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Beatles Indian 78'S, Identification Guide
Indian 78 RPM Single Releases Identification Guide Updated 07 Jn 21 Red Parlophone Label With “Trade Mark” in Center India was one of three countries known to have been pressing 78's when the Beatles came along -- the Philippines and Argentina being the others. Of these three, India pressed them the longest, with 78 RPM singles being available practically throughout the Beatles' career. All of the 78's are scarce to rare, with the later singles being hardest to find. Most collectors are unaware that the 78's came out on at least three different label styles. The first of these styles has simply "Trade Mark" in the center of the label. At the top of the label, in the rim, are the words "This copyright record must not be publicly performed without licence." At the bottom of the label are the words "THE PARLOPHONE CO, LTD." Titles Catalog Number "Please Please Me"/"Ask Me Why" R 4983 "From Me to You"/"Thank You Girl" R 5015 "She Loves You"/"I'll Get You" R 5055 "She Loves You"/"I'll Get You" (with "Sample Record" stamp) R 5055 "I Saw Her Standing There"/"Hold Me Tight" DPE 159 "I Want to Hold Your Hand"/"This Boy" R 5084 "Can't Buy Me Love"/"You Can't Do That" R 5114 "Long Tall Sally"/"I Call Your Name" DPE 164 "Love Me Do"/"PS I Love You" R 4949 "Hard Day's Night"/"Things We Said Today" R 5160 Red Parlophone Label With Parlophone in Center and “Incorporated in England” at Top Beginning in mid-1964, Parlophone of India added information to the center of the label and to its rim. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
Apple Epem-10457 - a Day in the Life - I Am the Walrus / Strawberry Fields Forever - Come Together
APPLE EPEM-10457 - A DAY IN THE LIFE - I AM THE WALRUS / STRAWBERRY FIELDS FOREVER - COME TOGETHER Marcas Registradas printed on bottom Trade Marks Capitol Marca Registrada printed on bottom APPLE EPEM-10458 - I WANT YOU (SHE'S SO HEAVY) - DON'T LET ME DOWN / REVOLUTION - YER BLUES APPLE EPEM-10459 - LUCY IN THE SKY WITH DIAMONDS - ALL YOU NEED IS LOVE/ ACROSS THE UNIVERSE - BALLAD OF JOHN & YOKO APPLE EPEM-10503 - I'M HAPPY JUST TO DANCE WITH YOU - DO YOU WANT TO KNOW A SECRET / CHAINS - DEVIL IN HER HEART APPLE EPEM-10504 - HONEY DON'T - MATCHBOX / LITTLE CHILD / I WANNA BE YOUR MAN APPLE EPEM-10505 - YELLOW SUBMARINE - OCTOPUS'S GARDEN / WITH A LITTLE HELP FROM MY FRIENDS - GOODNIGHT APPLE EPEM-10536 - DON'T BOTHER ME - TAXMAN / IF I NEEDED SOMEONE - THINK FOR YOURSELF APPLE EPEM-10537 - HERE COMES THE SUN - FOR YOU BLUE / WHILE MY GUITAR GENTLY WEEPS - PIGGIES Wording to left and right of Apple stem APPLE EPEM-10538 - BOYS - WHAT GOES ON / ACT NATURALLY - DON'T PASS ME BY Print The Beatles with spacing between letters Print The Beatles without spacing between letters, two EPEM- Print The Beatles without spacing between letters, two EPEM- numbers on B-Side aligned numbers on B-Side not aligned APPLE EPEM-10539 - I NEED YOU - YOU LIKE ME TOO MUCH / IT'S ONLY A NORTHERN SONG - IT'S ALL TOO MUCH APPLE EPEM-10540 - SAVOY TRUFFLE - OLD BROWN SHOE / BLUE JAY WAY - LONG, LONG, LONG With print La Radiodiffusion... on top of B-Side Without print La Radiodiffusion.. -
The Beatles - the Capitol Albums, Volume 2 Pdf, Epub, Ebook
THE BEATLES - THE CAPITOL ALBUMS, VOLUME 2 PDF, EPUB, EBOOK John Lennon | 248 pages | 01 Jun 2010 | Hal Leonard Corporation | 9781423429951 | English | Milwaukee, United States The Beatles - the Capitol Albums, Volume 2 PDF Book Acoustic - Budget Books. Twist and Shout. In the Tyrol Instrumental Our customers love us! What You're Doing. Blues Classical Country. Live at the BBC []. Sexy Trippy All Moods. Pitchfork is the most trusted voice in music. Nobody at the label found the results satisfactory so they attempted it again almost exactly a For personal non-commercial use only. All My Loving. Contact Info. Girl - stereo 9. Tripolar Zenttric. Tracks on Disc 1: 1. It's Only Love - mono Since we first met the Beatles in , things have never been the same. Send Feedback. Chase, The - instrumental, mono. Ostensibly, that's the way the Beatles would have liked it, but it's the domestic configurations of these albums that fans in the U. Little Child. Your Email Address. It was inevitable that the constant grind of touring, writing, promoting, and recording would grate What You're Doing 8. I've Just Seen A Face - stereo 2. Enabling JavaScript in your browser will allow you to experience all the features of our site. I Don't Want to Spoil the Party Baby's in Black. Long Tall Sally. All the Real Books feature hundreds of time-tested songs in extremely accurate arrangements; the famous large, easy-to-read, hand-written notation with no page turns; general tempo indications to assist with set selection; songs indexed alphabetically, by key, and by In the Tyrol Ken Thorne. -
