Apple Epem-10457 - a Day in the Life - I Am the Walrus / Strawberry Fields Forever - Come Together

Total Page:16

File Type:pdf, Size:1020Kb

Apple Epem-10457 - a Day in the Life - I Am the Walrus / Strawberry Fields Forever - Come Together APPLE EPEM-10457 - A DAY IN THE LIFE - I AM THE WALRUS / STRAWBERRY FIELDS FOREVER - COME TOGETHER Marcas Registradas printed on bottom Trade Marks Capitol Marca Registrada printed on bottom APPLE EPEM-10458 - I WANT YOU (SHE'S SO HEAVY) - DON'T LET ME DOWN / REVOLUTION - YER BLUES APPLE EPEM-10459 - LUCY IN THE SKY WITH DIAMONDS - ALL YOU NEED IS LOVE/ ACROSS THE UNIVERSE - BALLAD OF JOHN & YOKO APPLE EPEM-10503 - I'M HAPPY JUST TO DANCE WITH YOU - DO YOU WANT TO KNOW A SECRET / CHAINS - DEVIL IN HER HEART APPLE EPEM-10504 - HONEY DON'T - MATCHBOX / LITTLE CHILD / I WANNA BE YOUR MAN APPLE EPEM-10505 - YELLOW SUBMARINE - OCTOPUS'S GARDEN / WITH A LITTLE HELP FROM MY FRIENDS - GOODNIGHT APPLE EPEM-10536 - DON'T BOTHER ME - TAXMAN / IF I NEEDED SOMEONE - THINK FOR YOURSELF APPLE EPEM-10537 - HERE COMES THE SUN - FOR YOU BLUE / WHILE MY GUITAR GENTLY WEEPS - PIGGIES Wording to left and right of Apple stem APPLE EPEM-10538 - BOYS - WHAT GOES ON / ACT NATURALLY - DON'T PASS ME BY Print The Beatles with spacing between letters Print The Beatles without spacing between letters, two EPEM- Print The Beatles without spacing between letters, two EPEM- numbers on B-Side aligned numbers on B-Side not aligned APPLE EPEM-10539 - I NEED YOU - YOU LIKE ME TOO MUCH / IT'S ONLY A NORTHERN SONG - IT'S ALL TOO MUCH APPLE EPEM-10540 - SAVOY TRUFFLE - OLD BROWN SHOE / BLUE JAY WAY - LONG, LONG, LONG With print La Radiodiffusion... on top of B-Side Without print La Radiodiffusion... on top of B- Side APPLE EPEM-10541 - WITHIN YOU WITHOUT YOU - THE INNER LIGHT / LOVE YOU TO - I WANT TO TELL YOU APPLE EPEM-10599 - GET BACK - I ME MINE / TWO OF US - ONE AFTER 909 APPLE EPEM-10600 - DIG IT - LET IT BE / PAPERBACK WRITER - LADY MADONNA THE BEATLES COLLECTION OF 12 EP's (Vol. 2) + (Vol. 3) Box (made in Germany) contains EPEM-10459 & EPEM-10504 Box (made in Germany) contains the other 12 Apple EPs (& 10 EPs on the Capitol label) Note: (Vol. 1 ony contains EPs on the Capitol label) .
Recommended publications
  • KLOS Aug.5Th
    1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass.
    [Show full text]
  • Super Bowl Singles Sunday 2017
    1 TH PLAYLIST FEB. 5 2017 SUPER SINGLES SUNDAY As we feature the Beatles 1 PLUS LP 2 9AM The entire NEW Beatles 1 PLUS (including bonus highlights) The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 3 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP The Beatles - From Me To You - A Collection of Beatles Oldies `66 (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ third single release for EMI’s Parlophone label.
