DOCSLIB.ORG

Diario 80.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Diario 80.Pdf PROGRAMAZIOA 2 / PROGRAMACIÓN PROGRAMME Igandea, 2001eko irailaren 23a SECCION OFICIAL …ZABALTEGI 09:00 KURSAAL, 1 16:00 TEATRO PRINCIPAL THE GREY ZONE LA STANZA DEL FIGLIO LA ZONA GRIS • DIR.: TIM BLAKE NELSON • USA• 108 M. LA HABITACIÓN DEL HIJO • DIR.: NANNI MORETTI • ITALIA- FRANCIA• 100 M. • SÓLO PRENSA Y ACREDITADOS. 12:00 KURSAAL, 1 PRIORIDAD PRENSA ET RIGTIGT MENNESKE (TRULY 16:30 PRINCIPE, 2 HUMAN) PARALELNÍ SVETY DIR.: ÅKE SANDGREN • DINAMARCA• 90 M. • V.O. SUBTÍTULOS EN CASTELLANO (PARALLEL WORLDS) DIR.: PETR VÁCLAV • REP. CHECA • 100 M.• NUEVOS DIRECT. día 23 12:00 PRINCIPE, 1 ET RIGTIGT MENNESKE (TRULY 16:30 KURSAAL, 2 HUMAN) THE TRIUMPH OF LOVE HOY DIR.: ÅKE SANDGREN • DINAMARCA• 90 M. • V.O. EL TRIUNFO DEL AMOR • DIR.: CLARE PEPLOE • ITALIA-UK • 107 M. SUBTÍTULOS EN INGLÉS • SÓLO PRENSA Y ACREDITADOS. …ZABALTEGI FRANK BORZAGE OTAR IOSSELIANI SPANISH'01 PRIORIDAD PRENSA 16:30 ASTORIA, 1 THE BANK 16:00 ASTORIA, 3 22:30 ASTORIA, 5 PRINCIPE, 4 DIR.: ROBERT CONNOLLY • AUSTRALIA• 104 M.• NUEVOS 23:30 ASTORIA, 3 MANNEQUIN 16:00 PRINCIPE, 1 16:00 VISIONARIOS DIRECTORES THE TRIUMPH OF LOVE BRIGANDS CHAPITRE VII TRES PÁJAROS DIR.: MANUEL GUTIÉRREZ ARAGÓN • ESPAÑA• 109 M. MANIQUÍ (TV) • 94 M. • 1938 EL TRIUNFO DEL AMOR • DIR.: CLARE PEPLOE • ITALIA-UK• LA MUJER HA SALIDO PARA ENGAÑAR A SU MARIDO • DIR.: CARLOS MARÍA JAUREGUIALZO • ARGENTINA• 105 M. 17:00 WARNER, 10 • V.O. SUBTÍTULOS EN INGLÉS • 2001 • MADE IN SPANISH 18:30 ASTORIA, 3 STILLER STURM (SILENT STORM) 107 M. 22:45 PRINCIPE, 3 FRANCIA • 120 M. • 1996 A FAREWELL TO ARMS MAGONIA DIR.: TOMASZ THOMSON • ALEMANIA• 93 M. • NUEVOS 23:30 PRINCIPE, 2 17:00 ASTORIA, 7 17:00 PRINCIPE, 5 DIR.: INEKE SMITS • HOLANDA• 120 M. • NUEVOS DIRECTORES STORYTELLING ADIÓS A LAS ARMAS • 91 M. • 1932 SEULE, GÉORGIE LA VOZ DE SU AMO DIRECTORES DIR.: TODD SOLONDZ • USA• 83 M. FRANCIA• 238 M. • PROYECCIÓN EN VÍDEO • 1994 DIR.: EMILIO MARTÍNEZ LÁZARO • ESPAÑA• 120 M. • V.O. 18:45 ASTORIA, 1 SUBTÍTULOS EN INGLÉS • 2000 19:00 KURSAAL, 1 P.O.V.