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Unruly Women and Christianity in Medieval Europe Sarah E
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2017 Get Thee ot a Nunnery: Unruly Women and Christianity in Medieval Europe Sarah E. Wolfe East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Celtic Studies Commons, English Language and Literature Commons, Medieval Studies Commons, Scandinavian Studies Commons, and the Women's Studies Commons Recommended Citation Wolfe, Sarah E., "Get Thee to a Nunnery: Unruly Women and Christianity in Medieval Europe" (2017). Electronic Theses and Dissertations. Paper 3263. https://dc.etsu.edu/etd/3263 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Get Thee to a Nunnery: Unruly Women and Christianity in Medieval Europe __________________________ A thesis presented to The faculty of the Department of English East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in English __________________________ by Sarah Elizabeth Wolfe August 2017 ________________________ Dr. Thomas H. Crofts, Chair Dr. Joshua Reid Dr. Brian Maxson Keywords: medieval women, Europe, England, Scandinavia, Norse sagas ABSTRACT Get Thee to a Nunnery: Unruly Women and Christianity in Medieval Europe by Sarah Elizabeth Wolfe This thesis will argue that the Beowulf Manuscript, which includes the poem Judith, Saxo Grammaticus’s Gesta Danorum, and the Old-Norse-Icelandic Laxdœla saga highlight and examine the tension between the female pagan characters and their Christian authors. -
The Unfortunate Birth of Edna O'brien
Colby Quarterly Volume 23 Issue 4 December Article 7 December 1987 Tough Luck: The Unfortunate Birth of Edna O'Brien James M. Haule Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 23, no.4, December 1987, p.154-164 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Haule: Tough Luck: The Unfortunate Birth of Edna O'Brien Tough Luck: The Unfortunate Birth of Edna O'Brien by JAMES M. HAULE DNA O'BRIEN'S Mother Ireland is a book filled with memories that E move starkly between terror and pity as it explains, with the help of the haunting photographs ofFergus Bourke, why Ireland must be left and why Ireland can never be escaped. Her last statement is a remarkable ad mission of an entrapment at once willing and unwilling, a confession of both victory and defeat: I live out of Ireland because something in me warns me that I might stop there, that I might cease to feel what it has meant to have such a heritage, might grow placid when in fact I want yet again and for indefinable reasons to trace the same route, the trenchant childhood route, in the hope of finding some clue that will, or would, or could, make the leap that would restore one to one's original place and state of consciousness, to the radical innocence of the moment just before birth. -
Literary Branding in the Romantic Period
Literary Branding in the Romantic Period by Christopher Laxer A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Christopher Laxer 2013 Literary Branding in the Romantic Period Christopher Laxer Doctor of Philosophy Department of English University of Toronto 2013 Abstract This thesis argues that, unlike the study of commodity branding, the study of literary branding should not focus solely upon book advertising, but rather investigate all of the processes of attribution that connect conceptual domains with literary labels, enabling their common use in the perception and navigation of the cultural world. Such processes should not be understood exclusively by analogy with the forms of commodity branding that originated in the consumer revolutions of the eighteenth or nineteenth centuries, but rather as the inherent consequences of more ancient and fundamental practices of naming and poetry. Rather than interpret the reactions of historical readers to Byron, for instance, largely in terms of the author as subject – as has been the tendency with earlier approaches to the question – this thesis seeks to explore historical readers’ reactions to the author’s name as label. The readers of Don Juan in 1819 knew Byron, not as we do after two centuries of biographical research, scholarly inquiry, and literary criticism, but as a literary label with relatively few associations. Arguing that the recent vogue for celebrity studies risks reifying elements of what Jerome McGann has called the Romantic Ideology, this thesis attempts to begin to redress this critical imbalance by examining the deployment of a number of interconnected literary labels in a series of case studies. -
Hamilton College Library "Home Notes"
American Communal Societies Quarterly Volume 3 Number 4 Pages 232-236 October 2009 Hamilton College Library "Home Notes" Follow this and additional works at: https://digitalcommons.hamilton.edu/acsq This work is made available by Hamilton College for educational and research purposes under a Creative Commons BY-NC-ND 4.0 license. For more information, visit http://digitalcommons.hamilton.edu/about.html or contact [email protected]. et al.: Hamilton College Library "Home Notes" Hamilton College Library “Home Notes” Communal Societies Collection New Acquisitions SEAL OF JOANNA SOUTHCOTT FIRST MEssENGER OF THE CHRISTIAN ISRAELITES Hamilton College Library recently acquired a remarkable collection of documents relating to Joanna Southcott (1750-1814) for its Communal Societies Collection. Southcott is considered to have been the first messenger of the Christian Israelite faith.1 In 1792 Southcott realized she was the woman spoken of in Revelation 12: 1And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars: 2And she being with child cried, travailing in birth, and pained to be delivered. Southcott gained an increasing number of followers throughout the late 1790s. Many adherents of contemporary messenger Richard Brothers, considered second in the lineage by the followers of Benjamin and Mary Purnell (House of David and Mary’s City of David), defected to Southcott upon Brothers’ imprisonment in 1795. Among these was the engraver William Sharp who brought Southcott to London to begin the process of “sealing” the elect, or the 144,000 who would be saved at the Day of Judgment. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Cultural Resources and Tribal and Native American Interests