    [Show full text]
  • Nicaragua 45 Beatles
    APPLE 01-0362 - HOLD ME TIGHT / NOT A SECOND TIME ODEON 0-0386 - BIRTHDAY / CRY BABY CRY Apple print on labels ODEON 0-0393 - GET BACK / DON'T LET ME DOWN English titles, Odeon dome on top, Apple print on labels Spanish titles, Odeon dome to right side, Apple print on labels, English title on A-side without translation underneath, 45 R.P.M. print on left side of labels Spanish title on B-side, Odeon dome to right side, Aligned Apple print on labels, 45 R.P.M. print on left side of labels English title on A-side with translation underneath, English title on A-side with translation underneath, Spanish title on B-side, Odeon dome to right side, Odeon dome to right side, Aligned Apple print on labels, Non-aligned Apple print on labels, 45 R.P.M. print on 45 R.P.M. print on left side of labels left side of labels English title on A-side, Spanish title on B-side, (P) 1969 print under Apple print Odeon dome to right side, aligned Apple print on labels, No 45 R.P.M. print on left side of labels Title in narrow font ODEON 01-0393 - GET BACK / DON'T LET ME DOWN Apple print on labels APPLE 01-0393 - GET BACK / DON'T LET ME DOWN ODEON 0-0400 - BALLAD OF JOHN AND YOKO / OLD BROWN SHOE Apple print on labels, credits on left in 3 and 2 lines respectively Apple print on labels, credits on left in 4 lines Yoco misprint Title translated to Viejos Zapatos Oscuros ℗1969 print on right side APPLE 01-0440 - COME TOGETHER / SOMETHING the beatles starting with lowercases The Beatles starting with capitals APPLE 01-0455 - OH! DARLING / MAXWELL'S SILVER HAMMER Silver lettering, the beatles starting with lowercases Black lettering, The Beatles starting with capitals APPLE 01-0469 – LET IT BE / YOU KNOW MY NAME (LOOK UP THE NUMBER) APPLE 01-0474 - YESTERDAY / SHE LOVES YOU Silver lettering Black lettering APPLE 01-0515 - AND I LOVE HER / A HARD DAY'S NIGHT .
    [Show full text]
  • High-Fidelity-1987-1
    NOVEMBER 1987 $2.50 USA $3.50 CANADA ELITY AU DI OGH • VI D E OFl • TES T RE P O R T S • M U SI C DIGITAL VIDEO The Hype • The Facts • The Promise Which Digital TV and VCR Features Do You Really Need? THE EQUALIZERS 12 Ways They Can Perk Up Your Stereo THE LAB TESTS 6 Speakers— One Could Be For You! SgOOL V1 21-ANN3N 3111/ 31Ital (13IAA N:Ea3 EW AIH Z6DiA )4/cI flIAZ UVONV NI 4gIIVA0 4ATS9A 5900L RJRBOCHARGE YOUR CD MAYER, A 91{) „cs5L.ANALITAA CA- 2 1 Aci•PTCP \IQ BALAs a. 9 neitE THE ELITE A-91D INTEGRATED AMPLIFIER. Now that the compact disc has taken the world by storm, ordinary amplifiers are failing their driving test. Because or- dismrtion.What's more, dinary amplifiers simply can't critical signal paths are kept handle the dynamic range and extraordinarily short for less purer signal that digital sound electronic interference and delivers. cleaner sound. Fortunately, the A-91D is When it comes to digital far from ordinary. Because the sound, there's no such thing A-91D is built with one thought as go( x.1 vibrations. That's why in mind—to maximize the per- the A-9 ID uses a special anti- formance of digital sound. vibration honeycomb design With 170 watts per channel in the chassis frame. In isola- into 4 ohm speaker loads, and tion barriers between electronic 120 watts into 8 ohms, the sections. Even in all five insu- A-91D unleashes digital's full lator feet.
    [Show full text]
  • The Rock Bottom Party Band Sample List of Songs Songs Are in No
    The Rock Bottom Party Band Sample List of Songs Song Original Artist Song Original artist Peaceful Easy Feeling Eagles Jumping Jack Flash Stones If I Needed Someone Beatles End Of The Line Wilburys Daydream Believer Monkeys I Can’t Help Myself ------- Road to Hell Chris Rea Happy Together Turtles Hotel California Eagles Day Tripper Beatles Love Potion Number 9 Searchers Summer of 69 Brian Adams Please Mr Postman Beatles I’m a Believer Monkies When Im Ded & Gone McGuinness Flint Brown Sugar Stones Tainted Love Soft Cell Sorrow Merseys Keep on Running Spencer Davis Gotta Get Out of This Place Animals Brown Eyed Girl Van Morrison Save the Last Dance for Me Various Take It To The Limit Eagles Stand By Me Various Country Roads John Denver Sunny Afternoon Kinks Money For Nothing Dire Straits Tequila Sunrise Eagles Dont Look Bck In Angr Oasis Please don’t tease Cliff/shadows Juliet Four Pennies I can’t let go Hollies Apache Shadows Honky Tonk Woman Stones Yellow Coldplay Poison Ivy Searchers Move It Cliff/Shadows I Love to Boogie Bolan Jail House Rock Elvis When You Walk in the Room Searchers You Really Got Me Kinks Pretty Woman Orbison Eight Days A Week Beatles When You Say Nthing At All Boyzone Just One Look Hollies Theme For Young Lovers Shadows Do You Wanna Dance Cliff/Shadows Glad All Over Dave Clark Coz I Luv You Slade Twist and Shout Beatles The Locomotion Little Eva/ Kylie I Saw Her Standing There Beatles Sleepwalk Shadows Mustang Sally Commitments I Can’t Let Go Hollies Hi Ho Silver Lining Beck Songs are in no particular order or grouping .