-POINT OF VIEW 18:15 PRINCIPE, 3 24:00 KURSAAL, 2 17:00 ASTORIA, 2 ET RIGTIGT MENNESKE (TRULY DIR.: TÓMAS GISLASON • DINAMARCA• 107 M. • NUEVOS LA STANZA DEL FIGLIO SEPT PIÈCES POUR CINÉMA NOIR HUMAN) DIRECTORES SUCEDIÓ AYER EL DESEO DE SER PIEL ROJA LA HABITACIÓN DEL HIJO • DIR.: NANNI MORETTI • ITALIA- ET BLANC / LETTRE D’UN DIR.: ÅKE SANDGREN • DINAMARCA• 90 M. FRANCIA• 100 M. • PERLA DEL PÚBLICO DIR.: ALFONSO UNGRÍA • ESPAÑA• 91 M. • V.O. 19:00 PRINCIPE, 2 CINÉASTE SUBTÍTULOS EN INGLÉS • 2001 19:30 PRINCIPE, 6 APSOLUTNIH STO (ABSOLUTE 16:30 ASTORIA, 6 FRANCIA• 25 M. • 1982 24:00 TEATRO PRINCIPAL DER TUNNEL 19:30 PRINCIPE, 5 THE WARRIOR HUNDRED) LE FATE IGNORANTI DIR.: SRDAN GOLUBOVIC • YUGOSLAVIA • 96 M. • NUEVOS EL TÚNEL • DIR.: ROLAND SUSO RICHTER • ALEMANIA• 156 LES FAVORIS DE LA LUNE EXTRANJEROS DE SÍ MISMOS EL GUERRERO • DIR.: ASIF KAPADIA • UK-INDIA • 87 M. • EL HADA IGNORANTE • DIR.: FERZAN OZPETEK • ITALIA- DIRECTORES M. • 2001 LOS FAVORITOS DE LA LUNA • FRANCIA-ITALIA-URSS• 105 DIR.: JOSÉ LUIS LÓPEZ-LINARES, JAVIER RIOYO • ESPAÑA• V.O. SUBTÍTULOS EN INGLÉS • NUEVOS DIRECTORES • FRANCIA• 105 M. • SÓLO PRENSA Y ACREDITADOS. M. • 1984 SÓLO PRENSA Y ACREDITADOS. PRIORIDAD PRENSA 19:00 KURSAAL, 2 PRIORIDAD PRENSA 17:00 WARNER, 8 84 M. • V.O. SUBTÍTULOS EN INGLÉS • 2000 LE FATE IGNORANTI THE INFORMER 19:30 ASTORIA, 4 19:30 ASTORIA, 2 19:30 TEATRO PRINCIPAL PASTORALI THE WARRIOR EL HADA IGNORANTE • DIR.: FERZAN OZPETEK • ITALIA- EL DELATOR • DIR.: JOHN FORD • USA• 83 M. • 1935 BOLIVIA FRANCIA• 105 M. PASTORAL • URSS• 98 M. • V.O. SUBTÍTULOS DIR.: ADRIÁN CAETANO • ARGENTINA• 76 M. • V.O. EL GUERRERO • DIR.: ASIF KAPADIA • UK-INDIA• 87 M. • ASTORIA, 4 ELECTRÓNICOS EN EUSKERA • 1976 V.O. SUBTÍTULOS EN CASTELLANO • NUEVOS DIRECTORES 17:00 SUBTÍTULOS EN INGLÉS • 2001 • MADE IN SPANISH • SÓLO PRENSA Y ACREDITADOS. PRIORIDAD PRENSA 19:30 WARNER, 10 THE BIG RED ONE L’AMORE PROBABILMENTE 20:30 PRINCIPE, 1 22:30 ASTORIA, 7 UNO ROJO, DIVISIÓN DE CHOQUE • DIR.: SAMUEL FULLER • ADIEU, PLANCHER DES VACHES 20:30 ASTORIA, 3 DIR.: GIUSEPPE BERTOLUCCI • ITALIA-SUIZA• 107 M. FRANK BORZAGE USA• 113 M. • 1980 PAU I EL SEU GERMÀ VISIONARIOS ADIÓS, TIERRA FIRME • FRANCIA-SUIZA-ITALIA• 118 M. • PAU Y SU HERMANO • DIR.: MARC RECHA • ESPAÑA- PRINCIPE, 4 1999 DIR.: MANUEL GUTIÉRREZ ARAGÓN • ESPAÑA• 109 M. 21:00 ASTORIA, 1 18:30 FRANCIA• 110 M. • V.O. CATALÁN SUBTÍTULOS EN LA PIANISTE CABARET CASTELLANO • 2000 22:00 KURSAAL, 1 LA PIANISTA • DIR.: MICHAEL HANEKE • FRANCIA• 130 M. DIR.: BOB FOSSE • USA• 124 M. • 1972 THE GREY ZONE 16:30 ASTORIA, 5 22:30 PRINCIPE, 5 STREET ANGEL WARNER, 8 LA ZONA GRIS • DIR.: TIM BLAKE NELSON • USA• 105M. 21:30 PRINCIPE, 2 19:00 CALLE 54 STILLER STURM (SILENT STORM) EL ÁNGEL DE LA CALLE • 113 M.