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Home , Louis Marcoussis

Acquisitions

Durga Slaying the Buffalo Demon Mahisha; 800s; India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; Gift of Dr. Norman Zaworski 2006.204.

Equestrian Figure; possibly 18th century; Nigeria, Yoruba people; copper alloy (brass?); 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 2007.160.

African Art Art of the Ancient Americas Equestrian Figure; possibly 18th century; Dipper; 100 BC–AD 700; Peru, North High- Nigeria, Yoruba people; copper alloy (brass?); lands, Recuay people; ceramic, slip; 25.5 x 31.3 x 10.8 x 25.4 cm; Alma Kroeger Fund 17.5 x 10 cm; Alma Kroeger Fund 2006.157. 2007.160. Textile Fragments; about AD 50–650; Peru, Leopard Caryatid Stool; possibly 19th century; North Coast, Moche people; cotton warp, Cameroon, Bandjoun Kingdom; wood, camelid fiber weft; John L. Severance Fund 40 cotton fabric, and glass beads; 51 x 43 cm; x 25.4 cm; 2007.2.1. 39.4 x 27.9 cm; 2007.2.2. Severance and Greta Millikin Purchase Fund 38.7 x 29.3 cm; 2007.2.3. 40.6 x 30.5 cm; 2006.138. 2007.2.4. 43.2 x 27.6 cm; 2007.2.5. 40 x 29.3 Wig Headdress; possibly early to mid 20th cen- cm; 2007.2.6. tury; Democratic Republic of the Congo or Angola, Chokwe people; fiber, animal pelt, Asian Art and clay; 12.7 x 24.8 x 27.3 cm; The Jane B. Durga Slaying the Buffalo Demon Mahisha; 800s; Tripp Charitable Lead Annuity Trust 2007.1. India, Badra, Central Northeastern style; Medieval period; stone; 39.5 x 16.1 x 12 cm; American Art Gift of Dr. Norman Zaworski 2006.204. Jacob Lawrence (1917–2000); Fulton and Krishna Supporting Mt. Govardhana; 1700s; Nostrand; 1958; tempera on Masonite; 60.9 x India, Rajasthan, Bundi school; ink and color 76.2 cm; Mr. and Mrs. William H. Marlatt with shell gold on paper; 32.3 x 24.1 cm; Fund 2007.158. Gift of Eugene and Joan Savitt in memory of Reginald Marsh (1898–1954); A Paramount Dr. and Mrs. E. K. Zaworski, her grandparents Picture; 1934; tempera on Masonite; 90.8 2006.203. x 70.5 cm; Leonard C. Hanna Jr. Fund Peaches and Bats; 1600s; China, Qing dynasty; 2006.137. jade; 9.9 x 13.5 x 11.5 cm; Gift of William Charles L. Sallée Jr. (1911–2006); Bedtime; Kelly Simpson in memory of his wife, 1940; oil on canvas; 79 x 66.2 cm; Gift of Marilyn M. Simpson, and her grandparents June Sallee Antoine in honor of our parents, Mr. and Mrs. John D. Rockefeller Jr. 2006.141. Charles Louis Sallee Sr. and Cora Nell Collier Sallee 2006.202.

32 Seated Guanyin, Bodhisattva of Compassion; Unkoku Togan (Japanese, 1547–1618); Su Shi 1368–1644; China, Ming dynasty; gilt-bronze (Sotoba) and Pan Lang (Hanro); early 1600s; with pigment; 30.2 x 19.3 x 20.4 cm; Gift Momoyama period; pair of six-fold screens; of William Kelly Simpson in memory of his ink, light color, and gold on paper; 155.5 wife, Marilyn M. Simpson, and her grand- x 360 cm (each); John L. Severance Fund parents Mr. and Mrs. John D. Rockefeller Jr. 2006.135.1–2. 2006.140. Shiva as Brahma; late 900s; South India, Chola Contemporary Art dynasty; granite; 162.6 x 48 x 80 cm; Leonard Rackstraw Downes (American, b. 1939); Under C. Hanna Jr. Fund, this work was accepted the Gowanus at Hamilton Avenue, 1999; oil on in honor of Stainslaw Czuma in recognition of canvas; 4 panels; l. 532.7 cm overall; Purchase his long service to the CMA 2007.155. from the J. H. Wade Fund 2007.159.a–d. Kano Naonobu (Japanese, 1607–1650); Pedestrian Crossing at W. 9th Street Looking Winter Scene with Plum Trees and Pheasants; Northwest; 38.4 x 79.2 cm. Pedestrian Crossing at early 1600s; early Edo period; pair of six- Garnet Street Looking Southeast; 46.6 x 89 cm. fold screens; mineral pigments and gold leaf Untitled; 46.6 x 89 cm. On the Median Strip at on paper; 170.2 x 369.4 cm (each); Gift of W. 9th Street Looking Southeast; 38.4 x 79.5 cm. William Kelly Simpson in memory of his Joseph O’Sickey (American, b. 1918); Untitled, wife, Marilyn M. Simpson, and her grand- late 1950s to early 1960s; oil on canvas; 101.5 x parents Mr. and Mrs. John D. Rockefeller Jr. 80.6 cm; Bequest of Shuree Abrams 2007.168. 2006.142.1–2.

Joseph O’Sickey (American, b. 1918); Untitled; late 1950s to early 1960s; oil on canvas; 101.5 x 80.6 cm; Bequest of Shuree Abrams 2007.168.

33 Kano Naonobu (Japanese, 1607–1650); Winter Scene with Plum Trees and Pheasants; early 1600s; early Edo period; pair of six- fold screens; mineral pigments and gold leaf on paper; 170.2 x 369.4 cm (each); Gift of William Kelly Simpson in memory of his wife, Marilyn M. Simpson, and her grandparents Mr. and Mrs. John D. Rockefeller Jr. 2006.142.1–2.

Decorative Art and Design Shape designers Gale Turnbull (American, American Chinaware Corporation (Sebring, 1889–1962) and Jane Bennison (1913–2001), Ohio, active 1929–32); “Nouvelle” Shape pattern designer Rockwell Kent (1882–1971), Covered Casserole Dish; designed about 1929; manufactured by Vernon Kilns (Vernon, earthenware with printed decoration; h. with California, active 1916–60); Our America Din- cover 15.3 cm, diam. with handles 24.5 cm; nerware; about 1937; earthenware with printed Gift of Martin K. Webb and Charles L. decoration; 2.6 x 34.9 cm; Gift of Martin K. Venable 2006.144.a–b. Webb and Charles L. Venable 2006.145.1–5. Ott & Brewer Company (Trenton, New Jersey, 1871–93); Tray; 1882–90; porcelain Drawings with gilt decoration; 7 x 38 x 40 cm; Gift of Thomas Gainsborough (British, 1727–1788); the Foster Family Foundation 2007.161. A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened Designed by Harold Stabler (British, with white chalk on paper and varnished; 21.3 1872–1945), manufactured by J. R. O & Sons x 30.5 cm; Purchase from the J. H. Wade Fund (British), retailed by Ogdens (British); Tea 2006.156. Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken John Jackson (American, 1955–2006); Green Memorial Fund 2007.3.1–5. Goddess; 2005; watercolor, gouache, charcoal, and graphite with collage; 91 x 124.9 cm; Design attributed to Gale Turnbull Gift of Achala Wali in memory of the artist (American, 1889–1962), manufactured 2007.169. by Leigh Potters (Alliance, Ohio, active 1926–about 1934);“The Aristocrat” Covered Jane Kent (American, b. 1952); The Blue Casserole Dish; designed about 1932; earthen- Optimist; 2006; watercolor, black ink, and ware with printed decoration; h. with cover graphite; 59.7 x 46 cm; Gift of The Print Club 13.5 cm, diam with handles 23.7 cm; Gift of Cleveland 2007.16. of Martin K. Webb and Charles L. Venable Richard Pousette-Dart (American, 1916–1992); 2006.143.a–b. Untitled; 1977; graphite on paper prepared with gesso; 57 x 76.2 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2007.162.

Designed by Harold Stabler (British, 1872–1945), manufactured by J. R. O & Sons (British), retailed by Ogdens (British); Tea Service; about 1935; bakelite, silver, ivory; 7.8 x 31.9 x 19 cm; The Mary Spedding Milliken Memorial Fund 2007.3.1–5.

