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Winter 2008 Volume 22
COMMUNITY AUTHOR #9,000 obody’s counting—except a computer at Simon Fraser University Library—but David Stanley is the 9,000th B.C. author to be added to our encyclopedic, ever- expanding, massive on-line Author Bank for B.C. literature—replete with photos, re- “DAVID views and essays—at www.abcbookworld.com. We’d never heard of NDavid Stanley either, but hey, isn’t that somehow the point? STANLEY, WE Turns out David Stanley once pur- David Stanley has visited more than chased the longest plane ticket ever is- 195 countries and territories. PRESUME.” sued in Canada by Pan American “Each year I try to get to a few Airways back in 1978. He arranged to more countries on my to-do list,” he make over 50 stops between Los Ange- says. “I stay at inexpensive hotels, the les and Singapore. kind I recommend in my guide- Now with nine books to his credit, books. Mostly I prefer to travel in- Stanley has recorded the development cognito, and rough, using public of tourism in the South Pacific over the transport as much as possible.” past quarter-century. Stanley’s “under the radar” approach David Stanley of Nanaimo, seen here on Aitutaki in the Cook Islands, has “In the early days there was only one backfired on him during the papal visit visited more than 195 countries and territories as a travel writer. large resort on Bora Bora,” he recalls, of John Paul II to the Solomon Is- “and it was fine to camp free, for as long lands in 1984. -
The Satiricamorks of Jack Tlodgins
THE UNIVERSITY OF MANITOBA Post-Modern Menippea: The SatiricaMorks of Jack tlodgins by Gail Catherine Roberts A Thesis Submítted to the Faculty of Graduate Studies In Partiaf Fulfilment of the Requirements for the Degree of Master of Arts Department of English Winnipeg, Manitoba 1985" POST-MODERN MENIPPEA: THE SATIRICAL I^/ORKS OF JACK HODGINS BY GAIL CATHERINE ROBERTS A thesis submitted to the Faculty of Graduate Studies of the University of Manitoba in partial fulfill¡nent of the requirenrents of the degree of MASTER OF ARTS o 1985 Pernrission has bee¡l granted to the LIBRARY OF THE UNIVER- SlïY OF MANITOBA to lend or sell copies of this thesis. to the NATIONAL LIBRARY OF CANADA to microfilnr this thesis and to lend or sell copies of the film, and UNIVERSITY MICROFILMS to publish an abstract of this thesis. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or other- wise reproduced without the author's written pernrissiorr. to my smaIl, very dear family which rests so precariously within the rrarmsrt of my larger one, The Famil-y of Man, and to Jack Hodgins who gave me a deeper appreciation of these affiliations 11 ACKNOI^ILEDGEMENT I woul-d like to express my gratitude to Dr. David Arnason who kindly inspired, assisted and endured the writing of this thesis. I would like to thank Dr. Dennis Cooley and Mrs. Johan Di-ck for their patience and care. 111 Abstract This thesis contends that through the use of Menippean satire Jack Hodgins is able to take a broad, revealing look at Canadian culture and hunan experi ence. -
Stories by Findley, Hodgins and Macleod Uncover the Mother's Double Voice
Mothering Sons: Stories by Findley, Hodgins and MacLeod Uncover the Mother's Double Voice Laurie Kruk, Nipissing University, is a published poet (Theories of the World 1992; Loving the Alien 2006) and These stories of "mothering sons" are Timothy the author of The Voice is the Story: Conversations with Findley's "Almeyer's Mother," Jack Hodgins's "Invasions Canadian Writers of Short Fiction (2003). '79," and Alistair MacLeod's "The Road to Rankin's Point." Abstract It is perhaps self-evident that female parents Maternal feminist criticism argues that we are culturally raise male offspring, but what is a "mothering son"? And constructed, but also recognizes the embodied experiences why is he of interest to feminist critics? As Adrienne Rich of mothers. This maternal "double voice" shifts between pointed out thirty years ago, motherhood has been subject/object, passive/active and resistant/conforming misrepresented, minimized or misunderstood by the positions. "Mothering sons" reciprocate the maternal discourses of medicine, psychiatry, organized religion, law practice of preservation by supporting this "double and the "traditional family." Since then, feminist critics voice." across the spectrum have uncovered the cultural Résumé constructedness of family roles, including their reliance on La critique féministe maternelle soutient que nous what I call "gender scripts," alluding to Butler's sommes construites culturellement, mais reconnaît aussi formulation of gender identity as performative. Their work les expériences des mères. Cette "double voix" maternelle generated critiques described as both "daughtercentric" change du sujet à l'objet, du passif à l'actif, et de and "matrophobic" - or "the fear not of one's mother or position résistante à conformiste. -
