Joe Armstrong

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JOE ARMSTRONG Film: The Good Soldier Schwejk Various Christine Edzard Sands Films Darkest Hour John Evans Joe Wright Helicopter Film Services Closer to the Moon Razvan Nae Caranfil Mandragora Films A Passionate Woman Young Donald Antonia Bird/Kay Mellor Rollem Productions Television: Britannia Gildas Various Amazon Studios To Walk Invisible William Allison Sally Wainwright BBC Wales Black Mirror Nick Shelton James Hawes Netflix The Village Bairstow Various Company Pictures Happy Valley Ashley Euros Lyn BBC The Village Bairstow Antonia Bird Company Pictures Hollow Crown: Henry IV pt 1 Hotspur Richard Eyre Neal Street Productions Public Enemies Ben Somers Derbhla Walsh Tiger Aspect Hustle Joe John McKay Kudos A Passionate Woman Donald Antonia Bird/ Kay Mellor Lipsync Productions Breaking The Mould Norman heaty Peter Hoar BBC Whistleblowers Fleck Paul Gay Carnival Film & TV The Last Detective Chas Nicholas Laughland ITV Party Animals DC Harmison Julian Holmes B B C Robin Hood (Series reg) Allan A. Dale Foz Allen Tiger Aspect Inspector Lynley Darren Bob Brierman BBC Coming Up Danny Lindy HaymannI WC Media Ltd Rose & Maloney Max Metin Huseyin Company Pictures Midsomer Murders David Cooke Renny Rye Bentley Productions Foyle's War Tom Jackson Jeremy Silverston Greenlit Productions Blackpool Mark Read Simon Bird BBC Waking The Dead Jason Murphy Ben Bolt BBC Passer By Tinley David Morrissey BBC Between The Sheets Richard Robin Shepherd Rollem Productions The Bill Lenny Bartle Nick Phillips Thames Televsion Theatre: Husbands and Sons Luther Marianne Elliot Royal National Theatre Constellations Roland Michael Longhurst Royal Court Theatre/West End The Dumb Waiter Gus Jamie Glover The Print Room Miss Julie Jean Sarah Frankom Royal Exchange Theatre Company Flare Path Dusty Trevor Nunn Haymarket Theatre The Empire Gary Mike Bradwell Royal Court Theatre Orphans Liam Roxana Silbert Soho Theatre/Traverse Theatre A Night At The Dogs Danny Abigail Morris Soho Theatre Joe Armstrong 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA How Love Is Spelt Joe Julie-Ann Robinson Bush Theatre Protection Adam & Jeff Abigail Moirs Soho Theatre Joe Armstrong 2 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0. 7268133 Members of the PMA.

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Cristian Bota 3Socf5x9eyz6 
Cristian Bota https://www.facebook.com/index.php?lh=Ac- _3sOcf5X9eyz6 Das Imperium Talent Agency Berlin (D.I.T.A.) Georg Georgi Phone: +49 151 6195 7519 Email: [email protected] Website: www.dasimperium.com © b Information Acting age 25 - 35 years Nationality Romanian Year of birth 1992 (29 years) Languages English: fluent Height (cm) 180 Romanian: native-language Weight (in kg) 68 French: medium Eye color green Dialects Resita dialect: only when Hair color Brown required Hair length Medium English: only when required Stature athletic-muscular Accents Romanian: only when required Place of residence Bucharest Instruments Piano: professional Cities I could work in Europe, Asia, America Sport Acrobatics, Aerial yoga, Aerobics, Aikido, Alpine skiing, American football, Archery, Artistic cycling, Artistic gymnastics, Athletics, Backpacking, Badminton, Ballet, Baseball, Basketball, Beach volleyball, Biathlon, Billiards, BMX, Body building, Bodyboarding, Bouldering, Bowling, Boxing, Bujinkan, Bungee, Bycicle racing, Canoe/Kayak, Capoeira, Caster board, Cheerleading, Chinese martial arts, Climb, Cricket, Cross-country skiing, Crossbow shooting, CrossFit, Curling, Dancesport, Darts, Decathlon, Discus throw, Diving, Diving (apnea), Diving (bottle), Dressage, Eskrima/Kali, Fencing (sports), Fencing (stage), Figure skating, Finswimming, Fishing, Fistball, Fitness, Floor Exercise, Fly fishing, Free Climbing, Frisbee, Gliding, Golf, Gymnastics, Gymnastics, Hammer throw, Handball, Hang- Vita Cristian Bota by www.castupload.com — As of: 2021-05-10
