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Working-Class Cinema in the Age of Digital Capitalism
WORKING-CLASS CINEMA IN THE AGE OF DIGITAL CAPITALISM MASSIMILIANO MOLLONA he story of cinema starts with workers. The film Workers Leaving The TLumière Factory In Lyon (La Sortie des Usines Lumière à Lyon, 1895) by the brothers Louis and Auguste Lumière, 45 seconds long, shows the approximately 100 workers at a factory for photographic goods in Lyon- Montplaisir leaving through two gates and exiting the frame to both sides. But why does the story of cinema begin with the end of work? Is it because, as has been suggested, it is impossible to represent work from the perspective of labour but only from the point of view of capital, because the revolutionary horizon of the working class coincides with the end of work?1 After all, the early revolutionary art avant-garde had an ambiguous relationship with capitalism: it provided both a critique of commodification whilst also reproducing the commodity form.2 Even the cinema of Eisenstein, which so subverted the bourgeois sense of space, time, and personhood, at the same time standardized and commodified working-class reality with techniques of framing and editing that moulded images on the commodity form.3 Such dialectics between art and the commodity form continue to be played out in today’s digital capitalism, as exemplified by so-called ‘debt- artists’, like the hackers collective, Robin Hood, who appropriate the techniques and modes of sociality of financial capitalism to generate spaces of reciprocity and cooperation with the aim of disrupting their commodity logic, but which in fact end up reproducing it.4 The tension between critique and commodification is no less in play as the digital medium erases the specificity of cinema, the relation between its material bases and its poetics, opening up as it does to other relations – intertextual, lateral, and cross-media – that recall the synchronic aesthetics of the avant-garde. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Wie Ein Morbides Ehepaar Den New Yorker Kunst-Underground Am Leben Erhält
wächter des bösen Te x t P e T e r ri c h Te r Fo to s T o d d S e l by Wie ein morbides Ehepaar den New Yorker Kunst-Underground am Leben erhält Oben: Der Teufel, der nun zu Joe Colemans Odditorium gehört, stammt aus einem Wachs figurenmuseum in South Carolina. Rechte Seite: Whitney Ward und Joe Coleman, der auch 98 Süddeutsche Zeitung Magazin seine Weste als ein Kunstwerk begreift – behängt mit all seinen persönlichen Amuletten. die Bühne warf, als sie mit 13 begriffen zu die Horrortaten von Lustmördern in seinen haben meinte, warum Frauen so etwas tun. Gemälden, die zu gleichen Teilen etwas von Und er malte, wie sie mit 17 von ihrem ers Altarbildern, Comics und Moritatentafeln ten Freund fast tot geprügelt wurde. Er mal haben. Es ist das, wofür Joe Coleman zu sei te die Schwester, die einen Hirntumor über nem Ruf gekommen ist, bei Kunstsammlern lebt hat, und er malte den Hirntumor, den und Kuratoren genauso wie in jenen Subkul die Mutter nicht überlebt hat. Und Stewie, turen, die sich für das Makabre interessieren. dDie Mermaid Parade an New Yorks Volks das vorlaute Kind aus der Trickfilmserie Diese Welten sind ja gar nicht so weit von badestrand in Coney Island ist ein bisschen Family Guy. Und siamesische Sexpuppen. einander entfernt, wie beide Seiten mögli wie Karneval, nur im Sommer. Alle gehen als Und, und, und. Er malte mehr erstaunliche, cherweise manchmal denken. Der Philosoph Meerjungfrauen oder als Seeungeheuer. Die groteske, schreckliche und vergnügliche Edmund Burke war sich schon im 18. -
'The Butler'? Globes Snubs and Surprises