Bones of the Night Pdf Free Download
BONES OF THE NIGHT PDF, EPUB, EBOOK Elvio Rene | 238 pages | 12 Nov 2012 | WestBow Press | 9781449772765 | English | Nashville, TN, United States Bones of the Night PDF Book Although a person can bruise any bone, bones nearer the skin, such as the shin, are most common. The player can be restored by another player who has a Water of Life. Sleep deprivation can upset both of these bone health essentials. The Skeleton has infinite lives, but every time it is killed 3 minutes are lost from the timer. Since the Spiked Ball will be twenty or more levels above Alucard , the experience gained from destroying it will allow very fast leveling up. Bone Pillars can be found in the Ghostly Theatre ; however, this time they cannot be damaged by any means. Alternate Versions. Medicine Stat Potion Alucard. Share on Pinterest A sports injury, bruise, or stress fracture may cause shin pain. And More! Paget's disease is the second most common bone disorder after osteoporosis, and involves a distortion of the normal skeletal architecture. Jack Hodgins as TJ Thyne. Have you been able to get more calcium supplements? I had to just read below it, and it was very difficult. For every day they die among us, those who were doing us some good, who knew it was never enough but hoped to improve a little by living. Lower melatonin levels and the subsequent decrease in sleep that come with aging could be silent partners, working together to accelerate bone loss. A person who has a more severe condition, such as a bone fracture, should see a doctor immediately. -
Exploration of Network Television Situational Comedy and the Crime Procedural
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2013 Penning the Shipper-Worthy Screenplay: Exploration of Network Television Situational Comedy and the Crime Procedural Kacie Henderson University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the American Film Studies Commons, and the Mass Communication Commons Recommended Citation Henderson, Kacie, "Penning the Shipper-Worthy Screenplay: Exploration of Network Television Situational Comedy and the Crime Procedural" (2013). Electronic Theses and Dissertations. 282. https://digitalcommons.du.edu/etd/282 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. PENNING THE SHIPPER-WORTHY SCREENPLAY: EXPLORATION OF NETWORK TELEVISION SITUATIONAL COMEDY AND THE CRIME PROCEDURAL __________ A Thesis Presented to The Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Kacie Henderson June 2013 Advisor: Rodney Buxton ©Copyright by Kacie Henderson 2013 All Rights Reserved Author: Kacie Henderson Title: PENNING THE SHIPPER-WORTHY SCREENPLAY: EXPLORATION OF NETWORK TELEVISION SITUATIONAL COMEDY AND THE CRIME PROCEDURAL Advisor: Rodney Buxton Degree Date: June 2013 Abstract Network television writers often utilize ongoing romantic turmoil as a plot device to form loyal fan bases called “shippers,” viewers who become deeply invested in the romantic relationships between their favorite television couples. For my thesis, I explored the shipper paradigm and the differences between network sitcoms and crime procedurals by creating one spec script The Big Bang Theory and another for Bones. -
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American Incunabula: ‘Grotesque Genesis’ and the Genealogical Genre By Ian MacRae I. The Question of Genre The title of this paper is a bit of a handful, if not a mouthful; I will work here to define its six principal terms, their references, structures of meaning, and variegated inter-relationships. This is a sketch of a wide-ranging, already completed study, which I will move to ‘set up’ in this paper’s first half, before offering brief readings of key texts in the second. The work is grounded in a simple idea, expressed by many writers, and in this case by the Canadian Jack Hodgins, who early in his career, in response to critics seeking to situate his work, rarely tired of mentioning that the Pacific coast on which he lives runs “all the way down to the tip of South America,” and that this “coastline that goes past Vancouver and past my house goes right down past Fuentes’ Mexico and Vargas Llosa’s Peru and García Márquez’s Colombia, and I don’t want to make too much of it but there is that connection which is as tangible as the CPR lines across Canada, as far as literature is concerned.”1 Literary traditions have never been self-contained or exclusively local, of course, and the range of concern, influence and ambition of contemporary hemispherical literatures is far from restricted by linguistic, cultural, or political bounds. Academic comparatists have long focused on “horizontal” or East-West relations between American and European cultures, however, leaving inter-American, North-South, or “vertical” concerns to one side. -
