Essays on History, Memory, and Representation Hans Ruin & Andrus Ers (Eds.) Södertörn Philosophical Studies 9
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Staffan Björks Bibliografi
Staffan Björcks bibliografi 1937-1995 Rydén, Per 2005 Document Version: Förlagets slutgiltiga version Link to publication Citation for published version (APA): Rydén, P. (Red.) (2005). Staffan Björcks bibliografi: 1937-1995. (Absalon; Vol. 22). Litteraturvetenskapliga institutionen, Lunds universitet. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Staffan Björcks Bibliografi 1937–1995 sammanställd av Per Rydén ABSALON Skrifter utgivna vid Litteraturvetenskapliga institutionen i Lund Staffan Björcks Bibliografi 1937–1995 sammanställd av Per Rydén Tryckningen av -
Georgia Historical Society Educator Web Guide
Georgia Historical Society Educator Web Guide Guide to the educational resources available on the GHS website Theme driven guide to: Online exhibits Biographical Materials Primary sources Classroom activities Today in Georgia History Episodes New Georgia Encyclopedia Articles Archival Collections Historical Markers Updated: July 2014 Georgia Historical Society Educator Web Guide Table of Contents Pre-Colonial Native American Cultures 1 Early European Exploration 2-3 Colonial Establishing the Colony 3-4 Trustee Georgia 5-6 Royal Georgia 7-8 Revolutionary Georgia and the American Revolution 8-10 Early Republic 10-12 Expansion and Conflict in Georgia Creek and Cherokee Removal 12-13 Technology, Agriculture, & Expansion of Slavery 14-15 Civil War, Reconstruction, and the New South Secession 15-16 Civil War 17-19 Reconstruction 19-21 New South 21-23 Rise of Modern Georgia Great Depression and the New Deal 23-24 Culture, Society, and Politics 25-26 Global Conflict World War One 26-27 World War Two 27-28 Modern Georgia Modern Civil Rights Movement 28-30 Post-World War Two Georgia 31-32 Georgia Since 1970 33-34 Pre-Colonial Chapter by Chapter Primary Sources Chapter 2 The First Peoples of Georgia Pages from the rare book Etowah Papers: Exploration of the Etowah site in Georgia. Includes images of the site and artifacts found at the site. Native American Cultures Opening America’s Archives Primary Sources Set 1 (Early Georgia) SS8H1— The development of Native American cultures and the impact of European exploration and settlement on the Native American cultures in Georgia. Illustration based on French descriptions of Florida Na- tive Americans. -
Scott Foresman Reading Street
Suggested levels for Guided Reading, DRA,™ Lexile,® and Reading Recovery™ are provided in the Pearson Scott Foresman Leveling Guide. Windows Pastto the by Lana Cruce Comprehension Genre Text Features Skills and Strategy Expository • Compare and • Captions nonfi ction Contrast • Labels • Main Idea • Diagrams • Text Structure • Headings Scott Foresman Reading Street 2.4.1 ì<(sk$m)=bdchjj<ISBN 0-328-13279-9 +^-Ä-U-Ä-U 113279_CVR.indd3279_CVR.indd AA-B-B 111/16/051/16/05 88:16:20:16:20 PPMM Reader Response 1. Compare and contrast the time capsule Dr. JacobsWindows put together and Garrett Nelson’s time capsule.to the How are they alike? How are they different? Use a Venn diagram like the one below to help you organizePast your ideas. 2. Sometimes authors use examples to tell more about a topic. What two examples of time capsules are given in this book? 3. Look up the word culture in your glossary. What could you tell someone else about your own culture? 4. Use the headingsby Lana in Cruce this book to find the page with information about the pyramids. Editorial Offices: Glenview, Illinois • Parsippany, New Jersey • New York, New York Sales Offices: Needham, Massachusetts • Duluth, Georgia • Glenview, Illinois Coppell, Texas • Ontario, California • Mesa, Arizona 113279_CVR.indd3279_CVR.indd CC-D-D 113279_001-020.indd3279_001-020.indd 1 111/16/051/16/05 88:16:298:05:51:1065:2591 PPMM Preserving the Past Making a time capsule is a way to preserve information about our culture. We save objects that represent our life today so that they will be discovered by people in the future. -
Between National and Academic Agendas Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940
