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“Living with the Right Focus and Measures” 2 Corinthians 10:12-18 May 6, 2018 Faith Presbyterian Church – Evening Service Pr
“Living with the Right Focus and Measures” 2 Corinthians 10:12-18 May 6, 2018 Faith Presbyterian Church – Evening Service Pr. Nicoletti I’m picking up once more with my series on Second Corinthians tonight. I preached from Hebrews back in March and so it’s been seven months since we last looked at 2 Corinthians. We are up to chapter 10, verses 12-18 tonight. To remind you of what’s going on, at the beginning of chapter 10 there’s a significant shift in tone. Commentator Paul Barnett puts it like this – he says: “It appears that, as the letter draws to its conclusion, Paul’s appeal to the Corinthians becomes more intense emotionally. Like many an orator (and preacher!), he has kept the most urgent and controversial matters until the end and dealt with them passionately so that his last words make their greatest impact on the Corinthians.” [Barnett, 452] The Apostle Paul begins chapter ten by directly confronting some of the accusations his opponents have made against him. We looked at that back in March. Then, in verse 12, he shifts from responding to direct accusations, to highlighting an important difference between him and his opponents. We’ll begin there now – 2 Corinthians 10:12-18. The Apostle Paul writes: 12 Not that we dare to classify or compare ourselves with some of those who are commending themselves. But when they measure themselves by one another and compare themselves with one another, they are without understanding. 13 But we will not boast beyond limits, but will boast only with regard to the area of influence God assigned to us, to reach even to you. -
Bcsfazine #447 • Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #447 $3.00/Issue August 2010 In This Issue: This Month in BCSFA.........................................................0 About BCSFA......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................5 News-Like Matter...............................................................17 Dating Game......................................................................23 Movies: The Man Who Wrote ‘Battlefield: Earth’............24 Media File...........................................................................25 Zines Received..................................................................27 E-Zines Received..............................................................28 Art Credits..........................................................................29 Why You Got This.............................................................29 BCSFAzine © August 2010, Volume 38, #8, Issue #447 is the monthly club newslet- ter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or #209–3851 Francis Road, Richmond, BC, Canada, V7C 1J6. BCSFAzine solicits electronic submissions and black-and-white line illustrations in JPG, GIF, BMP, or PSD format, -
St. Vincent De Paul and the Homeless
WELCOMING THE STRANGER ST. VINCENT DE PAUL AND THE HOMELESS Robert Maloney, CM An earlier version of this article was published in Vincentiana 61, #2 (April-June 2017) 270-92. “There was no room for them in the inn.”1 Those stark words dampen the joy of Luke’s infancy narrative, which we read aloud every Christmas. No room for a young carpenter and his pregnant wife? Was it because they asked for help with a Galilean accent that identified them as strangers?2 Was there no room for the long-awaited child at whose birth angels proclaimed “good news of great joy that will be for all people”?3 No, there was no room. Their own people turned Mary and Joseph away. Their newborn child’s first bed was a feeding trough for animals. Matthew, in his infancy narrative, recounts another episode in the story of Jesus’ birth, where once again joy gives way to sorrow.4 He describes the death-threatening circumstances that drove Joseph and Mary from their homeland with Jesus. Reflecting on this account in Matthew’s gospel, Pius XII once stated, “The émigré Holy Family of Nazareth, fleeing into Egypt, is the archetype of every refugee family." 5 Quoting those words, Pope Francis has referred to the plight of the homeless and refugees again and again and has proclaimed their right to the “3 L’s”: land, labor and lodging.6 Today, in one way or another, 1.2 billion people share in the lot of Joseph, Mary and Jesus. Can the Vincentian Family have a significant impact on their lives? In this article, I propose to examine the theme in three steps: 1. -
The Letters of Vincent Van Gogh
