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The Portrayal of Black Female Athletes in Children's Picturebooks
Strides Toward Equality: The Portrayal of Black Female Athletes in Children’s Picturebooks Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Rebekah May Bruce, M.A. Graduate Program in Education: Teaching and Learning The Ohio State University 2018 Dissertation Committee: Michelle Ann Abate, Advisor Patricia Enciso Ruth Lowery Alia Dietsch Copyright by Rebekah May Bruce 2018 Abstract This dissertation examines nine narrative non-fiction picturebooks about Black American female athletes. Contextualized within the history of children’s literature and American sport as inequitable institutions, this project highlights texts that provide insights into the past and present dominant cultural perceptions of Black female athletes. I begin by discussing an eighteen-month ethnographic study conducted with racially minoritized middle school girls where participants analyzed picturebooks about Black female athletes. This chapter recognizes Black girls as readers and intellectuals, as well as highlights how this project serves as an example of a white scholar conducting crossover scholarship. Throughout the remaining chapters, I rely on cultural studies, critical race theory, visual theory, Black feminist theory, and Marxist theory to provide critical textual and visual analysis of the focal picturebooks. Applying these methodologies, I analyze the authors and illustrators’ representations of gender, race, and class. Chapter Two discusses the ways in which the portrayals of track star Wilma Rudolph in Wilma Unlimited and The Quickest Kid in Clarksville demonstrate shifting cultural understandings of Black female athletes. Chapter Three argues that Nothing but Trouble and Playing to Win draw on stereotypes of Black Americans as “deviant” in order to construe tennis player Althea Gibson as a “wild child.” Chapter Four discusses the role of family support in the representations of Alice Coachman in Queen of the Track and Touch the Sky. -
Paying for the Party
PX_PARTY_HDS:PX_PARTY_HDS 16/4/08 11:48 Page 1 Paying for the Party Myths and realities in British political finance Michael Pinto-Duschinsky edited by Roger Gough Policy Exchange is an independent think tank whose mission is to develop and promote new policy ideas which will foster a free society based on strong communities, personal freedom, limited government, national self-confidence and an enterprise culture. Registered charity no: 1096300. Policy Exchange is committed to an evidence-based approach to policy development. We work in partnership with aca- demics and other experts and commission major studies involving thorough empirical research of alternative policy out- comes. We believe that the policy experience of other countries offers important lessons for government in the UK. We also believe that government has much to learn from business and the voluntary sector. Tru, stees Charles Moore (Chairman of the Board), Theodore Agnew, Richard Briance, Camilla Cavendish, Robin Edwards, Richard Ehrman, Virginia Fraser, Lizzie Noel, George Robinson, Andrew Sells, Tim Steel, Alice Thomson, Rachel Whetstone PX_PARTY_HDS:PX_PARTY_HDS 16/4/08 11:48 Page 2 About the author Dr Michael Pinto-Duschinsky is senior Nations, the European Union, Council of research fellow at Brunel University and a Europe, Commonwealth Secretariat, the recognised worldwide authority on politi- British Foreign and Commonwealth cal finance. A former fellow of Merton Office and the Home Office. He was a College, Oxford, and Pembroke College, founder governor of the Westminster Oxford, he is president of the International Foundation for Democracy. In 2006-07 he Political Science Association’s research was the lead witness before the Committee committee on political finance and politi- on Standards in Public Life in its review of cal corruption and a board member of the the Electoral Commission. -
Netflix Ecosystem Phone: (408) 540-3700
Netflix 100 Winchester Circle Los Gatos, CA 95032 Netflix Ecosystem Phone: (408) 540-3700 www.netflix.com Outside Relationships (a California Corporation) Outside Relationships Netflix Securities Regulation Regulators Capital Suppliers Customers and Stock Exchange Customers Suppliers Capital Regulators Debt Structure Equity Structure Listing Rules Public Debt Bond Financing Holders Debt ( $16.31 Billion as of December 31, 2020) | Credit Ratings: S&P (BB+), Moody’s (Ba3) Equity Securities Common Stock Regulators $750 Million Revolving Credit Facility (Matures 2024) 2021 Senior Notes ($500 Million) 2025 Senior Notes ($800 Million) 2027 Senior Notes ($1.588 Billion) Common Stock Repurchase Plan Preferred Stock Common Stock Repurchases Significant Authorized: $5 Billion Authorized: 10,000,000 Authorized: 4,990,000,000 Shareholders Deposit Accounts with Black-Owned Financial Institutions 2022 Senior Notes ($700 Million) 2025 Senior Notes ($500 Million) 2028 Senior Notes ($1.600 Billion) US Securities Balance Available: $5 Billion Issued: None Issued: 442,895,261 Revolving Credit Financing Equity Capital and Exchange Commercial Black Economic Development Initiative Hope Credit Union 2024 Senior Notes ($400 Million) 2026 Senior Notes ($1.00 Billion) 2028 Senior Notes ($1.900 Billion) Expiration: None Record Holders: None Record Holders: 1,977 The Vanguard Commission Banks (Lead Group, Inc. Subjects of Bank: Goldman Communication (7.06%) General Sachs, JPMorgan Equipment and Corporate Functions Product Content Professional The NASDAQ Business -
