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Sustainable Development Goals Policy Brief Series No.10
Sustainable Development Goals Policy Brief Series No.10 Sharing Korea’s Experience in Sustainable Forestry: Possible Applications in Developing Countries UNDP February 2019 Sustainable Development Goals Policy Brief Series No.10 Sharing Korea’s Experience in Sustainable Forestry: Possible Applications in Developing Countries Table of Contents Executive Summary ··································································································· 4 1. Introduction ··········································································································· 6 2. National reforestation programs during the 7 twentieth century in South Korea ······································································· 2.1. Reforestation activities before 1973 ··································································· 7 2.2. Reforestation activities after 1973 ······································································ 7 2.3. Saemaul Undong and reforestation····································································· 12 2.4. Benefits of the reforested lands ········································································· 14 3. Current forest policies in South Korea ······························································· 17 3.1. Sustainable forest management practices ·························································· 17 3.2. Carbon offset schemes ························································································ 20 3.3. Forest protection ································································································· -
Tekst Zrewidowanego Porozumienia
ISSN 1977-0766 Dziennik Urzędowy L 68 Unii Europejskiej Tom 57 Wydanie polskie Legislacja 7 marca 2014 Spis treści II Akty o charakterze nieustawodawczym UMOWY MIĘDZYNARODOWE 2014/115/UE: ★ Decyzja Rady z dnia 2 grudnia 2013 r. dotycząca zawarcia Protokołu zmieniającego Porozu mienie w sprawie zamówień rządowych . 1 Protokół zmieniający Porozumienie w sprawie zamówień rządowych . 2 Cena: 10 EUR Akty, których tytuły wydrukowano zwykłą czcionką, odnoszą się do bieżącego zarządzania sprawami rolnictwa i generalnie zachowują ważność przez określony czas. Tytuły wszystkich innych aktów poprzedza gwiazdka, a drukuje się je czcionką pogrubioną. PL 7.3.2014 PL Dziennik Urzędowy Unii Europejskiej L 68/1 II (Akty o charakterze nieustawodawczym) UMOWY MIĘDZYNARODOWE DECYZJA RADY z dnia 2 grudnia 2013 r. dotycząca zawarcia Protokołu zmieniającego Porozumienie w sprawie zamówień rządowych (2014/115/UE) RADA UNII EUROPEJSKIEJ, PRZYJMUJE NINIEJSZĄ DECYZJĘ: uwzględniając Traktat o funkcjonowaniu Unii Europejskiej, Artykuł 1 w szczególności jego art. 207 ust. 4 akapit pierwszy w związku z art. 218 ust. 6 lit. a) ppkt (v), Protokół zmieniający Porozumienie w sprawie zamówień rządo wych zostaje niniejszym zatwierdzony w imieniu Unii Europej skiej. uwzględniając wniosek Komisji Europejskiej, Tekst Protokołu jest załączony do niniejszej decyzji. uwzględniając zgodę Parlamentu Europejskiego, Artykuł 2 a także mając na uwadze, co następuje: Przewodniczący Rady wyznacza osobę lub osoby umocowane do złożenia instrumentu akceptacji w imieniu Unii, jak okre (1) Negocjacje dotyczące rewizji Porozumienia w sprawie ślono w ust. 3 Protokołu oraz zgodnie z art. XXIV ust. 9 GPA zamówień rządowych (w ramach GPA z 1994 r.) zostały z 1994 r., w celu wyrażenia zgody Unii Europejskiej na zwią zainicjowane w styczniu 1999 r. -
Korean Dance and Pansori in D.C.: Interactions with Others, the Body, and Collective Memory at a Korean Performing Arts Studio
ABSTRACT Title of Document: KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO Lauren Rebecca Ash-Morgan, M.A., 2009 Directed By: Professor Robert C. Provine School of Music This thesis is the result of seventeen months’ field work as a dance and pansori student at the Washington Korean Dance Company studio. It examines the studio experience, focusing on three levels of interaction. First, I describe participants’ interactions with each other, which create a strong studio community and a women’s “Korean space” at the intersection of culturally hybrid lives. Second, I examine interactions with the physical challenges presented by these arts and explain the satisfaction that these challenges can generate using Csikszentmihalyi’s theory of “optimal experience” or “flow.” Third, I examine interactions with discourse on the meanings and histories of these arts. I suggest that participants can find deeper significance in performing these arts as a result of this discourse, forming intellectual and emotional bonds to imagined people of the past and present. Finally, I explain how all these levels of interaction can foster in the participant an increasingly rich and complex identity. KOREAN DANCE AND PANSORI IN D.C.: INTERACTIONS WITH OTHERS, THE BODY, AND COLLECTIVE MEMORY AT A KOREAN PERFORMING ARTS STUDIO By Lauren Rebecca Ash-Morgan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2009 Advisory Committee: Dr. Robert C. Provine, Chair Dr. -