BETWEEN NATIONAL AND ACADEMIC AGENDAS Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940 PER BOLIN Other titles in the same series Södertörn Studies in History Git Claesson Pipping & Tom Olsson, Dyrkan och spektakel: Selma Lagerlöfs framträdanden i offentligheten i Sverige 1909 och Finland 1912, 2010. Heiko Droste (ed.), Connecting the Baltic Area: The Swedish Postal System in the Seventeenth Century, 2011. Susanna Sjödin Lindenskoug, Manlighetens bortre gräns: tidelagsrättegångar i Livland åren 1685–1709, 2011. Anna Rosengren, Åldrandet och språket: En språkhistorisk analys av hög ålder och åldrande i Sverige cirka 1875–1975, 2011. Steffen Werther, SS-Vision und Grenzland-Realität: Vom Umgang dänischer und „volksdeutscher” Nationalsozialisten in Sønderjylland mit der „großgermanischen“ Ideologie der SS, 2012. Södertörn Academic Studies Leif Dahlberg och Hans Ruin (red.), Fenomenologi, teknik och medialitet, 2012. Samuel Edquist, I Ruriks fotspår: Om forntida svenska österledsfärder i modern historieskrivning, 2012. Jonna Bornemark (ed.), Phenomenology of Eros, 2012. Jonna Bornemark och Hans Ruin (eds), Ambiguity of the Sacred, 2012. Håkan Nilsson (ed.), Placing Art in the Public Realm, 2012. Lars Kleberg and Aleksei Semenenko (eds), Aksenov and the Environs/Aksenov i okrestnosti, 2012. BETWEEN NATIONAL AND ACADEMIC AGENDAS Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940 PER BOLIN Södertörns högskola Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image, taken from Latvijas Universitāte Illūstrācijās, p. 10. Gulbis, Riga, 1929. Cover: Jonathan Robson Layout: Jonathan Robson and Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Studies in History 13 ISSN 1653-2147 Södertörn Academic Studies 51 ISSN 1650-6162 ISBN 978-91-86069-52-0 Contents Foreword ...................................................................................................................................... -
Using a GHRAB Grant to Reclaim a University Archives Anne A
The Southeastern Librarian Volume 54 | Issue 1 Article 9 Spring 2006 Using a GHRAB Grant to Reclaim a University Archives Anne A. Salter Oglethorpe University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Archival Science Commons Recommended Citation Salter, Anne A. (2006) "Using a GHRAB Grant to Reclaim a University Archives," The Southeastern Librarian: Vol. 54 : Iss. 1 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol54/iss1/9 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Using a GHRAB Grant to Reclaim a University Archives Anne A. Salter Anne A. Salter is the Director of the Philip Weltner Library at Oglethorpe University. She can be reached at [email protected]. Introduction ing. Fortunately, two major resources were already in place: an archives room and research College and university archives are rich and level collections. dynamic resources of campus history. Without a clear sense of mission and programming, they Oglethorpe University’s archives enjoyed a can be overlooked as research destinations. A strong foundation from which to launch the proj- well-defined program linked with funding ect. The library building renovation of 1991 sources is one means of connecting these collec- included an archives room with work space and tions to the campus community. Through the collection storage. Additional equipment pur- assistance of a GHRAB (Georgia Historical chases included proper shelving, file cabinets, Records Advisory Board) grant, one college furniture, and a computer. -
Art on Mars: a Foundation for Exoart
THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF CANBERRA AUSTRALIA by TREVOR JOHN RODWELL Bachelor of Design (Hons), University of South Australia Graduate Diploma (Business Enterprise), The University of Adelaide ART ON MARS: A FOUNDATION FOR EXOART May 2011 ABSTRACT ART ON MARS: A FOUNDATION FOR EXOART It could be claimed that human space exploration started when the former Soviet Union (USSR) launched cosmonaut Yuri Gagarin into Earth orbit on 12 April 1961. Since that time there have been numerous human space missions taking American astronauts to the Moon and international crews to orbiting space stations. Several space agencies are now working towards the next major space objective which is to send astronauts to Mars. This will undoubtedly be the most complex and far-reaching human space mission ever undertaken. Because of its large scale and potentially high cost it is inevitable that such a mission will be an international collaborative venture with a profile that will be world- wide. Although science, technology and engineering have made considerable contributions to human space missions and will be very much involved with a human Mars mission, there has been scant regard for artistic and cultural involvement in these missions. Space agencies have, however, realised the influence of public perception on space funding outcomes and for some time have strived to engage the public in these space missions. This has provided an opportunity for an art and cultural involvement, but there is a problem for art engaging with space missions as currently there is no artform specific to understanding and tackling the issues of art beyond our planet. -
Malm INLAGA Slutversion