    [Show full text]
  • Beatles Indian 78'S, Identification Guide
    Indian 78 RPM Single Releases Identification Guide Updated 07 Jn 21 Red Parlophone Label With “Trade Mark” in Center India was one of three countries known to have been pressing 78's when the Beatles came along -- the Philippines and Argentina being the others. Of these three, India pressed them the longest, with 78 RPM singles being available practically throughout the Beatles' career. All of the 78's are scarce to rare, with the later singles being hardest to find. Most collectors are unaware that the 78's came out on at least three different label styles. The first of these styles has simply "Trade Mark" in the center of the label. At the top of the label, in the rim, are the words "This copyright record must not be publicly performed without licence." At the bottom of the label are the words "THE PARLOPHONE CO, LTD." Titles Catalog Number "Please Please Me"/"Ask Me Why" R 4983 "From Me to You"/"Thank You Girl" R 5015 "She Loves You"/"I'll Get You" R 5055 "She Loves You"/"I'll Get You" (with "Sample Record" stamp) R 5055 "I Saw Her Standing There"/"Hold Me Tight" DPE 159 "I Want to Hold Your Hand"/"This Boy" R 5084 "Can't Buy Me Love"/"You Can't Do That" R 5114 "Long Tall Sally"/"I Call Your Name" DPE 164 "Love Me Do"/"PS I Love You" R 4949 "Hard Day's Night"/"Things We Said Today" R 5160 Red Parlophone Label With Parlophone in Center and “Incorporated in England” at Top Beginning in mid-1964, Parlophone of India added information to the center of the label and to its rim.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • KLOS Harrisongs B'day 2015
    1 Three hours of GEORGE HARRISONGS – With and without the Beatles to celebrate his birth which took place this week 72 years ago. PLAYLIST Feb.22nd 2015 2 OPEN/9am George Harrison – Apple Scruffs - All Things Must Pass ‘70 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles - I Want To Tell You - Revolver (Harrison) Lead vocal: George The backing track was recorded in five takes on June 2, 1966. George Harrison's third song on “Revolver,” was, he later said, "about the avalanche of thoughts that are so hard to write down or say or transmit." Once again Harrison had no idea what to call his composition. The band briefly kicked around random ideas, and the song was recorded under the working title “Laxton's Superb,” a type of apple. It later became known as “I Don't Know,” which was George’s answer when producer George Martin asked whether Harrison had come up with a title. By the day of the final mix (June 6, 1966), Harrison had settled on the title “I Want To Tell You.” Contains the first bass overdub on a Beatles record. Paul had his bass recorded on a different track really allowed for more options when it came time to mix the song. On U.S. album: Revolver - Capitol LP 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles.
    [Show full text]
  • A Tribute to the Beatles Performance Notes
    “Love Is All You Need- A Tribute To The Beatles” Performance Notes The approximate performance time of the full length piece is 18:30. Although the best representation of the concept is to perform the piece as is, shorter versions can make for better concert programming, and therefore satisfactory results. Here are some options to consider if one desires a shorter version of this piece. Cut option 1 preserves all of the song content: Approximate performance time – 14:56 “Yesterday” Cut from the end of bar 20 to the beginning of bar 28 (-0:14) “Here Comes The Sun” Cut from the end of bar 76 to the beginning of bar 89 (-0:12) “Blackbird” (-0:16) Cut from the end of bar 137 to the beginning of bar 147 All Violins 8va in bar 137 “All My Lovin’” (-1:00) Cut Woodwinds, Harp & Piano from the end of bar 175 to the beginning of bar 200 Cut Horns, Brass & Perc from the end of bar 174 to the beginning of bar 199 Cut Strings from the end of bar 174 to the beginning of bar 199 (Tacet Violins on the first quarter note of bar 199 – dynamics for Vle, Celli, Cb start p and molto cresc. “Come Together” (-0:35) Cut All except Violins from the end of bar 213 to the beginning of bar 218 Cut Violins from the end of bar 215 to the beginning of bar 220 Cut All from the end of bar 225 to the beginning of bar 236 “Day Tripper” (-0:35) Play All as 2nd time from bar 244 and take 2nd ending “If I Fell” (-0:43) Cut All except 1st Flute, Sus.
