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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Nicaragua 45 Beatles
APPLE 01-0362 - HOLD ME TIGHT / NOT A SECOND TIME ODEON 0-0386 - BIRTHDAY / CRY BABY CRY Apple print on labels ODEON 0-0393 - GET BACK / DON'T LET ME DOWN English titles, Odeon dome on top, Apple print on labels Spanish titles, Odeon dome to right side, Apple print on labels, English title on A-side without translation underneath, 45 R.P.M. print on left side of labels Spanish title on B-side, Odeon dome to right side, Aligned Apple print on labels, 45 R.P.M. print on left side of labels English title on A-side with translation underneath, English title on A-side with translation underneath, Spanish title on B-side, Odeon dome to right side, Odeon dome to right side, Aligned Apple print on labels, Non-aligned Apple print on labels, 45 R.P.M. print on 45 R.P.M. print on left side of labels left side of labels English title on A-side, Spanish title on B-side, (P) 1969 print under Apple print Odeon dome to right side, aligned Apple print on labels, No 45 R.P.M. print on left side of labels Title in narrow font ODEON 01-0393 - GET BACK / DON'T LET ME DOWN Apple print on labels APPLE 01-0393 - GET BACK / DON'T LET ME DOWN ODEON 0-0400 - BALLAD OF JOHN AND YOKO / OLD BROWN SHOE Apple print on labels, credits on left in 3 and 2 lines respectively Apple print on labels, credits on left in 4 lines Yoco misprint Title translated to Viejos Zapatos Oscuros ℗1969 print on right side APPLE 01-0440 - COME TOGETHER / SOMETHING the beatles starting with lowercases The Beatles starting with capitals APPLE 01-0455 - OH! DARLING / MAXWELL'S SILVER HAMMER Silver lettering, the beatles starting with lowercases Black lettering, The Beatles starting with capitals APPLE 01-0469 – LET IT BE / YOU KNOW MY NAME (LOOK UP THE NUMBER) APPLE 01-0474 - YESTERDAY / SHE LOVES YOU Silver lettering Black lettering APPLE 01-0515 - AND I LOVE HER / A HARD DAY'S NIGHT . -
FOR EVERYOHE in the BUSINESS of MUSIC IWV • % ^ Îiiusic
» FOR EVERYOHE IN THE BUSINESS OF MUSIC IWV • % ^ îiiusic week Morris opens the door to US Virgin set to Inke Smiths stake m- fono The best data European radio monitored 24 hours a day, 7 days a week. fono is Europe's new weekly For programmers magazine dedicated to highlighting The only accurate guide to radio's up-and-coming hits. and promoting hit records, fono offers accurate airplay data The best music from Music Control monitoring Hits, tips and ail the news on Europe's breaking music. 500 stations 24 hours a day, seven days a week - a new single currency For retailers for the European music industry. The compétitive edge to put you ahead of the pack. fono means no more relying on playlists, rumour or secondhand In 15 coun tries From the Atlantic to the Oder, information, fono gets inside the from Finland to the Mediterranean. charts to bring you the real story of what's happening in European For record labels We speak to the people music. who turn A&R into sales. "ig hits \v\ from the publishers of Music Week FONO, MILLER FREEMAN UK LTD, 4TH FLOOR, 8 MONTAGUE CLOSE, LONDON BRIDGE, LONDON SE1 9UR TEL + 171 620 3636 FAX: +44 (0) 171 921 5984 US OFFICE; FONO, MILLER FREEMAN ENT. LTD, 460 PARK AVENUE SOUTH, 9TH FLOOR, NEW YORK NY 10016 7T1 A ' USA' TEL: +212 "8 0406 FAX: f 212 378 2160 news file FIVE SCORE ALBUM SUCCESS Labels challenge their rivais Five's career was set to hit new Atlantichighs on this both week sides wlth of anthe andexpected their firstUK number US top one30 hit.album The te eut CD single dealer price betterself-titled than début Take album,That with going their one Recordby Robert companies Ashton are challenging firstUS, whereRCA album the band in 1992. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Beatles Hey Jude Mp3, Flac, Wma
