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Identifying Beatles New Zealand 45'S
Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles. -
Matrix® 430Vf User Manual
MATRIX® 430VF USER MANUAL 98-05351 R3 MATRIX® 430VF QUICK START GUIDE INTRODUCTION #1 SETUP THE CONSOLE 1. On guidance screen, press NAVIGATION AND GUIDANCE OPTIONS tab to display options. #2 GUIDANCE 2. Press HOME button . 3. Press CONSOLE button . Adjust settings as needed. X LCD Brightness X GNSS Demo Mode X Colour Scheme X Screenshot X X #3 Units Time Zone CONFIGURATION CONFIGURE THE MACHINE 4. From the Home screen , press CONFIGURATION button . 5. Select and configure a Machine profile . X Select Machine Profile Number A – use to select 1 of 5 machine profiles. JOB DATA The profile that is “active” is displayed/active on the operation screen. #4 X Set Machine Type B – used to select the type of machine to indicate how the vehicle will be displayed in relation to the rows and canopy on the Guidance screen. – Mounted and trailed Airblast – Tower nebuliser/Powder Machine CONSOLE – Self-propelled – Harvester X Set Number of Implement Sections C – used to select the number of implement sections. Range is 1 to 12 sections. C B A X Set Section Widths D – used to enter the width of each section. Each section can be a different width. #5 X Set In-Line Implement Offset Distance E – used to define the in-line distance D from the GNSS antenna (the zero point) to the implement. – Positive value will move the implement behind the GNSS antenna. E – Negative value will move the implement in front of the GNSS antenna. 6. Select and configure a Field profile . F H X Select Field Profile Number F – use to select 1 or 5 field profiles. -
The Old Past Master
The Old Past Master Carl H. Claudy 1924 Originally published in 1924 By The Masonic Service Association Of the United States of America Converted to text by Bro. Carl Johnson Converted to PDF & eBook by Bro. Ron Blaisdell, PM January 28, 2001 AL 6001 PREFACE Masonry teaches the young and untried brother to apply to his elder brethren for instruction in the art and assures him that they will always be as ready to teach as his is ready to learn. The author took this comforting assurance literally and seriously. To many "Old Past Masters" (and not all of them have been through the chairs!) ... he owes anything of Masonic wisdom which may have filtered through his pen to these pages. It is given to few to originate in this world; if to him has come opportunity to report to the many what would otherwise perhaps have been but the learning of the few, he is more than content, even if there be nothing within these pages which he can claim as his own. A guidepost never gets anywhere, but it points the way! Carl H. Claudy CONTENTS Brotherly Love 1 Attendance 5 “In My Heart” 9 The Ideal Mason 14 “Failure” 18 That “Atheist!” 23 Order of DeMolay 28 For Love – Or Money? 32 The Charity Fund 36 Masonic Libraries 40 The Masonry You Make 45 When Laughter is Sad 49 A Mason’s Christmas 54 Understanding 59 The Better Way 63 “Silk Stockings” 67 The Pledge 71 Those Symbols 75 Ancient Landmarks 79 Do You Study Geometry? 83 Work To Do 87 Those Legends 91 When Twice Two is Five 95 Why Symbolism? 99 BROTHERLY LOVE "Brotherly love?" commented the Old Past Master. -
KLOS Aug.5Th
1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Magazin MOJO JOHN LENNON & PAUL
Tägliche BeatlesInfoMail 05.06.21: Magazine LENNON und McCARTNEY /// MANY YEARS AGO -------------------- Im Beatles Museum erhältlich: Magazine LENNON und McCARTNEY aus Großbritannien Abbildungen von links: Folder mit beiden Magazinen / Magazin LENNON / Magazin McCARTNEY. April/Mai 2021: Zwei Musikmagazine im Folder MOJO THE COLLECTORS SERIES-SET JOHN LENNON und PAUL McCARTNEY. 31,90 € Mojo Verlag, Großbritannien. je Heft / Format: 29,5 cm x 21 cm / 132 Seiten / viele Farb- und Schwarzweißfotos / englischsprachig. Folder-Format: 32,5 cm x 22,5 cm Inhalt JOHN LENNON: Early Life; The Young Beatle; Turn off Your Mind; John & Yoko; Imagine; Revolution 1971; The Lost Weekend; House Husband; Double Fantasy; Aftermath. Inhalt PAUL McCARTNEY: Growing Up; Prefab Times; Lennon-McCartney; Revolver; The White Album; Anthology 3; Wings; Band On The Run; Wings Over America; McCartney II; 50 Reasons We; Love Macca; New; Egypt Station. -------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel und Katharina Das Beatles Museum ist wieder geöffnet - und problemlos zu besuchen. Der neue, aktuelle Stand, wie er uns bekannt ist (jetzt weniger Auflagen für Außengastronomie): Beatles Museum, Shop und Außengastronomie: ohne Voranmeldung, kein Testnachweis / Kontaktdaten werden erfasst / Maskenpflicht / Abstandspflicht. Café (Innengastronomie): „ggg“ - negativer Test (nicht älter als 24 Stunden, Selbsttest zum Selbstkostenpreis für 4 € bei uns möglich) / Impf- oder Genesungsnachweiß (jeweils mindestens zwei Wochen alt) / Kontaktdaten werden erfasst / Maskenpflicht bis zum Platz / Abstandspflicht. Öffnungszeiten (nach wie vor): Dienstag bis Sonntag und Feiertage, jeweils 10 bis 18 Uhr. Herzlich willkommen!!! -------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-290 390 0 Innerhalb Deutschland: Bei Bestellwert unter 50 €: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 €. -