George Harrison Visit 12/13/74” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 40, folder “Ford, John - Events - George Harrison Visit 12/13/74” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. Digitized from Box 40 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library ROGERS & COWAN1 INC. 598 MADISON AVENUE NEW YORK, N. Y. 10022 PUBLIC RELATIONS (212) 759-6272 CABLE ADDRESS ROCOPUB NEW YORK ,NEW YORK December 20, 1974 Ms. Sheila Widenfeld East Wing Press Off ice The White House Washington, D.c. 20500 Dear Sheila: Once again I extend many thanks for your assistance regarding George Harrison's visit to the White House. It was a superb day. Best regards, terling ._.."l.r..,...,...iainment Division , MS/aes 250 NORTH CANON DRIVE, BEVERLY HILLS, CALIFORNIA 90210 CRESTVIEW 5-4581 CABLE ADDRESS: ROCOPUB BEVERLY HILLS, CALIFORNIA -- I . -
George Harrison Birthday Special 2016
1 George Harrison Birthday Special 2016 2 George Harrison – Crackerbox Palace - Thirty-Three & 1/3 ‘76 This was the most successful track off the LP, and the title originally considered for the album. It’s content was inspired by the comedian Lord Buckley, a longtime favorite of George’s. Another Eric Idle directed promo film, featuring the future Mrs. Olivia Harrison, future Rutle Neil Innes, and the numerous children of Derek Taylor. The Beatles - You Like Me Too Much - Help! (Harrison) Lead vocal: George Recorded in eight takes on February 15, 1965. The introduction features Paul and George Martin on a Steinway piano and John playing an electric piano. On U.S. album: Beatles VI - Capitol LP The Beatles - Do You Want To Know A Secret – Please Please Me (McCartney-Lennon) Lead vocal: George Recorded February 11, 1963. Written primarily by John Lennon for George Harrison to sing. The song was given to another Brian Epstein-managed act, Billy J. Kramer with the Dakotas, to cover. Their version topped the British charts in late spring 1963. Inspired by "I'm Wishing," a song from Walt Disney’s 1937 animated film “Snow White and the Seven Dwarfs” that Lennon’s mother used to sing to him when he was a child. On U.S. albums: Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP 3 BREAK… The Beatles - Don’t Bother Me – With The Beatles (Harrison) Lead vocal: George George Harrison’s first recorded original song. While some may see it as a misfortune that Harrison was surrounded by two of the most gifted songwriters in history, this proximity gave him great insight into the mechanics of writing a song from scratch. -
THE BEATLES IMAGE: MASS MARKETING 1960S BRITISH and AMERICAN MUSIC and CULTURE, OR BEING a SHORT THESIS on the DUBIOUS PACKAGE of the BEATLES
THE BEATLES IMAGE: MASS MARKETING 1960s BRITISH AND AMERICAN MUSIC AND CULTURE, OR BEING A SHORT THESIS ON THE DUBIOUS PACKAGE OF THE BEATLES by Richard D Driver, Bachelor of Arts A Thesis In HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza S Wong Randy McBee John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Richard Driver Texas Tech University, Richard D Driver, May 2007 ACKNOWLEDGMENTS This work could not have been possible without the encouragement and guidance of a number of individuals, as well as countless persons who pulled books, worked through interlibrary loans, and simply listened to me talk about it. Without the guidance, tolerance, insight, time, and encouragement of my committee, Aliza S Wong and Randy McBee, this thesis would have remained nothing more than a passing thought. Aliza, more than any other professor has been there for me since this project truly began over two years ago. It was her initial push for me to write about something I loved