THE LETTERS OF VINCENT VAN GOGH ‘Van Gogh’s letters… are one of the greatest joys of modern literature, not only for the inherent beauty of the prose and the sharpness of the observations but also for their portrait of the artist as a man wholly and selessly devoted to the work he had to set himself to’ - Washington Post ‘Fascinating… letter after letter sizzles with colorful, exacting descriptions … This absorbing collection elaborates yet another side of this beuiling and brilliant artist’ - The New York Times Book Review ‘Ronald de Leeuw’s magnicent achievement here is to make the letters accessible in English to general readers rather than art historians, in a new translation so excellent I found myself reading even the well-known letters as if for the rst time… It will be surprising if a more impressive volume of letters appears this year’ — Observer ‘Any selection of Van Gogh’s letters is bound to be full of marvellous things, and this is no exception’ — Sunday Telegraph ‘With this new translation of Van Gogh’s letters, his literary brilliance and his statement of what amounts to prophetic art theories will remain as a force in literary and art history’ — Philadelphia Inquirer ‘De Leeuw’s collection is likely to remain the denitive volume for many years, both for the excellent selection and for the accurate translation’ - The Times Literary Supplement ‘Vincent’s letters are a journal, a meditative autobiography… You are able to take in Vincent’s extraordinary literary qualities … Unputdownable’ - Daily Telegraph ABOUT THE AUTHOR, EDITOR AND TRANSLATOR VINCENT WILLEM VAN GOGH was born in Holland in 1853. -
Blooms Hilton Als
Blooms Hilton Als Taken together, Julian Schnabel’s canvases are a garden illuminated by perception, which is all Gertrude Stein’s “Rose is a rose is a rose is a rose” was about—how we look at what we look at, how to make seeing into words. Schnabel’s masterly Rose Paintings series, exe- cuted in 2015–17, are blooms that will never die on the vine, let alone the vine of thought. The works are a description of the ephemeral—flowers as forces in nature that expire to blossom again. By using materials meant to last—oil, paint, Bondo on wood—Schnabel creates concrete forms out of that which is meant to return to the ground. In these works, he excavates flowers, those captives of time that die with time, and makes them timeless, in pictures that draw on nature to make of it what the artist will—and does. Schnabel makes paintings that are illustrative of his nature. The artist first attracted widespread attention more than three decades ago for work that was unlike anything else, because the Brooklyn-born Schnabel’s point of view has always been unlike anyone else’s. His eye is a rose. In paintings ranging from Self Portrait in Andy’s Shadow (1987) to the Untitled (Chinese Paintings) series (initiated in 2003), the creator worked in a tradition that could not be readily identified because it was his own, an out- growth of his soul. Like flowers that cannot be classified, the Rose paintings come at you from different angles. One painting looks at the roses a little from the left, some are more centered—all of which goes to show how one’s view of a thing can change the thing being observed; our percep- tions change paintings, just as paint changes blank canvas. -
Diary of the Doctor Who Role-Playing Games, Issue
HISTORICAL ISSUE The fanzine devoted to Doctor Who Gaming „COWPENS‰ ADVENTURE MODULE - „THE „THE COLD RUSH‰ ADVENTURE MODULE - ISSUE # 9 BUILDING A BETTER MAP - FOOD FOR „A NIGHT TO REMEMBER„ ADVENTURE MODULE FIRST TIME DOCTOR WHO ROLE-PLAYING LIGHTNING BUG‰ ADVENTURE MODULE „IN THE AFTER GLOW‰ ADVENTURE MODULE and MORE... GAMING - HISTORICAL ADVENTURES 1 EDITOR’S NOTES CONTENTS Welcome to this month’s issue of DDWRPG. This is our “Historical Issue” focusing on playing games that EDITOR’S NOTES 2 have an element of real history in them—whether a full REVIEW: Eleventh Doctor Sonic Screwdriver 3 historical or a pseudo historical that also has some sci‐fi Cubicle 7 Product Update 3 elements in it. DWAiTS Forum Updated 4 To fit this theme were are presenting to you, not TARDIS Lands at Graduation 4 our usual two, but a full five different modules featuring Food at Role‐Playing Gatherings 5 historical adventures that can be played. To show how MODULE: “The Cold Rush” 10 broad the idea of a “historical” can be, we present two Historical Not Just Pseudo‐Historical Adventures 11 pure historical adventures, two pseudo historical (that MODULE: “Cowpens” 12 feature alien involvement), and one historical adventure MODULE: “The Lightning Bug” 16 that takes place in another sci‐fi universe (as we present Better Building Maps Build Better Games 21 a crossover adventure into the universe of Firefly)! Arti‐ Neg/Dip Critical Failures 24 cles on cosplay and fake historical photography round out REVIEW: Doctor Who Insider 25 our features, as well as documenting the first‐time gam‐ MODULE: “A Night To Remember” 26 ing experience for some of the new players in the A Dilemma of Titanic Proportions 33 DDWRPG team’s own campaign. -
Elasmobranch Biodiversity, Conservation and Management Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997
