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Karadeniz Technical University State Conservatory Vol: 1 Issue Karadeniz Technical University State Conservatory Vol: 1 Issue: 1 December 2017 Masthead Musicologist: International Journal of Music Studies Volume 1 Issue 1 December 2017 Musicologist is a biannually, peer-reviewed, open access, online periodical published in English by Karadeniz Technical University State Conservatory, in Trabzon, Turkey. e-ISSN: Owner on behalf of KTU State Conservatory Assoc. Prof. Dr. Abdullah AKAT (Director) Editor-In-Chief Abdullah AKAT (Karadeniz Technical University – Turkey) Deputy Editor Merve Eken KÜÇÜKAKSOY (Karadeniz Technical University – Turkey) Technical Editor Beyhan KARPUZ (Karadeniz Technical University – Turkey) Language Editor Marina KAGANOVA (Colombia University – USA) Editorial Assistants Emrah ERGENE (Karadeniz Technical University – Turkey) Tuncer ÖNDER (Karadeniz Technical University – Turkey) Contacts Address: Karadeniz Teknik Üniversitesi Devlet Konservatuv Turkey Web: www.musicologistjournal.com arı Müdürlüğü, Email: [email protected] Kampüsü, 61335, Söğütlü / Trabzon, All rights reserved. Musicologist, an international journal of music studies, is published with the decision number The authors are responsible for all visual elements, including tables, figures, graphics and 1313 on 02.06.2017 by the Administrative Council of Karadeniz Technical University. pictures. They are also responsible for any scholarly citations. Karadeniz Technical University does not assume any legal responsibility for the use of any of these materials. © Karadeniz Technical University State Conservatory 2017 Editorial Board Alper Maral – Turkey Caroline Bithell YıldızThe University Technical of University Manchester – UK Ekaterine Diasamidze Tbilisi State University – Georgia Elif Damla Yavuz Mimar Sinan Fine Arts University – Turkey Erol Köymen The University of Chicago – USA Gözde Çolakoğlu Sarı Istanbul Technical University – Turkey Hande Sağlam University of Music and Performing Arts Vienna – Austria Henry Stobart Royal Holloway, University of London – UK Irene Markoff York University – Canada Ivanka Vlaeva South-West University "Neofit Rilski" – Bulgaria Janos Sipos Hungarian Academy of Sciences – Hungary Jim Samson Royal Holloway, University of London – UK John Rink University of Cambridge – UK Marija Dumnic Serbian Academy of Sciences and Arts – Serbia Marina Frolova-Walker University of Cambridge – UK Mojca Kovacic Slovenian Academy of Sciences and Arts – Slovenia Saida Daukeyeva Humboldt University in Berlin – Germany Sanubar Baghirova Azerbaijan National Academy of Sciences – Azerbaijan Terada Yoshitaka National Museum of Ethnology – Japan Velika Stojkova Serafimovska Saints Cyriland Methodius University of Skopje – Macedonia Wai Ling Cheong The Chinese University of Hong Kong – China Referees of Volume 1 (1) Belma Kurtişoğlu Istanbul Technical University - Turkey Elif Damla Yavuz Mimar Sinan Fine Arts University – Turkey Erol Köymen The University of Chicago – USA Irene Markoff York University – Canada Ivana Medic Serbian Academy of Sciences and Arts – Serbia Ivanka Vlaeva South-West University "Neofit Rilski" – Bulgaria Janos Sipos Hungarian Academy of Sciences – Hungary Marija Dumnic Serbian Academy of Sciences and Arts – Serbia Selena Rakočević Music University of Arts, Serbia Velika Stojkova Serafimovska Saints Cyriland Methodius University of Skopje – Macedonia Table of Contents From the Editor 1 In Memory of Ş. Şehvar Beşiroğlu 4 Articles GESTURE IN MUSICAL DECLAMATION: AN INTERCULTURAL APPROACH Mani Charulatha 6 REPRESENTING MUSICAL IDENTITIES OF CHILDREN WITH MIGRANT BACKGROUND – AN EXAMPLE FROM THE RESEARCH PROJECT MUSIC WITHOUT BORDERS Wei-Ya Lin 32 LARCHEMI/SOINARI – THE GEORGIAN PANPIPE Nino Razmadze 52 MODERN LAMENTS IN NORTHWESTERN GREECE, THEIR IMPORTANCE IN SOCIAL AND MUSICAL LIFE AND THE “MAKING” OF ORAL TRADITION Athena Katsanevaki 95 ‘BETWEEN EAST AND WEST’: SOCIALIST MODERNISM AS THE OFFICIAL PARADIGM OF SERBIAN ART MUSIC IN THE SOCIALIST FEDERAL REPUBLIC OF YUGOSLAVIA Jelena Janković-Beguš 141 From the Editor Dear Readers, Dear Researchers, We’re pleased to publish the first issue of the Musicologist: International Journal of Music Studies, as the scientific publication organ of Karadeniz Technical University (KTU) State Conservatory. Musicologist is an internationally peer-reviewed journal, published in open access, in English and operating in a double blind system. Published biannually in the months of June and December, Musicologist will have 5 academic works, including original research articles or reviews, publicity, field notes and ethnographic writings, and translations related to musicology. The journal aims to make a major contribution to musicological discourse worldwide by presenting high-level and original