34 Islamic Art Medieval Art John L. Severance Fund 2006.154. Fol. 9: Illuminated Folios from the Bustan of Sa‘di; 2 Filigree Disk Brooch with Central Boss; late 600s; Ordo Missalis (full borders); 2006.154.9.a. Fol. folios; about 1520; Iran, Safavid period; opaque Frankish (late Merovingian); metalwork 22: Nativity; 2006.154.22.a. Fol. 22v: Foliage watercolor, ink, gold, and silver on paper; 30.1 (gilt-silver, copper alloy, glass, almandine); with Fish; 2006.154.22.b. Fol. 25: St. John with x 19 cm overall; Gift of William Kelly Simpson 4.2 x 4.3 x 1.8 cm; Andrew R. and Martha Eagle; 2006.154.25.a. Fol. 30v: Adoration of the in memory of his wife, Marilyn M. Simpson, Holden Jennings Fund 2007.163. Magi; 2006.154.30.b. Fol. 116: St. Matthew with Angel; 2006.154.116.b. Fol. 124v: Christ and her grandparents Mr. and Mrs. John D. Parade Halberd (from the bodyguard of Ludwig Rockefeller Jr. 2006.147.a–b and 2006.148.a–b. Holding the Cross; 2006.154.124.b. Fol. 131: Rudolf, Duke of Brunswick-Wolfenbüttel St. Luke with Bull; 2006.154.131.a. Fol. 141v: A Prince and Lady, Dressed in White, Seated in [1671–1735]); dated 1717; Germany; blued, St. John with Eagle; 2006.154.141.b. Fol. 183: a Palace with Musicians and Attendants (from etched, and gilded steel, wood haft, silk Foliage Decoration; 2006.154.183.a. Fol. 183v: the Khamsa of Nizami); about 1560–80; Iran, fringe; l. 276.9 cm; Alma Kroeger Fund Cross, Foliage; 2006.154.183.b. Fol. 184: Foli- Shiraz, Safavid period; opaque watercolor, ink, 2007.164. age; 2006.154.184.a. Fol. 184v: Cross, Foliage; and gold on paper; 30.7 x 19.7 cm overall; Gift Parade Partisan (from the bodyguard of August 2006.154.184.b. Fol. 185v: Crucifixion with of William Kelly Simpson in memory of his Wilhelm, Duke Brunswick-Wolfenbüttel Borders (full page); 2006.154.185.b. Fol. 186: wife, Marilyn M. Simpson, and her grand- [1662–1731]); dated; 1718; Germany; blued, Decorated Initial T[e igitur] (full page); parents Mr. and Mrs. John D. Rockefeller Jr. etched, and gilded steel, wood haft, silk 2006.154.186.a. Fol. 193v: Resurrection of 2006.146.a–b. fringe; l. 258.5 cm; Alma Kroeger Fund Christ; 2006.154.193.b. Fol. 208v: Ascension of Two Ducks (from the Manafi’ al-Haywan of Abu 2007.165. Christ; 2006.154.208.b. Fol. 214: Pentecost; Sai’d ’Ubayd Allah ibn Bakhtishu’); late 1200s; Bartolommeo Caporali (Italian, Perugia, 2006.154.214.a. Fol. 222: Chalice with Host; Iran; opaque watercolor, ink, and gold on about 1420–about 1505), assisted by Giapeco 2006.154.222.a. Fol. 259: St. Andrew; paper; 25.7 x 18.5 cm overall; Gift of William Caporali (Italian, Perugia, d. 1478); Missale 2006.154.259.a. Fol. 260: Foliage with Fruit; Kelly Simpson in memory of his wife, Marilyn (400 vellum leaves; 3 full-page illuminations; 2006.154.260.a. Fol. 263: St. Thomas; M. Simpson, and her grandparents Mr. and 31 historiated initials); 1469; ink, tempera, and 2006.154.263.a. Fol. 270: Presentation of Christ Mrs. John D. Rockefeller Jr. 2006.149.a–b. burnished gold on vellum; 35 x 25 cm (folios) to Simeon; 2006.154.270.a. Fol. 275v: Annun-

Thomas Gainsborough (British, 1727–1788); A Herdsman with Three Cows by an Upland Pool; mid 1780s; watercolor, ink, and oil, heightened with white chalk on paper and varnished overall; 21.3 x 30.5 cm; Purchase from the J. H. Wade Fund 2006.156.

35 Louis Marcoussis (French, 1883–1941); Night Café (Café de la nuit); about 1923; oil on canvas; 70.5 x 88.1 cm; Given in loving memory of W. Chave and Mary Tyler McCracken by their daughters 2006.139.

ciation; 2006.154.275.b. Fol. 287: St. John Photography 2007.28.5. 6; 11.7 x 7.8 cm; 2007.28.6. 7; the Baptist; 2006.154.287.a. Fol. 290v: Berenice Abbott (American, 1898–1991); 2 11.7 x 7.7 cm; 2007.28.7. 8; 11.6 x 7.8 cm; Sts Peter and Paul; 2006.154.290.b. Fol. 306: gelatin silver prints; John L. Severance Fund. 2007.28.8. 9; 11.6 x 7.6 cm; 2007.28.9. 10; Assumption of the Virgin; 2006.154.306.a. Fol. Hudson River Bridge; 1930–36; 23.7 x 17.3 cm; 11.5 x 7.8 cm; 2007.28.10. 311v: St. Anne Holding the newborn Virgin; 2007.20. Starrett Lehigh Building; 1936; 19.8 x Herman Berkman (German); The Film 2006.154.311.b. Fol. 318v: St. Francis; 24.5 cm; 2007.21. (Der Film); 1930; gelatin silver print; 29.8 x 2006.154.318.b. Fol. 322v: The Virgin among Manuel Alvarez Bravo (Mexican, 1902–2002); 23.9 cm; John L. Severance Fund 2007.29. the Apostles and Saints; 2006.154.322.b. Fol. 2 gelatin silver prints; John L. Severance Fund. Ilse Bing (American, b. Germany, 1899– 324v: St. Martin; 2006.154.324.b. Fol. 327: The Balloon Seller; 1947; 16.3 x 11 cm; 2007.25. 1998); 3 gelatin silver prints; John L. St. Bartholomew; 2006.154.327.a. Fol. 387v: Ladder of Ladders (Escala de Escalas); 1931; 24.4 Severance Fund. Balancoire, Amusement Park Death Represented as a Skeleton with a Sickle; x 18.3 cm; 2007.142. Ride; 1933; 28.3 x 22.3 cm; 2007.30. Laundry; 2006.154.387.b. Folio 400: Colophon; 1929; 11.5 x 17.4 cm; 2007.32. ; 1933; 2006.154.400.a. Herbert Ascherman Jr. (American, b. 1947); Viktor Groschedl; 2005; platinum print; 24.5 x 21.6 x 28.3 cm; 2007.31. Modern European Art 19.5 cm; Gift of the Artist 2006.189. Théodore Blanc (French, 1898–1985) and (French, 1887–1968); From Eugène Atget (French, 1857–1927); Mullein in Antoine Demilly (French, 1892–1964); Sign or by Marchel Duchamp or Rrose Sélavy (La Bôite- Bloom (Bouillon Blanc en Fleur); 1900; albumen with Hat; 1935; gelatin silver print; 29.7 x 29.6 en-valise); 1935–40, 1963–66 (Series F); red print; 21.8 x 17.6 cm; John L. Severance Fund cm; John L. Severance Fund 2007.33. leather box containing 80 objects; gouache, 2007.26. Erwin Blumenfeld (American, b. Germany, green lacquer, varnish, celluloid, wood, ob- Edouard Baldus (French, 1813–1889); Portrait 1897–1969); John L. Severance Fund. Boxers jects of glass, oilcloth, ceramic, and collotype, of Paul Chenevard; from the series “Histoire des Over New York; 1920; collage; gelatin silver letterpress, pouchoir, and lithographic prints; Artistes Vivants”; about 1852; salt print from print and photomechanical reproductions; 41.5 x 38.5 x 9.9 cm; Andrew R. and Martha wet collodion negative; 17.6 x 13.2 cm; Alma 19.4 x 24.4 cm; 2007.34. Profile Study; about Holden Jennings Fund 2007.157. Kroeger Fund 2006.164. 1944; gelatin silver print, ferrotyped; 31.6 x 26.4 cm; 2007.35. Louis Marcoussis (French, 1883–1941); Night Hans Bellmer (German, 1902–1975); The Doll Café (Café de la nuit); about 1923; oil on can- (La Poupée); 1936; gelatin silver print; 7.8 x Bill Brandt (British, b. Germany, 1904–1983); vas; 70.5 x 88.1 cm; Given in loving memory 11.8 cm; John L. Severance Fund 2007.27. John L. Severance Fund. Barcelona; 1932; gela- of W. Chave and Mary Tyler McCracken by tin silver print; 29.3 x 22 cm; 2007.143. Nude, Hans Bellmer; The Doll (La Poupée); 1936; 10 their daughters 2006.139. Vasterival, Normandy; 1954 (printed mid to late gelatin silver prints; John L. Severance Fund. 1950s); gelatin silver print with hand-applied 1; 11.7 x 7.8 cm; 2007.28.1. 2; 11.7 x 7.9 cm; surface manipulation; 23 x 19.6 cm; 2007.36. 2007.28.2. 3; 11.7 x 7.9 cm; 2007.28.3. 4; 11.8 x 7.8 cm; 2007.28.4. 5; 11.6 x 7.8 cm;