For Solicitation Only
NuEsTrANuEsTrA AmÉrIcA AmErIcA RP Kids - For Solicitation Only NuEsTrANuEsTrA AmÉrIcAAmÉrIcA 30 iNsPiRiNg LaTiNAS/LaTiNOS WhO HAVe sHaPeD ThE UnItEd sTaTeS bY saBrInA voUrVoUlIaS ILlUstratEd bY glOrIa FElIx Introduction by Eduardo Díaz, Director, Smithsonian Latino Center Reading Guide by Emily Key, Director of Education, RP Kids - For Solicitation Only Smithsonian Latino Center TAbLe oF coNtEnts Copyright © 2020 by Smithsonian Institution Introduction ........................................................ vi Smithsonian® This trademark is owned by the Smithsonian Institution and is registered in the U.S. Patent and Trademark Office. Interior and cover illustrations copyright © 2020 by Gloria Felix Sylvia Acevedo ..................................................... .3 Cover copyright © 2020 by Hachette Book Group, Inc. Luis Walter Alvárez.................................................. 6 Hachette Book Group supports the right to free expression and the value of copyright. Pura Belpré......................................................... .11 The purpose of copyright is to encourage writers and artists to produce Martha E. Bernal.................................................... 14 the creative works that enrich our culture. Julia de Burgos ..................................................... 19 The scanning, uploading, and distribution of this book without permission is a theft of César Chávez ..................................................... .22 the author’s intellectual property. If you would like permission to use material -
Hartnett Dissertation
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Recorded Objects: Time-Based Technologically Reproducible Art, 1954-1964 A Dissertation Presented by Gerald Hartnett to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Art History and Criticism Stony Brook University August 2017 Stony Brook University 2017 Copyright by Gerald Hartnett 2017 Stony Brook University The Graduate School Gerald Hartnett We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Andrew V. Uroskie – Dissertation Advisor Associate Professor, Department of Art Jacob Gaboury – Chairperson of Defense Assistant Professor, Department of Art Brooke Belisle – Third Reader Assistant Professor, Department of Art Noam M. Elcott, Outside Reader Associate Professor, Department of Art History, Columbia University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Recorded Objects: Time-Based, Technologically Reproducible Art, 1954-1964 by Gerald Hartnett Doctor of Philosophy in Art History and Criticism Stony Brook University 2017 Illuminating experimental, time-based, and technologically reproducible art objects produced between 1954 and 1964 to represent “the real,” this dissertation considers theories of mediation, ascertains vectors of influence between art and the cybernetic and computational sciences, and argues that the key practitioners responded to technological reproducibility in three ways. First of all, writers Guy Debord and William Burroughs reinvented appropriation art practice as a means of critiquing retrograde mass media entertainments and reportage. -
Press Release for Immediate Distribution the 2017 National Puerto Rican Day Parade Will Celebrate 60 Years of Cultural Legacy Wi
PRESS RELEASE FOR IMMEDIATE DISTRIBUTION THE 2017 NATIONAL PUERTO RICAN DAY PARADE WILL CELEBRATE 60 YEARS OF CULTURAL LEGACY WITH LEGENDARY HONOREES AND LEGENDS-IN-THE-MAKING THE ICONIC NEW YORK INSTITUTION PAYS SPECIAL TRIBUTE TO PROMINENT FIGURES AND RECOGNIZES 100 YEARS OF U.S. CITIZENSHIP FOR PUERTO RICANS DURING THIS MILESTONE YEAR New York, May 2, 2017 ― In a press conference held today at the One World Observatory at the top of One World Trade Center (the Freedom Tower), Lorraine Cortés-Vázquez, Chairperson of the National Puerto Rican Day Parade (NPRDP), alongside members of the Parade’s Board of Directors, announced plans for the 2017 Parade, its 60th Anniversary celebration on Sunday, June 11. Under the theme, “Un Pueblo, Muchas Voces” (One Nation, Many Voices), the 2017 Parade and associated events will advance the Parade’s mission of promoting culture, art and education in the Puerto Rican community, both on the Island and the mainland U.S. “The Parade has become one of New York City’s iconic institutions, and what better way to kick off our 60th Anniversary celebration than at the top of the historic Freedom Tower, with New York City as our backdrop,” said Board Chair, Lorraine Cortés-Vázquez. “In this monumental year, we are showcasing our collective achievement and the legacy we have built by working in solidarity, and we will discuss key challenges that Puerto Rico is facing to help inform and engage our community. We also honor legendary figures and the next generation of stars that are already accomplished in their own right.” JetBlue Airways, the Official Airline of the National Puerto Rican Day Parade and sponsor of One World Observatory, hosted today’s press conference and treated those in attendance to spectacular views of New York City. -