scholarly research, theoretical discussions and up-to-date methodological studies, and to thus become an effective locus for scholarship around the world. In line with this goal, we first introduced the idea for the Musicologist Journal during the closing session of the 2nd International Music and Dance Studies Symposium we organized in Trabzon in 2016. We progressed step by step from that day onward and arrived at the present moment by dedicating serious effort at each stage and discussing ideas. The periodical publication committee was created with the valuable contributions of the members of KTU State Conservatory. The core of this work was done by a group of upstanding editors, with the board consisting of scientists from 15 different countries, each of whom has made significant contributions to their field. The first issue of Musicologist . lu, whom we lost during the preparation process of our journal, and who greatly contributed to the department and to our journal sinceis dedicated its establishment. to Prof. Ş Şehvar Beşiroğ We cannot forget the contributions our teacher, Ms. lu, has made to the development of the field of musicology in Turkey and to the scientific activities of Turkish musicology at the international level. We will shareBeşiroğ with you a short biography of lu, a greatly esteemed scientist, following the table of contents. We remember her as her students and colleagues with our deepest love, longing and gratitude.Ş. Şehvar Beşiroğ Music researchers from 5 different countries, including (in the order of publication) Australia, Austria, Georgia, Greece, and Serbia contributed to our first issue. Charulatha Mani, in her article titled “Gesture in Musical Declamation: An Intercultural Approach”, identifies declamation in music as an ideal musical framework for gestured performance, by referring to historical literature related to performance practices. She 1 draws a parallel between the gesture of Southern Indian Carnatic singing practice and the rhetorical gesture used by orators and singers in Early Modern Europe in the 16th and 17th centuries. Wei-Ya Lin, in her article titled “Representing Musical Identities of Children with – draws attention to the disadvantages and precarious situation of immigrant students in Migrant Background An Example from the Research Project Music without Borders”,, which she conducts with Hande Saglam in the schools in Vienna, she tries to determine the problemsthe Austrian and education needs of system. students, As aparents result of, and the “Musicteacher withouts in everyday Borders” practice project, and to develop constructive strategies. Nino Razmadze, in her article titled "Larchemi/Soinari - The Georgian Panpipe", examines the instrument which known as the ancient panpipe and as Larchemi or Soinari in Georgian traditional musical instrumentarium together with organological, ethnographic, and musical characteristics in the historical background. Athena Katsanevaki, in her article "Modern Laments in Northwestern Greece, Their Importance in Social and Musical Life and "Making" of Oral Tradition”, discusses and contrasts the observations and experiences based on field research on laments in a way that covers Northwest Greece and surrounding regions. She explains the functionalities of the laments and how they contribute to music-making in the process of change, and also refers to their multiple functions in social life. Jelena Jankovic- Socialist Modernism as the Official Paradigm of Serbian Art Music in the Socialist Federal Republic of Yugoslavia", describesBegus, thein her political article developments titled "Between in Eastthe second and West: half of the 20th century and the changes in Yugoslav art by relating them to different trends. She discusses Serbian music history and musicology, with a focus on the Serbian composer Aleksander Obradovic's sample. As we see it, the first issue of the Musicologist offers an impressive spectrum of diverse subfields of musicology and interdisciplinary work, which deals with a wide geographical area. I would like to particularly thank: my dear colleague, Merve Eken Küçükaksoy, who has greatly contributed to offering this issue to you and has shared all the responsibilities with me, as my greatest supporter since the earliest stage; Emrah Ergene, our devoted assistant; our technical editor, ; the distinguished scientist Jim Samson, who offered us instruction throughout every stage of this work and helped us make our way whenever we were in troubleBeyhan; Karpuzour language editor Marina Kaganova who altruistically accepted to work with us; all members of the board of editors; the readers, who selected the articles for this issue and offered helpful advice to the writers; and, of course, our writers who contributed to the world of research
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