36 Brassaï (French, b. Austria-Hungary, 1899– Horacio Coppola (Argentinean, b. 1906); on magazine paper; 27 x 17.7 cm; 2007.51. 1984); 5 gelatin silver prints, ferrotyped; John Royal Wedding; 1934; gelatin silver print; 13.5 Bra and Girdle; 1961; collage; photomechanical L. Severance Fund. At the White Ball, Mont- x 20.4 cm; John L. Severance Fund 2007.45. reproductions; 34.6 x 19.2 cm; 2007.50. Bride; parnasse (Á la Boule Blanche, ); Louise Dahl-Wolfe (American, 1895–1989); 1937; collage; photomechanical reproductions 1932; 24 x 18.1 cm; 2007.39. A Two in One Fashion Study; 1930s; gelatin silver print; 23.8 on magazine paper; 25 x 17.3 cm; 2007.52. Suit; 1932 (printed mid 1950s); 29.8 x 22.1 x 42.6 cm; John L. Severance Fund 2007.46. The First Inspection of the Castle (D’emblée en cm; 2007.40. Fireworks at Longchamps; 1930s; Visiste au Chateâu); 1930s; collage; photo­ 17.6 x 23.2 cm; 2007.37. Two Acrobats, Cirque Larry Fink (American, b. 1941); The Oscar mechanical reproductions on magazine paper; Medrano; 1932–33; 27.7 x 23.4 cm; 2007.38. A Photographs Portfolio (printed 2005); 12 inkjet 21.3 x 14.8 cm; 2007.49. The Architect of Mage Couple at the Ball Quat’z’ Arts (Un Couple le Bal prints, Epson; Gift of Mark Schwartz and (L’architect du Mage); 1935; collage; photo­ des Quatre Arts); 1931 (printed 1950s); 28.5 x Bettina Katz in honor of Timothy Rub. mechanical reproductions on drawing (graph- 20.9 cm; 2007.144. Anjelica Houston and Her Husband, Robert ite, watercolor, black pen, and ink); 31.5 x Graham; 2002; 81.4 x 81.4 cm; 2006.190.1. Joseph Breitenbach (American, b. Germany, 22.7 cm; 2007.53. My Travels Brought Me Here Graydon Carter’s Fiancé, 2004; 81.4 x 81.4 (Mes d’ambulations m’amenent); 1930s; collage; 1896–1984); John L. Severance Fund. Electric cm; 2006.190.4. Man Looking into the Camera; Back; 1947; montage; gelatin silver print; 34.2 gelatin silver print and photomechanical 2005; 81.4 x 68.5 cm; 2006.190.6. Matching reproductions; 20.3 x 19.5 cm; 2007.148. x 26.8 cm; 2007.145. Fireworks; late 1930s; Dresses; 2000; 81.4 x 81.4 cm; 2006.190.10. photogram; gelatin silver print; 35.4 x 27.9 Two Women; 1934; collage; photomechanical The Oscar; 2005; 81.4 x 81.4 cm; 2006.190.9. reproductions; 16.4 x 12.5 cm; 2007.48. cm; 2007.41. Table at Vanity Fair Oscar Party; 2003; 81.4 Horace Bristol (American, 1908–1997); For- x 81.4 cm; 2006.190.2. Two Men Embracing; Michael Kenna (British, b. 1953); The Rouge, tune Teller with Glass; 1940s; gelatin silver; 5.6 2000; 81.4 x 81.4 cm; 2006.190.3. Two Study #41; 1994; gelatin silver print; 19.2 x 19 x 5.6 cm; John L. Severance Fund 2007.42. Women with Handbags; 2001; 81.4 x 81.4 cm; cm; Gift of John C. Williams in honor of Audrey and Albert Ratner 2006.187. Robert Capa (American, b. Hungary, 1913– 2006.190.5. Waitress Holding a Tray; 2005; 81.4 1954); Hyppique, Paris; 1936–37; gelatin x 81.4 cm; 2006.190.12. Warren Beatty Speaking André Kertész (American, 1894–1985); Clock silver print, ferrotyped; 24 x 17.2 cm; John L. to Woman; 2001; 81.4 x 81.4 cm; 2006.190.7. and Rope; 1928; gelatin silver print; 22.5 x Severance Fund 2007.43. Woman in a Revealing Dress; 2004; 81.4 x 13.4 cm; John L. Severance Fund 2007.55. 81.4 cm; 2006.190.11. Women Appraising One Willy Kessels (Belgian, 1898–1974); Untitled; Keith Carter (American, b. 1948); 2004; 2 Another; 2004; 65.1 x 81.4 cm; 2006.190.8. gelatin silver prints; Gift of the Contem- 1960s; photogram; gelatin silver print; 23.2 x porary Art Society. Fishbowl; 38.7 x 38.9 Lee Friedlander (American, b. 1934); 1995; 10 17.5 cm; John L. Severance Fund 2007.56. cm; 2006.167. Thirty Plates; 38.6 x 39 cm; gelatin silver prints; The George Gund Foun- Edmund Kesting (German, 1892–1970); 2006.168. dation Collection in honor of David Bergholz, Dean Goodelle; 1930; montage; gelatin silver The Cleveland Museum of Art. Encore Manu- Père Català-Pic (Spanish, 1889–1971); Untitled print; 23.7x 18.9 cm; John L. Severance Fund facturing; 26.1 x 26.1 cm; 2006.208. Horsburgh 2007.57. (image montage); 1930; gelatin silver print; 13 x & Scott; 26.2 x 26 cm; 2006.216. Hugo Boss; 9.3 cm; John L. Severance Fund 2007.109. 26.1 x 26 cm; 2006.212. Lincoln Electric; 26.1 x François Kollar (French, 1904–1979); Wood Paula Chamlee (American, b. 1944); 2 gela- 25.9 cm; 2006.215. LTV Steel; 26.1 x 26 cm; Milne; 1930; montage; gelatin silver print; 37.5 tin silver prints; Michael A. Smith and Paula 2006.214. NASA Lewis Research Center; x 28.1 cm; John L. Severance Fund 2007.58. Chamlee. Big Bend, Texas; 1998; 19.5 x 24.4 26.2 x 26 cm; 2006.217. University Hospitals of Vasilij Komardenkov (Russian, 1897–1973); cm; 2006.205. Near Vaiano, Umbria; 1999; 9.4 Cleveland; 25.2 x 25.6 cm; 2006.209. Vocation- Kino Design; early 1920s; collage; photo­ x 12 cm; 2006.206. al Guidance Services; 26.2 x 26 cm; 2006.210. mechanical reproductions; 41.5 x 30.7 cm; Paula Chamlee; 3 gelatin silver prints; The Vocational Guidance Services; 26.2 x 26 cm; John L. Severance Fund 2007.59. Jane B. Tripp Charitable Lead Annuity Trust. 2006.211. Vocational Guidance Services; 26.2 x Nikolai Koubeev (Russian, 1910–1956); High Plains Farm, Adrian, Texas, 1994; 19.4 26 cm; 2006.213. Pervoie Maiav Krasnoj Stolitse; 1932; gelatin x 24.3 cm; 2007.7. High Plains Farm, Adrian, Viktor Groschedl (Austrian, 1954–2006); silver print; 15.3 x 22.2 cm; John L. Severance Texas, 1995; 19.4 x 24.3 cm; 2007.8. San 1997; 3 gelatin silver prints; Gift of Herb Fund 2007.60. Rafael Valley, Arizona, 1990; 19.5 x 24.3 cm; Ascherman Jr., Robert and Jane Herbst, Germaine Krull (Polish, 1897–1985); 2 gelatin 2007.9. Chanho and Sung-a Park, James R. Schutte, silver prints; John L. Severance Fund. And by Lynne Cohen (American, b. 1944); Classroom, and Jerald Smith and Susan Starett. Untitled; Chance (Et du Hasard); 1930s; 15.2 x 22 cm; Beauty School, 1979; gelatin silver print; 19.1 23.7 x 36.2 cm; 2006.160. Untitled; 26 x 2007.62. Hands and Noose; 1928; 22.8 x 13.2 x 24.4 cm; Gift of Friends of Photography; 38.1 cm; 2006.161. Untitled; 36.3 x 24.8 cm; cm; 2007.61. 2006.162. 2007.177. Jacques-Henri Lartigue (French, 1894–1986); Gregory Conniff (American, b. 1944); 1996; 8 John Gutmann (American, b. Germany, 1931; 5 toned gelatin silver prints; John L. gelatin silver prints; The George Gund Foun- 1905–1998); That Inward Eye; 1940s; montage; Severance Fund. With Lulu in the Woods of dation Collection in honor of David Bergholz, gelatin silver print; 22.7 x 17.5 cm; John L. Boulogne (Avec Lulu au Bois du Boulogne); 26 x The Cleveland Museum of Art. E. 84th and Severance Fund 2007.140. 24.4 cm; 2007.63. In the Studio (Dans l’atelier); Wade Park; 24.7 x 24.9 cm; 2006.222. E. 84th Heinz Hajek Halke (German, 1898–1983); 7.8 x 13 cm; 2007.64. The Crystal Ball (La and Wade Park; 24.7 x 24.7 cm; 2006.223. E. The Princess in the Backyard; 1930; montage; Boule de Verre); 23.7 x 30 cm; 2007.149. Paint- 92nd and Parkgate; 24.6 x 24.9 cm; 2006.225. gelatin silver print; 23.3 x 17.5 cm; John L. ing of a Necklace (Tableau au Collier); 13.8 x 7.8 E. 114th between St. Clair and Sellers; 24.6 x Severance Fund 2007.47. cm; 2007.65. Socoa; 7.7 x 13.5 cm; 2007.66. 24.9 cm; 2006.218. E. 125th and Mayfield; 24.6 Fan Ho (Chinese, b. 1937); 2 gelatin silver Guy LeBoyer (French); Headlight, Paris; 1940s; x 24.6 cm; 2006.220. Elmwood and W. 117th; prints; 49.4 x 39.1 cm; Dudley P. Allen Fund. gelatin silver print; 22.9 x 17 cm; John L. 24.6 x 24.9 cm; 2006.224. W. 38th and Down, 1961; 2006.166. The Omen; 1964; Severance Fund 2007.141. Franklin; 24.6 x 24.6 cm; 2006.219. W. 38th 2006.165. and Franklin; 24.6 x 24.6 cm; 2006.221. Marcel G. Lefrancq (Belgian, 1916–1974); George Hugnet (French, 1906–1974); John L. With the Hands of Light (Aux Mains du Lumière); Erich Consemüller (German, 1902–1957); Severance Fund. Angkor Wat; 1930s; collage; 1948; 25 gelatin silver prints, ferrotyped; John Bauhaus Sculptural Study; 1927; gelatin silver photomechanical reproductions and gallery L. Severance Fund. Countryside (Paysage); 20.6 print; 10.6 x 7.6 cm; John L. Severance Fund announcement; 13.1 x 10 cm; 2007.54. Beach; x 16.4 cm; 2007.67.7. Crystallized Countryside 2007.44. 1937; collage; photomechanical reproductions (Paysage Cristallisé); 13.9 x 16.4 cm; 2007.67.14.