The Beatles Hey Jude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hey Jude Country: US Released: 1968 Style: Rock & Roll, Pop Rock MP3 version RAR size: 1677 mb FLAC version RAR size: 1662 mb WMA version RAR size: 1497 mb Rating: 4.3 Votes: 627 Other Formats: VQF MP2 VOC ASF DTS AC3 AUD Tracklist A1 Can't Buy Me Love 2:19 A2 I Should Have Known Better 2:39 A3 Paperback Writer 2:14 A4 Rain 2:58 A5 Lady Madonna 2:14 A6 Revolution 3:21 B1 Hey Jude 7:06 B2 Old Brown Shoe 3:16 B3 Don't Let Me Down 3:30 B4 Ballad Of John And Yoko 2:55 Companies, etc. Manufactured By – Apple Records, Inc. Distributed By – Capitol Records (Canada) Ltd. Mastered At – Bell Sound Studios Printed By – Modern Graphics Pressed By – The Compo Company Ltd. Credits Mastered By – sf* Producer – George Martin Written-By – Harrison* (tracks: B2), Lennon-McCartney (tracks: A1 to B1, B3, B4) Notes APPLE SW-385 printed on jacket rear and spine. SW-385 printed on labels. Recorded in England - STEREO - Thick cardboard jacket - "[MG] Litho In Canada" on the bottom of the spine. Barcode and Other Identifiers Matrix / Runout: SW1-385 Matrix / Runout: SW2-385 Matrix / Runout (Side A [variation 1]): SO-1-385 Z-40 #11 Bell Sound sƒ Matrix / Runout (Side B [variation 1]): SO-2-385 Z-40 Bell Sound sƒ Matrix / Runout (Side A [variation 2]): SO-1-385 Z-41 #8 Bell Sound sƒ Matrix / Runout (Side B [variation 2]): SO-2-385 Z-40 Bell Sound sƒ Other versions Category Artist Title (Format) Label Category Country Year Apple Hey Jude (The The Records, SO-385, SW-385 Beatles Again) -
Restoration & Relighting the Brown Shoe Co. Route 66
CHICKEN BASKET NEON SIGN FIRST IN SHOES: END OF THE ROAD: RESTORATION & RELIGHTING THE BROWN SHOE CO. ROUTE 66 BECAME 1-441N LEBANON PAGE 18 PAGE 21 PAGE 30 .. -. -_ l ••• j ;s...., MISSOURI us 66 contents I tm features 2 OFFICERS, BOARD OF DIRECTORS AND COMMITTEES 3 MEMBERSHIP MATTERS Robert Gehl 4 NEWS FROM THE ROAD 10 THE GHOST TOWN OF AVILLA, MO: CIVIL WAR, ROUTE 66, THE DEATH TREE AND THE SHADOW PEOPLE Cheryl Eichar Jett 14 THE NEW CARETAKERS: BARBARA AND GEORGE BLOOM AT GARY'S GAY PARITA Cheryl Eichar Jett 18 CHICKEN BASKET NEON SIGN RESTORATION & RELIGHTING Jim Thole 21 FIRST IN SHOES: THE BROWN SHOE CO. Kip Welborn 24 EDEN WAS PARADISE ON THE HIGHWAY Gary Sosniecki 30 END OF THE ROAD: 60 YEARS AGO, ROUTE 66 MOVED, BECAME 1-44 IN LEBANON Gary Sosniecki • 36 RAY WOODS TAKES A DIVE Joe Sonderman 39 NEW MEMBERS Robert Gehl 40 BUSINESS MEMBER DIRECTORY Robert Gehl 48 THEN AND NOW Joe Sonderman ADVERTISING RATES PER ISSUE Inside Cover Full Page Color - $175, Back Cover Full Page Color - $185,112 Page B&W - $70,112 Page Color - $85, 1/4 Page B&W - $50, 1/4 Page Color - $60,118 Business Card B&W - $40. Other rates are available upon request, call (314) 965-5751. PUBLICATION SCHEDULE Winter Issue, January 2018 Spring Issue, April 2018 Summer Issue, July 2018 Fall Issue, October 2018 Submission deadline 11.19.17 Submission deadline 2.19.18 Submission deadline 5.19.18 Submission deadline 8.19.18 FUTURE MEETING DATES Saturday, October 14, 2017 - KirkwoodStation Restaurant & BrewingCo. -
Yugoslavia 45 Beatles
Non-picture sleeves come in three types of Apple company covers Type 1, wavy top Type 2, thumb tab on rear Type 3, folded on side JUGOTON/APPLE SAP-8279 - GET BACK / DON'T LET ME DOWN No spacing between lines, P in P 1969 starts under spacing between A and P in SAP-8279 No spacing between lines, P in P With spacing between lines 1969 starts under spacing between P and - in SAP-8279 APPLE/JUGOTON SAP-8304 - THE BALLAD OF JOHN AND YOKO / OLD BROWN SHOE P in P 1969 starts under spacing (George Harrison) positioned in between P and - in SAP-8304, between title & band name (Lennon-McCartney) positioned in between title & band name P in P 1969 starts under spacing (George Harrison) positioned P in P 1969 starts under spacing (George Harrison) positioned between P and - in SAP-8304, closer to band name between A and P in SAP-8304, closer to band name (Lennon-McCartney) positioned (Lennon-McCartney) positioned closer to band name closer to band name Sliced Apple on A-side APPLE/JUGOTON SAP-8361 - LET IT BE / YOU KNOW MY NAME (LOOK UP THE NUMBER) Bag cover with thumb-tab on rear P in P 1970 starts under spacing between S and A in SAP Folded cover without thumb-tab P in P 1970 starts under A in SAP APPLE/JUGOTON SAP 88909 - HEY JUDE / REVOLUTION Without Ovad Praizvod... - print Ovad Praizvod... on sticker Ovad Praizvod... printed on cover A-side unsliced Apple, STRANA on right side of labels, A-side unsliced Apple, STRANA on right side of labels, SOKOI printed over STRANA on right side, STEREO on right side SOKOI print on left side of labels, STEREO on right side A-side unsliced Apple, STRANA on right side of labels, A-side unsliced Apple, STRANA on right side of labels, SOKOI printed on top of left side, STEREO on top of left side SOKOI printed on top of left side, STEREO on right side, under ST45 logo A-side unsliced Apple, STRANA on bottom of left side of labels, A-side sliced Apple Cover version 1 or 2 SOKOI printed on top of left side, STEREO on right side . -