THE LITTLE-KNOWN WORLD of FLIES! Geetha Iyer
LIFE IN Y OUR B A CKY ARD THE LITTLE-KNOWN WORLD OF FLIES! Geetha Iyer What makes flies different from a dragonfly or a butterfly? How do the lovely iridescent bluebottle and greenbottle flies help solve murders? What do insect bites, galls and chocolate have in common? Do flies have taste-buds? How do we introduce flies in science classrooms? This article explores the fascinating world of true flies, their incredible variety, and the diversity of services they provide us with, ending with an activity that teachers can use to unravel one aspect of the life of flies to students. Introduction “To know the fly is to share a bit in the sublimity of Knowledge.” - Prof Vincent G Dethier Flies generally conjure a vision of dirt, disease and disgust. Our introduction to this image of flies is in school. A student is introduced to the humble housefly in a conclusive manner, leaving one with the impression that all flies are repulsive creatures. Limited scientific information about houseflies is accompanied by a vivid description of the mouth parts being used to drink from muck, thereby leaving an indelible image of a fly only as a vermin. A student’s next encounter with the fly is during a lesson on health, as the carrier of diseases, thereby nailing the coffin on the possibility of flies being anything but loathsome creatures. No doubt there are many flies that bite and spread disease. But do all flies deserve such an image? It’s time someone spoke up for flies, whose colour, variety and elegance should not be judged only by the housefly, or the behaviour restricted to a frolic Brown Muscid Fly in decomposing heaps, although this frolic is not # 93 REDISCOVERING SCHOOL SCIENCE without benefit, and I shall soon tell you how is that true flies have evolved from four-winged interesting things one can learn by exploring the coriander, onion, carrot, pepper, and capsicum, to and why. -
HART HANSON on the Set of Bones
HART HANSON ON THE SET OF BONES. I N P R O F I LE How did a guy who wanted to teach college on Vancouver Island end up a giant of American television? B y CURTIS GILLESPIE Photo: Dan Sackheim 40 EIGHTEEN BRIDGES SPRING 2012 WWW.EIGHTEENBRIDGES.COM WWW.EIGHTEENBRIDGES.COM EIGHTEEN BRIDGES SPRING 2012 41 THE FIFTY or so BUILDings on THE spraWLing obsequiously. When this man steps into Though he is not the brooding, philo- carpet, a large desk, and some punched- Vancouver, Kamloops, Calgary, Fox Studio lot in Beverly Hills, California, the kitchen of the production office, people sophical type, Hanson enjoys those rare up couches and chairs. Hanson can STRAYS Winnipeg, and Toronto. The family his- take three primary shapes: the sleek glass do not presume that he is delivering fruit moments when he gets some downtime to usually be found behind his desk, Dogs of the world, anonymous tory is equally all over the map, and and steel of the executive offices in the and pastries, but instead try to secure think or write or read; he got a lot of those strumming his fingers either on the wanderers, moral conundrums, it’s no accident Hanson grew up to be southeast corner, the giant airport hangar- even a second’s conversation. moments sitting in the hospital recovering. desk top or lightly over one of the many I find them by the road, a storyteller. His father, for instance, like sound stages in the middle, and the Why do they do these things? As he did so, many in the world of popular guitars he keeps behind his desk, as scavenging milk cartons was such a fine track athlete in his low-slung two-storey apartment-style pro- The obvious answer would be because entertainment were wondering a few things he chats with, primarily, one or all of thrown from the bus: day that Hanson’s grandmother used duction offices along the west edge of the this man is Hart Hanson, one of television’s about Hanson and his creative arc. -
Getting Home from Work: Narrating Settler Home in British Columbia's
Getting Home From Work: Narrating Settler Home in British Columbia’s Small Resource Communities by Stephanie Keane B.A. (Hon.), University of British Columbia, 1997 M.A., University of British Columbia, 2001 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Stephanie Keane, 2016 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author ii Supervisory Committee Getting Home From Work: Narrating Settler Home in British Columbia’s Small Resource Communities by Stephanie Keane B.A. (Hon.), University of British Columbia, 1997 M.A., University of British Columbia, 2001 Dr. Misao Dean, Supervisor Department of English Dr. Jamie Dopp, Departmental Member Department of English Dr. John Lutz, Outside Member Department of History iii Abstract Stories of home do more than contribute to a culture that creates multiple ways of seeing a place: they also claim that the represented people and their shared values belong in place; that is, they claim land. Narrators of post-war B.C. resource communities create narratives that support residents’ presence although their employment, which impoverishes First Nations people and destroys ecosystems, runs counter to contemporary national constructions of Canada as a tolerant and environmentalist community. As the first two chapters show, neither narratives of nomadic early workers nor those of contemporary town residents represent values that support contemporary settler communities’ claims to be at home, as such stories associate resource work with opportunism, environmental damage, race- and gender- based oppression, and social chaos. -
