Dresden Files We Are Wizards, Cops, Mechanics, Werewolves, Doctors, Fairies, Mobsters, Reporters, Holy ROLEPLAYING GAME Warriors, and Vampires

Total Page:16

File Type:pdf, Size:1020Kb

Dresden Files We Are Wizards, Cops, Mechanics, Werewolves, Doctors, Fairies, Mobsters, Reporters, Holy ROLEPLAYING GAME Warriors, and Vampires Step Into TheDresden Files RPG • Our World the Our World Dresden Files We are wizards, cops, mechanics, werewolves, doctors, fairies, mobsters, reporters, holy ROLEPLAYING GAME warriors, and vampires. We call upon the dark powers of the Never­ never—or the darkness in human nature. We are the monsters living next door or lurking behind a friendly face. This is the Dresdenverse. This is Our World. This volume ofThe Dresden Files RPG gives you extensive detail on the factions, creatures, foes, and allies of the Dresdenverse. You’ll find over 200 creatures and characters complete with all the information you’ll need to bring them into your own game, as well as a detailed chapter on modern-day Occult Chicago and an original short story by Jim Butcher. Together with Volume One: Your Story, The Dresden Files RPG: Our World gives you everything you need to make your own adventures in the thrilling and dangerous world of New York Times best-selling author Jim Butcher’s Dresden Files series! The Dresden Files RPG begins with Your Story! 978-0-9771534-8-0 E H P 3 0 0 2 V o l u m e T w o ISBN: 978-0-9771534-8-0 EHP3002 $39.99 US O u r W o r l d www.evilhat.com a Table of Contents Credits 3 - Chapter Two - - Chapter Four - What Goes Bump Occult Chicago Table of b Contents 4 What Goes Bump 28 Welcome to Chicago 244 Encountering the Chicago’s Themes 245 AAAA Wizardry 5 Supernatural 28 Blood and Butchery 245 - Chapter One - Supernatural Heavyweights 28 Blues 246 c Old Entities of the Nevernever 29 “The City That Works” 246 World Order Common Occult Corruption 247 Countermeasures 29 Fire 247 Welcome to the Old World Order 14 What’s Out There 30 Flesh 248 Supernatural Politics and the Angels 30 Futures 248 d Unseelie Accords 14 Constructs 31 The Grey City 249 There Is No Spirit of the Demons 34 “I Will” 249 Law 15 Dragons 38 Magical Architecture 249 Getting Screwed By the Faeries 38 Rivals Clash 250 e Letter of the Law 15 The Fallen 55 Sky-scraping, Sky-scraped 250 Supernatural Factions 16 Ghosts 56 Urbs In Horto 251 Mortals 16 Ghouls 58 Water 252 The White Council 17 Gods 60 The White City 252 The Knights of the Cross 19 f Hecatean Hags 60 The Street Level: Vampires 19 Mortal Practitioners 62 Chicago’s Neighborhoods 253 Faeries 21 Mortals 67 The Loop 254 The Order of the Blackened People of Faith 73 Near North Side 254 Denarius 22 Old Ones and Outsiders 75 Gold Coast 255 g Freeholding Lords 22 Scions 78 Cabrini-Green 255 Outsiders and Old Ones 22 Spirits 81 Lincoln Park 255 The Circle 23 Thralls 82 Wicker Park 256 Supernatural Conflicts That Valkyries 83 Bucktown 256 h Could Kill You Right Vampires 84 Wrigleyville 256 Now 24 Warped Animals 91 Uptown 257 The Vampire War 24 Werewolves 92 Northwest Side 258 The Secret War 25 Zombies 95 Grant Park 258 The Objectives of the i South Loop 259 Denarians 26 - Chapter Three - Near West Side 260 In Conclusion 26 Who’s Who Pilsen 260 The Faces of the Cases 98 Chinatown 260 j Bronzeville 261 Hyde Park 261 Any page references that Englewood 261 talk about material in Bungalow Belt 262 VOlume 1: Y Our StOrY Index 263 k will be noted with the prefix “YS”. So if you see “YS47”, that means page 47 of Your Story. l m n I just found this in Wha...? the back of your Oh, I get it. My filing cabinet. Seems AAAA Wizardry “player” “wrote” o like a good intro... by Jim Butcher this. Cute. The first thing I thought, looking at the roomful of hands and foot around a bit more. “I’d need to borrow a baby Wardens, was They all look so darned young. The few people to do the whole list. Get the picture?” close second was, My God, am I getting old? A