that drove me to attend Graduate school and then build upon what I had done previously with The Beatles “image.” Dr. McBee provided excellent guidance into understanding many of the post-war American facets of this work, not simply those related to The Beatles or music in general. Additional thanks are reserved for Dr. Julie Willett for her class on sexuality and gender where new methods and modes of historical thought were founded in this work. Finally, this thesis would have been impossible had I not been accepted into and granted a teaching position in the History Department at Texas Tech University, and it is to the entire department that I owe my greatest thanks. -
HISTORY of the BEATLES MUH2370– Dr
HISTORY OF THE BEATLES MUH2370– Dr. A.Tranquilino FIU School of Music Album / Singles track list and release dates PLEASE PLEASE ME (March 22, 1963) WITH THE BEATLES (November 22, 1963) 1. I Saw Her Standing There 1.It Won't Be Long 2. Misery 2. All I've Got To Do 3. Anna (Go To Him) 3. All My Loving 4. Chains 4. Don't Bother Me 5. Boys 5. Little Child 6. Ask Me Why 6. Till There Was You 7. Please Please Me 7. Please Mr. Postman 8. Love Me Do 8. Roll Over Beethoven 9. P. S. I Love You 9. Hold Me Tight 10. Baby It`s You 10. You Really Got A Hold On Me 11. Do You Want To Know A Secret 11. I Wanna Be Your Man 12. Taste Of Honey, A 12. Devil In Her Heart 13. There`s A Place 13. Not A Second Time 14. Twist And Shout 14. Money A HARD DAY’S NIGHT (July 10, 1964) BEATLES FOR SALE (December 4, 1964) 1. A Hard Day's Night 1. No Reply 2. I Should Have Known Better 2. I`m A Loser 3. If I Fell 3. Baby`s In Black 4. I'm Happy Just To Dance With You 4. Rock And Roll Music 5. And I Love Her 5. I`ll Follow The Sun 6. Tell Me Why 6. Mr. Moonlight 7. Can't Buy Me Love 7. Kansas City / Hey, Hey, Hey, Hey 8. Any Time At All 8. Eight Days A Week 9. -
Here Information Was Modified Due to One of the Error Types Noted Above
The Beatles Recording Reference Manual — Volume 2 — Help! through Revolver (1965-1966) Corrigendum The Beatles Recording Reference Manual Volume 2 Help! through Revolver (1965-1966) Corrigendum Jerry Hammack Edited by Gillian G. Gaar The Beatles Recording Reference Manual — Volume 2 — Help! through Revolver (1965-1966) Corrigendum Copyright © 2020 Jerry Hammack All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by reviewers, who may quote brief passages in a review. CreateSpace Independent Publishing Platform, North Charleston, SC Hammack, Jerry, 1961- The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966) Corrigendum Gearfab Books, Ltd. Toronto, Ontario, Canada The Beatles Recording Reference Manual — Volume 2 — Help! through Revolver (1965-1966) Corrigendum Jerry Hammack About this Corrigendum ____________________________________________________________________________________________________________ It’s clear, I’m not perfect. In researching, writing, editing and producing The Beatles Recording Reference Manuals, I made some errors. Some of these errors were of omission, some were of misinterpretations of information that I was challenged on and found my conclusions wanting, and others were bothersome copy/paste issues that were not caught in the proofing stage of book production. Regardless of their type or nature, I take responsibility for them all. I know these books are not cheap to own, and I also know that Beatles fans interested in this material are some of the most detail-oriented fans in the world. You don’t want to pay for the same book twice, and you want the most accurate and up-to-date information possible regarding the work of the band in the studio. -
Starting Notes of Beatles' Records