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New Romanian Cinema
NOVEMBer 29–DECEMBer 3, 2013 Romanian Film Initiative NEW ROMANIAN CINEMA EMA N I C MAKING WAVES: New Romanian Cinema is MAKING WAVES 2013 is made possible with the N IA N co-presented by the Film Society of Lincoln Center leading support of the Trust for Mutual Understand- and the Romanian Film Initiative, in partnership ing, Alexandre Almăjeanu and Gentica Foundation, OMA R with the Jacob Burns Film Center and Transilvania Adrian Porumboiu, HBO Romania, Adrian Giurgea, International Film Festival. Colgate University & Christian A. Johnson Founda- S: NEW Launched in 2006 at the initiative of Corina tion, Blue Heron Foundation, Mica Ertegun, Marie WAVE Șuteu, MAKING WAVES has become a fixture in France Ionesco, Lucian Pintilie, Dr. Daiana Voiculescu NG New York City’s cultural scene. The festival offers and Renzo Cianfanelli, and other generous sponsors I K every year the best selection of contemporary and donors, including visual artists Șerban Savu, Dan MA Romanian filmmaking, and introduces American Perjovschi, Adrian Ghenie, and Mircea Cantor. audiences to films and filmmakers who laid the Special support from ICON Production, Lark ground for the new Romanian cinema. Play Development Center, Șapte Seri, Dilema For the second consecutive year, MAKING veche, Radio Guerilla, and filmmaker Mona WAVES is now a fully independent festival of Nicoară, joined by more than 250 supporters. Romanian contemporary cinema and culture, made The “Creative Freedom through Cinema” spe- possible solely through the support of private funders cial program is presented in partnership with the and individual donations, including a large number of Romanian National Film Center, Czech Center New Romanian artists who believe that audiences at home York and the Slovak Film Institute.
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This Little Life
This Little Life This Little Life Introduction . 15 Production notes . 17 Cast and production credits . 18 Interviews with the cast: . Kate Ashfield plays Sadie . 19 David Morrissey plays Richie . 21 This Little Life 14 Introduction This Little Life Kate Ashfield, David Morrissey and Peter Mullan charged with balancing his emotions for Luke with star in This Little Life, winner of the prestigious his momentous medical responsibilities. Dennis Potter Screenwriting Award. This Little Life is a film jointly commissioned by BBC Films and the Rosemary Kay’s screenplay was awarded the BBC’s Film Council’s New Cinema Fund for BBC Two. Dennis Potter Screenwriting Award, a scheme set up in 1995 to nurture and encourage the work of Directed by Sarah Gavron, winner of the RTS Best new writers with talent and personal vision. This New Director Award for her film Losing Touch,This Little Life is an adaptation of Kay’s novel Between Little Life is the moving story of a premature baby’s Two Eternities, a fictional memoir based on the fragile existence and a mother’s supreme trust and author’s own experiences during her son’s tragic betrayal. premature birth. Luke is born prematurely, weighing only one pound Jane Tranter, BBC Controller of Drama and four ounces. He is too small to be cradled in Commissioning, says:“This Little Life is a powerful his mother’s arms but can be held in the palm of piece of work that is part of the BBC’s ongoing, her hand. Everything possible is done to keep him practical commitment not just to finding and alive, but what does her son want and what will nurturing new talent, but also to getting their work medical science allow? Luke’s mother, Sadie, made and seen.” desperately wants him to have a voice and, through her friendship with a young boy, mother and son David Thompson, Head of BBC Films, says:“The find a way to talk.
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Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment.