few smiles had erupted at my antics, but they sobered “Okay, children,” I said, closing the door behind me. I up after a moment’s consideration. p had rented an alleged conference center in a little Chicago I nodded and stuck my hands into my pockets. hotel not too far from the airport, which amounted to a “Knowledge is quite literally power and will save your life. couple of rooms big enough for twenty or thirty people— When you know what you’re facing, you can deal with if they were friendly—plus several dozen chairs, and a few it. Walk into a confrontation blind, and you’re begging rickety old folding tables. to get your families added to the Wardens’ death-benefits q They didn’t even provide a cooler of water—just direc- list.” I let that sink in for a few seconds before continuing. tions to their vending machines. “You can’t ever be sure what you’re going to come up After me and my fellow Warden-Commander in the against. But you can be sure about how to approach the United States, Warden Ramirez, had gotten done learning investigation.” the little Warden-kind up on their mayhem, for the sake I turned to the old blackboard on the wall behind me r of getting them killed in a war as quickly as possible, we and scribbled on it with the stub of a piece of chalk. “I call thought it might be nice to give them a little instruction in it the Four As,” I said, and wrote four As down the left other things, too. Ramirez was going to cover the course side of the board. “Granted, it doesn’t translate as neatly on relations with mortal authorities, which made sense— to other languages, but you can make up your own native- Ramirez got on just fine with the cops in LA, and hadn’t tongue mnemonic devices later.” I used the first A to spell s been shot by nearly as many law enforcement personnel “Ascertain.” as I had. “Ascertain,” I said, firmly. “Before you can deal with The kids had all come to Chicago to learn about inde- the threat, you’ve got to know that it exists, and you’ve pendent investigation of supernatural threats from me— got to know who the threat’s intended target is. A lot of t which also made sense, because I’d done more of that, times, that target is going to cry out for help. Whatever relative to my tender years, than any other wizard on the city you’re based in, it’s going to be your responsibility to planet. work out how best to hear that scream. But sometimes “Okay, okay,” I said to the room. The young Wardens there’s no outcry. So keep your eyes and ears open, kids. became silent and attentive at once. No shock, there—the Ascertain the threat. Become aware of the problem.” u disruptive ones who didn’t pay attention during lessons had mostly been killed and maimed in the war with the E H P Red Court. Darwin always thought that it paid to be a quick learner. The war had simply made the penalty for My car didn’t make it all the way to Kansas City. It not learning quite a bit steeper. broke down about thirty miles short of town, and I had v “You’re here,” I said, “to learn about investigating super- to call a wrecker. I had planned on being there before natural threats on your own. You’ll learn about finding dark, but between walking eleven miles to find an increas- and hunting Warlocks from Captain Luccio, whenever the ingly rare pay phone and dumping most of my cash into Reds give us enough time for it. Warlocks, our own kind a tow-truck driver’s pocket, and the collapse of an office gone bad, aren’t the most common opponent you’ll find computer network that delayed picking up a rental car for w yourself facing. Far more often, you’re going to run up an extra hour and a half, I wound up pulling to the curb against other threats.” of a residential address a couple of minutes before nine in Ilyana, a young woman with extremely pale skin and the evening. eyes of nearly white ice-blue, raised her hand and spoke I’d gotten the address from a contact on the Paranet— in a clipped