victor & Louise Engleman Bjorg Family Daphne H. & James D. Jameson Jean & Gary Shekhter Jewish Community Foundation Robert Kilian & Kathleen Slayton Rick & Sherry Levin Nate & Margaret Englund The Anthony Cerami & Ann Dunne Barbara G. Kjos Ben & Karen Sherwood Lois Marriott Gayle & Jerry Klusky Marshall & Judy Lewis Fund of the Joan & Milt Evangelou Ms. Kerri Martella Bill & Linda Kolb Jewish Community Foundation Esther & Robert Feier Foundation for World Health Brooke & Dan Koehler Karen & Stuart Tanz Dr. Ted & Marcy Mazer Dr. & Mrs. James E. Lasry Carl Maguire & Margaret Sheehan Dr. & Mrs. Richard Friedman Nikki & Ben Clay Carol & George Lattimer Nita & Henk van der Werff Elizabeth & Edward McIntyre Thomas D. Lookabaugh Foundation Sally & Luis Maizel Dr. & Mrs. Benjamin Frishberg Joseph Cohen & Martha Farish Rebecca Moores Jordine Skoff Von Wantoch Elizabeth B. Meyer Edward & Nancy Lyon Drs. Betty Joan Maly & John Meyers John & Mary Garvelink Dan & Phyllis Epstein National Endowment for the Arts Pamela J. Wagner Dr. Howard & Barbara Milstein Joy & Ronald Mankoff Mercy & Ron Mandelbaum Peter & Christine Gault Sara F. Moser Jasna Markovac & Gary Miller Rev. Stephen J. Mather Rita Geisel Dr. & Mrs. Robert Epsten Caroline & Nicolas Nierenberg Dr. Steve & Lynne Wheeler Nancy & James Mullen Marcia A. Mattson Ronald McCaskill & Robyn Rogers Mr. & Mrs. Bruce Gemberling Karen Fox & Harvey Ruben Tom & Lisa Pierce Karin Winner Bette Nagelberg Jim & Ruth Mulvaney Foundation at Mr. & Mrs. William M. McKenzie In honor of Steve “Dude” Godfrey Diana R. Glimm Ramin Pourteymour Brent Woods & Laurie Mitchell Joyce & Martin Nash The San Diego Foundation Mr. & Mrs. Paul E. Michelson Phyllis & Morris Gold Lyn Nelson Mark Niblack, MD James & Estelle Milch Fund of the Fred & Lisa Goldberg Lee & Frank Goldberg Allison & Robert Price Arthur & Marilyn Neumann Virginia Oliver Jewish Community Foundation George & Dorothy Green Lawrence Newmark Barbara B. Oswalt Rena Minisi & Rich Paul Euvoughn L. Greenan Patrons of the Prado Christopher & Susan Pantaleoni Charles & Ilene Mittman Craig & Catherine Greene Patricia Payne Robert & Doris Reed Ursula & Hans Moede Gregoire Associates FOUNDER CIRCLE Gordon & Phyllis Harris Viterbi Family Fund of the Steve & Elizabeth Bluhm Col. & Mrs. Ben Pollard John & Josette Rekettye Dr. Robert & Anne Morrison Gary & Anne Grim ($5,000 to $9,999) Alexa Kirkwood Hirsch Jewish Community Foundation Dr. Herman & Irene H. Boschken Bill & Mo Popp Jordan Ressler Charitable Fund of the Charles & Susan Muha Theodore Gryga Lawrence G. Alldredge & Dawn Moore William Karatz Jim & Mary Jane Wiesler Anita Busquets & William Ladd Daniel Porte Jr., MD & Sally Dubois Jewish Community Foundation Shirley Mulcahy Stanley C. Harazim Melissa Garfield Bartell & Michael Bartell Jennifer Lake & Donald Francis Donovan Pamela & Marty Wygod Dr. & Mrs. Edgar D. Canada Joseph & Jane Rascoff Esther Rodriguez Darrell Netherton George D. Hardy Joan & Jeremy Berg Peter Landin & Michelle Cardinal Edward & Pamela Carnot Sarah B. Marsh-Rebelo & John G. Rebelo Dr. Sara Rosenthal & Dr. Julie Prazich Marsha J. Netzer Mark & Corrine Harvey Barbara Bloom Peter Manes & Yoko Sakaguchi CRAIG NOEL CIRCLE Cecilia Carrick & Stan Nadel Nancy J. Robertson Crystal A. Rubin Evy & Ed Newton Garry & Sharon Hays The Louis Yager Cantwell Paul & Maggie Meyer ($2,500 to $4,999) Harry & Sandra Carter Cathy & Larry Robinson Ryan Family Charitable Foundation William & Carla