SATURDAY, DECEMBER 14, 2013 This image released by Fox shows Andy Samberg, center, in a scene from This film image released by The Weinstein Company shows Forest Whitaker as Where’s“Brooklyn Nine-Nine.” ‘The Butler’? GlobesCecil Gaines insnubs a scene from “Lee Daniels’ and The Butler.” surprises — AP Photos he long race to the Academy Awards is Dreyfus, the leading lady of the film, cleaned up especially steep this season and it’s no sur- on Globe nominations, receiving bids in both Tprise that an ample list of notables were film and television categories. But no posthu- left empty-handed in the 71st annual Golden mous nod was given to the revered late Globe nominations. Dominating the Thursday “Sopranos” star. HBO’s “Boardwalk Empire” and announcements were A-listers like Leonardo “Game of Thrones.” Neither show, both of which DiCaprio (“The Wolf of Wall Street”) and Kate developed a cult-like fan base, made the cut. Winslet (“Labor Day”), who had top acting bids, Maybe HBO should rethink its approach to killing while the movies of filmmaking gurus Steve off some of our favorite characters. McQueen (“12 Years a Slave”) and David O “New Girl.” While Zooey Deschanel was nomi- Russell (“American Hustle”) landed in multiple nated for her performance on the series, the categories, including best motion picture. Yet popular comedy about a set of roommates living the annual picks by the Hollywood Foreign Press in downtown Los Angeles did not make the bill. Association are typically questioned - after all, “Homeland.” Both the show, which premiered they did once nominate “The Tourist” and in 2011, and its actors have received multiple “Burlesque” - and this season is no exception. -
Peter Lindbergh Biography
G A G O S I A N Peter Lindbergh Biography Born 1944 in Leszno, Poland. Lives and works in Paris, France; New York, NY; and Arles, France. Selected Solo and Two-Person Exhibitions: 2017 Shadow and Substance: Alberto Giacometti sculptures and their photographs by Peter Lindbergh. Gagosian, Britannia Street, London, England. Peter Lindbergh: A Different Vision of Fashion Photography. Kunsthal Rotterdam, Rotterdam, Netherlands. Peter Lindbergh/Garry Winogrand: Women on the Street. NRW Forum, Düsseldorf, Germany. 2016 Peter Lindbergh. Gagosian, Athens, Greece. 2014 Peter Lindbergh. Gagosian Gallery, Paris Project Space, Paris, France. Peter Lindbergh: The Unknown & Images of Women. HDLU Museum, Zagreb, Croatia. 2013 Peter Lindbergh: Berlin. Maison de la Photographie, Lille, France. Peter Lindbergh (with poetry by Forrest Gander). Vladimir Restoin Roitfeld, New York, NY. Peter Lindbergh: Images of Women. Corso Como Gallery, Seoul, South Korea. 2012 Peter Lindbergh: Known and “The Unknown.” Galleria Carla Sozzani, Milan, Italy. Peter Lindbergh. FotoMuseum, Antwerp, Belgium. 2011 Peter Lindbergh: The Unknown. Ullens Center for Contemporary Art, Beijing, China. 2010 On Street. C/O Berlin, Berlin, Germany. Invasion and Cinema. Photobiennale Festival, Grand Manezh, Moscow, Russia. 2008 Peter Lindbergh: Beauduc. Rencontres Internationales de la Photographie, Église des Frères Prêcheurs, Arles, France. 2007 Hearst Collection by Peter Lindbergh. Norman Foster Gallery, Hearst Tower, New York, NY. Peter Lindbergh: Cinema. Festival Transphotographiques, Lille, France. Peter Lindbergh. Camera Work Gallery, Berlin, Germany. 2006 Peter Lindbergh: Like a Rolling Stone. Galerie ACTE 2, Paris, France. Peter Lindbergh: Visioni. FORMA Centro Internazionale di Fotografia, Milan, Italy. Peter Lindbergh: Cinema. AmFAR, Cinema against AIDS, Cannes, France. 2003 Stories Supermodels, photographs by Peter Lindbergh. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
The Million Dollar Hotel