37 Elected (Elue); 22.9 x 15.4 cm; 2007.67.5. End- print; 24 x 26.3 cm; 2007.74. Repent for the less Repetition (Eternal Retour); 22.8 x 15.5 cm; Kingdom of Heaven is at Hand; 1934; gelatin 2007.67.25; The Enemy (L’Ennemi); 11.9 x 16.4 silver print; 28.4 x 23.9 cm; 2007.70. Row of cm; 2007.67.22. Eulogy of Carnage (Eloge du Aquariums; 1930; gelatin silver print, ferro- Carnage); 10.7 x 16.4 cm; 2007.67.12. Exercise typed; 20.3 x 18.3 cm; 2007.78. Sky Pinwheels in Purity (Exercice de la Pureté); 22 x 16.1 cm; and Bottles; 1930s; gelatin silver print, ferro- 2007.67.23. Haunted Eyes; 22.8 x 16.4 cm; typed; 20.5 x 18.3 cm; 2007.81. Stairwell and 2007.67.2. of Christ (Tête de Christ); 22.5 Plants in Covent Gardens; 1934; gelatin silver x 16.1 cm; 2007.67.10. Heide; 11.9 x 16.3 cm; print, ferrotyped; 28 x 24 cm; 2007.76. Street 2007.67.8. Photogram (Photogramme); 22.9 x Orchestra, Blind Musicians; 1934; gelatin silver 16.4 cm; 2007.67.9. Hope is Out the Window print; 32 x 28.4 cm; 2007.89. Three Covered (L’Espoir est au-delà de la Fenêtre); 22.9 x 15.2 Statues; 1930s; gelatin silver print; 39.9 x 29.8 cm; 2007.67.11. Illustration for ‘The Adventures cm; 2007.87. Trees and Ominous Sky (Looking of A.G. Pym’ by E. A. Poe; 11 x 16.4 cm; Up); 1934; gelatin silver print, ferrotyped; 28.2 2007.67.19. In a Far Off Country (En Pays x 24 cm; 2007.82. Lointain); 22.8 x 15.7 cm; 2007.67.20. Large René Magritte (Belgian, 1898–1967); Net to Capture the Wind (Grands Filets à Capturer Georgette at the Table; 1933–35; gelatin silver le Vent); 12.2 x 16.5 cm; 2007.67.16. The Law print, chlorobromide emulsion; 8 x 6 cm; John of Coincidence (La Loi des Coïncidences); 19.7 x L. Severance Fund 2007.90. 16.4 cm; 2007.67.6. The Melancholy Door (La Porte Triste); 17.6 x 16.4 cm; 2007.67.1. Scien- Man Ray (Emmanuel Rudnitzky) (American, tific Objectivity (Objectivité Scientifique); 22.8 x 1890–1976); John L. Severance Fund. Lee 16.3 cm; 2007.67.3. Small Fairy in a Park (Petite Miller; 1930; gelatin silver print; 8.8 x 6.2 cm; Fée dans un Parc); 22.7 x 16.1 cm; 2007.67.18. 2007.92. Untitled (Rayograph); 1928; photo- Smoking (Fumée); 11 x 16.3 cm; 2007.67.4. gram; gelatin silver print; 16.5 x 12.3 cm; The Song of the Roofs (La Chanson des Toits); 2007.91. 22.8 x 15.3 cm; 2007.67.13. Spray of Sunshine Marcel Marien (Belgian, 1920–1993); A Pair (Poussière de Soleil); 22.8 x 15.2 cm; 2007.67.24. of Shoes Climbing a Staircase (Paire de Chausseurs Statue of Snow (Statue de Neige); 22.8 x 16.4 cm; Semblant Monter un Escalier); 1949 (printed 2007.67.17. Study of Form I (Etude de Forme I); later); gelatin silver print; 12.7 x 8.8 cm; John 17.6 x 16.4 cm; 2007.67.21. Study of Form V L. Severance Fund 2007.93. (Etude de Forme V); 22.7 x 16 cm; 2007.67.15. Herbert Matter (American, 1907–1984); Dolls; (Russian, 1891–1956); (Russian, 1890–1941); Mannequin; 1930s; gelatin silver print; 20.2 x 25.8 cm; At the Telephone; 1928; 1920s; gelatin silver print from photogram John L. Severance Fund 2007.94. gelatin silver print; 13.8 x negative; 29.4 x 23.5 cm; John L. Severance Cecil McDonald (American, b. 1965); 1200 8.9 cm; John L. Severance Fund 2007.147. Fund 2007.146. Meditation, Things My Mother Gave Me; 2005; Herbert List (German, 1903–1975); Sant inkjet print, Epson, edition 1/12; 43.5 x 59.9 Angelo, Ischia; 1937; gelatin silver print; 22.7 cm; Gift of Friends of Photography 2007.178. x 27.8 cm; John L. Severance Fund 2007.68. Cecil McDonald; Frances Before Dinner; 2006; Eli Lotar (French, 1905–1969); Tomorrow inkjet print, Epson, edition 1/12; 46.7 x 60.9 (Lendemain); late 1920s; gelatin silver print; cm; Gift of the Artist and Catherine Edelman 15.6 x 22. cm; John L. Severance Fund Gallery, Chicago 2007.171. 2007.69. Edouard Léon Théodore Mesens (Belgian, Dora Maar (French, 1907–1997); John L. 1903–1971); Untitled Photogram; 1925; photo- Severance Fund. Beggar Woman, Barcelona; gram; collodion silver printing out paper; 17.9 1932; gelatin silver print, ferrotyped; 24.2 x x 23.8 cm; John L. Severance Fund 2007.95. 17.9; 2007.83. Carousel at Night; 1930; gelatin Auguste Mestral (French, 19th century); silver print, ferrotyped; 25 x 19.8 cm; 2007.79. Statue of the Virgin, Notre Dame de Paris; 1853; Crowd in Front of Car; 1934; gelatin silver print; salted paper print from paper negative; 35.2 18.1 x 26.6 cm; 2007.72. Couple Kissing; 1930s; x 25.8 cm; Andrew R. and Martha Holden gelatin silver print, ferrotyped; 19.1 x 17.4 cm; Jennings Fund 2007.12. 2007.80. Child Playing (Enfant Jouant); 1932; László Moholy-Nagy (American, 1895–1946); gelatin silver print; 29 x 27.3 cm; 2007.71. Mother Europe Cares for Her Colonies; 1925; Fashion Study; 1936; gelatin silver print; 27.7 gelatin silver print; 16.1 x 12.3 cm; John L. x 22.2 cm; 2007.84. Gypsy Palmist; 1932; Severance Fund 2007.96. gelatin silver print, ferrotyped; 26.8 x 24 cm; 2007.150. Headstand, Barcelona; 1932; gelatin Monsieur X (French, 20th century); Three silver print, ferrotyped; 27.5 x 24 cm; 2007.86. Graces; 1925; gelatin silver print; 18 x 23.9 cm; Horse and Carriage; 1934; gelatin silver print; John L. Severance Fund 2007.97. 23.6 x 17.6 cm; 2007.77. Forbidden Games ( Jeux Oskar Nerlinger (German, 1893–1969); Ar- Interdits); 1935; gelatin silver print; 28 x 21.6 rival at Sea; 1928; photogram; gelatin silver cm; 2007.85. The Girner (La Grimace); 1935; print; 17.6 x 22.8 cm; John L. Severance Fund gelatin silver print, ferrotyped; 28.2 x 22.9 cm; 2007.98. 2007.88. Medically Unfit; 1934; gelatin silver Jean Painlevé (French, 1902–1989) and Eli print, ferrotyped; 18.2 x 22.7 cm; 2007.75. Lotar (French, 1905–1969); Lobster Claw Plant and Window Study; 1930s; gelatin silver (Pincer d’Homard); 1929; gelatin silver print; print, ferrotyped; 22.5 x 26.5 cm; 2007.73. 22.9 x 17.3 cm; John L. Severance Fund Plants in Covent Gardens; 1934; gelatin silver 2007.99.