The IUCN Species Survival Commission Elasmobranch Biodiversity, Conservation and Management Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997 Edited by Sarah L. Fowler, Tim M. Reed and Frances A. Dipper Occasional Paper of the IUCN Species Survival Commission No. 25 IUCN The World Conservation Union Donors to the SSC Conservation Communications Programme and Elasmobranch Biodiversity, Conservation and Management: Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997 The IUCN/Species Survival Commission is committed to communicate important species conservation information to natural resource managers, decision-makers and others whose actions affect the conservation of biodiversity. The SSC's Action Plans, Occasional Papers, newsletter Species and other publications are supported by a wide variety of generous donors including: The Sultanate of Oman established the Peter Scott IUCN/SSC Action Plan Fund in 1990. The Fund supports Action Plan development and implementation. To date, more than 80 grants have been made from the Fund to SSC Specialist Groups. The SSC is grateful to the Sultanate of Oman for its confidence in and support for species conservation worldwide. The Council of Agriculture (COA), Taiwan has awarded major grants to the SSC's Wildlife Trade Programme and Conservation Communications Programme. This support has enabled SSC to continue its valuable technical advisory service to the Parties to CITES as well as to the larger global conservation community. Among other responsibilities, the COA is in charge of matters concerning the designation and management of nature reserves, conservation of wildlife and their habitats, conservation of natural landscapes, coordination of law enforcement efforts as well as promotion of conservation education, research and international cooperation. -
Vincentiana Vol. 44, No. 3 [Full Issue]
Vincentiana Volume 44 Number 3 Vol. 44, No. 3 Article 1 2000 Vincentiana Vol. 44, No. 3 [Full Issue] Follow this and additional works at: https://via.library.depaul.edu/vincentiana Part of the Catholic Studies Commons, Comparative Methodologies and Theories Commons, History of Christianity Commons, Liturgy and Worship Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation (2000) "Vincentiana Vol. 44, No. 3 [Full Issue]," Vincentiana: Vol. 44 : No. 3 , Article 1. Available at: https://via.library.depaul.edu/vincentiana/vol44/iss3/1 This Article is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentiana by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Via Sapientiae: The nI stitutional Repository at DePaul University Vincentiana (English) Vincentiana 6-30-2000 Volume 44, no. 3: May-June 2000 Congregation of the Mission Recommended Citation Congregation of the Mission. Vincentiana, 44, no. 3 (May-June 2000) This Journal Issue is brought to you for free and open access by the Vincentiana at Via Sapientiae. It has been accepted for inclusion in Vincentiana (English) by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. VINCENTIANA 44th YEAR, N° 3 MAY-JUNE 2000 FEATURE: V SI.PER. 255.77005 Saint Vincent Priest V775 v.44 CONGREGATION OF THE 1MISSiON no.3 GLNER\I CURIA 2000 VINCENTIANA Magazine of the Congregation of the Mission Published every two months by the General Curia Via dei Capas.so, 30 - 00164 Roma 44th year, N° 3 Slav-June 2000 Summary Feature : Saint Vincent Priest • The Clergy in the France of St. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
The Last Prisoners of World War II
Pace International Law Review Volume 9 Issue 1 Summer 1997 Article 14 June 1997 The Last Prisoners of World War II Margaret M. Mastroberardino Follow this and additional works at: https://digitalcommons.pace.edu/pilr Recommended Citation Margaret M. Mastroberardino, The Last Prisoners of World War II, 9 Pace Int'l L. Rev. 315 (1997) Available at: https://digitalcommons.pace.edu/pilr/vol9/iss1/14 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace International Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. COMMENT THE LAST PRISONERS OF WORLD WAR Ill Margaret M. Mastroberardino I. INTRODUCTION "To the victor belong the spoils of the enemy."2 The Ro- mans exhibited treasures captured from their prisoners; Napo- 3 leon did the same almost two thousand years later. Throughout world history, looting treasures belonging to ene- mies in times of war has been a constant.4 Looting occurred as recently as the Persian Gulf War, where Saddam Hussein re- moved collections of cultural property from Kuwait. At the end of the 19th century, an idea emerged that cultural objects should be protected from armed, military conflict.5 As a result, the Hague Conventions of 1899 and 1907 included provisions designed to "protect cultural institutions, historical monuments and works of art from premeditated seizure, destruction, or damage."6 During World War II, Adolph Hitler and his Nazi soldiers wrought havoc on Europe. In their quest to establish a superior 1 "They are the last prisoners of World War II, about to emerge from the dark rooms where they were locked away 50 years ago." Jack Kelly, The Spoils of War/ Show Ignites Debate Over Ownership, USA TODAY, March 3, 1995 at 1D.