Multidisciplinary Approaches to Romany Studies
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The Same Old Story Chief Science Officers
Fall 2 019 THE SAME OLD STORY A Short Story from the Sci-Fi World 8 CHIEF SCIENCE OFFICERS LOG SUBMITTED BY LT. BRAD JACOBS 23 LETTER FROM THE EDITOR Welcome, Greetings, Salutations and yI'el! Welcome to the Fall 2019 issue of the Ticonderoga newsletter. As difficult as it may seem to be, we are already moving into the final days of 2019. Like so many years that have come and gone, each has its own good and not so good events. This year, even with it's rough patches, has had an overtone that fits well with this issue. Super, and Super Heroes! We all have to admit sometimes, we would love to be able to be able to move that mountain of laundry with our minds, or see whats in the mystery collectibles boxes with X-Ray vision, or maybe just fly and buzz by our old high school bullies house and ding-dong-ditch em! Well, whatever your first activity might have been once you found out that super powers were yours, that moment may not ever happen. What will happen though, is super hero sized actions that have super sized results every day all across the country by “ordinary” crew who don't let their limits stop them. So that being said, even though we are going to have to move the laundry, buy the box without looking, and run like a mad man after ringing the bell, we still look to the skies, watch for that flash of lightning, and aspire to master our minds powers as we create our perfect hero in our books, films and comics. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Thin, white, and saved : fat stigma and the fear of the big black body Permalink https://escholarship.org/uc/item/55p6h2xt Author Strings, Sabrina A. Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Thin, White, and Saved: Fat Stigma and the Fear of the Big Black Body A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Sabrina A. Strings Committee in charge: Professor Maria Charles, Co-Chair Professor Christena Turner, Co-Chair Professor Camille Forbes Professor Jeffrey Haydu Professor Lisa Park 2012 Copyright Sabrina A. Strings, 2012 All rights reserved The dissertation of Sabrina A. Strings is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 i i i DEDICATION This dissertation is dedicated to my grandmother, Alma Green, so that she might have an answer to her question. i v TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v ACKNOWLEDGEMENTS …………………...…………………………………….…...vi VITA…………………………..…………………….……………………………….…..vii ABSTRACT OF THE DISSERTATION………………….……....................................viii -
GERMAN IMMIGRANTS, AFRICAN AMERICANS, and the RECONSTRUCTION of CITIZENSHIP, 1865-1877 DISSERTATION Presented In
NEW CITIZENS: GERMAN IMMIGRANTS, AFRICAN AMERICANS, AND THE RECONSTRUCTION OF CITIZENSHIP, 1865-1877 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Alison Clark Efford, M.A. * * * * * The Ohio State University 2008 Doctoral Examination Committee: Professor John L. Brooke, Adviser Approved by Professor Mitchell Snay ____________________________ Adviser Professor Michael L. Benedict Department of History Graduate Program Professor Kevin Boyle ABSTRACT This work explores how German immigrants influenced the reshaping of American citizenship following the Civil War and emancipation. It takes a new approach to old questions: How did African American men achieve citizenship rights under the Fourteenth and Fifteenth Amendments? Why were those rights only inconsistently protected for over a century? German Americans had a distinctive effect on the outcome of Reconstruction because they contributed a significant number of votes to the ruling Republican Party, they remained sensitive to European events, and most of all, they were acutely conscious of their own status as new American citizens. Drawing on the rich yet largely untapped supply of German-language periodicals and correspondence in Missouri, Ohio, and Washington, D.C., I recover the debate over citizenship within the German-American public sphere and evaluate its national ramifications. Partisan, religious, and class differences colored how immigrants approached African American rights. Yet for all the divisions among German Americans, their collective response to the Revolutions of 1848 and the Franco-Prussian War and German unification in 1870 and 1871 left its mark on the opportunities and disappointments of Reconstruction. -
The Favorite Press Release