Är det detta som kallas postmodernism? En studie i Katarina Frostensons och Stig Larssons diktning Malm, Victor 2019 Document Version: Förlagets slutgiltiga version Link to publication Citation for published version (APA): Malm, V. (2019). Är det detta som kallas postmodernism? En studie i Katarina Frostensons och Stig Larssons diktning. Ellerströms förlag. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 är det detta som kallas postmodernism? victor malm är det detta som kallas postmodernism? En studie i Katarina Frostensons och Stig Larssons diktning Utgiven med bidrag från HT-fakulteten Stiftelsen Landshövding Per Westlings minnesfond Gunvor och Josef Anérs stiftelse Åke Wibergs stiftelse Henric och Amélie Hallbäcks stipendiefond eureka | ellerströms akademiska nr 70 copyright © Victor Malm och ellerströms förlag 2019 omslag Clara Wendel grafisk form inlaga Marie Pettersson redaktör Marie Pettersson tryck Tallinna Raamatutrükikoda 2019 isbn 978 91 7247 554 0 innehåll 1. -
10, 2016, Phoenix, Arizona, USA 1 Millennial Time Capsules As A
WM2016 Conference, March 6 – 10, 2016, Phoenix, Arizona, USA Millennial Time Capsules as a Promising Means for Preserving Records for Future Generations-16542 Claudio Pescatore* and Abraham Van Luik** *Private Practice Consultant, 72 Rue de la République, 92190 Meudon, France, [email protected] **U.S. Department of Energy, 4120 South National Parks Highway, Carlsbad, New Mexico 88220, USA, [email protected] ABSTRACT When we deal with preservation of Records, Knowledge and Memory (RK&M) for any long-term, non-inspected facility such a deep geological repository, there is no single technical or cultural provision that can be relied upon to do alone the preservation job 100%. Rather we should increase our chances by implementing a combination of approaches based on different components that provide redundancy and/or pointers to one another. Time capsules are no exception. However, they seem well suited to support national archives and other preservation elements, in order to preserve RK&M as long as possible or interesting. Time capsules are a ready to go, workable concept, with many examples of implementation of large-size, millennial time capsules at small depths based on science and lessons to be learned. A proposal is also made for considering and developing small-size time capsules placed strategically deep underground at repository level. INTRODUCTION Time capsules are used rather commonly by schools, companies, councils and even families to record and preserve today's artefacts for future generations, documenting how we live today. The practice is rather widespread and it suffices to search “time capsule” on the Internet. Numerous examples exist in the USA, Japan and Europe of millennial time capsules at small depths based on a scientific approach and with many lessons learned. -
Corporate Legacy
\\jciprod01\productn\H\HLB\5-2\HLB204.txt unknown Seq: 1 28-MAY-15 9:29 CORPORATE LEGACY ANDREW A. SCHWARTZ* Many public companies have shed takeover defenses in recent years, on the theory that such defenses reduce share price. Yet new data presented here shows that practically all new public companies—those launching their initial public offering (IPO)—go public with powerful takeover defenses in place. This behav- ior is puzzling because the adoption of takeover defenses presumably lowers the price at which the pre-IPO shareholders can sell their own shares in and after the IPO. Why would founders and early investors engage in this seemingly counterproductive behavior? Building on prior attempts to solve this mystery, this Article claims that IPO firms adopt takeover defenses, at least in part, so that they can remain independent indefinitely and create corporate legacies that last for generations. Throughout human history, people have sought to overcome the human condition and achieve the only form of immortality reasonably available to us: a legacy that “lives on” after we are gone. Legacies can be established in count- less ways, including art (Leonardo da Vinci), literature (William Shakespeare), and athletics (Babe Ruth). The corporate form, though not previously recognized as such, can likewise serve as a vehicle for achieving an enduring legacy be- cause corporations are endowed by the law with “perpetual existence.” Publicly traded corporations in particular are well suited for this purpose, given the significant social and cultural role they play. Once a company goes public in an IPO, however, it suddenly becomes vulnerable to takeovers, which can end its corporate existence and thereby any hope of an enduring legacy. -
The Odds Are Against You Ronald Jones