BONES Season 2 Episode 9: Aliens in a Spaceship Original Airdate (FOX): 11-11-2006
BONES Season 2 Episode 9: Aliens in a Spaceship Original Airdate (FOX): 11-11-2006 Written By Janet Tamaro Directed By Craig Ross Jr. Characters: T.B. = Temperance Brennan, a.k.a. Bones - Forensic Anthropologist Hodgins = Dr. Jack Stanley Hodgins "The Bug and Slime Guy" - Forensic Entomologist, Mineralologist, Palynologist and Forensic Chemist Booth = Seeley Booth, FBI agent and partner to Dr. Brennan For descriptions of other characters visit: http://www.fox.com/bones/ Underground: (The radio is playing .) T.B: Oh god...what...what happened... where... where am I ?(Turns around to figure out where she is) T.B: (Tries to open the car door) come on, come on (She can’t open the door and so she tries to roll down the window but dirt and rocks fall into the car.) T.B: (She hears a noise coming from the back seat and mentions she’s not alone. When she turns around she sees Hodgins) God Hodgins.... Hodgins are you alright? Can you talk? ( Puts her hand on his leg and finds blood on them.) Your legs... what happened to your legs? Hodgins: Where are we? T.B: We are buried alive...he must have got us. Hodgins: Who? T.B: The grave digger Flashback 48 hours earlier Crime scene in the woods Police officer: My superior sais to let you look at the flying saucer. T.B: It’s not a flying saucer Police officer: It sure looks like one. Local kids dirt biking. Something shiny poking through dirt. They dig it out look in the window and see aliens. -
Tv Show Trivia Questions #16
TV SHOW TRIVIA QUESTIONS #16 ( www.TriviaChamp.com ) 1> On the crime drama TV show "Criminal Minds," which character's wife was shot and killed? a. Rossi b. Reid c. Hotchner d. Morgan 2> On the popular 1990s TV show Twin Peaks, who killed Laura Palmer? a. Bobby Briggs b. Leland Palmer c. Ben Horne d. Donna Hayward 3> Found guilty of criminal indifference, how long is the sentence that is handed out for Jerry Seinfeld and his friends in the final episode of Seinfeld? a. Two years less a day b. Sixty days c. Five years d. One year 4> What is Marge Simpson's maiden name? a. Thompson b. Franklin c. Davis d. Bouvier 5> What is the name of the judge on MTV's "Blame Game"? a. Mathis b. Brown c. Reed d. Judy 6> How many children did the Taylors have on the sitcom "Home Improvement"? a. 5 b. 2 c. 0 d. 3 7> What was the name of the hangout on the show "Saved by the Bell"? a. The Malibu Warf b. The Pier c. The Malibu Latch Club d. Malibu Sands Beach Club 8> On "The X-Files," who was Scully's supervisor? a. Spender b. Doggett c. Mulder d. Skinner 9> What was Rachel's last name on the hit show "Friends"? a. Buffay b. Bing c. Geller d. Green 10> How many siblings does Leonard have on "The Big Bang Theory"? a. 6 b. 2 c. 1 d. O 11> On the show "Breaking Bad," what subject did Walter White teach? a. -
Contemporary Canadian and Indigenous Childhood Trauma Narratives
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-8-2013 12:00 AM Storied Truths: Contemporary Canadian and Indigenous Childhood Trauma Narratives Michelle Coupal The University of Western Ontario Supervisor Manina Jones The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Michelle Coupal 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Coupal, Michelle, "Storied Truths: Contemporary Canadian and Indigenous Childhood Trauma Narratives" (2013). Electronic Thesis and Dissertation Repository. 1274. https://ir.lib.uwo.ca/etd/1274 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. STORIED TRUTHS: CONTEMPORARY CANADIAN AND INDIGENOUS CHILDHOOD TRAUMA NARRATIVES (Thesis format: Monograph) by Michelle Coupal Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies Western University London, Ontario, Canada © Michelle Coupal 2013 Abstract This dissertation reconceptualizes generic distinctions between fiction and testimony in accounts of childhood trauma. Scholars such as Leigh Gilmore have argued that while writers of trauma stories are burdened by legalistic definitions of evidence and anxieties about truth-telling, they nonetheless push at the limits of autobiography, often scuffing the border between fact and fiction, in their effort to bring their traumatic stories into language.