Giant Sequoia National Monument Specialist Report Cultural Resources and Tribal and Native American Interests Signature: __________________________________________ Date: _______________________________________________ The U. S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14 th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. Giant Sequoia National Monument Specialist Report Table of Contents Introduction ................................................................................................................................................ 1 Current Management Direction ................................................................................................................. 1 Types of Cultural Resources .................................................................................................................... 3 Objectives .............................................................................................................................................. -
The Creative Society Environmental Policymaking in California,1967
The Creative Society Environmental Policymaking in California,1967-1974 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Denning Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Paula M. Baker, Advisor Dr. William R. Childs Dr. Mansel Blackford Copyright By Robert Denning 2011 Abstract California took the lead on environmental protection and regulation during Ronald Reagan‟s years as governor (1967-1974). Drawing on over a century of experience with conserving natural resources, environmentally friendly legislators and Governor Reagan enacted the strongest air and water pollution control programs in the nation, imposed stringent regulations on land use around threatened areas like Lake Tahoe and the San Francisco Bay, expanded the size and number of state parks, and required developers to take environmental considerations into account when planning new projects. This project explains why and how California became the national leader on environmental issues. It did so because of popular anger toward the environmental degradation that accompanied the state‟s rapid and uncontrolled expansion after World War II, the election of a governor and legislators who were willing to set environmental standards that went beyond what industry and business believed was technically feasible, and an activist citizenry that pursued new regulations through lawsuits and ballot measures when they believed the state government failed. The environment had a broad constituency in California during the Reagan years. Republicans, Democrats, students, bureaucrats, scientists, and many businessmen tackled the environmental problems that ii threatened the California way of life. -
Graves of Artists and Architects Buried There
Graves of architects and artists in the Chiswick Churchyard and Old Burial Ground A noteworthy feature of the burial ground associated with St Nicholas, Chiswick, is the remarkable number of graves of artists and architects buried there. This article records the graves of an important eighteenth-century architect and garden designer, a respected bricklayer and site manager, two well-regarded Victorian sculptors, and no fewer than six painters and printmakers. In comparison, I know of only one literary figure who was buried there: the maverick Italian poet and patriot, Ugo Foscolo (1778–1827). But perhaps he does not count, since his bones were exhumed in 1871 and returned to Italy for re-burial in Sta Croce, Florence. The churchyard harbours the tomb of only one theatrical figure, Charles Holland (1733–1769), but – as far as I am aware – of not one single composer. Two possible reasons for this bias in favour of the visual arts may be connected with two leading figures in the British eighteenth-century art world who were associated with St Nicholas, Chiswick. Lord Burlington (1694–1753) and William Hogarth (1697–1764) were close contemporaries, although they seldom if ever saw eye to eye. Lord Burlington was the architect of his ground- breaking Chiswick Villa, and he was also a celebrated aesthete and connoisseur. During highly profitable visits to Italy in the second decade, he amassed an important collection of Italian Renaissance and Baroque paintings. Chiswick Villa was designed in part specifically to display this collection, which enhanced Burlington’s status in the British art scene. His semi-permanent residence at Chiswick in the last 20 or so years of his life, and the inheritance of his estate by the Dukes of Devonshire from 1764, perhaps attracted other artists to the area, seeking aristocratic and royal patronage. -
European Journal of American Studies, 14-3
