FLAG of PORTUGAL - a BRIEF HISTORY Where in the World
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Oath Ceremonies in Spain and New Spain in the 18Th Century: a Comparative Study of Rituals and Iconography* Historia Crítica, No
Historia Crítica ISSN: 0121-1617 Departamento de Historia, Facultad de Ciencias Sociales, Universidad de los Andes Rodríguez Moya, Inmaculada Oath Ceremonies in Spain and New Spain in the 18th century: A Comparative Study of Rituals and Iconography* Historia Crítica, no. 66, 2017, October-December, pp. 3-24 Departamento de Historia, Facultad de Ciencias Sociales, Universidad de los Andes DOI: https://doi.org/10.7440/histcrit66.2017.01 Available in: https://www.redalyc.org/articulo.oa?id=81154857002 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative 3 Oath Ceremonies in Spain and New Spain in the 18th Century: A Comparative Study of Rituals and Iconography❧ Inmaculada Rodríguez Moya Universitat Jaume I, Spain doi: https://dx.doi.org/10.7440/histcrit66.2017.01 Reception date: March 02, 2016/Acceptance: September 23, 2016/ Modification: October 13, 2016 How to cite: Rodríguez Moya, Inmaculada. “Oath Ceremonies in Spain and New Spain in the 18th century: A Comparative Study of Rituals and Iconography”. Historia Crítica n. ° 66 (2017): 3-24, doi: https://dx.doi.org/10.7440/histcrit66.2017.01 Abstract: This paper will focus on a comparative study of the royal oath ceremonies in Spain and New Spain starting with the 16th century, when the ritual was established, to later consider some examples from the 18th century. A process of consolidating a Latin American and Hispanic identity began in the 17th century and was reflected in religious and political festivals everywhere. -
List 283 | October 2014
Stephen Album Rare Coins Specializing in Islamic, Indian & Oriental Numismatics P.O. Box 7386, Santa Rosa, CA. 95407, U.S.A. 283 Telephone 707-539-2120 — Fax 707-539-3348 [email protected] Catalog price $5.00 www.stevealbum.com 137187. SAFAVID: Muhammad Khudabandah, 1578-1588, AV ½ OCTOBER 2014 mithqal (2.31g), Mashhad, AH[9]85, A-2616.2, type A, with epithet imam reza, some flatness, some (removable) dirt Gold Coins on obverse, VF, R, ex. Richard Accola collection $350 137186. SAFAVID: Muhammad Khudabandah, 1578-1588, AV mithqal (4.59g), Qazwin, AH[9]89, A-2617.2, type B, some weakness Ancient Gold towards the rim, VF, R, ex. Richard Accola collection $450 137190. SAFAVID: Sultan Husayn, 1694-1722, AV ashrafi (3.47g), Mashhad, AH1130, A-2669E, local design, used only at Mashhad, 138883. ROMAN EMPIRE: Valentinian I, 364-375 AD, AV solidus the site of the tomb of the 8th Shi’ite Imam, ‘Ali b. Musa al-Reza, (4.47g), Thessalonica, bust facing right, pearl-diademed, no weakness, VF, RRR, ex. Richard Accola collection $1,000 draped & cuirassed / Valentinian & Valens seated, holding The obverse text is hoseyn kalb-e astan-e ‘ali, “Husayn, dog at together a globe, Victory behind with outspread wings, the doorstep of ‘Ali.,” with additional royal text in the obverse SMTES below, very tiny rim nick, beautiful bold strike, margin, not found on the standard ashrafis of type #2669. choice EF, R $1,200 By far the most common variety of this type is of the Trier 137217. AFSHARID: Shahrukh, 2nd reign, 1750-1755, AV mohur mint, with Constantinople also relatively common. -
THE ZIBBY GARNETT TRAVELLING FELLOWSHIP Report by Jane
THE ZIBBY GARNETT TRAVELLING FELLOWSHIP Report by Jane Wallis Museu Nacional do Azulejo Lisboa Portugal Conservation and Restoration of Portuguese Architectural Ceramic Tiles March 29th – April 16th 2004 1 TABLE OF CONTENTS INTRODUCTION............................................................................... 3 A BRIEF HISTORY OF PORTUGUESE CERAMIC TILES ............. 4 THE MUSEU NACIONAL DO AZULEJO......................................... 6 CONSERVATION AND RESTORATION OF CERAMIC TILES AND MY WORK AT THE MUSEUM................................................. 7 16th Century Seville Tiles.................................................................................................8 18th Century Blue and White.........................................................................................11 Porto Panel, Late 19th Century.....................................................................................12 Visit with MNA to Queluz Palace.................................................................................13 Two Tile Painting Techniques......................................................................................14 THE CITY OF LISBON.....................................................................16 Monastry São Vicente De Fora.....................................................................................17 OUTSKIRTS OF LISBON ..................................................................19 Fronteira Palace............................................................................................................19 -