Nolan Joan Henkelmann Private Foundation Money/Arenz Foundation, Inc. Dr. & Mrs. Wayne Akeson George & Ellen Casey Carole Sachs Sabuku Sushi Rod & Barbara Orth Gerald M. Hermanson & Carol & Jeff Chang Matthew & Judith Pollack Anonymous (6) Rudy & Carol Cesena Beverly & Warren Sanborn Marilies Schoepflin, Ph.D. Dr. David & Elizabeth Ostrander Donna L. Buckner Colwell Family Distributable Fund at John & Marcia Price Family Foundation Judith Bachner & Eric Lasley Garet & Wendy Clark Sue & Duff Sanderson Alan & Ester Siman Lori Partrick Mrs. Suzanne Hess The San Diego Foundation Rivkin Family Fund I at Jan & Rich Baldwin Ms. Heidi Conlan/ Sherry & Charles Sheppard Dave & Phyllis Snyder Julius J. Peal Fund at Blaine Hibbard R. Patrick & Sharon Connell The San Diego Foundation Bobbie Ball The Sahan Daywi Foundation Drs. Joseph & Gloria Shurman Margery & John Swanson The San Diego Foundation Donald J. Hickey Bernard J. Eggertsen & Florence Nemkov The Jerome Robbins Foundation Diana J. Barliant* & Nowell Wisch Richard & Stephanie Coutts Dee E. Silver, MD Greta & Steve Treadgold In Memory of Margaret Peninger Christine Hickman & Dennis Regan Marion Eggertsen Chrissy & Roger Roberts Jan Bart Susan Barlow Cowell Beth & Kevin Smith Stan & Anita Ulrich Clifford T. Pentrack & Charlotte Hockstein Barbara & Dick Enberg Patricia K. Shumway Mr. & Mrs. Bear Jane Cowgill Marisa SorBello & Peter Czipott Karen Walker Mary E. Giovaniello Peggy & John Holl Carol Spielman-Ewan & Joel Ewan Iris & Matthew Strauss Charlotte & Charles Bird Gigi & Ed Cramer Nancy & Alan Spector and Family James & Ellen Weil Rowling Family Charitable Fund of the Stephanie & Carl Hurst Susanna & Michael Flaster Pat & Jack Thomas Joan Bishop, in memory Carlo & Nadine Daleo Barbie & Dan Spinazzola David & Irene Weinrieb Jewish Community Foundation Robert Hyman Drs. Thomas H. & Jane D. Gawronski Cherie Halladay Tirschwell of Harold McNeil Darlene G. Davies, in memory Ann & Robert Steck Judith Wenker Frank Ruyak Norm Hapke & Valerie Jacobs Hapke Carol Vassiliadis Paul Black of Lowell Davies Nancy Steinhart & Rebecca Goodpasture (continued on page 31)

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 OUR THANKS (continued from page 29) Joseph L. Marshall & C. Jay & Kathleen Rains Jill & Evan Stone CORPORATE DONORS Dr. Rosemarie Marshall Johnson Stuart & Linda Robinson Dave & Jan Stormoen Isabella Fund at The San Diego Mr. & Mrs. Gerald P. May, Jr. Wayne & Christine Rounsavell Eric & Marian Suggs Foundation H. G. McAvenia Dr. Norman & Barbara Rozansky Mrs. J.B. Swedelius Natasha Josefowitz, Ph.D. William McBride George & Karen Sachs John & Gail Tauscher Jim & Sharon Justeson Robert McCommins Susan Salt Brian & Janet Taylor ($75,000 or more) ($50,000 - $74,999) Drs. Irvin & Nancy Kaufman Dennis A. McConnell Samiljan Family Fund of the Marshall & Leila Taylor Lead Season Sponsors Season Sponsors C. A. Keppel Oliver McElroy & Karen Delaurier Jewish Community Foundation Reed & Solange Thompson Mr. & Mrs. Robert Kucinski Teresa McEuen Lillian Schafer Keely Tidrow James Lare & Jacquelyn McCoy Charles & Billie McKnight Shari & Frederick Schenk Doug & Lynn Todd Bill & Tamara Lascurain C. & D. Meadrus Carl Schott Robert C. & Melesse W. Traylor Elliott & Phyllis Lasser Craig & Betsey Monsell Martin & Connie Schroeder Capt. & Mrs. Ben Trovaten Dixon & Pat Lee Terry & Sandra Moore Dr. Katharine Sheehan & Barbara C. Ward Ellen & Ira Levine Mimi & Ernie Mortensen Dr. Frederick