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NTL-2017-Hamlet-Program.Pdf
presented by Photograph by Johan Persson Running time: 3 hours 20 minutes (including a 20-minute interval) Cast, in alphabetical order Coming next Danish Soldier, Norwegian Soldier BARRY AIRD Captain, Servant EDDIE ARNOLD Horatio LEO BILL Ophelia SIÂN BROOKE Cornelius NIGEL CARRINGTON Player King RUAIRI CONAGHAN Hamlet BENEDICT CUMBERBATCH Guildenstern RUDI DHARMALINGAM Priest, Messenger COLIN HAIGH Fencing Offi cial PAUL HAM Player Queen, Messenger DIVEEN HENRY Gertrude ANASTASIA HILLE Claudius CIARÁN HINDS Laertes KOBNA HOLDBROOK-SMITH Julius Caesar Ghost, Gravedigger KARL JOHNSON by William Shakespeare Polonius JIM NORTON a Bridge Theatre production Stage Manager, Offi cial AMAKA OKAFOR Barnardo DAN PARR HHHH Courtier JAN SHEPHERD ‘ A star-studded political Voltemand MORAG SILLER cataclysm for our times.’ Rosencrantz MATTHEW STEER Daily Telegraph Fortinbras SERGO VARES Marcellus DWANE WALCOTT HHHH ‘ A visceral, politically urgent tragedy.’ All other roles covered by members of the company Guardian Director LYNDSEY TURNER In cinemas from March 22 Set ES DEVLIN Find your nearest venue and book at ntlive.com Costume KATRINA LINDSAY Turn over for details of more upcoming screenings Video LUKE HALLS Lighting JANE COX Music JON HOPKINS Sound CHRISTOPHER SHUTT Great theatre needs great supporters Movement SIDI LARBI CHERKAOUI If you love NT Live, please support the National Theatre and Fights BRET YOUNT help us to continue to bring world-class theatre to cinemas. nationaltheatre.org.uk/support-the-NT Casting JULIA HORAN CDG Connect with us Subscribe to our email updates Like us on Facebook Follow us on Twitter ntlive.com/signup facebook.com/ntlive @ntlive Join in the conversation about tonight’s screening #HamletBarbican Upcoming broadcasts Julius Caesar by William Shakespeare a Bridge Theatre production In cinemas from March 22 HHHH ‘ Tremendously gripping.
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Hypothesis on Tararira, Benjamin Fondane's Lost Film
www.unatc.ro Academic Journal of National University of Theatre and Film “I.L. Caragiale” – Vol. 2, No. 1, 2018 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale“ publishes original papers aimed to analyzing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on cover no 3 and at the Internet address: www.unatc.ro Editor in chief: Dana Duma Deputy editor: Andrei Gorzo [email protected] [email protected] [email protected] Managing Editor: Anca Ioniţă [email protected] Copy Editor: Andrei Gorzo, Anca Ioniță Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Ovidiu Georgescu, Marius Nedelcu, Radu Nicoară Advisory Board: Dominique Nasta (Université Libre de Bruxelles) Christina Stojanova (Regina University, Canada) Tereza Barta (York University, Toronto, Canada) UNATC PRESS ISSN: 2343 – 7286 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Vlad Ivanov in Dogs by Bogdan Mirică Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 2, No. 1, 2018 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 2, No. 1, 2018 Christina Stojanova Some Notes on the Phenomenology of Evil in New Romanian Cinema 7 Dana Duma Hypothesis on Tararira, Benjamin Fondane’s Lost Film 19 Andrei Gorzo Making Sense of the New Romanian Cinema: Three Perspectives 27 Ana Agopian For a New Novel.
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“Closer to the Moon”, the Big Winner of the Gopo Awards 2015
“Closer to the Moon”, the big winner of the Gopo Awards 2015 Tuesday, March 31, 2015 Gopo Awards Gala, organised on Monday 30 March at the National Theatre in Bucharest, was dominated by director Nae Caranfil's film, "Closer to the Moon", which left the ceremony with 9 prizes. The prize for film direction, received by Nae Caranfil personally, was awarded by the chief executive officer of Dacia, Nicolas Maure. Another remarkable film which won no less than 5 prizes was “Quod Erat Demonstrandum (QED)”, directed by Andrei Gruzsniczki. “I am honoured to be here and to see many personalities stepping down on the red carpet from Dacia cars. I said in an interview for Ziarul Financiar that Romania also needs other image vectors in addition to Dacia. Film is a very good ambassador of Romania abroad, particularly in Europe, and I encourage you to make many good films to get as many awards as possible”, said Nicolas Maure. The award winners of the evening included: Florin Piersic jr (best actor in the leading role), Ofelia Popii (best actress in a leading role), Virgil Ogăşanu (best actor in a supporting role), Alina Berzunţeanu (best actress in a supporting role), film director Alexander Nanău (the best documentary film “Toto and his sisters”), Radu Jude (best fiction short film). The organisers also awarded two prizes for the entire career to actresses Coca Bloos and Eugenia Bosânceanu. The event, presented by Paul Ipate and Diana Cavaliotti, was broadcast live on TVR2 and attracted many participants from the cinema, theatre, media, television and the business environment.