    [Show full text]
  • The Beatles Hey Jude Mp3, Flac, Wma
    The Beatles Hey Jude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hey Jude Country: US Released: 1968 Style: Rock & Roll, Pop Rock MP3 version RAR size: 1677 mb FLAC version RAR size: 1662 mb WMA version RAR size: 1497 mb Rating: 4.3 Votes: 627 Other Formats: VQF MP2 VOC ASF DTS AC3 AUD Tracklist A1 Can't Buy Me Love 2:19 A2 I Should Have Known Better 2:39 A3 Paperback Writer 2:14 A4 Rain 2:58 A5 Lady Madonna 2:14 A6 Revolution 3:21 B1 Hey Jude 7:06 B2 Old Brown Shoe 3:16 B3 Don't Let Me Down 3:30 B4 Ballad Of John And Yoko 2:55 Companies, etc. Manufactured By – Apple Records, Inc. Distributed By – Capitol Records (Canada) Ltd. Mastered At – Bell Sound Studios Printed By – Modern Graphics Pressed By – The Compo Company Ltd. Credits Mastered By – sf* Producer – George Martin Written-By – Harrison* (tracks: B2), Lennon-McCartney (tracks: A1 to B1, B3, B4) Notes APPLE SW-385 printed on jacket rear and spine. SW-385 printed on labels. Recorded in England - STEREO - Thick cardboard jacket - "[MG] Litho In Canada" on the bottom of the spine. Barcode and Other Identifiers Matrix / Runout: SW1-385 Matrix / Runout: SW2-385 Matrix / Runout (Side A [variation 1]): SO-1-385 Z-40 #11 Bell Sound sƒ Matrix / Runout (Side B [variation 1]): SO-2-385 Z-40 Bell Sound sƒ Matrix / Runout (Side A [variation 2]): SO-1-385 Z-41 #8 Bell Sound sƒ Matrix / Runout (Side B [variation 2]): SO-2-385 Z-40 Bell Sound sƒ Other versions Category Artist Title (Format) Label Category Country Year Apple Hey Jude (The The Records, SO-385, SW-385 Beatles Again)
    [Show full text]
  • Restoration & Relighting the Brown Shoe Co. Route 66
    CHICKEN BASKET NEON SIGN FIRST IN SHOES: END OF THE ROAD: RESTORATION & RELIGHTING THE BROWN SHOE CO. ROUTE 66 BECAME 1-441N LEBANON PAGE 18 PAGE 21 PAGE 30 .. -. -_ l ••• j ;s...., MISSOURI us 66 contents I tm features 2 OFFICERS, BOARD OF DIRECTORS AND COMMITTEES 3 MEMBERSHIP MATTERS Robert Gehl 4 NEWS FROM THE ROAD 10 THE GHOST TOWN OF AVILLA, MO: CIVIL WAR, ROUTE 66, THE DEATH TREE AND THE SHADOW PEOPLE Cheryl Eichar Jett 14 THE NEW CARETAKERS: BARBARA AND GEORGE BLOOM AT GARY'S GAY PARITA Cheryl Eichar Jett 18 CHICKEN BASKET NEON SIGN RESTORATION & RELIGHTING Jim Thole 21 FIRST IN SHOES: THE BROWN SHOE CO. Kip Welborn 24 EDEN WAS PARADISE ON THE HIGHWAY Gary Sosniecki 30 END OF THE ROAD: 60 YEARS AGO, ROUTE 66 MOVED, BECAME 1-44 IN LEBANON Gary Sosniecki • 36 RAY WOODS TAKES A DIVE Joe Sonderman 39 NEW MEMBERS Robert Gehl 40 BUSINESS MEMBER DIRECTORY Robert Gehl 48 THEN AND NOW Joe Sonderman ADVERTISING RATES PER ISSUE Inside Cover Full Page Color - $175, Back Cover Full Page Color - $185,112 Page B&W - $70,112 Page Color - $85, 1/4 Page B&W - $50, 1/4 Page Color - $60,118 Business Card B&W - $40. Other rates are available upon request, call (314) 965-5751. PUBLICATION SCHEDULE Winter Issue, January 2018 Spring Issue, April 2018 Summer Issue, July 2018 Fall Issue, October 2018 Submission deadline 11.19.17 Submission deadline 2.19.18 Submission deadline 5.19.18 Submission deadline 8.19.18 FUTURE MEETING DATES Saturday, October 14, 2017 - KirkwoodStation Restaurant & BrewingCo.
    [Show full text]
  • The Beatles Record Review
    WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience.
    [Show full text]