Walker Judith L. White B. Leonard Levy Jan & Mark Newmark Glenda Allen Shekell Olivia & Marty Winkler Lois & Larry Lewis Katherine Newton Alex V. Sher Omar & Carol Winter Morris & Zita Liebermensch Thomas & Tanya O’Donnell Curt Sherman Mr. & Mrs. John W. Witt Angie Longenecker Max & Fredda Opalsky Stella Shvil Professional Fiduciary Caryl Lees Witte Eric & Lori Longstreet Susan & Jimmy Oxford Anne & Ronald Simon Joe & Mary Witztum Bill Luckow Phil & Pam Palisoul Malcolm E. Smith Mr. & Mrs. William F. Wolff Neil Malmquist Dennis & Nan Pennell Norman & Judith Solomon David A. Wood Deborah & Frederick Mandabach Dr. & Mrs. Richard Perlman Bill & Barbara Sperling Vicky Zollweg & Michael Dunteman Russell Mangerie Abigail Pike Susanne Stanford Fund of the Patricia Manning Drs. Paul & Katherine Ponganis Jewish Community Foundation The Maretz Family Eve Pritchard Scott & Sarah Stanton *In Memoriam James & Judith Queenan Ann & Robert Steiner This list current as of May 21, 2014.

For additional information on how to support The Old Globe’s artistic, education, and community programs, please visit our website at Production Sponsors ($25,000 - $49,999) www.TheOldGlobe.org or contact Rachel Plummer, Major Gifts Officer, at (619) 231-1941 x2317 or [email protected].

PATRON INFORMATION TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: Closed Although we understand parking is often at a premium, the seating of Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alterna- Hours subject to change. Please call ahead. tive seating and will be seated at an appropriate interval. PHONE (619) 23-GLOBE (234-5623) FAX (619) 231-6752 YOUNG CHILDREN EMAIL [email protected] or [email protected] Children five years of age and under will not be admitted to performances. ADMINISTRATION HOURS Monday – Friday: 9:00 a.m. – 5:00 p.m. ELECTRONIC DEVICES AND CAMERAS PHONE (619) 231-1941 is a not-for-profit corporation created to increase The video and/or audio recording of this performance by any means ($15,000 to $24,999) National Corporate Theatre Fund Director Circle and strengthen support from the business community for 10 of this country’s most WEBSITE www.TheOldGlobe.org whatsoever is strictly prohibited. Please silence all digital watches, pag- distinguished professional theatres. The following foundations, individuals, and ADDRESS The Old Globe ers, and cellular phones prior to entering the theatre. corporations support these theatres through their contributions to NCTF: P.O. Box 122171 San Diego, CA 92112-2171 Acquis Consulting Group Marsh & McLennan Companies ASSISTED LISTENING SYSTEM American Express Foundation The McGraw-Hill Companies For the convenience of our hard-of-hearing and hearing-impaired pa- AOL MetLife ORDERING TICKETS/CHANGE OF ADDRESS trons, The Old Globe has an Assistive Listening System in all three the- Bank of America Morgan Stanley The Old Globe accepts Visa, Discover, MasterCard, and American Ex- Bloomberg Pfizer, Inc. atres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and BNY Mellon RBC Wealth Management press. Phone orders for non-subscribers are subject to a $3.50-per-tick- the Lowell Davies Festival Theatre. A limited number of the lightweight James E. Buckley RVM Inc. et service charge. Ticket exchanges are subject to a service charge for headsets, as well as induction neck loops, may be obtained from the Steven Bunson The Ralph and Luci Schey Foundation non-subscribers. If you have moved, please