Ixe Congrès Européen D'analyse Musicale 9Th European Music

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Ixe Congrès Européen D'analyse Musicale 9Th European Music IXe congrès européen d’Analyse musicale 9th European Music Analysis Conference Approches contemporaines ACCRA de la création et de la réflexion artistiques Université de Strasbourg SMA http://euromac2017.unistra.fr The extended abstracts of papers and posters are available on-line on the conference website. The proceedings of EuroMAC 9 will be published on-line after the conference. Graphic design/Conception graphique Jean-Marc CHOUVEL Programme book design/Conception du livret du programme Alexandre FREUND-LEHMANN (supervision) Xavier HASCHER Sandrine BANDURA Nathalie HÉROLD Mathilde BATTAGLIA Laura WALDVOGEL Nerea BERNABEU SEPULCRE Website design/Conception du site Internet : Studio Meta Alexandre FREUND-LEHMANN (supervision) Xavier HASCHER Mathilde BATTAGLIA Nathalie HÉROLD Madeleine LE BOUTEILLER Julie WALKER Nerea BERNABEU SEPULCRE Sandrine BANDURA Laura WALDVOGEL EasyChair system management/Gestion de la plateforme EasyChair Pierre COUPRIE © 2017, LabEx GREAM, 5 allée du Général Rouvillois, 67083 Strasbourg Cedex. Toute reproduction ou représentation de ce programme, intégrale ou partielle, serait illicite sans l’autorisation de l’éditeur et constituerait une contrefaçon. Les cas strictement limités à l’usage privé ou de citation sont régis par la loi du 11 mars 1957. iii Sommaire Un mot de bienvenue v A Word of Welcome vii Ein Willkommensgrußwort ix Benvenuti xi Remerciements xiii Comités xv Programme général 1 Thèmes des sessions préorganisées 23 Programme détaillé et résumés des présentations 41 Annexes 423 Détails pratiques 425 GREAM 429 IReMus 430 Index des auteurs 431 Index des modérateurs 437 Index des autres contributeurs 439 iii Contents Un mot de bienvenue v A Word of Welcome vii Ein Willkommensgrußwort ix Benvenuti xi Many thanks to... xiii Committees and Advisory Boards xv Programme Overview 1 Themes of Pre-organised Sessions 23 Detailed Programme and Abstracts of Presentations 41 Appendices 423 Practical Details 425 GREAM 429 IReMus 430 Index of Authors 431 Index of Chairs 437 Index of Other Contributors 439 iv v Un mot de bienvenue Chers participants, Bienvenue à Strasbourg pour le IXe congrès européen d’Analyse musicale ! Au nom de tous ceux — personnes, institutions, organismes — qui ont été impliqués dans sa préparation ou qui lui ont apporté leur soutien, j’ai le très grand plaisir de vous y accueillir. Nous avons consacré tout le temps et l’énergie qu’il nous était possible, toutes les ressources à notre disposition pour que ce congrès soit une réussite. C’est pourquoi je souhaite vivement que ces journées contribuent à vous enrichir tant sur le plan intellectuel et musical — avec les nombreuses communications et conférences qui sont proposées pendant la durée de celles-ci mais aussi les concerts qui leur sont associés — que sur le plan humain, grâce aux conversations formelles et informelles, scientifiques ou personnelles, que vous pourrez y avoir. Chaque congrès européen d’Analyse musicale se situe dans la continuité des précédents et tient compte de leur expérience accumulée, de même que celle d’autres rencontres scientifiques dans des domaines éventuellement différents. Chacun est aussi confronté aux particularités et aux limites qui tiennent aux formes d’organisation nationales ou locales de l’enseignement supérieur et de la recherche. Pour le présent congrès, nous avons souhaité privilégier la diversité linguistique et culturelle ainsi qu’accorder une attention particulière aux jeunes chercheurs. Des ateliers leur sont ainsi particulièrement destinés, qui viennent en complément du programme du congrès. Malgré leur orientation spécifique, ces ateliers sont évidemment ouverts à tous. Un colloque, encore plus un congrès de cette dimension, est l’occasion pour chacun de présenter sa recherche devant la communauté des autres chercheurs et de la faire profiter de l’aboutissement de son travail, ou au moins d’une étape significative dans la progression de celui-ci. C’est l’occasion de recueillir les critiques et les suggestions, de constater à travers les questions posées les points qui resteraient à renforcer ou à améliorer. Mais aussi, c’est l’occasion d’apprendre des autres participants et de les faire bénéficier en retour de sa propre expérience en assistant à leur présentation et en intervenant à la suite de celle-ci. C’est l’occasion, peut-être même encore plus, de tirer parti de l’espace de rencontre que constitue ce congrès pour renouer des liens et en tisser de nouveaux. Les pauses café et les pauses déjeuner, les réceptions, concerts et dîners ne sont pas que des parenthèses mais font au contraire partie de ce que doit être un congrès, et qui va au-delà de la somme des communications qui y sont données. Une rencontre telle que celle-ci doit pouvoir inspirer et redynamiser tous ceux qui y participent, leur rappeler qu’ils ne sont pas que des individus isolés mais qu’ils appartiennent à une communauté large, celle de leur discipline scientifique. iv v 9th European Music Analysis Conference En parcourant ce programme, vous