Wettbewerb/IFB 2000 THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL Regie: Wim Wenders Deutschland/USA 1999 Darsteller Tom Tom Jeremy Davies Länge 122 Min. Eloise Milla Jovovich Format 35 mm, Skinner Mel Gibson Cinemascope Dixie Peter Stormare Farbe Geronimo Jimmy Smits Jessica Gloria Stuart Stabliste Best Donal Logue Buch Nicholas Klein,nach Shorty Bud Cort einer Idee von Bono Vivien Amanda Plummer und Nicholas Klein Stanley Goldkiss Harris Yulin Kamera Phedon Papamichael Stix Conrad Roberts Schnitt Tatiana S.Riegel Hector Tom Bower Schnittassistenz Lin Coleman Joc Richard Edson Ton Lee Orloff Jean Swift Charlayne Woodard Mischung Jeffrey Perkins Izzy Goldkiss Tim Roth Sound Supervisor Elmo Weber Terence Scopcy Julian Sands Musik Bono Brian Eno U2 Production Design Robbie Freed Ausstattung Bella Serrell Milla Jovovich, Mel Gibson Tiffany Payne Kostüm Nancy Steiner Haar Styling DJ Plumb THE MILLION DOLLAR HOTEL Maske Debbie Zoller Los Angeles im Frühjahr 2001. Im Schatten der Bürotürme der multinatio- Spezialeffekte Thomas Tannen- nalen Konzerne liegt das Million Dollar Hotel, Zufluchtsort für schräge berger Gestalten und Außenseiter, die am American Dream nicht teilhaben. Einer Aufnahmeltg. Jeremy Alter Regieassistenz Christine Larson von ihnen ist der liebeskranke und leicht verhuschte Tom Tom,der sein Herz Produzenten Deepak Nayar an das Straßenmädchen Eloise verloren hat. Doch ehe er ihr überhaupt Bono seine Zuneigung offenbaren kann, wird dem Million Dollar Hotel unge- Nicholas Klein wöhnliche Aufmerksamkeit zuteil: Einer seiner Bewohner, der Junkie und Wim Wenders Künstler Izzy,ist unter ungeklärten Umständen vom Hoteldach gefallen.War Bruce Davey Executive Producer Ulrich Felsberg es ein Unfall, Selbstmord, oder wurde er hinuntergestoßen? Normalerweise Co-Produktion Kintop Pictures, würde sich in Downtown LA keine Menschenseele um so ein Schicksal Los Angeles kümmern, doch Izzys Tod wird binnen kürzester Zeit zur Nachrichtensensa- tion. -
Kansai-Yamamoto Paper
Alexandria Lewis-Hawthorne Kansai Yamamoto is a Japanese designer, born on February 8, 1944 in Yokohama, Japan. Kansai studied both civil engineering and english at Nippon University. He then completed his studies at Bunka Fashion College and pursued a career in design. Kansai opened his own boutique in Tokyo in 1968. In 1971, he started his own company, Yamamoto Kansai Company Ltd, with his two partners ( Journal Runway Archive, 2018). Kansai set the foundation for Japanese fashion going mainstream in western fashion. Kansai was the first Japanese designer to move to Europe, a decade before Rei Kawakubo and Yohji Yamamoto started showing their collections in Paris. He was at the forefront of contemporary Japanese fashion during the 1970s and 1980s. His saturated patterns and exaggerated silhouettes were influenced by the colorful art of the Momoyama period of Japanese art, 1573-1615 along with vibrant costumes of Kabuki theatre and classic manga illustrations, some of which could be seen in prints and mask motifs during Louis Vuitton’s 2018 Cruise Collection. Kansai is known for his avant-gardist designs which reference Japanese art and theatre. He is also credited with renewing interest in the traditional Kimono. David Bowie reached out to Kansai about making costumes for him after seeing one of his looks featured on the cover of Harper’s and Queen. Kansai was then commissioned by David Bowie to design the costumes for his Ziggy Stardust tour. He was the first designer to create a Bowie stage costume. The costumes consisted of widely cut and printed Kimono, extravagant silhouettes and suits made out of synthetic shiney materials. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author