• 1927 EXODUS DIR.: FERNANDO TRUEBA • ESPAÑA• 105 M. • 2000 23:30 ASTORIA, 1 DIR.: TOMASZ THOMSON • ALEMANIA• 93 M. • NUEVOS 16:30 PRINCIPE, 3 ÉXODO • DIR.: OTTO PREMINGER • USA• 205 M. • 1960 ET RIGTIGT MENNESKE DIRECTORES 22:30 ASTORIA, 4 (TRULY HUMAN) THREE COMRADES 19:30 ASTORIA, 6 YOU’RE THE ONE 21:30 KURSAAL, 2 TRES CAMARADAS • 95 M. • 1938 ALL THE PRESIDENT’S MEN (UNA HISTORIA DE ENTONCES) DIR.: ÅKE SANDGREN • DINAMARCA• 90 M. VIDAS PRIVADAS PRINCIPE, 6 TODOS LOS HOMBRES DEL PRESIDENTE • DIR.: ALAN J. DIR.: JOSÉ LUIS GARCI • ESPAÑA• 113 M. • V.O. DIR.: FITO PÁEZ • ARGENTINA-ESPAÑA• 97 M. • NUEVOS 17:00 PAKULA • USA• 135 M. • 1976 SUBTÍTULOS EN INGLÉS • 2000 DIRECTORES MANNEQUIN MANIQUÍ (TV) • 94 M. • 1938 21:00 PRINCIPE, 4 22:30 ASTORIA, 2 ZABALTEGI… 22:00 PRINCIPE, 6 LA MARCIA SU ROMA LÁZARO DE TORMES ELLING 18:15 PRINCIPE, 1 DIR.: DINO RISI • ITALIA• 90 M. • 1962 DIR.: FERNANDO FERNÁN GÓMEZ Y JOSÉ LUIS GARCÍA DIR.: PETTER NAESS • NORUEGA • 90 M. • V.O. STRANGE CARGO SÁNCHEZ • ESPAÑA• 97 M. • 2001 09:30 KURSAAL, 2 ASTORIA, 6 THE BANK SUBTÍTULOS EN INGLÉS • NUEVOS DIRECTORES • SÓLO EXTRAÑO CARGAMENTO (TV) • 113 M. • 1940 22:30 PRENSA Y ACREDITADOS. PRIORIDAD PRENSA SALVADOR 23:00 PRINCIPE, 1 DIR.: ROBERT CONNOLLY • AUSTRALIA• 104 M.• NUEVOS 19:00 ASTORIA, 5 TRES PÁJAROS DIRECTORES DIR.: OLIVER STONE • USA• 123 M. • V.O. SUBTÍTULOS 22:00 TEATRO PRINCIPAL THE RIVER ELECTRÓNICOS EN EUSKERA • 1986 DIR.: CARLOS MARÍA JAUREGUIALZO • ARGENTINA• 105 M. ELLING • V.O. SUBTÍTULOS EN INGLÉS • 2001 • MADE IN SPANISH 09:30 TEATRO PRINCIPAL TORRENTES HUMANOS • 49 M. • 1928 WARNER, 8 VIDAS PRIVADAS DIR.: PETTER NAESS • NORUEGA• 90 M. • V.O. SUBTÍTULOS 23:00 EN CASTELLANO • NUEVOS DIRECTORES • SÓLO PRENSA Y 20:30 ASTORIA, 5 SINGIN’ IN THE RAIN DIR.: FITO PÁEZ • ARGENTINA-ESPAÑA • 97 M. • NUEVOS ACREDITADOS. PRIORIDAD PRENSA DIRECTORES • SÓLO PRENSA Y ACREDITADOS. PRIORIDAD BIG CITY CANTANDO BAJO LA LLUVIA • DIR.: STANLEY DONEN, GENE PRENSA 22:30 WARNER, 10 LA GRAN CIUDAD • 80 M. • 1937 KELLY • USA• 103 M. • 1952 12:00 KURSAAL, 2 APSOLUTNIH STO 20:45 PRINCIPE, 3 23:00 PRINCIPE, 4 ELLING (ABSOLUTE HUNDRED) DISPUTED PASSAGE HISTORIAS DE LA REVOLUCIÓN DIR.: SRDAN GOLUBOVIC • YUGOSLAVIA • 96 M. • NUEVOS VIDAS HERÓICAS • 90 M. • 1939 DIR.: TOMÁS GUTIÉRREZ ALEA • CUBA • 81 M. • 1960 DIR.: PETTER NAESS • NORUEGA • 90 M. • NUEVOS DIRECTORES DIRECTORES LAS PELICULAS EN ROJO CORRESPONDEN A ULTIMOS PASES SECCION OFICIAL …ZABALTEGI 09:00 KURSAAL, 1 16:30 KURSAAL, 2 THE WARRIOR LA STANZA DEL FIGLIO EL GUERRERO • DIR.: ASIF KAPADIA • UK-INDIA• 87 M. • LA HABITACIÓN DEL HIJO • DIR.: NANNI MORETTI • ITALIA- NUEVOS DIRECTORES FRANCIA • 100 M. 12:00 KURSAAL, 1 16:30 ASTORIA, 1 LE VÉLO DE GHISLAIN LAMBERT VIDAS PRIVADAS LA BICICLETA DE GHISLAIN LAMBERT • DIR.: PHILIPPE DIR.: FITO PÁEZ • ARGENTINA-ESPAÑA• 97 M. • NUEVOS HAREL • FRANCIA• 115 M. DIRECTORES día 24 16:00 ASTORIA, 3 17:00 WARNER, 10 THE GREY ZONE P.O.V.-POINT OF VIEW MAÑANA LA ZONA GRIS • DIR.: TIM BLAKE NELSON • USA• 108 M. DIR.: TÓMAS GISLASON • DINAMARCA• 107 M. • NUEVOS DIRECTORES 18:00 KURSAAL, 1 …ZABALTEGI FRANK BORZAGE SUCEDIÓ AYER SPANISH'01 LE VÉLO DE GHISLAIN LAMBERT 18:45 PRINCIPE, 2 LA PIANISTE LA BICICLETA DE GHISLAIN LAMBERT • DIR.: PHILIPPE 22:30 ASTORIA, 5 HAREL • FRANCIA• 115 M. LA PIANISTA • DIR.: MICHAEL HANEKE • FRANCIA• 130 M. 24:00 KURSAAL, 2 20:30 PRINCIPE, 1 16:30 PRINCIPE, 1 JE RENTRE À LA MAISON A FAREWELL TO ARMS DIE FÄLSCHUNG UNA CASA CON VISTA AL MAR 18:30 ASTORIA, 3 19:00 KURSAAL, 2 ADIÓS A LAS ARMAS • 91 M. • 1932 STRANDED (NÁUFRAGOS) VUELVO A CASA • DIR.: MANOEL DE OLIVEIRA • PORTUGAL- CÍRCULO DE ENGAÑOS • DIR.: VOLKER SCHLÖNDORFF • DIR.: ALBERTO ARVELO • ESPAÑA-VENEZUELA• 91 M. • V.O. ET RIGTIGT MENNESKE FRANCIA• 90 M. • PERLA DEL PÚBLICO ALEMANIA-FRANCIA • 106 M. • 1981 SUBTÍTULOS EN INGLÉS • 2001 • MADE IN SPANISH (TRULY HUMAN) DIR.: LUNA • ESPAÑA• 101 M. • NUEVOS DIRECTORES 22:30 PRINCIPE, 3 DIR.: ÅKE SANDGREN • DINAMARCA• 90 M. 24:00 TEATRO PRINCIPAL LITTLE MAN, WHAT NOW? 21:30 PRINCIPE, 4 17:00 PRINCIPE, 5 19:00 ASTORIA, 1 LA CIÉNAGA ¿Y AHORA QUÉ? • 95 M. • 1934 PARIS BRÛLE-T-IL? SAGITARIO ELLING 19:30 TEATRO PRINCIPAL DIR.: LUCRECIA MARTEL • ARGENTINA-ESPAÑA• 102 M. • ¿ARDE PARÍS? • DIR.: RENÉ CLÉMENT • FRANCIA-USA• 175 DIR.: VICENTE MOLINA FOIX • ESPAÑA• 105 M. • V.O. JUANA LA LOCA DIR.: PETTER NAESS • NORUEGA• 90 M. • NUEVOS SÓLO PRENSA Y ACREDITADOS. PRIORIDAD PRENSA M. • 1966 • SUBTÍTULOS EN INGLÉS • 2001 DIR.: VICENTE ARANDA • ESPAÑA• 117 M. • SÓLO DIRECTORES PRENSA Y ACREDITADOS. PRIORIDAD PRENSA 22:30 WARNER, 8 17:00 ASTORIA, 2 19:30 WARNER, 10 HUOZHE (TO LIVE) SILENCIO ROTO THE TRIUMPH OF LOVE 20:30 ASTORIA, 3 ¡VIVIR! • DIR.: ZHANG YIMOU • CHINA • 125 M.