constaterez à quel point il est large et varié par les thématiques traitées, le nombre et la diversité des séances, mais encore l’origine des intervenants. On ne peut que se féliciter de la vitalité de notre domaine, que nous l’appelions « analyse » ou « théorie » musicale. Les congrès européens d’Analyse ont progressivement et depuis longtemps cessé de s’adresser uniquement aux chercheurs résidant à l’intérieur des frontières de l’Europe, dépassant l’opposition entre Europe de l’Est et Europe de l’Ouest, dépassant même la confrontation entre Europe et Amérique du Nord, pour concerner à présent le monde entier. C’est une joie et un honneur pour nous d’accueillir des personnes d’horizons aussi multiples. Il ne faudrait pas que l’exigence d’une langue unique et d’approches unifiées réduise cette diversité au nom d’enjeux qui tiennent davantage au pouvoir, à la domination politique et à la puissance économique, qu’à la curiosité intellectuelle sans entraves et à la libre recherche de la connaissance. Que ce congrès soit le lieu de la coopération et de l’émulation, et non celui de la concurrence et de l’individualisme. Le IXe congrès européen d’Analyse musicale est organisé par le laboratoire d’excellence Groupe de recherches expérimentales sur l’acte musical (LabEx GREAM) de l’université de Strasbourg, à l’initiative de la Société française d’analyse musicale (SFAM) et en collaboration avec celle-ci ainsi que l’ensemble des sociétés européennes d’analyse musicale : Gesellschaft für Musiktheorie (GMTH), Gruppo Analisi e Teoria musicale (GATM), Polskie Towarzystwo Analizy Muzycznej (PTAM), Société belge d’analyse musicale (SBAM), Society for Music Analysis (SMA), Russian Society for the Theory of Music (OTM), Vereniging voor Muziektheorie (VvM). Il bénéficie du soutien de l’Institut de echercher en musicologie (IReMus, UMR 8223) à Paris, du conseil scientifique et du service d’action culturelle de l’université de Strasbourg et de l’équipe d’accueil Approches contemporaines de la réflexion et de la création artistiques (ACCRA, EA 3402), du conseil scientifique et de l’école doctorale V de l’université Paris-Sorbonne, du conservatoire de Strasbourg, de l’Eurométropole de Strasbourg et du Shadok- fabrique du numérique de Strasbourg. De la part du comité d’organisation, du comité scientifique, du comité consultatif européen et du comité consultatif d’évaluation des propositions du IXe congrès européen d’Analyse musicale et de la part de tous ses partenaires, je vous souhaite un excellent congrès et un très agréable séjour à Strasbourg. Xavier Hascher Président du comité d’organisation IXe congrès européen d’Analyse musicale vi vii A word of welcome Dear conference delegates, Welcome to Strasbourg for the 9th European Musical Analysis Conference! On behalf of the people, institutions and organisations that have been involved in its preparation or who have lent their support, I would like to express how delighted we are to see you all here. A lot of time and energy has been spent, and all the resources at our disposal have been mobilised to make this conference a success. I truly hope that the next four days will contribute to broadening our horizons both intellectually and musically via the many papers, lectures and talks we will be hearing during the conference and the concerts associated with them. I also hope this event will allow us to enrich ourselves on a human level through the formal, informal, academic and personal conversations we shall surely have. Each European Music Analysis Conference builds on those that have been held before and takes into account the accumulated experience that has been gained, as well as that of other scholarly meetings in different fields. All successive convenors are faced moreover with the distinctive characteristics and limitations that underpin our respective national or local forms of organisation in higher education and research. For this conference we wanted to give priority to linguistic and cultural diversity and to ensure a platform for young researchers. Specific workshops have therefore been organised for them that will complement the overall agenda of the conference. Despite their specific focus, these workshops are open to all. A conference, and even more so one of this size, is an opportunity for each to present their research before a community of fellow scholars and to share the outcomes of our work or at least the significant steps that have so far been covered. It is an opportunity to get comments and suggestions, and to see the points that need to be expanded or improved via the questions raised during discussions. But it is also an opportunity to learn something from other delegates and to let them in turn benefit from one’s own experience by attending their presentations and responding to them. It is, moreover, an ideal occasion for delegates to renew the ties that exist between us and to forge new contacts. The coffee breaks, lunches, receptions, concerts, and dinners serve not only as necessary ‘interludes’ to the presentations and lectures; they are a vital feature of what a conference should be beyond the purely academic aspect.
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