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Doru POP the “Trans National Turn”. New Urban Identities
The “Trans national Turn”. 9 New Urban Identities and theI. TransformationCreating of thethe Romanian Space Contemporary Cinema Doru POP The “Trans national Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema Abstract The pressure of globalization and the transformations of the international film markets are rapidly changing the recent Romanian cinema. In a period spanning from 2010 to 2014, the paper describes same of the most important transformations, visible early on in productions like Marţi după Crăciun (Tuesday after Christmas) and even more importantly in a film like Poziţia copilului (Child’s Pose). The process, called by the author “the transnational turn” of the Romanian film, is characterized by the fact that urban spaces become more and more neutral and generic and the stories are increasingly de-contextualized. Designed for international markets, these films are changing both the set- ting and the mise-en-scène, creating a non specific space which is more likely to be accepted by cinema goers around the world. The second argument is the present generation Romanian cinema makers are moving even further, they are choosing to abandon the national cinema. As Elisabeth Ezra and Terry Rowden noted in their introduction to the classical reader on “transnational cinema”, another major aspect is that the recent films are increasingly indicating a certain “Hollywoodization” of their storytelling, and, implicitly, of the respective urban contexts of their narratives. This impact goes beyond genrefication, and, as is the case with productions like Love building (2013), which are using both cosmopolitan behaviors and non-specific urban activities, are manifestations of deep transformations in the Romanian cinema.
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1 Two Richard II Films, Directed by Rupert Goold (2012) and Gregory
Two Richard II films, directed by Rupert Goold (2012) and Gregory Doran (2013) Arlynda Boyer University of Toronto [email protected] Richard II, episode 1 of the BBC mini-series The Hollow Crown. Directed by Rupert Goold. With Ben Whishaw (Richard II), Patrick Stewart (John of Gaunt), Rory Kinnear (Henry Bolingbroke), David Suchet (Duke of York), Tom Hughes (Duke of Aumerle), James Purefoy (Thomas Mowbray), David Morrissey (Earl of Northumberland). Richard II. Based on a production by the Royal Shakespeare Company. Directed by Gregory Doran. With David Tennant (Richard II), Michael Pennington (John of Gaunt), Nigel Lindsay (Henry Bolingbroke), Oliver Ford Davies (Duke of York), Oliver Rix (Duke of Aumerle), Jane Lapotaire (Duchess of Gloucester), Antony Byrne (Thomas Mowbray), Sean Chapman (Earl of Northumberland). Gregory Doran, director of the Royal Shakespeare Company’s 2013 film of Richard II starring David Tennant, has noted that between the Stratford and London runs of the original stage production and the multiple worldwide cinema showings, his production has a plausible claim to being the single most-watched Shakespeare production in history.1 Producers of Rupert Goold’s Richard II starring Ben Whishaw, screened as part of the Hollow Crown mini-series shown on the BBC and PBS, might challenge that claim. Both are now available on DVD and both will likely find their way into classrooms. Since the films were directed with almost diametrically opposed visions, teachers may want to use clips from both by way of contrast when discussing interpretations of the play with students. It is thus worth considering the strengths and weaknesses of each.
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Connect with Us Want to Find out About Forthcoming Broadcasts?
Robert Fox, Matthew Byam Shaw for Playful Productions and Royal Court Theatre Productions present The Royal Court Theatre production of By Martin McDonagh Directed by Matthew Dunster About Hangmen About the Royal Court Theatre The year is 1965. In his small pub in the northern English town of The Royal Court Theatre is the writers’ theatre. For sixty years it has Oldham, Harry is something of a local celebrity. But what’s the second- been the leading force in world theatre for energetically cultivating best hangman in England to do on the day they’ve abolished hanging? writers – undiscovered, new, and established. Amongst the cub reporters and pub regulars dying to hear Harry’s Through the writers the Royal Court is at the forefront of creating restless, reaction to the news, his old assistant Syd and the peculiar Mooney alert, provocative theatre about now, inspiring audiences and influencing lurk with very different motives for their visit. future writers. Through the writers the Royal Court strives to constantly reinvent the theatre ecology, creating theatre for everyone. Over 120,000 Running time: 2 hrs 40 mins (including a 20-minute interval) people visit the Royal Court in Sloane Square, London, each year and Tonight’s performance is broadcast live from the many thousands more see our work elsewhere through transfers to the Wyndham’s Theatre in London’s West End. West End and New York, national and international tours, residencies across London and site-specific work. In 2016 the Royal Court is 60 Years New. This year work includes new plays by Caryl Churchill, Anna Jordan, Cast, in alphabetical order Mongiwekhaya, Alistair McDowall, David Ireland, Stef Smith, Charlene Hennessy JOSEF DAVIES James, Anthony Neilson, Nathaniel Martello-White and Suzan-Lori Parks.
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AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
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