Russian accent when I nodded to her. “What the organization made up mostly of men and women who x kinds of threats?” she asked. “In the practical sense. What didn’t have enough magical power to be accepted into the foes have you faced?” ranks of the White Council or to protect themselves from I held up my hands and flipped up a finger for each major predators, but who had more than enough mojo to foe. “Demons, werewolves, ghosts, faeries, fallen angels, make them juicy targets. For the past year, I and others Black Court vampires, Red Court vampires, White Court like me had been working hard to teach them how to y vampires, cultists, necromancers,” I paused to waggle one defend themselves—and one of the first things they were foot, standing with three limbs in the air, “zombies, spec- to do was notify someone upstream in the Paranet’s orga- ters, phobophages, half-blood scions, jann…” I waved my nization that they were in trouble. z n index YS = Volume 1: Your Story OW = Volume 2: Our World o 606: OW245 Athame: OW170 Brawling: YS131 Grant Park: OW258 Athletics: YS121 Breaking: YS320, YS321, YS125 Hyde Park: OW261 Abby: OW99 Aurora: OW106 Breaking Things:YS135 Lincoln Park: OW255 Abernathy, Biff:YS369 Authorities: OW67 Breath Weapon: YS162 Loop, The: OW254 Academics: OW70 Avoiding Surprise: YS121 Brother Wang: OW240 Near North Side: OW254 Accidental Compels: YS102 AWESOME!, Our Playtesters Brush-Off, The:YS132 Near West Side: OW260 p Ace: OW99 and Proofreaders Bucky: OW43 Northwest Side: OW258 Actions: YS192 Are: YS3, OW3 Building: YS125 Pilsen: OW260 Free & Supplemental: YS213 Burglary: YS123 South Loop: OW259 Acts of Faith: YS124 Backgrounds: YS44, YS59 Butters, Waldo: OW118 Uptown: OW257 Addictive Saliva: YS162 Backlash: YS256 Buying Things:YS139, YS322 Wicker Park: OW256 Advancement: YS88 Baltimore: YS29, YS358 Wrigleyville: OW256 q Mid-session: YS91 Bart: OW106 Camouflage:YS143 Chicago Themes: OW245 Agatha Hagglethorn: OW156 Bartlesby, Charles: OW106 Canon: YS196 Blood & Butchery: OW245 Aiming: YS131 Beast Change: YS174 Captain Marvel-Mary Blues: OW246 Aleron LaFortier: OW165 Beckitt, Amanda: OW108 Marvel-Captain Marvel City That Works: OW246 Alertness: YS121 Beckitt, Greg: OW108 Jr.
Recommended publications
  • Notes on the Folk-Lore of the Northern Counties of England and The
    S*N DIEGO) atitty, ESTABLISHED IN . THE YEAK MDCCCLXXVIII Alter et Idem. PUBLICATIONS OF THE FOLK-LOKE SOCIETY. II. LONDON: PRINTED BY NICHOLS AND SONS, STREET. 25, PARLIAMENT FOLK-LORE OP THE NORTHERN COUNTIES OF ENGLAND AND THE BORDERS. A NEW EDITION WITH MANY ADDITIONAL NOTES. BY WILLIAM HENDERSON, AUTHOR OF " MY LIFE AS AN ANGLER." " Our mothers' maids in our childhood . have so frayed us with hullbeggars, spirits, witches, urchins, elves, hags, fairies, satyrs, pans, faunes, sylvans.kit-with-the-candlestick (will-o'-the-wisp), tritons (kelpies), centaurs, dwarfs, giants, imps, calcars (assy-pods), conjurors, nymphs, changelings, incubus, Rohin-Goodfellow (Brownies), the spoorey, the man in the oak, the hellwain, the firedrake (dead light), the Puckle, Tom Thumb, Hobgoblin, Tom Tumbler, Bouclus, and such other bug- bears, that we are afraid of our own shadows." REGINALD SCOTT. LONDON: PUBLISHED FOR THE FOLK-LORE SOCIETY BY W. SATCHELL, PEYTON AND CO., 12, TAVISTOCK STREET, COVENT GARDEN. W.C. 1879. TO THE MOST HONOURABLE THE MARQUESS OF LONDONDERRY, IN EEMEMBRANCE OF MUCH KINDNESS AND OF MANY PLEASANT HOURS SPENT TOGETHER, THIS VOLUME IS, BY PERMISSION, INSCRIBED WITH EVERY SENTIMENT OE RESPECT AND ESTEEM BY HIS LORDSHIP'S ATTACHED FRIEND, WILLIAM HENDERSON. VI The Council of the Folk-Lore Society, in issuing this work as one of the publications for the year 1879, desire to point out to the Members 'that it is chiefly owing to the generous proposal of Mr. Henderson they arc enabled to produce in the second year of the Society's existence a book so much appreciated by the Folk-Lore student.