Load more

Recommended publications
  • SENATE 3239 by Mr
    1944' CONGRESSIONAL RECORD-SENATE 3239 By Mr. GRANT of Indiana: McGie, of Mitchell, S. Dak., protesting against 'l'HE JOURNAL H. R. 4499. A bill to extend the benefits of the enactment of House bill 2082, or any bill the Social Security Ac~ to certain legally to deprive the American people of the use of On request of Mr. HAYDEN, and by adopted children; to the Committee on Ways alcoholic beverages; to the Committee on unanimous consent, the reading of the and Means. the Judiciary. · Journal of the proceedings· of the cal­ By Mrs. ROGERS of Massachusetts: 5364. By Mr. COCHRAN: Petition of Fran­ endar day Tuesday, March 28, 1944, H. R. 4500. A bill to insure the furnishing ces Wolfert and 17 other citizens, protesting was dispensed with, and the Journal was of necessary artificial limbs and other ap­ against the passage of House bill 2082 which approved. · pliances to disabled World War No.2 veterans, seeks to enact prohibition for the period of to provide for appropriate instruction and the war; to the Committee on the Judiciary. MESSAGES FROM THE PRESIDENT training in the use thereof, and for other 5365. Also, petition of A. C. Urbahns and Messages in writing from the Presi­ purposes; to the Committee on World War five other citizens, protesting against the Veterans' Legislation. passage of House bill 2082 which seeks to en­ dent of the United States submitting By Mr. WEISS: act prohibition for the period of the war; to nominations were communicated to the H. R. 4501. A bill to adjust the basis of the Committee on the Judiciary.
    [Show full text]
  • LOVE in the TIME of CHOLERA
    Grabriel García Márquez LOVE in the TIME of CHOLERA TRANSLATED FROM THE SPANISH BY EDITH GROSSMAN Alfred A. Knopf New York 1988 THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF, INC. Copyright © 1988 by Gabriel García Márquez All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York. Originally published in Colombia as El amor en los tiempos del cólera by Editorial Oveja Negra Ltda., Bogotá. Copyright © 1985 by Gabriel García Márquez. Library of Congress Cataloging-in -Publication Data García Márquez, Gabriel, [date] Love in the time of cholera. Translation of: El amor en los tiempos del colera. I. Title. PQ8180.17.A73A813 1988 863 87-40484 ISBN 0-394-56161-9 ISBN 0-394-57108-8 (lim. ed.) Manufactured in the United States of America BOMC offers recordings and compact discs, cassettes and records. For information and catalog write to BOMR, Camp Hill, PA 17012. Contents CHAPTER ONE................................................................................................................. 9 CHAPTER TWO .............................................................................................................. 25 CHAPTER THREE .......................................................................................................... 42 CHAPTER FOUR............................................................................................................
    [Show full text]
  • Chronological Table of Productions at the Theatre Royal
    1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -
    [Show full text]
  • Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
    Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.