Exile, Diplomacy and Texts: Exchanges Between Iberia and the British Isles, 1500–1767
Exile, Diplomacy and Texts Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel (Chair of Medieval and Neo-Latin Literature Westfälische Wilhelms-Universität Münster e-mail: kenen_01@uni_muenster.de) Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) Chr. Göttler (University of Bern) J.L. de Jong (University of Groningen) W.S. Melion (Emory University) R. Seidel (Goethe University Frankfurt am Main) P.J. Smith (University of Leiden) J. Thompson (Queen’s University Belfast) A. Traninger (Freie Universität Berlin) C. Zittel (Ca’ Foscari University of Venice / University of Stuttgart) C. Zwierlein (Freie Universität Berlin) volume 74 – 2021 The titles published in this series are listed at brill.com/inte Exile, Diplomacy and Texts Exchanges between Iberia and the British Isles, 1500–1767 Edited by Ana Sáez-Hidalgo Berta Cano-Echevarría LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. This volume has been benefited from financial support of the research project “Exilio, diplomacia y transmisión textual: Redes de intercambio entre la Península Ibérica y las Islas Británicas en la Edad Moderna,” from the Agencia Estatal de Investigación, the Spanish Research Agency (Ministerio de Economía y Competitividad). -
UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M
UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes. -
Prince Henry the Navigator, Who Brought This Move Ment of European Expansion Within Sight of Its Greatest Successes
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com PrinceHenrytheNavigator CharlesRaymondBeazley 1 - 1 1 J fteroes of tbe TRattong EDITED BY Sveltn Bbbott, flD.B. FELLOW OF BALLIOL COLLEGE, OXFORD PACTA DUOS VIVE NT, OPEROSAQUE OLMIA MHUM.— OVID, IN LI VI AM, f«». THE HERO'S DEEDS AND HARD-WON FAME SHALL LIVE. PRINCE HENRY THE NAVIGATOR GATEWAY AT BELEM. WITH STATUE, BETWEEN THE DOORS, OF PRINCE HENRY IN ARMOUR. Frontispiece. 1 1 l i "5 ' - "Hi:- li: ;, i'O * .1 ' II* FV -- .1/ i-.'..*. »' ... •S-v, r . • . '**wW' PRINCE HENRY THE NAVIGATOR THE HERO OF PORTUGAL AND OF MODERN DISCOVERY I 394-1460 A.D. WITH AN ACCOUNr Of" GEOGRAPHICAL PROGRESS THROUGH OUT THE MIDDLE AGLi> AS THE PREPARATION FOR KIS WORlf' BY C. RAYMOND BEAZLEY, M.A., F.R.G.S. FELLOW OF MERTON 1 fr" ' RifrB | <lvFnwn ; GEOGRAPHICAL STUDEN^rf^fHB-SrraSR^tttpXFORD, 1894 ule. Seneca, Medea P. PUTNAM'S SONS NEW YORK AND LONDON Cbe Knicftetbocftet press 1911 fe'47708A . A' ;D ,'! ~.*"< " AND TILDl.N' POL ' 3 -P. i-X's I_ • •VV: : • • •••••• Copyright, 1894 BY G. P. PUTNAM'S SONS Entered at Stationers' Hall, London Ube ftntcfeerbocfter press, Hew Iffotfc CONTENTS. PACK PREFACE Xvii INTRODUCTION. THE GREEK AND ARABIC IDEAS OF THE WORLD, AS THE CHIEF INHERITANCE OF THE CHRISTIAN MIDDLE AGES IN GEOGRAPHICAL KNOWLEDGE . I CHAPTER I. EARLY CHRISTIAN PILGRIMS (CIRCA 333-867) . 29 CHAPTER II. VIKINGS OR NORTHMEN (CIRCA 787-1066) . -
Spain & Portugal in Depth 2017
® ® Spain & Portugal in Depth 2017 EXTEND YOUR TRIP Barcelona, Spain The Island of Madeira, Portugal Your Travel Handbook CONTENTS Passport, Visas & Travel Documents ......... 3 Climate ........................................ 21 Your Passport .................................. 3 No Visas Required .............................. 3 About Your Destinations ..................... 24 Trusted Traveler Programs ..................... 4 ........................ 24 Emergency Photocopies of Key Documents ..... 4 Your Program Director ............................... 24 Overseas Taxes & Fees ......................... 4 During Your Trip Lisbon in Brief................................. 27 Madrid in Brief ................................ 28 Health .......................................... 5 Barcelona in Brief ............................. 29 Keep Your Abilities In Mind ..................... 5 Madeira in Brief ............................... 31 Health Check .................................. 5 Shopping ..................................... 32 No Vaccines Required ....................... 6 U.S. Customs Regulations & Shipping Charges ................................... 33 Staying Healthy on Your Trip .................... 6 Demographics & Background................ 34 Money Matters ................................. 8 Top Three Tips ................................. 8 Local Currency ................................. 8 Resources ..................................... 41 How to Exchange Money ..................... 8 Suggested Readings .......................... -