Music of Korea
Namdo Japga medley Namdo is a province in the southwest part of Korea, and Japga refers to the folk songs performed by trained professional singers. This musical style is influenced by other folk music genres in Ko- rea such as pansori and gasa. Namdo Japga is based on the Sinawi mode (also known as Yujkabegi mode). The Sinawi mode empha- sizes three main pitches. These songs generally have call and re- SCHOOL OF MUSIC AND DANCE sponse patterns. ABOUT THE ARTISTS Beall Concert Hall Sunday afternoon 3:00 p.m. May 2, 2010 Yusun Kim is a leading gayageum (plucked zither) performer in Korea. She was born in Seoul, South Korea, in 1980. She began her formal education at Gaywon High School of the Arts and con- tinued studying at Ewha Woman’s University where she received BA and MA degrees in gayageum performance, and is currently WORLD MUSIC SERIES pursuing her doctorate there. She has performed at many music presents venues and festivals in Korea, including the Korean Composers’ Association’s Seoul Composition Festival and the Korean Compos- ers’ Union’s National New Music Exposition, among many others. MUSIC OF KOREA She has also appeared at international concert venues in the U.S., Poland, France, China, Hong Kong, and Japan as a gayageum and a featuring guest artists janggu (drum) artist. She won the Grand Prize in the 2002 Korean Young Performance Arts Competition and the 2004 National Tradi- Yusun Kim, gayageum tional Competition. Currently, she is the principal gayageum player Hyerim Choi, ajaeng in the Gayageum Ensemble Chocolate, and teaches gayageum at Ewha Woman’s University, Gyeongin University of Education, and Dondeok Woman’s University. -
3. Concept , Practice and Repertoires of Traditional Improvisatory Music Of
- 21- Concept, Practice and Repertoires of Traditional Improvisatory Music of Korea co Byong Won Lee* The concept of improvisation, opposed to composition, has largely been developed in the Western art music tradition. Developed from a small fraction of materials of the world's music, it could hardly be universally applicable. The Harvard Dictionary of Music, for example, defines improvisation as "the art of performing music spontaneously, wilhout the manuscript, sketches, or memory ... the art of introducing improvised details into written compositions ... (1969:404),» and it goes on to state that "the great art of improvisation has been lost, since it is no longer practiced by composers and survives chiefly among organ viJtuosos (Ibid.).» What the dictionary's definition concerns is doubtlessly the Western art tradition up to the late 19th century, and the definition is inoperative in other culture's improvisatory music, such as Indian raga, Korean sinawi and American jazz. While recognizing different degrees of performer's creativity in composition and improvisation, Nett! asserts that juxtaposing them "as fundamentally different process is false, and that the two are instead part of the same idea (1974: 6). » Following a comparative study on the nature of improvisation of American Indian, Arabic, Iranian and, Indian musics, he arrives at a conclusion which rejects the dichotomy of composition-improvisation by saying that "we must abandon the idea of improvisation as a process separate from composition and adopt the view that all performers improvise to some extent (Ibid.: 1~).» The objective of this paper is neither to rebut Nettl's denial of dichotomy of composition- (1) This is a modified and enlarged version of "Improvisation in Korean Musics," Music Educators Journal 66(5): 137-45, January, 1980. -
Makalah Seni Musik Korea
MAKALAH SENI MUSIK KOREA Disusun Oleh : •• Emi Cahyaningtyas R. •• Fitri Nur P. •• Nia Puji A. •• Wahyuningsih SMA Negeri 1 Girimarto Tahum Pelajaran 2014/2015 KATA PENGANTAR Dengan mengucapkan puji syukur atas kehadirat Tuhan YME, atas segala kebesaran dan limpah nikmat yang diberikan-Nya, sehingga kami dapat menyelesaikan Makalah Tentang Seni Musik Korea. Adapun penulisan makalah ini bertujuan untuk memberikan informasi mengenai musik Korea. Dalam penulisan makalah ini, berbagai hambatan telah kami alami. Oleh karena itu, terselesaikannya makalah ini tentu saja bukan karena kemampuan kami semata-mata. Namun karena adanya dukungan dan bantuan dari pihak-pihak yang terkait. Dan ucapan terima kasih patut dipersembahkan kepada semua pihak yang tidak dapat kami sebutkan satu persatu, yang telah membantu menyelesaikan makalah ini. Dalam penyusunan makalah ini, kami menyadari pengetahuan dan pengalaman kami masih sangat terbatas. Oleh karena itu, kami sangat mengharapkan adanya kritik dan saran dari berbagai pihak agar makalah ini lebih baik dan bermanfaaat. Akhir kata kami ucapkan semoga Tuhan YME selalu membalas budi baik anda semua. Girimarto, Oktober 2014 Page 2 2 MAKALAH SENI MUSIK KOREA sma negeri i girimarto DAFTAR ISI KATA PENGANTAR ........................................................................... 2 BAB I PENDAHULUAN Pengertian Musik Korea.......................................................................... 4 Sejarah Musik Korea ............................................................................... 4 BAB II -