    [Show full text]
  • Fear and Lie Are the Most Deadly Viruses Ever - They Cause All Other Viruses
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 Fear and Lie are the most Deadly Viruses Ever - They Cause All Other Viruses Ilija Lakicevic MarslaTita 91/12, 21460 Vrbas, Serbia Abstract: All viruses are imbalanced energies which seek resolution – they are crystalline structures which cannot be killed but transmuted into something else. Almost all viruses on this planet are man-made – they are caused by fear and lie and turned into deadly biological weapons. Fear is opposite pole of love and lie is opposite pole of truth. Love and truth are real whereas fear and lie are illusion. Love and truth are remedies for fear and lie. The trap of fear was set for you from the beginning. Fear and lie are the powerful satanic tools to control and manipulate the masses. Fear not, because the White Light of Christ cannot be penetrated by the thrust of evil, no matter who or how many project the slings and arrows to stop the WORD. Keywords: virus, fear, lie, Christ Light, 5gbioshield 1. Introduction immune system will overreact to the virus. We might say that the immune system is what is killing the Human Beings, If you bombard a crystal container with a specific sound not the virus. The virus will take the dysfunction of the wave (tone) it will shatter from the pulse vibration impact. body to a certain level, and then the immune system, Now, if you are holding that lovely wine goblet in your hand which has never seen this before, will completely at the time it shatters, the glass may cut your fingers but the overreact and cause quick death.
    [Show full text]
  • Annual Index: Volume 100: Sep. 1, 2003–Aug., 2004
    1 Annual Index: v.100 Booklist / September 1, 2003, through August 2004 Affirmative Action around the World. Sowell. Al-Windawi, Thura. Thura's Diary. 1613. ANNUAL INDEX: VOLUME 100: 1031. Alagna, Magdalena. Mae Jemison. 1312. Afghanistan's Struggles. Gunderson. 1387. Alagna, Magdalena. War Correspondents. 249. African American Architects. 1784. The Alamo. Gaines. 439. SEP. 1, 2003–AUG., 2004 African American Lives. 1860. Alamo. Thompson. 1536. African American Religious Leaders. Aaseng. Alan Moore's America's Best Comics. Moore. This cumulative index includes entries under author, title, and illus- 1088. 1148. trator (for children’s books). Bibliographies are listed individually African American Theater Buildings. Smith. 1232. Alaska's Hidden Wars. Hays. 945. by title, but they also appear here under the heading Bibliographies, African Americans at War. Sutherland. 1860. Albert, Susan Wittig. A Dilly of a Death. 829. Special Lists, and Features. Media reviews are indexed separately. African Americans in Film and Television. Lommel. Albert, the Dog Who Liked to Ride in Taxis. Zarin/ An ongoing cumulative index is also available at the Booklist Web 438. Pratt 749. African Americans in Science, Math, and Inven- Alberts, Laurie. Fault Line. 942. site [http://www.ala.org/booklist]. tion. Spangenburg. 166. Albino Animals. Halls. 1722. African Americans in Sports. 1784. Albion. Ackroyd. 197. 100 Best Books for Children. Silvey. 1802. Acceleration. McNamee. 232. African Americans in the Military. Reef. 1860. Albom, Mitch. The Five People You Meet in 100 Days of Cool. Murphy/Bendall-Brunello 1367. An Acceptable Arrangement. Savery. 838. African Americans. Boyle. 438. Heaven. 5. 100 Suns. Light. 279. The Accidental Connoisseur.
    [Show full text]
  • All Quiet on the Western Front
    ‘Absorbing’ Gerald Kaufman, Daily Telegraph, Books of the Year ‘Kelly’s use of the film’s troubled history of cuts, censorship, [and] banning in every country where it’s ever been shown explores cinema’s power in society ….’ Premiere ‘Kelly’s genuine passion for Milestone’s great film is infectious and justified.’ David Robinson, Times Higher Education Supplement ‘The research and the feeling for the film, is the most compelling of any such project I’ve ever encountered. It recalled such mem- ories that I was tearful when I finished reading it.’ Producer Arthur Gardner, who played a German soldier in All Quiet on the Western Front ‘Here for the first time, is the full story behind the first great masterpiece of the sound cinema … Kelly’s painstaking research has unearthed a wealth of detail, sometimes funny, sometimes moving, but always illuminating. This is a worthy companion to the greatest war movie of all time.’ Professor Nicholas Cull, University of Leicester ‘This is a superb book, meticulously researched, compulsively readable and consistently fascinating’ Professor Jeffrey Richards, Lancaster University ‘[All Quiet on the Western Front ] provides the most detailed docu- mentation on the making of a classic of American cinema … There is evidence here of considerable and unique research.’ Anthony Slide, Classic Images ‘A concise, thorough and eloquent history of one of the most important – and influential of all American films.’ James Curtis, author of Between Flops: the life of Preston Sturges and New World of Gods and Monsters: the life of James Whale . A Universal publicity poster ALL QUIET ON THE WESTERN FRONT The Story of a Film Andrew Kelly I.B.Tauris Publishers LONDON · NEW YORK Published in paperback in by I.B.Tauris & Co Ltd Salem Road, London Fifth Avenue, New York www.ibtauris.com In the United States of America and in Canada distributed by St Martin’s Press, Fifth Avenue, New York First published in Copyright © Andrew Kelly, All rights reserved.