Places of Prayer in the Monastery of Batalha Places of Prayer in the Monastery of Batalha 2 Places of Prayer in the Monastery of Batalha
PLACES OF PRAYER IN THE MONASTERY OF BATALHA PLACES OF PRAYER IN THE MONASTERY OF BATALHA 2 PLACES OF PRAYER IN THE MONASTERY OF BATALHA CONTENTS 5 Introduction 9 I. The old Convent of São Domingos da Batalha 9 I.1. The building and its grounds 17 I. 2. The keeping and marking of time 21 II. Cloistered life 21 II.1. The conventual community and daily life 23 II.2. Prayer and preaching: devotion and study in a male Dominican community 25 II.3. Liturgical chant 29 III. The first church: Santa Maria-a-Velha 33 IV. On the temple’s threshold: imagery of the sacred 37 V. Dominican devotion and spirituality 41 VI. The church 42 VI.1. The high chapel 46 VI.1.1. Wood carvings 49 VI.1.2. Sculptures 50 VI.2. The side chapels 54 VI.2.1. Wood carvings 56 VI.3. The altar of Jesus Abbreviations of the authors’ names 67 VII. The sacristy APA – Ana Paula Abrantes 68 VII.1. Wood carvings and furniture BFT – Begoña Farré Torras 71 VIII. The cloister, chapter, refectory, dormitories and the retreat at Várzea HN – Hermínio Nunes 77 IX. The Mass for the Dead MJPC – Maria João Pereira Coutinho MP – Milton Pacheco 79 IX.1. The Founder‘s Chapel PR – Pedro Redol 83 IX.2. Proceeds from the chapels and the administering of worship RQ – Rita Quina 87 X. Popular Devotion: St. Antão, the infante Fernando and King João II RS – Rita Seco 93 Catalogue SAG – Saul António Gomes SF – Sílvia Ferreira 143 Bibliography SRCV – Sandra Renata Carreira Vieira 149 Credits INTRODUCTION 5 INTRODUCTION The Monastery of Santa Maria da Vitória, a veritable opus maius in the dark years of the First Republic, and more precisely in 1921, of artistic patronage during the first generations of the Avis dynasty, made peace, through the transfer of the remains of the unknown deserved the constant praise it was afforded year after year, century soldiers killed in the Great War of 1914-1918 to its chapter room, after century, by the generations who built it and by those who with their history and homeland. -
OLGA GALEEVA Project – Lisbon Olympic Games 2028
2016 Escola Superior de Design OLGA GALEEVA Project – Lisbon Olympic Games 2028 Projecto apresentado à Escola Superior de Design do IADE para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Design e Cultura Visual, ramo de especialização em Teoria da Cultura Visual realizada sob a orientação científica do Doutor Professor Carlos Miguel Lopes Rosa e sob co-orientação da Professor Fernando Oliveira. 2 Dedico este trabalho aos meus pais, meu marido e minha filha por sempre me apoiarem e acreditarem naquilo que faço. 3 4 JURY Presidente Doutora Maria Emilia Capucho Duarte Professora Auxiliar do Instituto de Arte, Design e Empresa – Universitario Vogais Doutor Daniel Raposo Martins Professor Adjunto da Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco Doutor Carlos Miguel Lopes Rosa Professor Auxiliar do Instituto de Arte, Design e Empresa – Universitario 5 6 AKNOWLEDGEMENTS First of all, I would like to express my deepest gratitude to all of my family, my parents, my husband and my daughter and to all of my friends for their incredible support, love and help throughout my education and life, especially over the last two years. I want to give a special thanks to my supervisor Professor Carlos Miguel Lopes Rosa, Professor Armando Jorge Gomes Vilas-Boas and Professor Fernando Fernando António de Oliveira Carvalho Rodrigues for their huge help and support during this project, I would not be here it without it. A special thank is due to Professor at the Faculty of Beautiful Arts, Porto University and creator of The White Studio, and Manuela Teles, Head of Communication of White Studio for their participation in this study. -
An Introduction to the History of the Principal Kingdoms and States of Europe Natural Law and Enlightenment Classics