Success Factors of National-Scale Forest Restorations in South Korea, Vietnam, and China
sustainability Article Success Factors of National-Scale Forest Restorations in South Korea, Vietnam, and China Gayoung Choi 1, Yoonjeong Jeong 1 and Seong-il Kim 1,2,* 1 Department of Forest Sciences, Seoul National University, Seoul 08826, Korea; [email protected] (G.C.); [email protected] (Y.J.) 2 Research Institute of Agriculture and Life Sciences, Seoul National University, Seoul 08826, Korea * Correspondence: [email protected]; Tel.: +82-2-880-4765 Received: 22 March 2019; Accepted: 21 June 2019; Published: 25 June 2019 Abstract: The total global forest area is decreasing significantly, yet stories of successful large-scale forest restoration are still scarce. In the 1980s, when properly designed concepts and methodologies were absent, state-led, large-scale restoration projects in lower-income countries (LICs) in Asia were already successful. These then LICs—South Korea, Vietnam, and China—experienced dramatic forest land use changes driven by different socioeconomic and political developments, from deforestation and forest degradation to reforestation and ecological restoration. This study examines the institutional settings of each country’s restoration programs, focusing on the inputs of the external factors, their effects on the relevant action arena, and their payment mechanisms. By conducting critical comparisons between three country cases, we found that the ability of nations that had implemented reforestation programs to restore their forests was often influenced by external variables, which included biophysical conditions, local community attributes, and local, state, and federal rules. The result of this research provides practical implications and contributes to the body of literature comparing restoration cases from Asian countries, which have rarely been investigated. -
THREE ESSAYS on ENVIRONMENTAL ECONOMICS by Hyemin Park THESIS Submitted to KDI School of Public Policy and Management in Partial
THREE ESSAYS ON ENVIRONMENTAL ECONOMICS By Hyemin Park THESIS Submitted to KDI School of Public Policy and Management in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN DEVELOPMENT POLICY 2019 THREE ESSAYS ON ENVIRONMENTAL ECONOMICS By Hyemin Park THESIS Submitted to KDI School of Public Policy and Management in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN DEVELOPMENT POLICY 2019 Professor Wonhyuk Lim THREE ESSAYS ON ENVIRONMENTAL ECONOMICS By Hyemin Parkr THESIS Submitted to KDI School of Public Policy and Management in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY IN DEVELOPMENT POLICY Committee in charge: Professor Wonhyuuk Lim, Supervisor Professor Hyungna Oh Professor Siwook Lee Professor Choongki Kim Professor Dong-Young Kim Approval as of April, 2019 Dedicated to My husband and parents TABLE OF CONTENTS Chapter 1. THE CROSS-BORDER SPILLOVER EFFECT OF PARTICULATE MATTER POLLUTION IN KOREA ······················································· 1 1.1. Introduction ···················································································· 4 1.2. An Overview of PM Pollution ····························································· 7 1.2.1. Major Characteristics of PM ························································· 7 1.2.2. Air pollution control measure and their limitations ······························· 8 1.3. Literature review ············································································ -
A Wild Goose Flying in the Sky – Gugak from Korea
A Wild Goose Flying in the Sky – Gugak from Korea A principal dancer in the Boston Ballet, an honored Candidate for Important Intangible Cultural Property No. 23, a boundary-crossing cellist, and a singer whose repertoire draws from ancient shaman ritual — all walk up to the barre…. No, this is not a spin-off of that classic joke, but an invitation to attend what will surely be one of the most enthralling, exuberant and flat-out gorgeous concert experiences of 2019, when the Korean Cultural Society of Boston presents “Festival of Dance and Gugak” at Jordan Hall on Sunday, September 29th at 3:00 PM. Details HERE. Gugak, Korean traditional music is one of the great classical musics of the world (see Michael Church’s inspirational volume “The Other Classical Musics: Fifteen Great Traditions” for some other examples). If you listen far enough back to any classical music, you will find two purposes for the extraordinary sound worlds we humans create: a desire to connect with the divine, and a desire to connect with one another. This is true of ‘my’ classical music, and it is also certainly true of the great repertoire of gugak. The classical music of Korean derives historically from both the Chinese court music traditions and the nuanced regional aesthetics expressing the diverse experiences of commoners. With its roots in complex and deeply expressive shaman music, gugak’s genres include the folk-inspired pansori (epic story-telling performed by a singer and a drummer), sanjo (a melodic instrument partnered with a drum), and sinawi (improvisatory instrumental performance). -