    [Show full text]
  • Film History
    Indiana University Press http://www.jstor.org/stable/3815615 . Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=iupress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Indiana University Press is collaborating with JSTOR to digitize, preserve and extend access to Film History. http://www.jstor.org FilmHistory, Volume 14, pp. 121-135, 2002. Copyright© John Libbey ISSN:0892-2160. Printedin Malaysia The Catholic Vision in Hollywood:Ford, Capra, Borzage and Hitchcock MarfaElena de las CarrerasKuntz This articleexplores the differentways in which fear of being involvedin anythingevil. I alwaystried a Catholicview of the human conditionis re- to avoid it',he acknowledgedto Truffaut.4 flected in the cinema of John Ford, Frank FrankCapra was the most explicitof the four Borzage, FrankCapra and AlfredHitchcock.
    [Show full text]
  • Frank Borzage: a FAREWELL to ARMS (1932, 80 Min.)
    February 5, 2019 (XXXVIII:2) Frank Borzage: A FAREWELL TO ARMS (1932, 80 min.) DIRECTED BY Frank Borzage WRITING Benjamin Glazer and Oliver H.P. Garrett (screenplay), Ernest Hemingway (novel), Laurence Stallings (play) (uncredited) PRODUCER Frank Borzage MUSIC Herman Hand, W. Franke Harling, Bernhard Kaun, John Leipold, Paul Marquardt, Ralph Rainger, and Milan Roder: all uncredited CINEMATOGRAPHY Charles Lang (photographed by) FILM EDITING Otho Lovering (uncredited) and George Nichols Jr. (uncredited) ART DIRECTION Roland Anderson (uncredited) and Hans Dreier (uncredited) COSTUME DESIGN Travis Banton (uncredited) Academy Awards, USA 1934 The film won the Oscars for Best Cinematography (Charles Lang) and Best Sound, Recording (Franklin Hansen), and it was nominated for Best Picture and for Best Art Direction (Hans Dreier and Roland Anderson). Progress (1918), Society for Sale (1918), Whom the Gods Would Destroy (1919), and Prudence on Broadway (1919). His greatest CAST success in the silent era was with Humoresque (1920), a box Helen Hayes...Catherine office winner starring Vera Gordon. Themes Borzage would Gary Cooper...Frederic revisit involved the feelings of young lovers in the face of Adolphe Menjou...Rinaldi adversity, with love in his films triumphing over such trials as Mary Philips...Ferguson World War I (7th Heaven and 1932’s A Farewell to Arms), Jack La Rue...Priest disability (Lucky Star), the Depression (Man's Castle), a thinly Blanche Friderici...Head Nurse disguised version of the Titanic disaster in History Is Made at Mary Forbes...Miss Van Campen Night (1937), and the rise of Nazism in Little Man, What Now? Gilbert Emery...British Major (1933), Three Comrades (1938), and The Mortal Storm (1940).