ENDNOTES THE 6TH MOMENTUM BIENNIAL of History, p. 86. 35. Hayden White, The Value of Narrativity in the Representation of Reality, Chicago: The University of Chicago Press, Critical Inquiry, vol .7, no. 1, 1980, p. 5. 36. Ibid., p. 6. 37. Ibid., p. 11. 38. Ibid., p. 13. The Odds Are Against You Ronald Jones IF YOU’RE READING THIS, it means you are one of the lucky ones. As of today – fifty years ago on June 18, 2011 – only one time capsule has ever been opened as originally planned; the majority have been lost, forgotten or stolen before their contents could be shared with the future. From where I sit in time, just passing through the first decade of the 21st century, odds are that in 2061 you will never get to read this or see the works of art placed inside the time capsule; time passes, people die, others forget. Our single success story goes like this. In 1876, on the occasion of the United States Centennial Exhibition, a Civil War widow, Mrs. Charles Diehm, had the idea that in 1976, people attending the country’s Bicentennial celebrations might like to see what their forbears valued a century earlier, and so a steel safe, more than five feet tall, was constructed and lined in purple velvet. Organizers filled it with books, photographs, autographs of famous citizens from the day; visitors to the display at the Centennial Exhibition 52 53 RONALD JONES THE ODDS ARE AGAINST YOU were able to sign a red leather-bound volume, which in Surrey unearthed his legendary stash of LSD. -
Acta Sueco-Polonica Nr 16 (2010)
ACTA SUECO-POLONICA NR 16 (2010) ABSTRACTS KRZYSZTOF BAK Södergran and Close Reading: Some Reflections The paper examines the applicability of The New Critical method – close reading – to the poetry of Edith Södergran, one of the most prominent modernists in Swedish literature. Based on axioms of modernist aesthetics, close reading has been regarded as the optimal instrument for analyzing modernist poetry and was frequently applied to Södergran’s poems. As the paper demonstrates, several Södergran’s poems, however, are imbued with typical premodernist devices. The structure specifically investigated here is the triadical sequence protasis–epitasis–catastrophe, known from classical comedy and used as an organization principle in many of Södergran’s texts. The main artistic effects of these poems result from the comedy sequence being variously transformed at the level of action, ideas, style, narrative and intertextuality. Because of its focus on connotative imagery, the method of close reading tends to neglect these kinds of essential patterns in Södergran’s poetry. PIOTR BUKOWSKI Doomed to Untranslatability? Translating Erik Axel Karlfeldt’s Poetry into Polish The author discusses the problem of a rather poor reception of Erik Axel Karlfeldt’s lyrical work in Poland. Polish translators seem to avoid this great Swedish poet, who was awarded the Nobel Prize in Literature. There is no separate edition of Karlfeldt’s poetry in the Polish language. The interested Polish reader has to content her/himself with only 18 translated poems, dispersed in three anthologies and two literary magazines. Not even the recent wave of interest in Swedish literature in Poland could change this situation. -
Kristoffer Arvidsson Är Forskare Vid Göteborgs Konstmuseum
De romantiska stämningarna var påtagliga i kulturella uttryck un- POSTMODERNISMEN ROMANTISKA DEN der 1980-talet, inte minst i den nordiska konsten. 1980-talet är också det decennium då postmodernismen debatterades på svenska kultur- sidor och fick sitt genomslag i konstlivet. Finns det ett samband? Påfallande många av de konstnärer som rubricerades ”postmodernis- ter” arbetade med romantiska förebilder. Samtidigt innehåller post- modernismen en antiromantisk retorik, vilket öppnar för motsägelser. Denna avhandling tar oss med tillbaka till ett omvälvande skede i svenskt konstliv. Genom en närläsning av konstkritik från perioden 1979–2007, med fokus inställt på kritikernas motsägelsefulla relation till det romantiska i utställningsprojektet Ibid., samt de tre konst- närerna Ola Billgrens, Dick Bengtssons och Max Books produktion, rekonstruerar författaren konstfältet, dess positioner och strider om tolkningsföreträde, men också den diskurs inom vilken det roman- tiska föreställs som ett utanför. Postmodernismens historieskrivning och självmedvetande tas därmed till granskning. Kristoffer Arvidsson är forskare vid Göteborgs konstmuseum. Den romantiska postmodernismen. Konstkritiken och det romantiska i 1980- och 1990-talets svenska konst är hans doktorsavhandling. Boken innehåller 28 illustrationer i färg. ARVIDSSON KRISTOFFER DEN ROMANTISKA POSTMODERNISMEN KONSTKRITIKEN OCH DET ROMANTISKA I 1980- OCH 1990-TALETS SVENSKA KONST KRISTOFFER ARVIDSSON Gothenburg Studies in Art and Architecture nr 27 ISSN 0348-4114 ISBN 978-91-7346-619-6 2008 ( i ) ( ii ) ( iii ) ( iv ) ( v ) ( vi ) ( vii ) ( viii ) ( ix ) ( x ) ( xi ) ( xii ) ( xiii ) ( xiv ) ( xv ) ( xvi ) ( xvii ) ( xviii ) ( xix ) ( xx ) ( xxi ) ( xxii ) ( xxiii ) ( xxiv ) ( xxv ) ( xxvi ) ( xxvii ) ( xxviii ) ( Omslagsbild ) Ola Billgren, Romantiskt landskap XIII 1981–1983, ( Bild viii ) färglitografi,55 x 62, 5, Moderna Museet, Stockholm, Ola Billgren, Vinterdagar – Svansjön 1980, foto: Moderna Museet.