38 Gaston Paris (French, 20th century); gelatin mount; 37.8 x 28.2 cm; 2007.118. Stuttgart Unidentified photographer (American, 19th silver prints; John L. Severance Fund. Central Station; 1930s; gelatin silver print; 23.2 century); Incline on the Morris and Essex Canal, Entertainers; 1930s; 23.9 x 17.5 cm; 2007.100. x 17.4 cm; 2007.119. Newark, New Jersey; about 1870; albumen print Manikin (Dali); 1938; 19.7 x 18 cm; 2007.101. Michael A. Smith (American, b. 1942); Near from wet collodion negative; 24.6 x 19.2 cm; Roger Parry (French, 1905–1977); John L. Pienza, Tuscany; 2000; gelatin silver print; 19.3 Dudley P. Allen Fund 2006.163. Severance Fund. Carousel Horse; 1930; gelatin x 50 cm; Michael A. Smith and Paula Willem van de Poll (Dutch, 1895–1970); silver print; 22.5 x 16.8 cm; 2007.151. Dirty Chamlee; 2006.207. Moulin Rouge; about 1930; montage; gelatin Sink (Cuvette Sale); 1930–31; gelatin silver Michael A. Smith; 3 gelatin silver prints; The silver print, ferrotyped; 17.3 x 23.6 cm; John print; 23.5 x 17.1 cm; 2007.104. Hands with Jane B. Tripp Charitable Lead Annuity Trust. L. Severance Fund 2007.131. Crystal Ball, Variation (Mains avec Boule de From Cortona, Tuscany; 1999; 19.3 x 50 cm; Emil van Moerkerken (Dutch, 1916–1995); Cristal Variante); 1930; gelatin silver print; 2007.6. Spider Rock, Canyon de Chelly, Arizona; Happening with Van Geel; 1938; gelatin silver 17.7 x 23.9; 2007.107. Still Life (); 1993; 44.5 x 54.8 cm; 2007.4. Yosemite, print; 22.8 x 17.7 cm; John L. Severance Fund 1930; gelatin silver print mounted on board; California; 1988; 19.6 x 49.7cm; 2007.5. 2007.132. 23 x 17.4 cm; 2007.105. Still Life; 1930; gelatin silver print; 22.4 x 16.5 cm; 2007.103. Surim- Rosalind Solomon (American, b. 1930); 2 Garie Waltzer (American, b. 1947); Aguas pression (Robert Couturier); 1931; gelatin silver gelatin silver prints (printed 1993); Gift of Calientes, Baths; 2005; inkjet print; 56.3 x 55.7 print, montage; 17.4 x 22.9 cm; 2007.106. Friends of Photography. Boy with Coke and cm; Gift of the Artist; 2006.188. Surimpression (Woman on Bed); 1933; montage; Cotton Candy, Scottsboro, Alabama; 1976; 38.5 Garie Waltzer; Shanghai Overpass #1; 2005; gelatin silver print; 16.6 x 23 cm; 2007.108. x 38.5 cm; 2007.175. House with a Double inkjet print, Epson; 56.3 x 56.1 cm; Gift of Untitled, Nude; 1930; gelatin silver print; 23.7 Tombstone, Sand Mountain, Alabama; 1977; Linda Butler, William S. Lipscomb, and Judith x 17.6 cm; 2007.102. 38.3 x 38.3 cm; 2007.176. McMillan 2006.159. Eugène Piot (French, 1812–1891); Parthenon; Emmanuel Sougez (French, 1889–1972); William E. Williams (American, b. 1950); 2 1852; salted paper print from waxed paper Untitled (Film Strip); late 1920s; camera-less gelatin silver prints; Gift of Friends of Photog- negative; 22.8 x 32.9 cm; Alma Kroeger Fund photograph; gelatin silver print; 28.7 x 22.4 raphy. Arlington National Cemetery, Section 27, 2006.158. cm; John L. Severance Fund 2007.121. Arlington, Virginia; 2000 (printed 2001); 20.4 x Edward W. Quigley (American, 1898–1977); Anton Stankowski (German, 1906–1998); 20.5 cm; 2007.174. Jamestown Island, Virginia; Photogram (Number 9); 1930s; photogram; John L. Severance Fund. Eye; 1927; montage; 1996 (printed 1998); 19.2 x 19.3 cm; 2007.173. gelatin silver print; 20.7 x 16.6 cm; John L. gelatin silver print; 10.9 x 14.5 cm; 2007.122. Paul Wolff (German, 1887–1951); John L. Severance Fund 2007.110. Self Portrait “Der Trager”; 1930; gelatin silver Severance Fund. Airship Hindenberg; 1930s; print; 16.9 x 11.9 cm; 2007.152. Albert Renger-Patzsch (German, 1897–1966); gelatin silver print; 23.4 x 17.4 cm; 2007.134. 1920s; 3 gelatin silver prints; John L. André Steiner (Austrian, 1901–1978); Untitled; Wire Strainers (Drahtsiebe); 1937; gelatin silver Severance Fund. Cactus/Close Up; 17 x 23 cm; 1940s; gelatin silver print; 18.9 x 18 cm; John print, ferrotyped; 23.8 x 17.9 cm; 2007.133. 2007.23. Leaves; 17 x 23 cm; 2007.24. Pine- L. Severance Fund 2007.123. Wolfgang Schulze Wols (German, 1913– apple; 23.1 x 16.9 cm; 2007.22. Mark Steinmetz (American, b. 1961); 2 gelatin 1951); John L. Severance Fund. Antique Seller, Alexander Rodchenko (Russian, 1891–1956); silver prints; 30.4 x 41.9 cm; Gift of Friends of Paris; 1930s; gelatin silver print; 23.4 x 17.2 At the Telephone; 1928; gelatin silver print; 13.8 Photography. Athens, Georgia; 1996; 2007.17. cm; 2007.136. Posts (Poteaux); 1933; gela- x 8.9 cm; John L. Severance Fund 2007.146. Bourbon Street, New Orleans; 1995; 2007.18. tin silver print, ferrotyped; 29.6 x 24.2 cm; Carl Struwe (German, 1898–1988); John 2007.135. Untitled Portrait; 1938; gelatin silver Franz Roh (German, 1890–1965); John print; 22.2 x 25.8 cm; 2007.137. L. Severance Fund. Fitness Training in Den L. Severance Fund. Chlorophyll; 1928; gela- Kolonien; 1930; collage; photomechanical tin silver print, micrographed; 36 x 29 cm; René Zuber (French, 1902–1979); Grid over reproductions; 14.8 x 18.8 cm; 2007.114. The 2007.124. The Spiral (Die Spirale); 1935 Coins (Quadrillage sur Pieces); 1932; gelatin Isolation of the Narzisms (Die Einsamkeit de (printed 1950); gelatin silver print, ferrotyped; silver print; 22.8 x 17.3 cm; John L. Severance Narzisms); 1930; collage; photomechanical 23.4 x 18 cm; 2007.126. Crystal Formation Fund 2007.138. reproductions; 9.2 x 15.8 cm; 2007.113. Nude (Konstruktionsform Crystal); 1933; gelatin silver Piet Zwart (Dutch, 1885–1977); Typographic in Light; 1925; montage; gelatin silver print; print, micrographed; 18 x 22.6 cm; 2007.125. Composition; 1931; gelatin silver print; 17.4 x 14.5 x 21.2 cm; 2007.111. Woman with a Comb; Maurice Tabard (French, 1897–1984); John L. 12.3 cm; John L. Severance Fund 2007.139. 1930; gelatin silver print from a negative Severance Fund. Dancer George Pomies; 1931; image; 23.6 x 18.6 cm; 2007.112. montage; gelatin silver print; 23.7 x 17.5 cm; Prints Werner Rohde (German, 1906–1990); John L. 2007.127. Portrait of a Man/Self Portrait; 1930; Shusaku Arakawa (American, b. Japan, 1936); Severance Fund. Dompteuse (Renata); 1930–32; gelatin silver print; 22.6 x 17 cm; 2007.153. Iris Field: I See the Ceiling from My Bed; color gelatin silver print; 30 x 21.7 cm; 2007.115. Roger Tepe (b. 1915); 1900s; 2 silver prints on lithograph, screenprint, and embossing; 76 x Rule Brittania; late 1950s–early 1960s; photo- printing out paper; John L. Severance Fund. 106.4 cm; Gift of Mitzie Verne in memory of collage; gelatin silver prints; 39.5 x 29.1 cm; Birdsnest with Eggs; 11.7 x 16.5 cm; 2007.129. Dr. Daniel Verne 2006.195. 2007.116. Eggs on Ground; 11.7 x 16.8 cm; 2007.128. Mary Lee Bendolph (American, b. 1935); Thurman Rotan (American, 1905–1991); New Raoul Ubac (Belgian, 1910–1985); 2 gelatin Housetop Blocks/Purple; 2005; color aquatint York Montage; 1928; montage; gelatin silver silver prints; John L. Severance Fund. The and softground etching; 60.4 x 60.6 cm; Gift print; 11.5 x 8.2 cm; John L. Severance Fund Battle of the Penthesilea (Le Combat de Penthesil- of Thomas R. Roese 2006.198. 2007.117. iées); 1937; 17 x 22.9 cm; 2007.154. Manikin Louis-Marin Bonnet (French, 1736–1793); Tokihiro Sato (Japanese, b. 1957); 2 gelatin (André Masson); 1937; 22.8 x 9.4 cm; 2007.130. Love Requests Venus to Return His Weapons silver prints; The Jane B. Tripp Charitable Brian Ulrich (American, b. 1971); Cleveland, to Him (L’Amour Prie Vénus de Lui Rende ses Lead Annuity Trust. #375 Sakatashibi 3; 1999; OH (Disney); 2004 (printed 2007); chromoge- Armes) (after François Boucher); 1768; color 53.7 x 43.2 cm; 2007.10. Nikko 3; 2001; 43.2 nic process color print; 110.6 x 132.1 cm; Gift chalk-manner etching and engraving; 27.3 x x 54 cm 2007.11. of Katherine Solender and William E. Katzin 36.7 cm; Herold 17, state I/V; James Parmelee Fund 2006.182. Ernst Schieron (German); John L. Severance 2007.170 Fund. Montage; 1920s; montage; gelatin silver Brian Ulrich; Lyndhurst, OH (Guns); 2004 print; 17.1 x 23.2 cm; 2007.120. Reflection in (printed 2007); chromogenic process color Mirror; 1930; gelatin silver print on artist’s print; 110.6 x 132.1 cm; Gift of Friends of Photography 2007.172