an introduction to the history of the principal kingdoms and states of europe natural law and enlightenment classics Knud Haakonssen General Editor Samuel Pufendorf natural law and enlightenment classics An Introduction to the History of the Principal Kingdoms and States of Europe Samuel Pufendorf Translated by Jodocus Crull (1695) Edited and with an Introduction by Michael J. Seidler The Works of Samuel Pufendorf liberty fund Indianapolis This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest- known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city- state of Lagash. Introduction, annotations, charts, appendixes, bibliography, index © 2013 by Liberty Fund, Inc. All rights reserved Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 Frontispiece: The portrait of Samuel Pufendorf is to be found at the Law Faculty of the University of Lund, Sweden, and is based on a photoreproduction by Leopoldo Iorizzo. Reprinted by permission. Library of Congress Cataloging- in-Publication Data Pufendorf, Samuel, Freiherr von, 1632–1694 [Einleitung zu der Historie der vornehmsten Reiche und Staaten so itziger Zeit in Europa sich befi nden. English] An introduction to the history of the principal kingdoms and states of Europe Samuel Pufendorf; translated by Jodocus Crull (1695); edited and with an introduction by Michael J. -
(Town Hall) Which Is Located on the South Edge of the Hauptplatz (Main Square) with Its Numerous Market Stalls
Sightseeing walk through Graz The walk starts at the Rathaus (Town Hall) which is located on the south edge of the Hauptplatz (main square) with its numerous market stalls. The place, on which merchants have been selling their goods for centuries, was chosen as a site for the Town Hall in 1550. Today's building origins from 1894 and replaces the smaller classicist town hall. Besides its distinctive cupola-scape, the town hall displays richly structured details on the façades. If you look at the left side of the city hall’s entrance, you cannot overlook a Secco painting. This picture shows the history of the city hall in the various epochs. Above the entrance lies the municipal council hall, where the municipal council holds its meetings. The town hall is not only home to the mayor, the city government and the community representatives, it is a registry office as well – so on Saturdays you might come across illustrious wedding parties. The Rathaus (Town Hall) with the Erzherzog-Johann-Brunnen in front. The centre of the square is dominated by the Erzherzog-Johann-Brunnen (Archduke Johann fountain), a monument created by Franz Xaver Pönninger, a pupil of Fernkorn in Vienna, established in 1878. It shows the “Styrian Prince”, founder of the provincial museum Joanneum, which was to give rise to Graz University of Technology (established in 1855). The fountain is surrounded by allegories of the four main rivers in Styria at his time: the Mur, Enns, Drau and Sann rivers. The two male and the two female niche figures at the base of the monument represent the areas that Archduke Johann especially promoted: railway construction, science, mining and agriculture. -
The Overton Stone
The Overton Stone Terry J. Deveau — 2015-12-03 The Overton Stone first came to my attention on 2009-05-11 when I was asked to help investigate it by Nadine Gates of the Yarmouth County Museum and Archives (YCMA). The YCMA had received an inquiry from Wilfred H. Allan [see blog] on 2009-03-31 about an unusual carving found on the stone [Note 1]. Mr. Allan recently had been asked about it himself by Beverly Wells-Pinkney and Anne Harding. As far as I know, Bever- ly is the first person to report the carving and make an inquiry about it. She took me to see the stone for the first time on 2009-05-17 [Note 7]. The Overton Stone is a large glacial boulder that has broken into two pieces. An unusual carving can be seen on one face of this stone, just to the left of the top of the metre stick in this photo. Now that the Overton Stone is getting a lot of attention, we would like to avoid having its exact location gener- ally known or published, as it is highly susceptible to vandalism. This is difficult because it is located at an important, accessible, and popular spot known to many local people. Although no earlier reports have yet come to light about the Overton Stone itself, for many years its location was a popular recreational spot for shore walks, watching the waves, and picnicking. This leads to the suggestion that the carving was made fairly recent- ly, associated with this recreational use of the location.