    [Show full text]
  • Download Extract
    BLOOMSBURY CHILDREN’S BOOKS Bloomsbury Publishing Plc 50 Bedford Square, London WC1B 3DP , UK BLOOMSBURY, BLOOMSBURY CHILDREN’S BOOKS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain in 2019 by Bloomsbury Publishing Plc Text copyright © T.C. Shelley, 2019 T.C. Shelley has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers A catalogue record for this book is available from the British Library ISBN: PB: 978-1-5266-0083-7; eBook: 978-1-5266-0082-0 2 4 6 8 10 9 7 5 3 1 Typeset by RefineCatch Limited, Bungay, Suffolk To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters iv t is a well- known fact that fairies are born from a baby’s I first laugh. What is not as well docu mented is how monsters come into being. Monsterkind is divided into three categor ies. The Great Monsters – iden ti fi able by their huge size – include trolls, ogres, goblins, dragons, abom in ables and other such monstros it ies. The subgenus, Imps, covers all stunted and smaller species – pixies, brownies, lepre chauns, sprites, boggarts, gargoyles and so on. And, lastly, of course, there are the Monster Witches: banshees, Baba Yagas, snitches, hags, wyrd sisters (hatched in triplets), and the wet witches like sirens and Jenny Greenteeth.
    [Show full text]
  • The Significant Other: a Literary History of Elves
    1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee.
    [Show full text]
  • Education & Scholarship
    Intro to the Lore: London isn’t what it used to be, but who would expect it to be what it used to be after a 4 mile wide hole opened up on the outskirts of the city on all hallow’s eve 1862 and King Finvarra and the Wild Hunt led an army out of the wound in the earth and attempted to conquer Britain? Fair old London quickly fell to the Unseelie armies and it seemed that all hope was lost, but emerging from St. Michael's church, atop Glastonbury Tor, came the hero Britain was promised centuries ago. Returning from Avalon, King Arthur led the remnants of the British forces on the Island and the reinforcements coming in from around the Empire against the fae. Under Arthur’s leadership the Unseelie Court was pushed back into the depths from which it came. Of course, London was not the only city beset by the Unseelie. St. Petersburg, Berlin, Paris, New York, New Orleans, Beijing, and Constantinople all faced the full force of the Unseelie invasion. While Arthur forced the Unseelie to depart from these lands when he defeated Finvarra, that didn’t undo the damage done by the invading armies. It’s now 1900 and while London is no longer the capital of the British Empire, Arthur choosing to rebuild Camalot in Somerset and what not, the city is one of the most important locations in the world. Magical artifacts and materials that have revolutionized the way we live (and die) are now pulled up from the great breech, creating vast industries and a degree of lawlessness in Deeper London (the new expansions of the city along the sloping walls of the cavern).
    [Show full text]
  • The Night Is Dark and Full of Terrors.Pages
    by Aaron “Quickleaf” Infante-Levy v 0.1 The Night is Dark and Full of Terrors… AN ALTERNATIVE HORROR & FEAR MECHANIC FOR 5TH EDITION The creeping sensation that unspeakable doom lurks around the catacomb’s corner. The unnerving but thrilling chill experienced while investigating an eerily familiar murderer. The pinpricks of twisted delight while exploring a hag’s lair. How does a DM evoke such an emotional impact in his or her players? For some, calling for an ability check and imposing a frightened or madness condition (as per the DMG’s recommendation) may fall short. Thus, dear reader, I’ve drafted this simple rule which plays upon the true source of player dread: the unknown shadows that play in their own minds. For, in the words of G.R.R. Martin’s Melisandre, “the night is dark and ful of terrors.” There are two variations of this rule: The first for DMs who have a clear idea of the nature of the threats facing the PCs, and the second for DMs improvising those threats spur of the moment. The “nature of the threat” can be as simple as “a night hag” or as complex as “the exiled sister of the night hag Jenny Greenteeth seeking revenge,” depending upon the needs of the DM’s adventure and the group’s play style. RULE #1 — DM KNOWS THE THREAT When the DM presents a threat (monster, person, place, object, or event) unknown to the players that inspires fearful speculation among them, each time a player makes a speculative statement or theory about the threat that is false, the threat gains a terror (chosen from the list below or created by the DM).