World Bank Document Prepared Under the Aegis of the World Bank Group Forest Action Plan1 (FAP) FY16–20
Public Disclosure Authorized UKRAINE COUNTRY FOREST NOTE: GROWING GREEN AND Public Disclosure Authorized SUSTAINABLE OPPORTUNITIES Public Disclosure Authorized Europe & Central Asia Sustainable Development Public Disclosure Authorized Environment, Natural Resources & Blue Economy June 2020 www.worldbank.org UKRAINE COUNTRY FOREST NOTE: GROWING GREEN AND SUSTAINABLE OPPORTUNITIES Europe & Central Asia Sustainable Development Environment, Natural Resources & Blue Economy June 2020 © 2020 The World Bank 1818 H Street NW, Washington DC 20433 Telephone: 202-473-1000; Internet: www.worldbank.org Some rights reserved This work is a product of the staff of The World Bank. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of the Executive Directors of The World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of its knowledge, this work may be reproduced, in whole or in part, for noncommercial purposes as long as full attribution to this work is given. Attribution Please cite the work as follows: “World Bank. 2020. Ukraine Country Forest Note. © World Bank.” All queries on rights and licenses, including subsidiary rights, should be addressed to World Bank Publications, The World Bank Group, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2625; e-mail: pubrights@ worldbank.org. -
Coexistence of Classical Music and Gugak in Korean Culture1
International Journal of Korean Humanities and Social Sciences Vol. 5/2019 DOI: http://dx.doi.org/10.14746/kr.2019.05.05 COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE1 SO HYUN PARK, M.A. Conservatory Orchestra Instructor, Korean Bible University (한국성서대학교) Nowon-gu, Seoul, South Korea [email protected] ORCID: https://orcid.org/0000-0002-7848-2674 Abstract: Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new 1 This study is based on the presentation of the 6th international Conference on Korean Humanities and Social Sciences, which is a separate session of The 1st Asian Congress, co-organized by Adam Mickiewicz University in Poznan, Poland and King Sejong Institute from July 13th to 15th in 2018. So Hyun PARK: Coexistence of Classical Music and Gugak… Korean traditional music and fusion Korean traditional music. Finally, it is exemplified that Gugak and Classical music can converge and coexist in various collaborations based on the institutional help of the nation. In conclusion, Classical music and Korean traditional music try to create synergy between them in Korean culture by making various efforts such as new attempts and conservation. Key words: Korean Traditional Music; Gugak; Classical Music; Culture Coexistence. -
K REA FANTASY Daejeon Prov
K REA FANTASY Daejeon Prov. Yeonjeong Orch. 2018 of Korean Traditional Music 20.April-03.May 2018 April 22 (SUN), 19:00 Vatroslav Lisinski Concert Hall, Zagreb, Croatia April 24 (TUE), 19:30 MOM Kulturális Központ, Hungary April 26 (THU), 12:00 United Nations, Austria April 29 (SUN), 19:00 Municipal House, Smetana Hall, Czech Republic May 1 (TUE), 19:30 Musikverein, Golden Hall, Austria Daejeon Yeonjeong Korea Traditional Music Center, 181, Dunsan-daero, Seo-gu, Daejeon, Korea Tel. (042) 270-8500 Website. http://www.koreamusic.go.kr KOREA FANTASY 2018 13 We invite you to the world of traditional Korean music. in Korea Hello. I am so happy to have this opportunity to present the Daejeon Provincial Yeonjeong Orchestra It's Daejeon Daejeon is a city that is full of attractions. of Korean Traditional Music to the citizens of Zagreb, Budapest, and Vienna. Science Daejeon is a key R&D center of Korea, armed with the foundational technologies and highly I would like to thank all those who worked so hard to make this performance possible as well trained manpower of the cutting-edge Daedeok Innopolis. as everyone in the audience here today. Although Daejeon Metropolitan City, a major city in Administration Home to Government Complex Daejeon, the ROK Army Training & Doctrine Command, and Korea, is already widely known as a center of the sciences, it is also a very romantic city where the ROK Army Logistics Command, Daejeon is a key administrative city situated near the history, culture, and the arts live and breathe every day. Third ROK Army’s headquarters.