39 Charles Burwell (American, b. 1905); Pink 1802; softground etching and aquatint printed Henri Charles Guérard (French, 1846–1897); Ground and Two Figures; 2005; color digital in brown; 22.9 x 49.1 cm; Abbey 102, 9 with- Punchinello, after Meissonier (Polichinelle, d’après print; 15.2 x 15.2 cm; Gift of Sandra and out letters; 2006.228. View of Pont au Change, Meissonier); 1876; etching; 9 x 5.7 cm; Bertin Gary Kaufman in honor of the Fine Print Fair Theatre, Pont Neuf, Conciergerie Prison, 11, state I/III; Gift of Bernard Derroitte and 2006.199. &c Taken from Pont Notre Dame (aquatint by Sonia Kupfer in honor of Celine Deroitte Philibert Louis Debucourt (French, 1755– Frederick Christian Lewis I [British, 1779– 2006.193. Punchinello on Stilts (Polichinelle sur 1832); Annette and Lubin (Annette et Lubin); 1856]); 1803; softground etching and aquatint des Echasses); about 1888; etching; 26.2 x 7.7 1789; color engraving and etching; 40.8 x 30.9 printed in brown, hand-colored with water- cm; Bertin 117, state II/of II?; Gift of cm; Fenaille 22, state II/V; L. E. Holden Fund color; 30.2 x 56.2 cm; Abbey 102, 9 with let- Elizabeth Carroll Shearer in memory of 2006.172. ters; 2006.227. View of the Pont de la Tournelle Robert Lundie Shearer 2006.192. Punchinello, & Notre Dame Taken from the Arsenal (aquatint Three-quarters to the Right (Polichinelle, de trios- (Russian, 1885–1979); by Frederick Christian Lewis I [British, quart à droite); about 1887; color etching, Untitled; etching and aquatint; 69.2 x 49.7 cm; 1779–1856]); 1802; softground etching and aquatint, and roulette; 16 x 8 cm; Bertin 116, Gift of Helen A. Weinberg in memory of her aquatint printed in brown, hand-colored proof, state III/III; Gift of Elizabeth husband, Kenneth G. Weinberg 2006.271. with watercolor; 22.7 x 53.8 cm; Abbey 102, Carroll Shearer in honor of Heather John Girtin (British, about 1780–after 1820); 11 with letters; 2006.230. View of Pont de la Lemonedes 2006.191. A Selection of Twenty of the Most Picturesque Tournelle & Notre Dame Taken from the Arse- Philip Guston (American, 1913–1980). A Suite Views in Paris, and Its Environs; 1803; engrav- nal (aquatint by Frederick Christian Lewis of Ten Lithographs by Philip Guston: Untitled ings; Gift of John Bonebrake. Dedication Page; I [British, 1779–1856]); 1802; softground #10; 1966; lithograph; 51 x 68.3 cm; L. E. 34.5 x 42.5 cm; Abbey 102 with letters; etching and aquatint printed in brown; Holden Fund 2006.176. 2006.239. Title Page; 33 x 40.5 cm; Abbey 102 15.1 x 44.5 cm; Abbey 102, 11 without let- with letters; 2006.238. ters; 2006.243. View of St. Cloud and Mount Wilhelm Heise (German, 1892–1965); Calvary Taken from the Pont de Sêve (aquatint Konigskerzen; lithograph; 48.7 x 30.8 cm; L. E. Thomas Girtin (British, 1775–1802); A Selec- Holden Fund 2006.181. tion of Twenty of the Most Picturesque Views in by Frederick Christian Lewis I [British, Paris, and Its Environs; 18 prints; Gift of John 1779–1856]); 1802; softground etching and William Holman Hunt (British, 1827–1910); Bonebrake. View from Palace Terrace, at St. aquatint printed in brown; 12.7 x 48 cm; The Father’s Leave-Taking; 1879; etching; 19.1 Germain en Laye, with Aqueduct of Marli Seen in Abbey 102, 18 without letters; 2006.241. x 25 cm; Bronkhurst App. B26; L. E. Holden the Distance (aquatint by Joseph Constantine View of St. Cloud & Mount Calvary Taken from Fund 2006.173. Stadler [German, active 1780–1812]); 1803 Pont de Sêve (aquatint by Frederick Christian Juste de Juste (French, 1505–1559); Pyramid of (printed 1810 or after); softground etching Lewis I [British, 1779–1856]); 1802 (printed Five Men; about 1543; etching; 27.8 x 20.7 cm; and aquatint printed in brown, hand-colored 1810 or after); softground etching and aqua- Zerner J.5; Alma Kroeger Fund 2007.167. tint printed in brown, hand-colored with with watercolor; 22.6 x 53.7 cm; Abbey 102, Ellsworth Kelly (American, b. 1923); Suite of watercolor; 20.1 x 53.6 cm; Abbey 102, 18 16 with letters; 2006.236. View of Belle Vue & Plant Lithographs: Pear III (Poire III); 1965–66; with letters; 2006.233. View of the Village of Pont de Sêve Taken from the Terrace near Pont de lithograph; 49 x 50 cm; Axsom 47; Mr. and Chaillot, &c Taken from Pont de la Concorde St Cloud (aquatint by Frederick Christian Mrs. Richard W. Whitehill Art Purchase (aquatint by Frederick Christian Lewis I Lewis I [British, 1779–1856]); 1802; soft- Endowment Fund 2006.184. ground etching and aquatint printed in [British, 1779–1856]); 1803 (printed 1810 brown, hand-colored with watercolor; 22.5 x or after); softground etching and aquatint Jane Kent (American, b. 1952); 2 color aqua- 54 cm; Abbey 102, 13 with letters; 2006.234. printed in brown, hand-colored with water- tints, mezzotint, and roulette; 38.1 x 30.2 View of Belle Vue & Pont de Sêve (aquatint color; 20.1 x 55.1 cm; Abbey 102, 17 with cm; The Print Club of Cleveland Publication by Frederick Christian Lewis I [British, letters; 2006.235. View of the Village of Chail- Number 85, 2007. Gift of The Print Club of 1779–1856]); 1802; softground etching and lot, &c Taken from Pont de la Concorde (aqua- Cleveland. The Blue Optimist; 2006; 2007.14. aquatint printed in brown; 14.5 x 46.5 cm; tint by Frederick Christian Lewis I [British, The Blue Optimist, B.A.T.; 2005; 2007.15. Abbey 102, 13 without letters; 2006.244. View 1779–1856]); 1802; softground etching and Maxime Lalanne (French 1827–1886); 14 of the Gate of St. Denis Taken from the Suburbs aquatint printed in brown; 5 x 19 cm; Ab- etchings; Gift of John Bonebrake. At Harlem (aquatint by Frederick Christian Lewis I bey 102, 17 without letters; 2006.242. The (Holland) (À Haarlem [Hollande]); 1877; 20.9 [British, 1779–1856]); 1803; softground etch- Water Mill above the Bridge at Charenton (aqua- x 30.3 cm; Villet 121, state I/III; 2006.248. ing and aquatint, hand-colored with water- tint by Frederick Christian Lewis I [British, Boulevard ; 1884; 20.1 x 25.6 cm; color; 23 x 49.3 cm; Abbey 102, 10 without 1779–1856]); 1803 (printed 1810 or after); Villet 155, state II/II; 2006.245. Conflagration letters; 2006.229. View of the Louvre & Bridge softground etching and aquatint printed in in the Port of Bordeaux (Incendie dans le Porte of the Thuilleries Taken from Pont Neuf (aquatint brown, hand-colored with watercolor; 20.6 x de Bordeaux); 1869; 15.8 x 23.8 cm; Villet by J. B. Harraden [British]); 1802; softground 33 cm; Abbey 102, 20 with letters; 2006.232. 50, state III/III; 2006.251. Demolition for the etching and aquatint printed in brown, hand- The Water Works at Marli, and St. German en Opening of Boulevard St. Germain (Demolitions colored with watercolor; 25.1 x 52.6 cm; Laye seen in the distance (aquatint by J. B. pour le Percement du Boulevard St. Germain); Abbey 102, 2 with letters; 2006.237. View of Harraden [British]); 1803; softground etching 1862; 32.1 x 24.4 cm; Villet 2, state IV/IX; the Palace & Village of Choisi on the Banks of the and aquatint printed in brown, hand-colored 2006.253. Demolition for the Opening of the Rue Seine (aquatint by Frederick Christian Lewis I with watercolor; 22.7 x 54.5 cm; Abbey 102, des Écoles (Demolitions pour le Percement de la [British, 1779–1856]); 1802; softground etch- 15b with letters; 2006.226. Rue des Écoles); 1862; 23.8 x 32 cm; Villet 3, ing and aquatint printed in brown; 15 x 46 Natalia Gontcharova (Russian, 1881–1962); state II/VI; 2006.249. Paris in 1867, View from cm; Abbey 102, 14 without letters; 2006.240. The Fourth Bauhaus Portfolio: Female Half Figure the Trocadero (Paris en 1867, Vue Prise du Tro- View of the Pantheon Taken from the Arsenal (Weibliche Halbfigur); 1922–23 (printed 1924); cadéro); 1867; 43.7 x 66.8 cm; Villet 41, state (aquatint by Frederick Christian Lewis I color lithograph; 50.4 x 33.9 cm; L. E. Holden II/III; 2006.254. Paris, View from the Concorde [British, 1779–1856]); 1803; softground Fund 2006.180. Bridge (Paris, Vue Pris du Pont de la Concorde); 1866; 20.1 x 25.6 cm; Villet 40, state III/III; etching and aquatint printed in brown, hand- Arshile Gorky (American, b. Armenia, 1904– 2006.258. Richmond; 1871; 18.2 x 26.7 cm; colored with watercolor; 22.6 x 53.6 cm; 1948); Mannikin; 1931; lithograph; 37.2 x 28.9 Villet 82, state III/III; 2006.247. Rue des Abbey 102, 12 with letters; 2006.231. View cm; Miller pp. 57–61; Andrew R. and Martha Marmousets (Old Paris) (Rue des Marmousets of Pont au Change (aquatint by Frederick Holden Jennings Fund 2007.166. Christian Lewis I [British, 1779–1856]); about [Vieux Paris]); 1862; 26 x 8 cm; Villet 1, state III/VII; 2006.255. Ruins of the Gallien Palace in

40 (French, 1875–1963); The Little Girls’ Cake Walk (Le Cake Walk des Petites Filles); 1904; Ginestet and Pouillon 102, state IV/IV; color drypoint, aquatint, and roulette; 30.5 x 42.3 cm; Gift of The Print Club of Cleveland 2006.273.10.