    [Show full text]
  • Latin Pastoral Poetry of the Italian Renaissance (1480-1530)
    Latin pastoral poetry of the Italian Renaissance (1480-1530) Item Type text; Thesis-Reproduction (electronic) Authors White, Paloma, 1901- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 12:09:55 Link to Item http://hdl.handle.net/10150/553245 Latin Pastoral Poetry of the Italian Renaissance (1480-1530) by Paloma White Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 5 Approved: V /fs-r 2- ACKNOWLEDGMENT It is my wish to here express my sincere appreciation of the patience and fortitude shown by my professor Dr. F. H. Fowler, in examining and criticising this work. B&loma White. 99505 CONTENTS Chapter Page I. THE DEVELOPMENT OF ALLEGORY IN PASTORAL POETRY FROM THE TIME OF THEOCRITUS UNTIL THE RENAISSANCE 1 II. A COMPARISON OF RENAISSANCE LATIN ECLOGUES WITH THE ECLOGUES OF VIRGIL . 45 1. Faustus AndreiInus 48 2. loannes Arnolletus 91 3. Jacopo Sannazaro 97 4. Henrlquo Cayado 144 5. Antonio GeraldIni 180 6. Baptlsta Mantuanua 198 III. SUMMARY- - 258 BIBLIOGRAPHY ' , 267 ' APPENDIX 272 INTRODUCTION In the past, little or no effort has been made to explain the sources of the numerous changes that have taken place in pastoral poetry of Renaissance
    [Show full text]
  • Frank Borzage Biografía
    Publicado en ARTIUM - Biblioteca y Centro de Documentación (https://catalogo.artium.eus) Inicio > En torno al cine » Directores > B > Frank Borzage Frank Borzage Biografía Frank Borzage nació en Salt Lake City, Utah, el 23 de abril de 1893. Su madre era de origen suizo-alemán y su padre era italiano. Frank inició sus estudios primarios pero los abandonaría pronto, y con tan sólo 12 años comenzó a trabajar en la mina de Silver King. A partir de ese momento Frank trabajará en distintos gremios hasta que en 1907 consigue un papel en la obra El prisionero de Zenda en uno de los principales teatros de Phoenix, Arizona. Borzage fue consolidando su carrera como actor de teatro hasta que se cruzó en su trayectoria Thomas H. Ince, actor, guionista, productor y director de cine estadounidense, quien le ofreció la oportunidad de trabajar en algunas de sus obras como actor. Así, Borzage recaló en el mundo del cine, y aunque éste daba sus primeros pasos y estaba mal considerado por ciertas facciones sociales, Frank decidió probar suerte bajo un seudónimo. Durante los primeros años del siglo XX, Borzage dirigió sus propias películas hasta convertirse en uno de los directores del género del oeste mejor considerados del cine mudo. En plena década de los años veinte realizó dos largometrajes que lo catapultarían al éxito, El séptimo cielo (1927), con la que obtuvo el Oscar al mejor director, y El ángel de la calle (1928). A estas dos obra habría que añadir la película Lucky Star (1929), en los tres filmes la pareja protagonista está compuesta por Charles Farrel y Janet Gaynor, y la trama gira en torno a aquellos sentimientos que son más profundos que la que la guerra o la propia muerte.
    [Show full text]
  • Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film
    CINEMATIC CHILDHOOD(S) AND IMAG(IN)ING THE BOY JESUS: ADAPTATIONS OF LUKE 2:41-52 IN LATE TWENTIETH-CENTURY FILM by JAMES MAGEE Master of Arts, Vancouver School of Theology, 2011 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN BIBLICAL STUDIES in the FACULTY OF GRADUATE STUDIES TRINITY WESTERN UNIVERSITY May 2019 © James Magee, 2019 Cinematic Childhood(s) and Imag(in)ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film Abstract Despite sustained academic examinations of Jesus in film over the past couple of decades, as well as biblical scholars’ multidisciplinary work in the areas of children’s and childhood studies, the cinematic boy Jesus has received little attention. This thesis begins to fill the lacuna of scholarly explorations into cinematic portrayals of Jesus as a child by analyzing two adaptations of Luke’s story of the twelve-year- old Jesus in late twentieth-century film. Using methods of historical and narrative criticism tailored to the study of film, I situate the made-for-television movies Jesus of Nazareth (1977) and Jesus (2000) within the trajectories of both Jesus films and depictions of juvenile masculinity in cinema, as well as within their respective social, cultural and historical contexts. I demonstrate how these movie sequences are negotiations by their filmmakers between theological and historical concerns that reflect contemporary ideas about children and particular idealizations about boyhood. ii For Michael iii Table of Contents Acknowledgements . v Abbreviations . vi Chapter 1 Searching for the Boy Jesus: A Neglected Area of Jesus-in-Film Scholarship .
    [Show full text]