notify the Ticket Services house manager prior to performances. Christopher Campbell/ Sharp Electronics Office to update our records. Call (619) 234-5623 during Ticket Ser- Palace Production Center Skadden, Arps, Slate, vices hours, mail your change of address to the Ticket Services Office, Cisco Systems, Inc. Meagher & Flom LLC PUBLIC TOURS ($10,000 to $14,999) Citi George S. Smith, Jr. or email [email protected]. First American Trust ResMed Foundation Clear Channel Outdoor TheaterMania.com/Gretchen Shugart Go behind the scenes at The Old Globe to learn about the history, three Cleveland Clinic John Thomopoulos stages, shops and craft areas. Open tours: most Saturdays and Sundays UNABLE TO ATTEND? ($5,000 - $9,999) CMT/ABC The James S. and Lynne P. Turley Ernst at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Founder Circle Datacert, Inc. & Young Fund for Impact Creativity Bertrand at Mister A’s Loma Media Nokia Inc. If you find you are unable to use your tickets, please give them to a Call (619) 238-0043 x2145 for information/reservations. Dorsey & Whitney Foundation UBS friend, or turn them in to the Ticket Services Office and receive a tax Epiq Systems Wells Fargo ($2,500 - $4,999) receipt for your donation. Tickets must be received by show time. Craig Noel Circle Ernst & Young Willkie Farr & Gallagher LLP LOST AND FOUND Cubic Corporation Luna Grill Goldman, Sachs & Co. If you have misplaced a personal item while at the theatre, please con- RESTROOMS tact the Ticket Services Office or Security as soon as possible. If we are Restrooms are located in the lower lobby of the Old Globe Theatre, the unable to locate your item, we’ll happily take down your contact in- PUBLIC SUPPORT lobby of the Sheryl and Harvey White Theatre, and adjacent to the Low- formation and a description of the item and contact you if it is found. ell Davies Festival Theatre. The Old Globe does not assume liability for items left behind on the Major funding provided by the City of San Diego Commission for Arts and Culture. premises. The Old Globe is funded by the County of San Diego. NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER.

30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager PROPERTIES FINANCE Dave Henson...... Director of Marketing and Communications Neil A. Holmes...... Properties Director Carly Bennett-Valle...... Senior Accountant Todd Schultz...... Director of Development Kristin Steva Campbell...... Assistant to the Director Janet Gray...... Interim Senior Accountant Mark Somers...... Director of Finance M.H. Schrenkeisen...... Shop Foreman Trish Guidi...... Accounts Payable/Accounting Assistant Richard Seer...... Director of Professional Training Rory Murphy...... Lead Craftsman Adam Latham...... Payroll Coordinator/Accounting Assistant Robert Drake...... Director of Production Chris Carignan, Trish Rutter, Tim Cole...... Receptionist Roberta Wells-Famula...... Director of Education Tom Stephansky...... Craftspersons David Medina...... Properties Buyer DEVELOPMENT ARTISTIC Kristine Hummel-Rosen...... Properties Assistant Annamarie Maricle...... Associate Director, Eric Louie, Justin Waldman...... Associate Producers David Buess...... Property Master, Globe Institutional Grants Danielle Mages Amato...... Literary Manager/Dramaturg Kristen Flores...... Stage & Property Master, White Bridget Cantu Wear...... Associate Director, Planned Giving Bernadette Hanson...... Artistic Associate Andrew Recker...... Property