Bordeaux (Ruines du Palais Gallien à Bordeaux); Adolphe Martial Potemont (French, 1828– 1866–68; 35.2 x 26 cm; Villet 45, state V/VII; 1883); Siège de la Société des Aquafortistes; 1864; 2006.256. A Street in Rouen (Une rue de Rouen); etching; 28.5 x 38.9 cm; Mr. and Mrs. 1884; 28 x 19.7 cm; Villet 152, state II/II; Richard W. Whitehill Art Purchase Endow- 2006.250. Traité de la Gravure à l’Eau-Forte: ment Fund 2006.183. Traveler on a Road in a Forest; 1866; etching and Rembrandt van Rijn (Dutch, 1606–1669). drypoint; 18.3 x 11.6 cm; Villet 32, state IV/ Abraham’s Sacrifice; 1655; etching and dry- VI; 2006.257. View from St. Michel Bridge (Vue point; 15.6 x 13.2 cm; White and Boon 35; Prise du Pont St. Michel); 1865; 24.8 x 33.4 cm; Andrew R. and Martha Holden Jennings Villet 22, state I/VI; 2006.252. View from the Fund 2007.156. Louvre (Vue Prise du Louvre); 1822; 18.5 x 28.7 cm; Villet 146, state II/III; 2006.246. Rembrandt van Rijn. Christ Presented to the People; 1655; drypoint; 35.9 x 45.6 cm; White Ethel Mars (American, 1876–1959); Head of a and Boon 76, state V/VIII; Leonard C. Hanna Woman; 1907–10; color woodcut; 12 x 7.5 cm; Jr. Fund 2006.155. L. E. Holden Fund 2006.169. Linda Schwarz (German, b. 1963); Sign Todd Norsten (American, b. 1967); Untitled; Language; 2002; etching, hand-colored 2003; etching with chine collé (recto) and with watercolor; 76.3 x 57.4 cm; Gift of 24 color spit bite (verso); 39.1 x 29.9 cm; Gift of members of The Print Club of Cleveland’s 24 members of The Print Club of Cleveland’s 2006 Minneapolis Trip 2006.196. 2006 Minneapolis Trip 2006.197. Armand Seguin (French, 1869–1903); Trees Chiura Obata (American, b. Japan, at Night (Arbres au soir); about 1894; etching 1885–1975); World Landscape Series: Evening (sugar-lift aquatint?); 16.5 x 25 cm; Field, Glow at Yosemite Falls; 1930; color woodcut Strauss, Wagstaff 74A; Gift of the Estate of with mica; 39.9 x 27.8 cm; Mr. and Mrs. Charles F. Brush 2006.177. William E. Ward Collection Fund 2007.19. Alois Senefelder (German, 1771–1834); 2 Johann Friedrich Overbeck (German, plates from Art of the Lithograph; published 1789–1869); 1826; 2 etchings; L. E. Holden 1819; L. E. Holden Fund. Dedication Sheet, Fund. A Praying Monk (Ein betender Pilge); Plate VII (Dédicace); lithograph; 21.2 x 14.2 11.4 x 7.6 cm; Nagler 1; 2006.174. St. Philip cm; Winkler 711-48.7,VII; 2006.179. Psalter— Neri (S. Filippo Neri); 14.1 x 8.3 cm; Nagler 2; Initial B, Plate VIII (Psalter—Initial B); color 2006.175. lithograph; 14.5 x 22.2 cm; Winkler 711-48.8; Stephen Parrish (American, 1846–1938); 4 2006.178. etchings; Gift of Carole W. and Charles B. Alois Senefelder; Art of the Lithograph; Rosenblatt. Farm Near a Pond; 10.5 x 17.1 published 1819; Gift of Susan Schulman Print­ cm; 2006.265. Gale at Fecamp; 34.8 x 40.2 sel­ler and Carolyn Bullard Fine Prints in cm; 2006.268. Harbor Scene; 14.1 x 20 cm; honor of Jane Glaubinger. Volume I; 2006.266. On the Thames; 13.5 x 23.3 cm; 2006.194.1. 15 lithographs from Volume II. 2006.267. Albanian, Plate XVIII (Albanier); 7.2 x 11.2 cm;

41 Winkler 711-53.18; 2006.194.14. Four 2006.273.5. Color drypoint, aquatint, and Engraving Samples: War Tent, Map of Toni, Bird, roulette, hand-colored with watercolor; 31 x Dutch Farmer and Woman (Vier Gravurproben: 42.3 cm; state III/IV; 2006.273.6. Drypoint, Kriegszelt, Karte von Toni, Vogel, holländischer aquatint, and roulette; 30.9 x 42.5 cm; state Bauer und Frau); 19.8 x 17.5 cm; Winkler IV/IV; 2006.273.7. Color drypoint, aqua- 711-53.19; 2006.194.15. Head of an Amazon, tint, and roulette; 31 x 42.5 cm; state IV/IV; Plate XIV (Amazonenkopf); 16.8 x 13.9 cm; 2006.273.8. Color drypoint, aquatint, and Winkler 711-50.14; 2006.194.10. Italian Church roulette, hand-colored with watercolor; 31 x Ruin, Plate XVII (Italienische Kirchenruine); 17.6 42.3 cm; state IV/IV; 2006.273.9. Color dry- x 15.7 cm; Winkler 711-53.17; 2006.194.13. point, aquatint, and roulette; 30.5 x 42.3 cm; Landeck in Tirol, Plate III (Landeck in Tirol); state IV/IV; 2006.273.10. 15.3 x 20.7 cm; Winkler 711-44.3; Edouard Vuillard (French, 1868–1940); Cook- 2006.194.4. Madonna and Child on the Clouds, ing: The Cook (Cuisine: La Cuisinière); 1934; Plate II (Madonna und Kind auf den Wolken); lithograph; 33.1 x 25.6 cm; Roger-Marx 11.5 x 17 cm; Winkler 711-44.2; 2006.194.3. 57, proof, state II/III; L. E. Holden Fund Printing Letters, Plate XV (Schriftumdrucke): 2006.171. Transport 1. fresh proof (d’une epreuve fraiche); 30 x 23.3 cm; 2. an old book (d’un ancien livre); 6.5 Levon West (American, 1900–1968); 6 etch- x 8.5 cm; 3. writing with chemical ink (d’une ings and drypoint. Gift of Carole W. and ecriture a l’encre chimique); 4.3 x 13.3 cm; Charles B. Rosenblatt. The Blizzard; 1935; Winkler 711-51.15, XV; 2006.194.11. Printing 22.8 x 37.8 cm; not in Torrington; 2006.263. Press (Kurbel-Reiberpresse); 19.2 x 15.6 cm; The Eagle; 1927; 20.1 x 33.9 cm; Torrington Winkler 11-54.20; 2006.194.16. River 98, state IV/IV; 2006.260. English Bay; 1927; Landscape, Plate XIII (Flusslandschaft); 10.9 x 22.8 x 27.3 cm; Torrington 91, state II/II; 16.3 cm; Winkler 711-50.13; 2006.194.9. Saint 2006.259. Fishing Schooners, Havana; 1930; Cecily, Plate XII (Hl. Cäcilie mit der harfe); 21.1 23.6 x 32.7 cm; not in Torrington; 2006.261. x 16.3 cm; Winkler 711-49.12; 2006.194.8. La Punta; 1927; 31.8 x 16.5 cm; Torrington Title Page, Plate I (Titel), 18 x 16 cm; Winkler 94, proof, state I/III; 2006.262. Sawback Val- 711-43.1; 2006.194.2. Three Designs from ley; 1928; 9.1 x 11.6 cm; Torrington 114, state Dürer’s Prayer Book, Plate V (Drei Zeichnungen II/II; 2006.264. A Prince and Lady, aus Dürers Gebetbuch); 20.5 x 15.9 cm; Winkler Anders Zorn (Swedish, 1860–1920). 2 Dressed in White, 711-46.5; 2006.194.5. Three Engraving etchings. Gift of Carole W. and Charles B. Seated in a Palace Examples, Plate XI (Drei Gravur-Beispiele); 16.8 Rosenblatt. Beadle; 1911; 16 x 11.8 cm; Hjert with Musicians and x 7.8 cm; Winkler 711-49.11; 2006.194.7. and Hjert 154, state III/III; 2006.269. Ols Attendants (from the Toning Samples, Plate XVI (Abtönungsproben); Maria; 1919; 20 x 29.7 cm; Hjert and Hjert Khamsa of Nizami); 17.2 x 13.4 cm; Winkler 711-52.16; 167; 2006.270. about 1560–80; Iran, 2006.194.12. Transfer of a Wood Engraving, Plate Shiraz, Safavid period; VI (Umdruck eines Holzstiches); 9.5 x 13.3 cm; Textiles opaque watercolor, ink, Winkler 711-47.6; 2006.194.6. Canopy; 16th century; India, Sultanate period; and gold on paper; 30.7 combination of two weaves (lampas), satin x 19.7 cm overall; Gift of James Siena (American, b. 1957); No Man’s weave and twill weave; silk; 177.8 x 185.4 cm; William Kelly Simpson Land; 2004; engraving with chine collé; 28.3 Purchase from the J. H. Wade Fund 2006.136. in memory of his wife, x 22.3 cm; Jo Hershey Selden Fund 2006.185. Marilyn M. Simpson, Shahzia Sikander (Pakistani, b. 1969); Afloat; Ikat Textiles; Central Asia, Bukhara, present- and her grandparents 2001; color screenprint; 88 x 60.8 cm; Jo day Uzbekistan; Gift of Dr. Guido Goldman. Mr. and Mrs. John D. Hershey Selden Fund 2006.186. Panel; third quarter of 19th century; velvet ikat, velvet weave; silk; 69.2 x 33.7 cm; Rockefeller Jr. Phyllis Sloane (American, b. 1921); Helen; 2006.153. Wall Hanging; first half of 19th cen- 2006.146.a. 1969; screenprint; 43.2 x 53.5 cm; Gift of tury; warp ikat, warp-faced plain weave; silk Helen A. Weinberg in memory of her hus- warp, cotton weft (5 panels); modern lining; band, Kenneth G. Weinberg 2006.272. 208.9 x 141.6 cm; 2006.150. Wall Hanging; Fabien Vieillard (called Fabien Launay) first half of 19th century; warp ikat, warp- (French, 1877–1904); Before the Bath (Avant faced plain weave; silk warp, cotton weft (5 Le Bain); about 1895; woodcut, hand-colored 1/2 half panels); lining: block-printed plain with watercolor; 23.4 x 30.7 cm; L. E. Holden weave; cotton (3 panels); 180.3 x 128.9 cm; Fund 2006.170. 2006.151. Wall Hanging; third quarter of 19th Jacques Villon (French, 1875–1963); The Little century; warp ikat, warp-faced plain weave; Girls’ Cake Walk (Le Cake Walk des Petites silk warp; cotton weft (5 panels); lining: Filles); 1904; 10 prints; Ginestet and Pouil- printed plain weave; cotton (2 panels); 192.4 x lon 102; Gift of The Print Club of Cleveland. 144.2 cm; 2006.152. Color drypoint and aquatint, hand-colored Long Shawl with Woven Figures and Animals; with watercolor; 34.7 x 45.3 cm; state I-II/ about 1855; India, Kashmir; 2/2 twill tapes- IV; 2006.273.1. Color drypoint, aquatint, try, pieced; goat hair wool; 354.3 x 141.6 cm; and graphite; 34.7 x 45.3 cm; state I-II/IV; Gift of Arlene C. Cooper 2006.200. 2006.273.2. Color drypoint, aquatint, and Main Carpet of the Saryk Tribe; 1870s; roulette, hand-colored with watercolor; 34.2 Turkmenistan, Turkmen people; wool and x 45.4 cm; state II/IV; 2006.273.3. Drypoint, silk; 257.7 x 250.2 cm; Gift of Arlene C. aquatint, and roulette; 34.2 x 45.6 cm; state Cooper 2006.201. II-III/IV; 2006.273.4. Drypoint, aquatint, and roulette; 28.6 x 41.4 cm; state II-III/IV;

42 Ottoman Cushion Cover; early 17th century; Turkey, Istanbul, Ottoman period; combina- tion of two weaves (lampas), satin weave and twill weave; silk and gilt-metal thread; 141 x 68.4 cm; Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.1. Striped Surround (frame) for Ottoman Cushion Cover; Iran, Safavid period, late 17th–early 18th century; plain weave with inner warps and continuous and discontinuous supplemen- tary wefts bound in plain and 1/3 Z twill or- der; silk and silver-metal thread; 142.2 cm. x 23.5 cm overall. Purchase from the Andrew R. and Martha Holden Jennings Fund 2007.13.2–5.

