Vol. 13 No. 3 Automne 2007
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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Ringo Starr Actuarà Per Primera Vegada En Solitari a Barcelona Aquest Dimarts El Bateria De the Beatles Ho Farà En El Marc Del Guitar BCN 2018
Cultura i Mitjans | Jordi Novell | Actualitzat el 25/06/2018 a les 12:12 Ringo Starr actuarà per primera vegada en solitari a Barcelona aquest dimarts El bateria de The Beatles ho farà en el marc del Guitar BCN 2018 Ringo Starr | Arxiu Ringo Starr El Liverpool de postguerra no devia ser el millor dels mons per a un nen malaltís com Richard 'Ritchie' Starkey. Malalt d'apendicitis i peritonitis, i fins i tot en coma durant dies, als tretze anys Starkey emmalaltia de tuberculosi. Ingressat durant prop d'un any en un hospital, per esperonar la seva capacitat motriu els metges li van improvisar un mall fet amb una bobina de cotó per colpejar els armaris del costat del seu llit. I d'aquí, a la banda de l'hospital? Amb una mica d'ajuda dels amics Possiblement una de les grans habilitats de Richard Starkey és ser al lloc adequat en el moment precís. Només així es pot entendre com una banda de skiffle de Liverpool que malviu a Hamburg tocant rock acceleradíssim en tuguris de mala mort amb un èxit notable decideix substituir el seu bateria titular. John Lennon, Paul McCartney i George Harrison prescideixen del monolític estil de Pete Best -un del centenar de persones denominades 'el cinquè beatle'- per sondejar el bateria de Rory Storm and the Hurricanes. Richard Starkey ja era conegut com Ringo Starr - pels enormes anells que lluïa als dits-, i havia de sentir els crits de "Pete forever! Ringo never!" i algun cop de puny que va forçar que Brian Epstein -denominat el cinqu? au va!- hagués de llogar un guardaespatlles. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
Infomail Nr. 776: Erscheint Bald: RINGO STARR CD+Audio-DVD Und DVD Mit Lennon, Mccartney, Starr Donnerstag, 7
InfoMail Nr. 776: erscheint bald: RINGO STARR CD+Audio-DVD und DVD mit Lennon, McCartney, Starr Donnerstag, 7. Februar 2008 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES-Fan, die beiden M.B.M.s Dirk Bock und Robert Weinkauf informierten uns, dass es zwei interessante Neuerscheinungen gibt. Wir haben recherchiert, die Abbildungen herausgesucht und die Meldungen aufbereitet: Dienstag, 4. März 2008: RINGO STARR CD & AUDIO-DVD RINGO 5.1 THE SURROUND SOUND COLLECTION. USA. CD: RINGO STARR: Track 1: Fading In And Fading Out. Track 2: Never Without You. Track 3: Choose Love. Track 4: Imagine Me There. RINGO STARR & BILLY PRESTON: Track 5: Oh My Lord. RINGO STARR: Track 6: Memphis In Your Mind. Track 7: Give Me Back The Beat. Track 8: Love First Ask Questions Later. RINGO STARR & CHRISSIE HYNDE: Track 9: Don’t Hang Up. RINGO STARR: Track 10: Eye To Eye. Track 11: Some People. Track 12: Elizabeth Reigns. Audio-DVD: RINGO STARR: Track 1: Fading In And Fading Out. Track 2: Never Without You. Track 3: Choose Love. Track 4: Imagine Me There. RINGO STARR & BILLY PRESTON: Track 5: Oh My Lord. RINGO STARR: Track 6: Memphis In Your Mind. Track 7: Give Me Back The Beat. Track 8: Love First Ask Questions Later. RINGO STARR & CHRISSIE HYNDE: Track 9: Don’t Hang Up. RINGO STARR: Track 10: Eye To Eye. Track 11: Some People. Track 12: Elizabeth Reigns. Bonus: Track 13: I Really Love Her. Vom Album RINGO RAMA (2003): Never Without You; Imagine Me There; Memphis In Your Mind; Love First Ask Questions Later; Eye To Eye; Elizabeth Reigns. -
FOR EVERYOHE in the BUSINESS of MUSIC IWV • % ^ Îiiusic
» FOR EVERYOHE IN THE BUSINESS OF MUSIC IWV • % ^ îiiusic week Morris opens the door to US Virgin set to Inke Smiths stake m- fono The best data European radio monitored 24 hours a day, 7 days a week. fono is Europe's new weekly For programmers magazine dedicated to highlighting The only accurate guide to radio's up-and-coming hits. and promoting hit records, fono offers accurate airplay data The best music from Music Control monitoring Hits, tips and ail the news on Europe's breaking music. 500 stations 24 hours a day, seven days a week - a new single currency For retailers for the European music industry. The compétitive edge to put you ahead of the pack. fono means no more relying on playlists, rumour or secondhand In 15 coun tries From the Atlantic to the Oder, information, fono gets inside the from Finland to the Mediterranean. charts to bring you the real story of what's happening in European For record labels We speak to the people music. who turn A&R into sales. "ig hits \v\ from the publishers of Music Week FONO, MILLER FREEMAN UK LTD, 4TH FLOOR, 8 MONTAGUE CLOSE, LONDON BRIDGE, LONDON SE1 9UR TEL + 171 620 3636 FAX: +44 (0) 171 921 5984 US OFFICE; FONO, MILLER FREEMAN ENT. LTD, 460 PARK AVENUE SOUTH, 9TH FLOOR, NEW YORK NY 10016 7T1 A ' USA' TEL: +212 "8 0406 FAX: f 212 378 2160 news file FIVE SCORE ALBUM SUCCESS Labels challenge their rivais Five's career was set to hit new Atlantichighs on this both week sides wlth of anthe andexpected their firstUK number US top one30 hit.album The te eut CD single dealer price betterself-titled than début Take album,That with going their one Recordby Robert companies Ashton are challenging firstUS, whereRCA album the band in 1992. -