Master, Festival Eileen Prisby...... Events Manager Jan Gist...... Resident Vocal Coach Rachel Plummer, Keely Tidrow...... Major Gifts Officers LIGHTING Jessica Burger...... Development Manager, PRODUCTION Shawna Cadence...... Lighting Director Individual Annual Giving Debra Pratt Ballard...... Associate Director of Production Jack Bender...... Assistant Lighting Director Matthew B. Williams...... Major Gifts Associate Suzanne Conway...... Company Manager Sarah Lawler...... Lighting Fellow Diane Addis...... Membership Administrator Carol Donahue...... Production Coordinator Evan Page...... Interim Master Electrician, Globe Rico Zamora...... Development Assistant Jackson Smith...... Assistant Company Manager Jim Dodd...... Master Electrician, White Tyler Jones...... VIP Donor Ticketing Kevin Liddell...... Master Electrician, Festival STAGE MANAGEMENT Derek Lauer, DONOR SERVICES Leila Knox...... Production Stage Manager Bradley Bergholtz...... Follow Spot Operators, Festival Janette Jack, Barbara Lekes, Richard Navarro, Sammy Bauman-Martin, Bradley Bergholtz, Gary Neuberg, Stephanie Reed, Stephen Wade, Rico Zamora...... Suite Concierges TECHNICAL Christian Erikson, Derek Lauer, Xavier Luevano, Mike McCullock, Sean Murray, Benjamin Thoron...... Technical Director Leah Nellman, Steve Schmitz...... Electricians MARKETING Wendy Berzansky...... Associate Technical Director Susan Chicoine...... Public Relations Director Lucas Skoug...... Interim Associate Technical Director SOUND Ed Hofmeister...... Associate Director of Marketing Travis Barrett...... Assistant Technical Director Paul Peterson...... Sound Director Mike Hausberg...... Public Relations Associate Sean Fanning...... Resident Design Assistant Mark Hartshorn...... Master Sound Technician, Globe Laura Lothian...... Marketing Assistant Eliza Korshin...... Technical Assistant/Buyer Dana Pickop...... Master Sound Technician, White Stephen Wade...... Marketing/Events Assistant Gillian Kelleher...... Master Carpenter Jeremy Nelson...... Master Sound Technician, Festival DeAndre Clay, Carolann Malley, Carole Payette...... Charge Scenic Artist RJ Givens...... Deck Audio, White Lauren Senko...... Distribution Staff Gregg Essex...... Draftsman James Zadai...... Deck Audio, Festival Christian Thorsen...... Stage Carpenter/Flyman, Globe Emily Yavitch...... Sound Technician SUBSCRIPTION SALES Robert Dougherty...... Festival Master Carpenter Scott Cooke...... Subscription Sales Manager Jack Hernandez...... Charge Carpenter, White ADMINISTRATION Arthur Faro, Janet Kavin, Pamela Malone, Painters Jessica Amador, Dave Garcia, Eileen McCann...... Alexandra Hisserich...... Operations Assistant Yolanda Moore, Jessica Morrow, Ken Seper, Dean Alexander, Daniel Capiro, Sean Chaffin, Darlene Davies...... The Old Globe Historian Cassandra Shepard, Jerome Tullmann, Chris Chauvet, Michael Curtis, Dave Garcia, Grant Walpole...... Subscription Sales Representatives Matt Giebe, Larry J. Hall, Sloan Holly, Eszter Julian, INFORMATION TECHNOLOGY Laura McEntyre, Jay McNabb, Francisco Ramirez, TICKET SERVICES Andrew Recker, Jon Serbian...... Carpenters Dean Yager...... Information Technology Director Bob Coddington...... Ticket Services Director W. Adam Bernard...... Lead Scenic Artist John Ralston...... Information Technology Assistant Manager Marsi Bennion...... Ticket Operations Manager Jason Chohon...... Automation Coordinator Brittany Summers...... Information Technology Assistant