New York Times: Free Speech Lawyering in the Age of Google and Twitter
THE “NEW” NEW YORK TIMES: FREE SPEECH LAWYERING IN THE AGE OF GOOGLE AND TWITTER Marvin Ammori INTRODUCTION When Ben Lee was at Columbia Law School in the 1990s, he spent three months as a summer associate at the law firm then known as Lord, Day & Lord, which had represented the New York Times1 in New York Times Co. v. Sullivan.2 During those months, Lee listened to the firm’s elder partners recount gripping tales of the Sullivan era and depict their role in the epic speech battles that shaped the future of free expression. Hearing these stories, a young Lee dreamed that one day he too would participate in the country’s leading speech battles and have a hand in writing the next chapter in freedom of expression. When I met with Lee in August 2013, forty-nine years after Sulli- van, he was working on freedom of expression as the top lawyer at Twitter. Twitter and other Internet platforms have been heralded for creating the “new media,”3 what Professor Yochai Benkler calls the “networked public sphere,”4 for enabling billions around the world to publish and read instantly, prompting a world where anyone — you and I included — can be the media simply by breaking, recounting, or spreading news and commentary.5 Today, freedom of the press means ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Fellow, New America Foundation; Partner, the Ammori Group. The Ammori Group is an “opinionated law firm” dedicated to advancing freedom of expression and Internet freedom, and its clients have included Google, Dropbox, Automattic, Twitter, and Tumblr. The author would like to thank Alvaro Bedoya, Yochai Benkler, Monika Bickert, Nick Bramble, Alan Davidson, Tony Falzone, Mike Godwin, Ramsey Homsany, Marjorie Heins, Adam Kern, Ben Lee, Andrew McLaughlin, Luke Pelican, Jason Schulman, Aaron Schur, Paul Sieminski, Ari Shahdadi, Laura Van Dyke, Bart Volkmer, Dave Willner, and Jonathan Zittrain. -
Annual Report 2019
2019 for every child UNICEF USA Annual Report Pragmatic Single-Minded That’s UNICEF. More than 15,000 strong. On the ground, in more than 190 countries. Reaching the Idealistic most vulnerable, saving lives and building futures. Speaking up for those who can’t and creating change that lasts. Together, we won’t stop working, ever. Relentless For every child. CompassionateDiverse Contents Leadership Letter 4 For Every Child 6 Financials 33 Supporters 38 Offices and Executive Staff 55 Albert Matakone, a teacher in Baigai, Cameroon, uses a computer tablet powered by UNICEF- provided Internet. Leadership Letter I brought photographs of two children with me when I arrived at UNICEF USA’s New York office recently for my first day at work. As the new president and CEO, I have the high privilege to lead our efforts to save the lives of children around the world, protect their rights and help them thrive. The photographs — pictures I took a number of years ago — have hung in three different offices I’ve had over the last decade. One is of a girl from a rural village in Côte d’Ivoire where my team worked to rid the region of Guinea Worm. The other is a boy from a small town in the Andes Mountains of Ecuador where we ran a school health program. Both are close-up shots that reveal the striking faces and penetrating eyes of these two brave children. It is almost as if they are speaking to me directly, calling on me to redouble my efforts to serve others like them. -
Global Flows in a Digital
McKinsey Global Institute McKinsey Global Institute Global flows in a digital trade, finance, How age: people, anddata connect worldthe economy April 2014 Global flows in a digital age: How trade, finance, people, and data connect the world economy The McKinsey Global Institute The McKinsey Global Institute (MGI), the business and economics research arm of McKinsey & Company, was established in 1990 to develop a deeper understanding of the evolving global economy. Our goal is to provide leaders in the commercial, public, and social sectors with the facts and insights on which to base management and policy decisions. MGI research combines the disciplines of economics and management, employing the analytical tools of economics with the insights of business leaders. Our “micro-to-macro” methodology examines microeconomic industry trends to better understand the broad macroeconomic forces affecting business strategy and public policy. MGI’s in-depth reports have covered more than 20 countries and 30 industries. Current research focuses on six themes: productivity and growth; natural resources; labor markets; the evolution of global financial markets; the economic impact of technology and innovation; and urbanization. Recent reports have assessed job creation, resource productivity, cities of the future, the economic impact of the Internet, and the future of manufacturing. MGI is led by three McKinsey & Company directors: Richard Dobbs, James Manyika, and Jonathan Woetzel. Michael Chui, Susan Lund, and Jaana Remes serve as MGI partners. Project teams are led by the MGI partners and a group of senior fellows, and include consultants from McKinsey & Company’s offices around the world. These teams draw on McKinsey & Company’s global network of partners and industry and management experts. -