SIRIUS XM Radio to Broadcast Howard Stern-Paul Mccartney Special This Weekend
SIRIUS XM Radio To Broadcast Howard Stern-Paul McCartney Special This Weekend NEW YORK, Jan 15, 2009 /PRNewswire-FirstCall via COMTEX News Network/ -- New and provocative conversations between Howard Stern and Paul McCartney to air all weekend on Howard 101 Stern and McCartney go in-depth on the legend's life, The Beatles and his new Fireman album "Electric Arguments" SIRIUS XM Radio (Nasdaq: SIRI) announced today that it will broadcast a Howard Stern-Paul McCartney special this weekend on SIRIUS XM's Howard 101 channel. (Logo: http://www.newscom.com/cgi-bin/prnh/20080819/NYTU044LOGO ) This week on his SIRIUS XM show, Howard Stern interviewed Paul McCartney. Stern described the importance of the music of The Beatles in his life, saying "[The Beatles] are more of a religion to me than any organized religion. Their music does more for my spirit and elevates me to a higher plane than any religious ceremony ever did." Howard and McCartney went in-depth on the music legend's life, family, The Beatles, his new Fireman album Electric Arguments, and much more. McCartney presented Howard with an autographed genuine brand new Hofner bass guitar as a surprise birthday gift, singing as he entered the studio: "A very merry un-birthday to you, to you. a very merry un-birthday to Howard." This guitar is also known as the Hofner "Beatle" bass, made popular by McCartney and favored by him because it was symmetrical in shape and could be easily turned around to play left-handed. This weekend Howard 101 will broadcast a Paul McCartney special featuring this new interview, plus highlights of Stern's first McCartney interview from 2001. -
BWTB Revolver @ 50 2016
1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. -
Für Sonntag, 21
InfoMail 16.04.15: vom Herausgeber signiertes Buch mit BEATLES-Kurzgeschichten /// MACCAZINES /// MANY YEARS AGO InfoMail Donnerstag, 16. April 2015 InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Hallo M.B.M.! Hallo BEATLES-Fan! Ein Buch mit Kurzgeschichten zum Thema BEATLES Weitere Info und/oder bestellen: Einfach Abbildung anklicken Samstag, 1. November 2014: Buch WEIL ICH JOHN LENNON BIN - PHANTASTISCHE BEATLES-GESCHICHTEN. 10,90 € Die von uns verschicken Bücher sind vom Herausgeber signiert. Herausgeber: Bartholomäus Figatowski. Verlag: N. Schmenk. ISBN: 978-3-943022-27-8 Gebundenes Buch; Hochformat 24,6 cm x 17,2 cm; 96 Seiten; Preis: 10.90 €. Inhalt: Wahnfried stellt klar (von Holger Dittmann); Lucy (von Monika Niehaus); Livestream-Liebe (von Holger Mossakowski); Kalte Füße (von Karl-Otto Kaminski); Breaking Eggs (von Rainer Schorm); Operation Samsara (von Katja Göddemeyer); Auf der Suche nach der verlorenen Welt (von Raimund Hils); Farbenspiel (von Jörg Weigand); Im Haselbusch (von Renate Schmidt-V.); Gebrochene Flügel (von Detlef Klewer); Picknick am Hügel (von Nina Sträter); Saat des Todes (von Regina Schleheck); Weil ich John Lennon bin (von Holger Dittmann); Die Farbe Gelb (von Marika Bergmann); Als der Regen kam (von Bettina Forbrich); In the Land of Submarines … Nachwort (von Herausgebers Bartholomäus Figatowski); Die Autorinnen und Autoren und ihre Inspirationsquellen. MACCAZINES - TIMELINES Weitere Info und/oder bestellen: Einfach Abbildung anklicken Magazin MACCAZINE - PAUL McCARTNEY TIMELINE 2005. 9,90 € Magazin MACCAZINE - PAUL McCARTNEY TIMELINE 2006. 9,90 € Dutch Paul McCartney Fanclub, Niederlande. Heft; Hochformat: ca. 14,8 cm x ca. 21,0 cm; 28 Seiten; 24 Schwarzweiß-Abbildung; englischsprachig. -
Lodge Leadership & Management Aka The
Lodge Leadership & Management aka The Masters' & Wardens' Handbook Table of Contents Preface .......................................................................................................................................... 1 Be A Leader ................................................................................................................................... 2 Planning a Great Lodge Year ........................................................................................................ 11 Conducting a Good Lodge Meeting .............................................................................................. 19 Financial Planning and Budgeting ................................................................................................ 24 Lodge Budget Worksheet ......................................................................................................... 28 Examining Visitors ....................................................................................................................... 29 Focus on Fellowship..................................................................................................................... 30 New Member Orientation............................................................................................................ 35 Communications from the Lodge ................................................................................................. 38 Internet Presence – The Electronic Frontier ................................................................................ -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.