LSUG July 29Th 2012
Next Sunday Special Guest Monkee Micky Dolenz! PLAYLIST JULY 29th, 2012 HOUR 1 George Harrison – Bangla Desh George wrote the song in “ten minutes,” for his friend, Ravi Shankar’s war-torn homeland. While in LA working on the soundtrack for the Raga film, Ravi informed George of the atrocities occurring in his native India. Leon Russell, who played keyboards on the session, contributed the idea for the “story” introduction to the song. The song included George, Eric Clapton, Ringo, Bobby Keys, Billy Preston and Leon Russell. Although the lineup is disputed by Jim Horn, who recalls that himself, George, Leon Russell, Klaus Voorman and Jim Keltner were present. voice break The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded Feb. 25-26, 1964. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - I’m Happy Just To Dance With You - A Hard Day’s Night (Lennon-McCartney) Lead vocal: George Written by John and Paul specifically to give George a song in the movie “A Hard Day’s Night.” Completed in four takes on March 1, 1964, with filming slated to begin the next day. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Cambridge Companion to the Beatles Edited by Kenneth Womack Index More Information
Cambridge University Press 978-0-521-68976-2 - The Cambridge Companion to the Beatles Edited by Kenneth Womack Index More information Index Abbey Road, 56, 58–60, 83, 125, 132–6, 146, Best, Mona, 23 149, 153, 167, 199, 215, 233 Best, Pete, 9, 10, 11, 13, 22, 24, 26, 33, 34 Adorno, Theodor, 77, 82, 88, 225 Big 3, the, 22 ADT (Artificial Double Tracking), 51 BillyJ.KramerandtheDakotas, 70, 73 Aguilera, Christina, 243 Bishop, Malden Grange, 110–11 Alexander, George, 143 Black Dyke Mills Band, 118, 146 All Things Must Pass, 128, 130, 149, 154, 156, Black, Cilla, 20 157–8, 159, 163, 170, 179 Blackbird, 225 Alpert, Richard, 90, 103 Blake, Peter, 98, 180 Andrew, Sam, 93 Bonzo Dog Band, the, 105, 118 Animals, the, 41, 73, 108, 226 Bowie, David, 175 Antonioni, Michelangelo, 207 Bradby, Barbara, 228–9 Apple Records, 128, 142–52, 222, 250 Brahms, Johannes, 186 Ardagh, Philip, 225 Braine, John, 207 Armstrong, Louis, 34, 230 Brainwashed, 179 Asher, Jane, 113, 145 Brecht, Bertolt, 78 Asher, Peter, 144, 145, 151 Brodax, Al, 116 Aspinall, Neil, 13, 143, 237, 238, 250, 251 Bromberg, David, 156 Astaire, Fred, 122 Brookhiser, Richard, 176 Axton, Hoyt, 157 Brown, Peter, 12 Ayckbourn, Alan, 207 Burdon, Eric, 108 Burnett, Johnny, 156 Bach, Barbara, 178 Burroughs, William, 209 Back in the US, 239 Byrds, the, 75, 93, 104, 130, 226, 233 Back to the Egg, 168 Bad Boy, 157 Caine, Michael, 206, 207 Badfinger, 150, 159, 222 Caldwell, Alan, 22 Bailey, David, 206, 207 Candy, 155, 221 Baird, Julia, 21 Carlos, John, 112 Baker, Ginger, 149 Carroll, Lewis, 51 Band on the Run, -
Vilmar Schürmann, Um Dos Fundadores Do Grupo Cerval, Hoje Bunge, Que Conta Suas Histórias De Batalhas E Sucessos
Vilmar SchürmannFundador da Ceval Across the globe Os hotspots dos estilistas americanos ao redor do mundo Mercedes-Benz Nova geração Classe C 1 Florianópolis (48) 3878 - 6800 . Bal. CamBoriú (47) 3368 - 6870 CuritiBa (41) 3343 - 6800 . porto alegre (51) 3388 - 6800 Distribuidor oficial: são paulo . guarujá . são seBastião . ilHaBela . uBat u Ba . rio de janeiro . Frade . Verolme WWW.YACHTBRASIL.COM angra dos reis . paraty . espírito santo . Biguaçu . salVador . aratu . reCiFe . joão pessoa . miami Editorial Uma nova História Depois do sucesso da primeira revista e do privilégio de ter o Sr. Werner Voigt na capa da nossa primeira e especial edição, o Grupo DVA orgulhosa- mente apresenta a segunda edição da DVA MAGAZINE. O Grupo DVA comemora junto com essa edição, a inauguração da nova loja em Blumenau. Com 5,5 mil metros quadrados, o prédio foi construído den- tro dos padrões de exigência da Mercedes-Benz e servirá de modelo para outras concessionárias da marca no Brasil. A nova edição traz o mais recente lançamento da Mercedes-Benz, a nova geração da linha Classe C. Com design diferenciado, elegância e tecnologia avançada, é o grande destaque da empresa. Sonha em ter um smart? Apresentamos as tecnologias, características e as vantagens de ter um desses brilhando em sua garagem. Design inovador também é assunto quando conhecermos o site kickstarter.com, mostrando que ideias criativas e originais podem dar muito certo. Pelo céu, encontramos um meio de transporte que cresce a cada dia, o táxi aéreo. Vamos dar uma volta radical na região sul do Brasil mostrando as belezas naturais da Serra Gaúcha e levaremos você a Balneário Camboriú para uma entrevista exclusiva com Vilmar Schürmann, um dos fundadores do grupo Cerval, hoje Bunge, que conta suas histórias de batalhas e sucessos.