Laurie Hernandez, U.S. Olympic Gymnastics Gold and Silver
Contact: Nicole DeMarco [email protected] 203-389-5223 CHICAGO - The American Dental Hygienists’ Association (ADHA) is excited to announce that Laurie Hernandez, U.S. Olympic gymnastics gold and silver medalist and “Dancing with the Stars” champion, will be a keynote speaker at the 94th Annual Conference, taking place in Jacksonville, Florida from June 14 to 17. In addition, attendees that register before April 30 will be entered for a chance to win a special meet, greet and photo with the Olympic champion. As the premier event for dental hygienists to advance their career and learn from top educators and practitioners in the profession, the ADHA Annual Conference also features speakers that engage, inspire and advance personal and professional development. “Laurie embodies optimism and perseverance in the face of injury and adversity on a national level – her talent, personality and smile have captivated audiences everywhere, and we are thrilled that she will share her insights on how to achieve your dreams to our dental hygiene community,” said ADHA CEO Ann Battrell. A second generation American of Puerto Rican descent and the first U.S. born Latina to make the U.S. women's gymnastics Olympic team since 1984, Laurie is known for her dazzling floor exercise routine where she has been nicknamed the “human emoji” for her outgoing facial expressions and for her grace and artistry on the balance beam. The turning point in Laurie’s career happened in 2014 when her progress was stalled due to multiple injuries. She returned stronger than ever by becoming the 2015 U.S. -
IF SEARCH NEUTRALITY IS the ANSWER, WHAT's the QUESTION? Geoffrey A. Manne* Joshua D. Wright**
IF SEARCH NEUTRALITY IS THE ANSWER, WHAT'S THE QUESTION? Geoffrey A. Manne* Joshua D. Wright** In recent months a veritable legal and policy frenzy has erupted around Google generally, and more specifically concerning how its search activities should be regulated by government authorities throughout the world in the name of ensuring "search neutrality." Concerns with search engine bias have led to a menu of proposed regulatory reactions. Although the debate has focused upon possible remedies to the "problem" presented by a range of Google's business decisions, it has largely missed the predicate question of whether search engine bias is the product of market failure or otherwise generates significant economic or social harms meriting regulatory intervention in the first place. "Search neutrality" by its very name presupposes that mandatory neutrality or some imposition of restrictions on search engine bias is desirable, but it is an open question whether advocates of search neutrality have demonstrated that there is a problem necessitating any of the various prescribed remedies. This Article attempts to answer that question and evaluates both the economic and non-economic costs and benefits of search bias, as well as the solutions proposed to remedy * Lecturer in Law, Lewis & Clark Law School; Executive Director, International Center for Law & Economics. ** Professor, George Mason University School of Law and Department of Economics. The authors thank Judd Stone for extensive comments on an earlier draft and Elyse Dorsey and Mark Weiss for excellent research assistance. The authors would also like to thank the International Center for Law and Economics ("ICLE") for an unrestricted grant supporting this and other work. -
Google Fires Back at Rupert Murdoch in Europe 25 September 2014
Google fires back at Rupert Murdoch in Europe 25 September 2014 and keep illicit content such as imagery depicting sexual abuse out of search results. Responding to Murdoch's claim that Google is a "platform for piracy and malicious content," the US firm said it "has done more than almost any other company to help tackle online piracy." Whetstone noted that Google took down 222 million Web pages in 2013 due to copyright infringement, and that it has invested "tens of millions of dollars in innovative technology—called ContentID—to tackle piracy on YouTube." While the Internet has clearly disrupted long In a blog post that opens with "Dear Rupert," Google standing business models of news operations such presented a point-by-point rebuttal of unflattering as Murdoch's empire, Google has been working assertions in an open letter last week from Murdoch's with media outlets to connect with people in new News Corp. to the European Commission ways and ramp digital revenues, according to Whetstone. In response to a News Corp letter accusation that Google on Thursday fired back at media mogul the "shining vision of Google's founders has been Rupert Murdoch, disputing a News Corp. complaint replaced by a cynical management," Whetstone in Europe that the Internet titan has veered from countered that Larry Page and Sergey Brin are still the path of doing no evil. very much steering the Google ship. In a blog post that opens with "Dear Rupert," "Both remain the inspiration behind our next Google presented a point-by-point rebuttal of generation of big bets...self-driving cars; Loon unflattering assertions in an open letter last week (which offers Internet access in remote areas), from Murdoch's News Corp.