European journal of American studies 14-3 | 2019 Special Issue: Harriet Prescott Spofford: The Home, the Nation, and the Wilderness Electronic version URL: https://journals.openedition.org/ejas/14869 DOI: 10.4000/ejas.14869 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 14-3 | 2019, “Special Issue: Harriet Prescott Spofford: The Home, the Nation, and the Wilderness” [Online], Online since 29 October 2019, connection on 08 July 2021. URL: https://journals.openedition.org/ejas/14869; DOI: https://doi.org/10.4000/ejas.14869 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Harriet Prescott Spofford: The Home, the Nation, and the Wilderness Stéphanie Durrans History, Her-Story Harriet Prescott Spofford’s Development of a Protestant Aesthetic for a Diverse Nation Paula Kot Feminizing a Colonial Epic: On Spofford’s “Priscilla” Daniela Daniele Feminist (Re)Writings “She Was the Mad Woman”: Misdiagnosed Madness in Harriet Prescott Spofford’s “Her Story” Sirpa Salenius Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction Stéphanie Durrans New Readings of “Circumstance” Narrating Violation: Harriet Prescott Spofford’s “Circumstance” Rita Bode Feline Alter Egos in Harriet Prescott Spofford’s “Circumstance” and the Poetry of Emily Dickinson Adeline Chevrier-Bosseau Dissolving Boundaries: Fluidity, Metamorphoses, and Queer Undercurrents Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement” Asunción López-Varela Seductive Snakes and Asexual Angels: Queer Undercurrents in Harriet Prescott Spofford’s “Desert Sands” H.J.E. Champion “Per si muove—it was a mass of moonstone”: Fluidity, Dynamic Relations, and the Commodification of Storytelling in Harriet Prescott Spofford’s Arctic Writings Verena Laschinger European journal of American studies, 14-3 | 2019 2 Introduction. -
The George Russell Collection at Colby College
Colby Quarterly Volume 4 Issue 2 May Article 6 May 1955 The George Russell Collection at Colby College Carlin T. Kindilien Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.2, May 1955, p.31-55 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kindilien: The George Russell Collection at Colby College Colby Library Quarterly 3 1 acted like a lot of bad boys in their conversation with each other but they did it in beautiful English. I never knew AE to tell a story which was in the slightest degree off color or irreverent. And yet, of an evening, he could grip your closest attention as you listened steadily to an endless flow of words from nine in the evening till two in the morn ing. In 1934 Mary Rumsey offered to pay AE's expenses to come to this country to consult with the Department of Agriculture. Robert Frost was somewhat annoyed because he felt we should have called him in rather than AE. At the moment, however, AE, when talking to our Exten sion people, furnished a type of profound inspiration which I thought was exceedingly important. He worked largely out of the office of M. L. Wilson, who later became Under-Secretary of Agriculture and Director of Extension. In this period I had him out to our apartment with Justice Stone, the Morgenthaus, and others. -
Devils Postpile and the Mammoth Lakes Sierra Devils Postpile Formation and Talus
Nature and History on the Sierra Crest: Devils Postpile and the Mammoth Lakes Sierra Devils Postpile formation and talus. (Devils Postpile National Monument Image Collection) Nature and History on the Sierra Crest Devils Postpile and the Mammoth Lakes Sierra Christopher E. Johnson Historian, PWRO–Seattle National Park Service U.S. Department of the Interior 2013 Production Project Manager Paul C. Anagnostopoulos Copyeditor Heather Miller Composition Windfall Software Photographs Credit given with each caption Printer Government Printing Office Published by the United States National Park Service, Pacific West Regional Office, Seattle, Washington. Printed on acid-free paper. Printed in the United States of America. 10987654321 As the Nation’s principal conservation agency, the Department of the Interior has responsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering sound use of our land and water resources; protecting our fish, wildlife, and biological diversity; preserving the environmental and cultural values of our national parks and historical places; and providing for the enjoyment of life through outdoor recreation. The Department assesses our energy and mineral resources and works to ensure that their development is in the best interests of all our people by encouraging stewardship and citizen participation in their care. The Department also has a major responsibility for American Indian reservation communities and for people who live in island territories under U.S. administration. -
The Afterlives of the Irish Literary Revival
The Afterlives of the Irish Literary Revival Author: Dathalinn Mary O'Dea Persistent link: http://hdl.handle.net/2345/bc-ir:104356 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English THE AFTERLIVES OF THE IRISH LITERARY REVIVAL a dissertation by DATHALINN M. O’DEA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2014 © copyright by DATHALINN M. O’DEA 2014 Abstract THE AFTERLIVES OF THE IRISH LITERARY REVIVAL Director: Dr. Marjorie Howes, Boston College Readers: Dr. Paige Reynolds, College of the Holy Cross and Dr. Christopher Wilson, Boston College This study examines how Irish and American writing from the early twentieth century demonstrates a continued engagement with the formal, thematic and cultural imperatives of the Irish Literary Revival. It brings together writers and intellectuals from across Ireland and the United States – including James Joyce, George William Russell (Æ), Alice Milligan, Lewis Purcell, Lady Gregory, the Fugitive-Agrarian poets, W. B. Yeats, Harriet Monroe, Alice Corbin Henderson, and Ezra Pound – whose work registers the movement’s impact via imitation, homage, adaptation, appropriation, repudiation or some combination of these practices. Individual chapters read Irish and American writing from the period in the little magazines and literary journals where it first appeared, using these publications to give a material form to the larger, cross-national web of ideas and readers that linked distant regions.