Civic Center and Cultural Center: the Grouping of Public Buildings In
Civic Center and Cultural Center: The Grouping of Public Buildings in Pittsburgh, Cleveland, and Detroit and the Emergence of the City Monumental in the Modern Metropolis by Donald E. Simpson BA, University of Pittsburgh, 2007 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 © Donald E. Simpson 2013, all rights reserved. UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Donald E. Simpson It was defended on April 1, 2013 and approved by Franklin Toker, Professor, History of Art and Architecture Edward K. Muller, Professor, History John Lyon, Professor, Germanic Languages and Literatures Dissertation Advisor: Kirk Savage, Professor, History of Art and Architecture Committee Co-Chair: Christopher Drew Armstrong, Professor, History of Art andArchitecture ii © Donald E. Simpson 2013, all rights reserved. Copyright © by Donald E. Simpson 2013. All rights reserved. iii © Donald E. Simpson 2013, all rights reserved. Civic Center and Cultural Center: The Grouping of Public Buildings in Pittsburgh, Cleveland, and Detroit and the Emergence of the City Monumental in the Modern Metropolis Donald E. Simpson, PhD University of Pittsburgh, 2013 Abstract The grouping of public buildings into civic centers and cultural centers became an obsession of American city planners at the turn of the twentieth century. Following European and ancient models, and inspired by the World’s Columbian Exposition in Chicago in 1893 and the McMillan Commission plan for the National Mall in Washington, D.C.
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