Karen Ann Daniels...... Group Sales Manager Eszter Julian...... Automation Operator Tony Dixon, Jay McNabb...... Run Crew HUMAN RESOURCES Jordyn Patton...... Lead Ticket Services Representatives Sandy Parde...... Human Resources Director Tim McCalister...... Technical Director Intern Kari Archer, Kathy Fineman, Adam Gibbs, Bea Manny Bejarano...... Human Resources Coordinator Gonzalez, Lauryn Greschke, Alejandro Gutierrez, COSTUMES Amanda King, Caryn Morgan, Danielle Porath, Stacy Sutton...... Costume Director MAINTENANCE Christopher Smith, John Sweeney, Charlotte Devaux...... Resident Design Associate Mark Gingery...... Facilities Director Jesse Uribe...... Ticket Services Representatives Maureen Mac Niallais...... Assistant to the Director Violanda Corona, Ismael Delgado, Frank Fields, Shelly Williams...... Design Assistant/Shopper Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, PATRON SERVICES Jose Morales, Albert Rios, Maria Rios, Leonardo Michelle Hunt Souza...... Design Assistant Mike Callaway...... Patron Services Director Rodriguez, Vielka Smith, Nicolas Torres, Janelle Conde, Mary Taylor...... House Managers Su-Lin Chen, Wendy Miller, Will Van Atta...... Building Staff Somsi Norfolk, Swantje Tuohino...... Tailors Stephanie Hable...... Front of House Assistant Erin Cass...... Draper PROFESSIONAL TRAINING Elaine Gingery...... Food and Beverage Manager Babs Behling, Anne Glidden Grace, Timothy Acosta, Shana Wride...... Program Coordinator Susan Sachs...... Assistant Cutters Topher Rasmussen...... Pub Shift Supervisors Brian Byrnes, Maria Carrera, Cynthia Caywood, Mary Miller...... Tailoring/Construction Tanika Baptiste, Stephanie Passera, Paige Plihal, Ray Chambers, Gerhard Gessner, Jan Gist, Brandon Potter, Isaac Saenz, Mark Baiza, Maria De La Mora, Allison Elsey, Fred Robinson, Abraham Stoll...... M.F.A. Faculty Tea Ninkovic, Heather Premo, Ademir Serrano, Michelle Thorson ...... Pub Staff Corey Johnston, Nate Parde, Raquel Stewart...... Stitchers Nicole Ries...... M.F.A. Production Staff Linda Bahash, Jessica Piatt, Erin Carignan...... Craft Supervisor/Dyer/Painter Stephanie Rakowski...... Gift Shop Supervisors Sharon Granieri, Emily N. Smith...... Craft Artisans EDUCATION David Israel Reynoso...... Dyer/Painter SECURITY/PARKING SERVICES Crystal Mercado...... Education Programs Manager Molly O’Connor...... Wig and Makeup Supervisor Edward Camarena...... Security Supervisor Katherine Harroff...... Community Voices Teaching Artist Kim Parker...... Assistant to Wig and Makeup Supervisor Sherisa Eselin...... Security Officer Carol Green...... Speakers Bureau Coordinator Wig Assistants Jonathon Ayon, Joshua Caldwell, Danielle Griffith, Kimberly Eddo...... James Cota, Jo Anne Glover, Lisel Gorell-Getz, Beverly Boyd...... Wardrobe Supervisor Brian Hammond, Jason Heil, Stephen Hohman, Dallas Chang, Jeff Howell, Beth Merriman...... Wardrobe Crew Chief, Globe Erika Malone, Heather Pauley, Erika Phillips, Janet Larson, Guadelupe Velez...... Security Guards Anna MacDonald...... Wardrobe Crew Chief, White James Pillar, Christopher Salazar, Michael Prince, Ana Maldonado, Sarah Mendez, Damon Shearer, Cynthia Stokes...... Teaching Artists Alexander Thomas...... VIP Valet Attendants Sue Noll, Kim Parker, Noelle Van Wyk...... Wardrobe Crew, Festival Jack O’Brien...... Artistic Director Emeritus Marie Jezbera...... Rental Agent Craig Noel...... Founding Director

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