Education Art Collection Album of Japanese : Copies of Works by Sesshu and Korin; late 1800s or early 1900s; Japan; ink on paper; 39.4 x 49.5 cm; Gift of Mitzie Verne in memory of Dr. Daniel Verne 2006.1002. Bowl; 1900s; China; porcelain with Ch’ing Pei type glaze; diam. 20.7 cm; From Krakatoa Asian Art, Gallery Group Fund 2007.1012. Calligrapher Set (modern reproduction); 1900s; Korea; reproduction of original 12th-century set made by Professor Kim Ik-young of Kook- min University, Seoul, Korea; blue-gray por- celain; wood box; Gift of The National Mu- seum of Korea at the opening of “5000 Years of Korean Art” exhibition in 1980 2007.1010. Chariot-Shaped Vessel, Reproduction of Catalogue no. 54; 1900s; Korea; stoneware, ash-glazed; 16.2 x 11.9 cm; Gift of The National Museum of Korea at the opening of “5000 Years of Ko- rean Art” exhibition in 1980 2007.1011. Chrysanthemum Patterned Lidded Box Containing Four Smaller Lidded Boxes; early 1900s; Japan; lacquer; 1.1 x 11.9 x 9.2 cm; Bequest of Lillian M. Kern 2007.1009.1–5. Female Imperial Portrait; 1900s; China; ink on paper; 38.5 x 34.3 cm; Bequest of Lillian M. Kern 2007.1003. Vishnu and Lakshmi; late 1800s or early 1900s; Main Carpet of the Ibeji (Twin Figure); late 1800s; Africa, Yoruba India, Pahari Hills; color and gold on pa- Saryk Tribe; 1870s; people; wood, pigment, and beads; 27 x 6.9 per; 7.9 x 7 cm; Bequest of Lillian M. Kern Turkmenistan, x 8.7 cm overall; Bequest of Lillian M. Kern 2007.1006. Turkmen people; wool 2007.1007. George G. Adomeit (American, 1879–1967); and silk; 257.7 x 250.2 Letter from Matsumoto (February 6, 1912); Japan, Process Kit–Winter Landscape Scene; about cm; Gift of Arlene C. Nagoya; ink on paper; 30 x 20.4 cm; Bequest 1940; copper plate, four-color etching process Cooper 2006.201. of Lillian M. Kern 2007.1008. kit with each color step print and final art- Male Imperial Portrait; late 19th century; China; ist’s proof; 18.2 x 15.7 cm; Anonymous Gift paper; 35.7 x 33.8 cm; Bequest of Lillian M. 2007.1014.1–12. Kern 2007.1004. Paul Beaver Arnold (American, b. 1918); Narasimha Killing Hiranyakasipu; late 1800s or Thai Grocery; 2000; color woodcut; 16.2 x early 1900s; India, Pahari Hills; color and gold 33.7 cm; Gift of The Print Club of Cleveland on paper; 8.2 x 6.7 cm; Bequest of Lillian M. 2007.1000. Kern 2007.1005. Henry G. Keller (American, 1869–1949); Wild Scroll; late 1800s or early 1900s; Ethiopia; 2 Horses; 1900s; lithograph; 34.4 x 48.2 cm; drawings; ink or pigment on vellum; Gift of Gift of The Cleveland Museum of Art Ingalls Steven E. Sender and family in memory of Library 2007.1001. Lester E. and Ann M. Sender. 195 x 15 cm; Laurent Schkolnyk (French, b. 1953); Le Vase 2006.1000. 213.3 x 15 cm; 2006.1001. au Poisson; about 1975; color mezzotint; 12.8 x Sword (reproduction); early 20th cenury; 18.8 cm; Gift of Mr. and Mrs. Thomas French, bronze; h. 55.9 cm; Gift of Jeff Rick in memory of Barbara Wamelink 2007.1002. 2007.1013.

43 Loans to Other World Tour How-to Institutions

Bard Graduate Center for Studies in the Musée Fabre, Montpellier; Musée de Grenoble The idea sounds simple: while the mu- L’Impressionnisme vu d’Amérique Decorative Arts, New York City seum is under construction, send parts Sheila Hicks, Small Works: Substance of Illusion, 1956–2006 Museu Picasso, Barcelona; Fondation Pierre of the collection around as exhibitions. Gianadda, Martigny, Switzerland Making the idea a reality—as the mu- Picasso and the Circus Cleveland Museum of Natural History seum has done these past two years— John James Audubon: American Artist and Naturalist Museum of Fine Arts, Boston; National was, and is, a considerable undertaking. Gallery of Art, Washington; The Art Institute First, the curators developed con- of Chicago Columbus Museum of Art, Ohio cepts that gathered together groups : The Last Landscapes Edward Hopper of works into coherent presentations. Dallas Museum of Art The Museum of Fine Arts, Houston; Curator of Modern European Art Van Gogh’s Sheaves of Wheat Los Angeles County Museum of Art The Modern West: American Landscapes, William Robinson, for example, came Freer Gallery of Art and Arthur M. Sackler 1890–1950 up with the Impressionist and Modern Gallery, Smithsonian Institution, Washington Masters exhibition that toured Asia National Gallery of Art, Washington Encompassing the Globe: Portugal and the World last year and is still traveling in North in the 16th and 17th Centuries Jasper Johns: An Allegory of , 1955–1965 America. Before anything could go The Frick Collection, New York City Royal Academy of Arts, London anywhere, the Conservation Division Chola: Sacred Bronzes of Southern India Domenico Tiepolo: A New Testament had to prepare each object for travel or Governor’s Residence Foundation, Salvador Dalí Museum, St. Petersburg, Florida decide, in some cases, that a work of Bexley, Ohio Dalí and the Spanish Baroque art was too fragile to leave the muse- Long-term loan Solomon R. Guggenheim Museum, um. Further, Collections Management High Museum of Art, Atlanta; Museum of New York City department staff had to confirm that Contemporary Art San Diego; Hirshhorn Spanish Painting from El Greco to Picasso: none of the works in question were Time, Truth, and History Museum and Sculpture Garden, Smithsonian already committed for loan elsewhere. Institution, Washington Morris Louis Now: An American Master Revisited Western Reserve Historical Society, Once the final checklist was verified, Cleveland the Exhibitions Office then contacted Isabella Stewart Gardner Museum, Boston Hanna House, long-term loan A Bronze Menagerie: Mat Weights of Early China museums around the world to create the actual tour. To host the show, a Japan Society Gallery, New York City Awakenings: Zen Figure Painting in Medieval Japan venue had to have a spot in its exhibi- tion schedule that aligned with open Long Beach Museum of Art, California slots at the other venues. Some venues, Painting with Fire: Masters of Enameling in America, 1930–1980 not surprisingly, asked for fewer works because of space restrictions, while Massillon Museum of Art, Ohio; Riffe others requested additional works. All Gallery, Columbus, Ohio Midwestern Visions of the venues were required to provide detailed reports about their security The Metropolitan Museum of Art, and climate control systems to assure New York City Set in Stone: The Face in Medieval Sculpture

Michael C. Carlos Museum, Emory University, Atlanta Long-term loan

Milwaukee Art Museum Biedermeier: The Invention of Simplicity

MOCA Cleveland Short-term loans

Musée Cernuschi, Paris; Asia Society Galleries, New York City Les Perses Sassanides ou les Fastes d’un empire oublié

44 Art handlers Hannah Ries and John Beukemann ready Byzantine and medieval objects for the tour of the exhibition Sacred Gifts and Worldly Treasures.

the CMA of the safety of its works of Museum in Los Angeles—garnering art. As usual, this process demanded in- considerable acclaim for the Cleveland ternational travel as museum represen- Museum of Art along the way. The story tatives visited potential exhibition sites of the medieval works’ tour comes full to verify the conditions and confer with circle in 2009 when the objects return colleagues at those institutions and from a third venue to be installed in the review design schemes for the exhibi- lower level of the museum’s 1916 south tion layout. Laboriously, contracts were building, their permanent home. signed and all the individual details and negotiations needed to produce the tour were eventually put in place. But the work was far from finished. There remained the matter of safely delivering hundreds of works of art to places halfway around the world. As the opening date of the first venue approached, the museum’s art handlers and packers swung into action. Custom shipping cases were built and packed, some housing individual works, others containing multiple pieces. Art handlers and staff members from Collections Management, Conservation, and the curatorial office traveled with the shipment every step of the way to its destination, where they watched over the unpacking and installation. For Sacred Gifts and Worldly Trea- sures, the exhibition of masterworks from Cleveland’s medieval collection, a similar process took that show to the Bayerisches Nationalmuseum in Munich and then to the J. Paul Getty

45