Beatles Lyrics Trivia Quiz
BEATLES LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) Given the fist line from a Beatles' song, name the song. 1> I once had a girl... a. Good Day Sunshine b. Norwegian Wood c. Girl d. Here, There and Everywhere 2> She's not a girl who misses much... a. I Feel Fine b. Happiness Is a Warm Gun c. Hey Jude d. I Saw Her Standing There 3> In the town where I was born... a. There's a Place b. Yellow Submarine c. She Said She Said d. Taxman 4> Last night I said these words to my girl... a. Please, Please Me b. Savoy Truffle c. Run for Your Life d. Polythene Pam 5> When I find myself in times of trouble... a. Yesterday b. Hey Jude c. Let It Be d. Sexy Sadie 6> Now somewhere in the black mountain hills of Dakota... a. Revolution b. Only a Northern Song c. Rocky Racoon d. Nowhere Man 7> Ooh I need your love babe, guess you know it's true... a. Real Love b. She Loves You c. Eight Days A Week d. Something 8> I think I'm gonna be sad... a. P.S. I Love You b. Ticket to Ride c. Twist and Shout d. She's Leaving Home 9> Picture yourself in a boat on a river... a. Strawberry Fields Forever b. Mother Nature's Son c. Lucy In The Sky With Diamonds d. When I'm Sixty-Four 10> When I get older losing my hair... a. When I'm Sixty-Four b. We Can Work It Out c. -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Harrisongs 2012
1 95.5 KLOS PLAYLIST DEC. 2ND 1 2 9AM THREE HOURS OF GEORGE HARRISONGS George Harrison – Isn’t It A Pity (version one) - All Things Must Pass ‘70 Simple, effective, majestic – this track is one of the most magnificent tunes of George’s solo career. First composed during the “Let It Be” sessions, it was recorded on June 2nd, 1970. Some considered this to be a parody of “Hey Jude,” with it’s length and similar sounding backing chorus – but the song is anything but a parody – but another piece of firm evidence of George’s power as a master songwriter. 9.10 BREAK 2 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles. The story is essentially the same as the lyrics imply. On a foggy night in L.A., George sat at his rented house waiting for friends to arrive, but the maze of thin and winding streets and the thick fog rolling in got the best of them and they became lost. George: “I’d rented a house in Los Angeles on – Blue Jay Way, and I’d arrived there from England. I was waiting around for Derek and Joan Taylor who were then living in L.A. I was very tired after the flight and the time change and I stared writing, playing a little electric organ that was in the house. It had gotten foggy and they couldn’t find the house for some time. -
Beatles History – Part Three: 1970-2008
BEATLES HISTORY – PART THREE: 1970-2008 The Solo Careers In September 1969, John Lennon told his musical partners at a business meeting that he was leaving The Beatles. It was decided that the split was to be kept secret until the group had secured a profitable new contract with EMI Records. In early 1970, The Beatles’ staff prepared the release of Let It Be, which had been recorded in January 1969. As George Martin had lost interest in the production, American producer Phil Spector was asked to turn The Beatles’ rough recordings into a valuable album. Spec- tor’s involvement, however, caused further friction between the band members, because Paul McCartney felt that Spector was ruining his song “The Long and Winding Road” with a lavish arrangement featuring an orchestra and a choir. In addition, the release of Let It Be collided with the release date of Paul McCartney’s first solo album, McCartney, which was scheduled for 10 April, 1970. The conflicts within the band finally reached their climax when the other Beatles ignored McCartney’s wish of removing Spector’s orchestral arrangement from the recording of his song. Consequently, Paul McCartney decided to inform the public that The Beatles had disbanded. The promotional copies of McCartney’s first album contained an interview, in which he stated that he did not want to work with The Beatles anymore, because of personal and musical dis- agreements. The release date of McCartney is therefore regarded as the date The Beatles broke up, although they legally existed as a band until 1976, when their contracts finally expired.