!1 of !3 Wednesday, May 22, 2019 FOR IMMEDIATE RELEASE THE AVANTE GARAGE THEATRE COMPANY ANNOUNCES IT’S LOS ANGELES INAUGURAL PRODUCTION The Award-Winning Avante Garage Theatre Company, formerly of Nashville, and then NYC, will present it’s first production in Los Angeles this Summer at The Avery Schreiber Playhouse in the NOHO Arts District. First up for this talented bunch of professionals is the world premiere of a new play - “THE FAVORITE”, by Los Angeles Playwright Joe Correll. Mr. Correll is the Co-Artistic Director of The Avante Garage Theatre Company along with Avante Garage founder Michael Bouson.# “THE FAVORITE” is a dark comedy about the Holmes siblings who have just lost their mother and are cleaning out their parents' garage for the very last time. Shelby and Megan are competitive sisters with polar opposite world views; their adopted African American brother, Dylan is prone to having lively conversations with inanimate objects. They all have unresolved conflicts that get unpacked along with the mountains of boxes, bags and crates. As the family goes through the endless pile of their parents' accumulated treasures and junk, they relive childhood milestones and touchstones, both joyous and traumatic. Things take an unexpected turn when they uncover a painting that was painted by their mother. She has left a note saying that the painting should go to her favorite child, without specifying which one of them that is. Old wounds are exposed and generously doused in salt until the afternoon comes to a climax when Shelby's husband, Ethan makes a shocking discovery in a dusty old trunk.# Los Angeles Singer/Actress LAURA PHILBIN COYLE plays Shelby. -
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historia scribere 08 (2016) „Walliser off Gultüre.“ Die Wanderungsbewegung der Walser und Galtür Jakob Kathrein Kerngebiet: Wirtschafts- und Sozialgeschichte eingereicht bei: ao. Univ.-Prof.in Dr.in Elisabeth Dietrich-Daum eingereicht im Semester: SS 2014 Rubrik: BA-Arbeit Abstract „Walliser off Gultüre.“ The Walser migration movement and Galtür This bachelor thesis focusses on the history of the Walser migration in general and the settlement of Galtür in particular, looking at the reasons why the Walser people left their homeland and at the conditions of establishing new settlements. In addition, this paper tries to find out whether traces of the Walser people and their culture still exist, particularly with reference to Galtür. Does a commemorative culture in the centres of the Walser migration and settlement exist in today’s Galtür? Do people there identify themselves as Walsers? Einleitung „Alle drei Jahre trifft sich die große Walser-Familie, blickt auf die gemeinsame fas- zinierende Geschichte zurück, tauscht sich über Gemeinsamkeiten und Unter- schiede aus, macht die Tradition im Sprechen der Walserdialekte und dem Tra- gen der Trachten erlebbar, pflegt und knüpft bewusst Walserfreundschaften.“1 Dieser Auszug aus dem Vorwort des Programmhefts des „Walsertreffens“ vom Septem- ber 2013 verdeutlicht die Aktualität der Walser2 und ihrer Kultur. Seit 1962 kommen alle drei Jahre an die dreitausend Menschen abwechselnd in einem der zahlreichen Wal- 1 Programmheft Walsertreffen 2013, Vorwort, [http://www.walsertal.at/Walsertreffen%202013], eingesehen 9.4.2014. 2 Der Terminus „Walser“ wird in dieser Arbeit als ein aus den Quellen und der Literatur abgeleiteter, historischer Begriff verwendet und fungiert dabei als Sammelbegriff für Frauen, Männer und Kinder gleichermaßen. -
Local Expellee Monuments and the Contestation of German Postwar Memory
To Our Dead: Local Expellee Monuments and the Contestation of German Postwar Memory by Jeffrey P. Luppes A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in The University of Michigan 2010 Doctoral Committee: Professor Andrei S. Markovits, Chair Professor Geoff Eley Associate Professor Julia C. Hell Associate Professor Johannes von Moltke © Jeffrey P. Luppes 2010 To My Parents ii ACKNOWLEDGMENTS Writing a dissertation is a long, arduous, and often lonely exercise. Fortunately, I have had unbelievable support from many people. First and foremost, I would like to thank my advisor and dissertation committee chair, Andrei S. Markovits. Andy has played the largest role in my development as a scholar. In fact, his seminal works on German politics, German history, collective memory, anti-Americanism, and sports influenced me intellectually even before I arrived in Ann Arbor. The opportunity to learn from and work with him was the main reason I wanted to attend the University of Michigan. The decision to come here has paid off immeasurably. Andy has always pushed me to do my best and has been a huge inspiration—both professionally and personally—from the start. His motivational skills and dedication to his students are unmatched. Twice, he gave me the opportunity to assist in the teaching of his very popular undergraduate course on sports and society. He was also always quick to provide recommendation letters and signatures for my many fellowship applications. Most importantly, Andy helped me rethink, re-work, and revise this dissertation at a crucial point. -