Starting Notes of Beatles’ Records Ted Greene, 1989-12-20 Key’s Note Starts on the Root: Please Please Me, From Me to You, Boys, All I’ve Got to Do, Can’t Buy Me Love, You Can’t Do That, Roll Over Beethoven, You’ve Really Got a Hold On Me, Intro (m) for If I Fell, (m) Things We Said Today, Slow Down, Matchbox, Kansas City, Honey Don’t, What You’ve Doing, Everybody’s Trying to Be My Baby, You Like Me Too Much, Bad Boy, The Night Before, You’ve Got to Hide Your Love Away, It’s Only Love, I’ve Just Seen A Face, You Won’t See Me, Girl. Starts on the 2nd: Yesterday, Intro to Baby It’s You, It Won’t Be Long, [refrain:] And I Love Her, I’ll Follow the Sun, I’m Down. Starts on the b3rd: Maybe, Roll Over Beethoven, Long Tall Sally, Intro to Mr. Moonlight, Hey-Hey-Hey-Hey, The Word Starts on the 3rd: Anna, Misery, Chains, There’s A Place (also 5th), I’m Happy Just to Dance (kinda both and see 5th), Little Child, Till There Was You, Hold Me Tight, Not a Second Time, A Hard Day’s Night, Tell Me Why, I’ll Cry Instead, Anytime At All, She’s a Woman, No Reply, I’m a Loser, Eight Days a Week, You’re Gonna Lose That Girl, I’m Looking Through You. Starts on the 4th: Twist and Shout, All My Lovin’, Every Little Thing, Drive My Car. Starts on the 5th: I Saw Her Standing There, Ask Me Why, Thank You Girl, Love Me Do, Intro: Do You Want to Know a Secret, P.S. -
Strawberry Fields Forever? United Kingdom Copyright Duration for Sound Recordings Daniel Houston Drummy
Global Business & Development Law Journal Volume 21 Issue 2 Symposium Taking Stock of Sustainable Article 11 Development at 20: A Principle at Odds with Itself? 1-1-2008 Strawberry Fields Forever? United Kingdom Copyright Duration for Sound Recordings Daniel Houston Drummy Follow this and additional works at: https://scholarlycommons.pacific.edu/globe Part of the International Law Commons Recommended Citation Daniel H. Drummy, Strawberry Fields Forever? United Kingdom Copyright Duration for Sound Recordings, 21 Pac. McGeorge Global Bus. & Dev. L.J. 313 (2008). Available at: https://scholarlycommons.pacific.edu/globe/vol21/iss2/11 This Comments is brought to you for free and open access by the Journals and Law Reviews at Scholarly Commons. It has been accepted for inclusion in Global Business & Development Law Journal by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Strawberry Fields Forever? United Kingdom Copyright Duration for Sound Recordings Daniel Houston Drummy* TABLE OF CONTENTS I. IN TRO D U CTIO N ............................................................................................ 3 13 II. B A CKGR O UN D .............................................................................................. 316 A. Current United Kingdom Copyright Law .............................................. 316 B . The G owers R eview ............................................................................... 318 C. The United States' Sonny Bono Copyright Term Extension Act .......... -
BWTB Oct. 4Th 2015
1 Breakfast w/ the Beatles Playlist Oct. 4th Special guests Peter Asher & John Wicks 9AM The Beatles – Ain’t She Sweet / Single Recorded Hamburg 1961 The Beatles - I Saw Her Standing There /no handclaps! – Please Please Me (McCartney-Lennon) Lead vocal: Paul 2 Recorded February 11, 1963. A Paul McCartney original, the song was written in one day in September 1962 in the front parlor of 20 Forthlin Road, Allerton (the McCartney family from 1955 to 1964), with John Lennon helping with some of the lyrics. It was recorded under its working title, “Seventeen,” at the marathon recording session that produced the majority of songs for the Beatles’ debut album. A fan favorite, the Beatles recorded “I Saw Her Standing There” eleven times for BBC Radio between March 1963 and May 1964. McCartney has said that his bass line was lifted almost note for note from the obscure Chuck Berry song “I’m Talking About You,” released by Berry in February 1961. The Beatles performed “I’m Talking About You” at some of their club shows in 1962 and 1963. It is included on the “Live! At The Star Club” CD. Specially selected by Capitol Records staff members to be the b-side of the American “I Want to Hold Your Hand” single on Capitol in the U.S., replacing “This Boy” for the honor. The first song on the first Beatles LP. On U.S. albums: Introducing… The Beatles (with “1, 2, 3” inexplicably missing from Paul’s count-in) - Vee-Jay LP Meet the Beatles! - Capitol LP The Beatles - It Won’t Be Long – With The Beatles (Lennon-McCartney) Lead vocal: John The first original song recorded for their second album, “With The Beatles.” Composed primarily by John in July 1963 with the intention of writing a follow-up single to the as yet unreleased “She Loves You.” The lyrical similarity to the chorus of “She Loves You” (both songs contain the phrase “yeah, yeah, yeah”) was no accident.