    [Show full text]
  • Origins and Bardic Drift: Three Ravens / Twa Corbies
    1 Origins and Bardic Drift: Three Ravens / Twa Corbies (A Bardic Madness Class, July 2020, AS LV ) By Lady Dorothea de Beckham / Dee Becker For this class we will use the song “The Three Ravens” to explore ❖ Folk Song Research ❖ Bardic Drift ❖ Variations and Companion Songs Note: All links were Accessed June 2020 unless otherwise noted. 2 Folk Song Research: Documents A comparison of verses from three songs Corpus Christi (15th century; 1504) And yn þat bed þer lythe a knyght, His wowndis bledyng day & nyght; Lully, lulley, lully, lulley! Þe fawcon hath born my mak away. By þat bedis side þer kneleth a may, & she wepeth both nyght & day; Lully, lulley, lully, lulley! Þe fawcon hath born my mak away. Corpus Christi Carol (15th Century; 1504): For a short discussion of the documentation and related songs, a starting point is the link https://en.wikipedia.org/wiki/Corpus_Christi_Carol. Modern recordings include the Benjamin Britten arrangement with vocals and harp: https://www.youtube.com/watch?v=fxtwyvZhHDM and one sung by Janet Baker (Mizzo Soprano) with Gerald Moore (piano): https://www.youtube.com/watch?v=pCETr4mO_fc Three Ravens (T. Ravenscroft, Melismata,1611) Down in yonder green field, Downe a downe, hey downe, hey downe, There lies a Knight slain under his shield, With a downe His hounds they lie down at his feet, So well do they their Master keep, With a downe, derrie, derrie, downe, downe. His hawks they fly so eagerly, Downe a downe, hey downe, hey downe, No other fowl dare him come nigh With a downe Down there comes a fallow Doe, As heavy with young as she might go, With a downe, derrie, derrie, downe, downe.
    [Show full text]
  • Damaged Motherhood in Caryl Churchill's the Skriker
    International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org Volume 3 Issue 10 ǁ October. 2014 ǁ PP.16-23 Beyond Feminism: Damaged Motherhood in Caryl Churchill’s The Skriker Dr Suranjana Bhadra Asst. Prof. of English MUC Women’s College, Burdwan. ABSTRACT : Over the last three decades, theatrical performance has become the prevailing metaphor for discourse on gender and sexuality. Feminist theatre in Britain in the 1970s has re-radicalized the commonplace theatrical norms of stagecraft in order to subvert prevalent power structures. Contemporary women playwrights like Caryl Churchill deliberately explored areas of experiences that the stage traditionally ignored. She felt the requirement of a potential public sphere within which the experiences of women could be focused distinctly, opening up new areas of concern. She has created a theatre for women, a space where they can encounter their own selves. Churchill’s play \"The Skriker\" (1994) is not a source of fantastic entertainment, rather a venture to introduce the audience to the mythic dystopic world, a brave new world haunted by unhappy and fearful fairies, bogies, warped brownies, kelpies and so on. The Skriker has developed a self-reflexive mode of questioning the legitimating procedures within feminism itself in a manner which tends to associate the multiple concepts of ‘woman’s identity’ with postmodernism. Churchill’s The Skriker (hereafter TS) does not deal with the prevalent theme of economic liberty of women; rather makes women aware of the future towards which they are approaching. The postmodern strategies of disruption of traditional myths and reconstruction of new identities have inspired Churchill to portray the picture of the distorted and fragmented world of women, a world having both social and psychological relevance.
    [Show full text]
  • Feminist Appropriations of Hans Christian Andersen's 'The Little Mermaid' and the Ways in Which Stereotypes of Women Are S
    Feminist Appropriations of Hans Christian Andersen’s ‘The Little Mermaid’ and the Ways in which Stereotypes of Women are Subverted or Sustained in Selected Works Linda Ann Mostert 6 January 2011 Submitted in Fulfilment of the Requirements for the degree Magister Artium in English Literature in the Faculty of Arts at Nelson Mandela Metropolitan University Supervisor: Dr Neville Smith Co-Supervisor: Dr Mary West Contents Page 1. Introduction 1 2. Chapter One: ‘Mermaids’ 24 3. Chapter Two: Tipping the Velvet 43 4. Chapter Three: The Imagenius mermaids 60 5. Chapter Four: The Undrowned Child 79 6. Conclusion 98 Bibliography 104 Introduction According to Lewis Seifert, “Fairy tales are obsessed with femininity … These narratives are concerned above all else with defining what makes women different from men and, more precisely, what is and is not acceptable feminine behaviour” (1996: 175). This study, then, will demonstrate how certain patriarchal ideas associated with fairy tales are disseminated when fairy tale elements are reworked in film, visual art and the novel. The aim of this project, more specifically, is to show how certain stereotypical representations of women endure in works that could be read as feminist appropriations of Hans Christian Andersen’s ‘The Little Mermaid’. Stereotypical representations of women are numerous and may include: depicting females as fitting neatly into what is often called the virgin/whore or Madonna/whore binary opposition; 1 depicting women as being caring and kind, but also passive, submissive and weak; and depicting older women as being sexually unattractive and evil (Goodwin and Fiske 2001:358; Sullivan 2010: 4).