The Same Old Story
The Same Old Story The Same Old Story Ivan Goncharov Translated by Stephen Pearl ALMA CLASSICS AlmA ClAssiCs ltd Hogarth House 32-34 Paradise Road Richmond Surrey TW9 1SE United Kingdom www.almaclassics.com The Same Old Story first published in Russian in 1847 This translation first published by Alma Classics Ltd in 2015 Cover design: nathanburtondesign.com Translation and Translator’s Ruminations © Stephen Pearl, 2015 Published with the support of the Institute for Literary Translation, Russia. Notes © Alma Classics, 2015 Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-562-4 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents The Same Old Story 1 pArt i 3 Chapter 1 5 Chapter 2 31 Chapter 3 76 Chapter 4 101 Chapter 5 118 Chapter 6 151 pArt ii 173 Chapter 1 175 Chapter 2 204 Chapter 3 222 Chapter 4 261 Chapter 5 294 Chapter 6 313 Epilogue 347 Note on the Text 366 Notes 366 Translator’s Ruminations 375 Acknowledgements 387 To Brigitte always there to slap on the mortar at times when the bricks get dislodged – and this bricklayer is at his testiest S . P. The Same Old Story Part I Chapter 1 ne summer in the villAge of grachi, in the household O of Anna Pavlovna Aduyeva, a landowner of modest means, all its members, from the mistress herself down to Barbos, the watchdog, had risen with the dawn. -
Anthropology and the Racial Politics of Culture
ANTHROPOLOGY AND THE RACIAL POLITICS OF CULTURE Lee D. Baker Anthropology and the Racial Politics of Culture Duke University Press Durham and London ( 2010 ) © 2010 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by C. H. Westmoreland Typeset in Warnock with Magma Compact display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Dedicated to WILLIAM A. LITTLE AND SABRINA L. THOMAS Contents Preface: Questions ix Acknowledgments xiii Introduction 1 (1) Research, Reform, and Racial Uplift 33 (2) Fabricating the Authentic and the Politics of the Real 66 (3) Race, Relevance, and Daniel G. Brinton’s Ill-Fated Bid for Prominence 117 (4) The Cult of Franz Boas and His “Conspiracy” to Destroy the White Race 156 Notes 221 Works Cited 235 Index 265 Preface Questions “Are you a hegro? I a hegro too. Are you a hegro?” My mother loves to recount the story of how, as a three year old, I used this innocent, mis pronounced question to interrogate the garbagemen as I furiously raced my Big Wheel up and down the driveway of our rather large house on Park Avenue, a beautiful tree-lined street in an all-white neighborhood in Yakima, Washington. It was 1969. The Vietnam War was raging in South- east Asia, and the brutal murders of Malcolm X, Martin Luther King Jr., Medgar Evers, and Bobby and John F. Kennedy hung like a pall over a nation coming to grips with new formulations, relations, and understand- ings of race, culture, and power. -
Race and Elections
Runnymede Perspectives Race and Elections Edited by Omar Khan and Kjartan Sveinsson Runnymede: Disclaimer This publication is part of the Runnymede Perspectives Intelligence for a series, the aim of which is to foment free and exploratory thinking on race, ethnicity and equality. The facts presented Multi-ethnic Britain and views expressed in this publication are, however, those of the individual authors and not necessariliy those of the Runnymede Trust. Runnymede is the UK’s leading independent thinktank on race equality ISBN: 978-1-909546-08-0 and race relations. Through high-quality research and thought leadership, we: Published by Runnymede in April 2015, this document is copyright © Runnymede 2015. Some rights reserved. • Identify barriers to race equality and good race Open access. Some rights reserved. relations; The Runnymede Trust wants to encourage the circulation of • Provide evidence to its work as widely as possible while retaining the copyright. support action for social The trust has an open access policy which enables anyone change; to access its content online without charge. Anyone can • Influence policy at all download, save, perform or distribute this work in any levels. format, including translation, without written permission. This is subject to the terms of the Creative Commons Licence Deed: Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales. Its main conditions are: • You are free to copy, distribute, display and perform the work; • You must give the original author credit; • You may not use this work for commercial purposes; • You may not alter, transform, or build upon this work. You are welcome to ask Runnymede for permission to use this work for purposes other than those covered by the licence. -
