Curriculum Vitae

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Curriculum Vitae Morgan Rengasamy 10 Strickland Avenue Lindfield, Sydney, NSW 2070 Australia [email protected] +61 (02) 98807705 - Home +61 (0) 401 080 400 -mobile Objective Utilising the invaluable skill sets gained to push the boundaries of what is achievable in the realms of Colour correction, working as a team player in a dynamic, and creatively stimulating, post -production company. Personal Details: British Citizen D.O.B. 13 July 1958 Status: Married Four Sons and one Daughter Work History: Worked In the Film & Video industry since 1985 Colourist since 1991.Experience of a broad spectrum of film Scanners ranging from, Cintel’s Jumpscan telecine, Mk3, through to the Rascal Digital, plus Philips Spirit Datacine. Grading systems: Davinci, Pandora, Filmlight. Present: Freelance Colourist/ Consultant Previous: 09/2000 to 09/2003 Seoulvisions Postproduction. Seoul, Korea. Head of Telecine Department Rank Cintel Rascal Digital & DaVinci 2K plus 09/1997 to 09/2000 Omnicon Postproduction Pty ltd. Senior Colourist Sydney Australia. URSA Diamond & Davinci 07/96 to 09/97 Freelance Durran, Paris. Freelance Colourist Rank Mk3 & DaVinci Work History continued: Film Teknic, Norway. Consultant / Trainer URSA Gold, & Davinci Fritihof Film to Video, Stockholm Freelance Colourist URSA Gold & Davinci The House postproduction, London Freelance Colourist URSA Diamond & DaVinci La truka, Spain Trainer / Demonstrator Spirit & DaVinci Fame postproduction Thailand Freelance Colourist / Consultant URSA Diamond & DaVinci 07/95 to 07/96 The House postproduction London Head of Telecine URSA Diamond & DaVinci 04/94 to 07/95 Rushes postproduction, London Senior Colourist URSA Gold/ DaVinci 04/89 to 04/94 SVC Postproduction, London Edit assist / Colourist Jump scan, Rank Mk3, URSA & DaVinci 08/86 to 04/89 Rank Video Duplication Tape operator Professional Martial Arts instructor Barista Variety of Work: Commercials, music Videos, & Long form. Interests: Photography, Golf, Scuba diving & sports in general. .

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Shadow Telecinetelecine
ShadowShadow TelecineTelecine HighHigh performanceperformance SolidSolid StateState DigitalDigital FilmFilm ImagingImaging TechnologyTechnology Table of contents • Introduction • Simplicity • New Scanner Design • All Digital Platform • The Film Look • Graphical Control Panel • Film Handling • Main Features • Six Sector Color Processor • Cost of ownership • Summary SHADOWSHADOTelecine W Telecine Introduction The Film Transfer market is changing const- lantly. There are a host of new DTV formats required for the North American Market and a growing trend towards data scanning as opposed to video transfer for high end compositing work. Most content today will see some form of downstream compression, so quiet, stable images are still of paramount importance. With the demand growing there is a requirement for a reliable, cost effective solution to address these applications. The Shadow Telecine uses the signal proce- sing concept of the Spirit DataCine and leve- rages technology and feature of this flagship product. This is combined with a CCD scan- ner witch fulfils the requirements for both economical as well as picture fidelity. The The Film Transfer market is evolving rapidly. There are a result is a very high performance producthost allof new DTV formats required for the North American the features required for today’s digital Marketappli- and a growing trend towards data scanning as cation but at a greatly reduced cost. opposed to video transfer for high end compositing work. Most content today will see some form of downstream Unlike other Telecine solutions availablecompression, in so quiet, stable images are still of paramount importance. With the demand growing there is a this class, the Shadow Telecine is requirementnot a for a reliable, cost effective solution to re-manufactured older analog Telecine,address nor these applications.
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