    [Show full text]
  • Bestiar / Viliam Ondrejka
    2 Úvod 3 Vodník, Hastrman, také Nix nebo Vodjanoj 4 Wivern, Wyvern čili Saň, Bazilišek 5 Džinové, Prašivec 6 Bahamaut a Behémot 7 Dobytčí děs, Žithola, serpolnica a ti druzí 8 Naecken, Ankou, Broxa, Browniové 9 Garuda, Amfisbaina 10 Ahuizotl, Tengu, Tangie 11 Acheri, Kelpie 12 Water Leaper aneb Llamhigyn Y Dwr, Ceffyl-Dwr, Yali 13 Pixie, někdy Pisky či Pixey, 14 Tarbh Uisge, Each Uisge či Aughisky, případně Cabbyl-Usthey 16 Fachan, Foawr, Ghillie Dhu, Azeman, 17 Mantichora, Katoblepas, Jinšin-Uwo 18 Yuki onna 21 Penáti a Lárové 22 Venusleute, čili Venušin lid, Sa-bdag, Sri, gNyan a bTsan, Jednorožec 23 Gulon 24 Loa 25 Lesovik, Div a Mikola, Klempera 26 Bogyňky a Bogyňozi, Diblík, Boobrie, Cirein cróin, Baobhan Sith 27 Echidna a její rod 29 Gardsvor, Bwca 30 Génius, Domovoj 31 Ludkové, Stopan, Nymfy 33 Co se skrývá v minnesotských lesích? 34 Noggle 35 Dones ďaigua, Drac, Upír 38 Ghúl, Ohnivý muž 39 Rusalky 40 Můra čili Succubus 41 Planetníci a stuhači, Démoni nemocí 42 Čert, j inak též ďábel 43 Zwarte Piet, Asmodeus a další hodnostáři, Hříšní andělé 44 Zlý červ 45 Belzebub 46 Lucifer, kníže pekelný, Satan 47 Lu cifru a přátelé 49 Podsvětí Etrusků 50 Medusa 51 Skylla 52 Charybdis 53 Sirény 55 Kraken 56 Leviathan, Physeter 57 Adamastor, Orc, Hippokampos 358 5 8 Poseidon, Amfitríté 59 Triton, Rhódé, Benthesikyné, Postelníček 60 Nemodlenka, Krvavé koleno, Škrabinožka a Pucnoha, Kordula, Koňská noha 61 Černý muž, Polednice, Půlnočnice 62 Klekánice, Haferbock a Kornmutter, Nočnica 63 Divoký lovec, Hejkal 64 Hejmon, Pán, Faunus a Sylvanus 65 Meza mate 66 Nyrckes a Tapio, Baj Bajania, Tore, Mami Wata, Mokele Mbembe 67 Drak 69 Krupobití a kdo za ně může 70 Prokletí dívek v Čechách 72 Vadleany, Szépasszony, Liderc 73 Upíři v Malajsii, Hathor 74 Bastet, Nut, Seb a Šu - Obloha, Země a Vzduch, Baba Jaga 75 Black Annis, Cailleach Bheur, Blaničtí i jiní rytíři 78 Bludičky, Will-o'-the-wisp 79 La luz del dinero, Vzehlehel a Hlehlehel, Cold Lad, Mr.