Evolving Representations of National Identity in Nineteenth-Century Genre Fiction
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By R. MICHELLE LEE Norman, Oklahoma 2012 IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION APPROVED FOR THE ENGLISH DEPARTMENT BY ______________________________ Dr. Daniel Cottom, Chair ______________________________ Dr. Francesca Sawaya ______________________________ Dr. Timothy Murphy ______________________________ Dr. Daniela Garofalo ______________________________ Dr. Judith Lewis © Copyright by R. MICHELLE LEE 2012 All Rights Reserved. Acknowledgements I would like to begin by thanking Daniel Cottom for directing this dissertation and seeing me through nine years of graduate work. I knew I could always depend on his good advice and practical perspective, no matter the issue. His encouragement, guidance, patience, and sense of humor helped get me to this point, and I am a stronger writer and a better scholar because of him. I am also grateful to my committee members, Francesca Sawaya, Timothy Murphy, Daniela Garofalo, and Judith Lewis. Their kind words, valuable criticism—and, sometimes, their willingness to chat over a much-needed martini—have meant so much to me. This project would not be the same without the indispensable assistance of the many librarians and archivists in Ireland and America who helped me locate research materials. Their extensive knowledge and resourcefulness made sifting through countless of boxes, letters, and manuscripts a smooth and pleasant experience. I would like to thank Mr. Robin Adams and the other librarians in the Manuscripts and Archives Research Library at Trinity College Dublin for helping me with my research on Bram Stoker, and Tara Wenger and Elspeth Healey at the Kenneth Spencer Research Library in Lawrence, Kansas for access to the P. -
Language and Country List
CONTENT LANGUAGE & COUNTRY LIST Languages by countries World map (source: United States. United Nations. [ online] no dated. [cited July 2007] Available from: www.un.org/Depts/Cartographic/english/htmain.htm) Multicultural Clinical Support Resource Language & country list Country Languages (official/national languages in bold) Country Languages (official/national languages in bold) Afghanistan Dari, Pashto, Parsi-Dari, Tatar, Farsi, Hazaragi Brunei Malay, English, Chinese, other minority languages Albania Tosk, Albanian Bulgaria Bulgarian, Turkish, Roma and other minority languages Algeria Arabic, French, Berber dialects Burkina Faso French, native African (Sudanic) languages 90% Andorra Catalán, French, Spanish, Portuguese Burundi Kirundi, French, Swahili, Rwanda Angola Portuguese, Koongo, Mbundu, Chokwe, Mbunda, Cambodia Khmer, French, English Antigua and English, local dialects, Arabic, Portuguese Cameroon French, English, 24 African language groups Barbuda Canada English, French, other minority languages Argentina Spanish, English, Italian, German, French Cape Verde Portuguese, Kabuverdianu, Criuolo Armenia Armenian, Yezidi, Russian Central French (official), Sangho (lingua franca, national), other minority Australia English, Indigenous and other minority languages African languages Austria German, Slovenian, Croatian, Hungarian, Republic Alemannisch, Bavarian, Sinte Romani, Walser Chad French, Arabic, Sara, more than 120 languages and dialects Azerbaijan Azerbaijani (Azeri), Russian, Armenian, other and minority languages Chile -
Forced and Slave Labor in Nazi-Dominated Europe
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Forced and Slave Labor in Nazi-Dominated Europe Symposium Presentations W A S H I N G T O N , D. C. Forced and Slave Labor in Nazi-Dominated Europe Symposium Presentations CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2004 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. First printing, April 2004 Copyright © 2004 by Peter Hayes, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Michael Thad Allen, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Paul Jaskot, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Wolf Gruner, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Randolph L. Braham, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Christopher R. Browning, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by William Rosenzweig, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Andrej Angrick, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Sarah B. Farmer, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Rolf Keller, assigned to the United States Holocaust Memorial Museum Contents Foreword ................................................................................................................................................i