    [Show full text]
  • Jenny Green Teeth"
    Jenny Green Teeth" Jenny Green Teeth In Lancashire, Cheshire, and Shropshire, from the 19th century to within living memory, children were threatened that if they went near pools the waterspirit Jenny (or Ginny) Greenteeth would catch them; some said she also lurked in the treetops, where she could be heard moaning at night (Wright, 1913: 198-9). According to Charlotte Burne, this bogey was 'an old woman who lurks beneath the green weeds that cover stagnant ponds; Ellesmere children were warned that if they venture too near such places, she will stretch out her long arms and drag them to her' (Burne 1883: 79). A Lancashire contributor to NAQ recalled: 'Further, I have often been told by my mother and nurse that if I did not keep my teeth clean I should some day be dragged into one of these ponds by Jenny Greenteeth, and I have met many elderly people who have had the same threat applied to them' (NAQ 10s:2 (1904), 365). As recently as 1980 a Merseyside woman aged 68 recalled what she had heard about her as a child: 'pale green skin, green teeth, very long green locks of hair, long green fingers with long nails, and she was very thin with a pointed chin and very big eyes.' Another informant, however, said Ginny 'had no known form, due to the fact that she never appeared above the surface of the pond.' She was especially associated with stagnant water deceptively covered with thick algae or duckweed; in fact, to some, 'Jenny Greenteeth' was simply a name for duckweed itself, and the horror consisted in the way this weed would close over anything that fell in.
    [Show full text]
  • AG0290 • ISBN 1-58978-105-8 What Story Will They Make You Tell?
    You mustn’t call them by name ... they are the “good neighbors,” the “fair folk,” or the “gentry.” Don’t draw their attention, for those they notice are drawn into their stories, which no mortal can survive unchanged. Stay away from the edges of the dark woods, respect your superiors, and do what society expects. Or the faeries will come for you! The faeries of Mythic Europe live according to roles and stories, drawing vitality from mortals who play by their rules. Some vampiric faeries steal vitality from blood, while others draw it from the garlic placed over doors to keep them out. Some fey dragons live by devouring knights and feasting on the fear they create, while others exist to be defeated, drawing vitality from the knight’s victory. But afterwards, the dead dragon and the defeated vampire always take on a new role, to continue the faerie story. AG0290 • ISBN 1-58978-105-8 What story will they make you tell? AG0290 • ISBN 1-58978-105-8 • $29.95 52995 9 781589 781054 WWW.ATLAS-GAMES.COM ©2009 Trident, Inc. All rights reserved. Realms of Power: Faerie Credits AUTHORS: Erik Dahl (Faerie Wizardry, Touches of Faerie), Timothy AUTHOR BIOS Ferguson (Nature of Faerie, Faerie Characters, Bestiary), Mark Shirley (The Faerie Realm, Touches of Faerie, Faerie Stories) DEVELOPMENT, EDITING, & PROJECT MANAGEMENT: David Chart Erik Dahl lives in Davis, California, and would like to dedicate LAYOUT, ART DIRECTION, & PROOFREADING: Michelle Nephew his work on this book to his enchanting wife (who must not be named PUBLISHER: John Nephew directly), to thank her for all of her support and encouragement over COVER ILLUSTRATION: Grey Thornberry the past few years.
    [Show full text]
  • Owain Davies
    Masterarbeit . am Institut für Angewandte Linguistik und Translatologie der Universität Leipzig über das Thema The Translation of Culture-specific Material in Children's Literature with particular reference to the German translation of the Tiffany Aching series by Terry Pratchett . vorgelegt von Owain Davies Matrikelnummer 3708164 MA Translatologie . Referent: Herr Timothy Jones Korreferent: Frau Dr. Beate Herting Leipzig 15.05.2018 Acknowledgements I would like to offer many thanks to Tim Jones for his readiness to supervise this thesis and his encouragement and occasionally timely advice during the M.A. course, and also to Beate Herting for agreeing to take on the role of second examiner. To my parents I owe an exceptional debt of gratitude for their unwavering and generous support, both practical and moral, over recent years. Thank you very, very much. To Susi, Cynan and Mabon it only remains for me to say that I doubt I’d have got as far as typing this were it not for your patience, good humour and general dedication to keeping my spirits up when things weren’t looking so rosy. You might even get to see a bit more of me now! Contents Foreword ............................................................................................................................................ 1 1 Introduction ............................................................................................................................... 3 1.1 Children’s Literature .........................................................................................................
    [Show full text]