DOCSLIB.ORG

Documents of Antifascism at Interference Archive from the Collaborative Exhibition “No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Documents of Antifascism at Interference Archive from the collaborative exhibition “no. NOT EVER.” ​ ​ January 18, 2018–April 15, 2018 Interference Archive Address: 314 7th St, Brooklyn NY 11215 USA Contact: Interference Archive Email: [email protected] URL: http://interferencearchive.org ​ ​ Finding aid prepared by M. Hardesty, April 2018–January 2020. Text composed by J. Descartes, M. Hardesty, J. Hoyer, M. Schreiner, and B. Shuman. Descriptive Summary Creator: Various ​ Title: Documents of Antifascism at Interference Archive ​ Date Span: 1937-2018 (bulk dates 1969-2017) ​ Abstract: no. NOT EVER. opened at Interference Archive (IA) in January 2018. It featured a ​ ​ ​ ​ traveling installation from the Seattle-based collaborative If You Don’t They Will (www.ifyoudonttheywill.com), which used stories from the 1980s and ‘90s rural working-class ​ ​ ​ ​ ​ activism to inspire organizing against white nationalism in the current moment. This installation was ​ contextualized with an exhibition of print culture from the IA collection. This exhibition included books, newspapers, newsletters, zines, posters, buttons, ephemera, and online sources. This finding aid lists items from the installation and exhibition—most of which have been sorted back into the general collection—as well as books used in the exhibition but not part of the IA permanent collection. It also lists online sources related to exhibition programming. Quantity: n/a ​ Restrictions Access Restrictions: This collection is located at Interference Archive, and may be used ​ ​ during open hours without appointment. Visit http://interferencearchive.org for current open ​ ​ hours. 1 Use Restrictions: While the use of this material is unrestricted, Interference Archive does not ​ own reproduction rights to most of these materials. __________________________________________________________________________________ Access Points This finding aid lists materials from “no. NOT EVER.”, most of which have been sorted back into ​ ​ the general collection by item type, as well as books used in the exhibition but not part of the IA permanent collection. Each citation points you to the section of the archive where the item is located. Items like serials (e.g. magazines, journals, and newsletters), zines, and vinyl records are arranged alphabetically. Books, pamphlets, posters, buttons, and subject files (ephemera) are organized by subject. To find items in sections organized by subject, use the subject keywords below. If you need help finding an item, ask an IA staffer for help. Since this exhibition concluded in 2018, Interference Archive has received and collected many more related materials; these subject topics also will help you locate these materials in the collection. Subject Topics: Antifa Antifascism Antiracism White Supremacy White Nationalism Antisemitism If You Don’t They Will Anti-Racist Action Rock Against Racism United Front Against Fascism Administrative Information Provenance: This collection represents various donations to Interference Archive. ​ Preferred Citation: Interference Archive, Antifascism Collection ​ 2 Arrangement The collection is arranged in eight series by theme and type. Series I: Fascism in the U.S.?; Series II: Free Speech/No Platform; Series III: Cultural Organizing; Series IV: Research; Series V: Books; Series VI: Materials from If You Don’t They Will/“no. NOT EVER.”; Series VII: ​ ​ ​ ​ Additional materials, organized by type; Series VIII: Online resources. Series I: Fascism in the U.S.? What does it mean to talk about fascism in the U.S.? The documents in this series show how activists on the Left from a wide political spectrum have answered this question since the 1960s. Some of their references point to European fascism of the 1930s and ’40s, but just as frequently they relate to a history of U.S. repression, white supremacy, and white nationalist terror that predates Hitler and Mussolini. Antifascists seek to limit the power of white nationalist groups, and many activists identify white supremacy itself as the root of fascism. Activists also draw attention to the cyclical nature of upsurges in white nationalist violence, which often accompany repressive backlash against radical movements, communities of color, Jewish communities, immigrants, women, and LGBTQIA+ communities. For example, the Black Panther Party’s 1969 call for a United Front Against Fascism came in the face of increased surveillance, infiltration, and police violence, as well as assassination and incarceration of its organizers; the UFAF called for a wide coalition to confront such repression.1 The Equal Rights Congress’s booklet We Won’t Go Back! comes as a direct response to the 1979 “Roll the Clock ​ ​ Back!” march from Selma to Montgomery by the KKK. Jews for Racial and Economic Justice’s 2017 booklet Understanding Antisemitism: An Offering to our Movement addresses the rise of ​ ​ antisemitism in the wake of Trump’s election, while reminding us that “an effect of antisemitism has been to distract and divide powerful movements for justice and equity, preserving oppressive systems and benefitting ruling elites.”2 ● 500 Years of This Shit Is Enough. Poster. n.d. Location: Small posters. ​ ● The Black Panther. “What Is the United Front Against Fascism?” July 12, 1969. Location: ​ Newspapers. ● The Black Panther, July 16, 1969. (Coverage of United Front against Fascism Conference.) ​ Location: Newspapers. 1 These connections were informed also by Christopher Vials’s Haunted by Hitler. ​ ​ 2 Ferguson, Kent, and Sharon, Understanding Antisemitism. ​ ​ ​ 3 ● Quant, Ted and John Slaughter. We Won’t Go Back! The Rise of the Ku Klux Klan and the ​ Southern Struggle for Equality. Mobile, AL: Equal Rights Congress, 1980. Location: Half-size ​ pamphlets. ● Sojourner Truth Organization. Fascism in the US? Current Debates on Fascism. [1982]. Location: ​ ​ Large pamphlets. ● TUFF: Those United to Fight Fascism. Columbus, OH, no. 25, 1981. Location: Serials. ​ ● United Front Against Fascism. “We Must Develop a United Front Against Fascism.” Leaflet. 1969. Location: Subject files. ● We Charge Genocide. We Charge Genocide: Police Violence Against Chicago's Youth of Color. ​ ​ Chicago, 2014. Location: Large pamphlets. ● Buttons ○ Antifaschistische Aktion. n.d. Location: Buttons. ​ ○ Ban the Klan. n.d. Location: Buttons. ​ ○ Blue by Day White by Night: Stop Killer Cops! n.d. Location: Buttons. ​ ○ Feminist Against Anti-Semitism. n.d. Location: Buttons. ​ ○ I Gave in Defense of Democracy in Spain. [1937.] Location: Buttons. ​ ○ John Brown Anti-Klan Committee. Death to the Klan: Fight White Supremacy! ​ n.d. Location: Buttons. ○ National Organization of Women. Never Again. n.d. Location: Buttons. ​ ​ ○ [No Neo Nazis.] n.d.. Location: Buttons. ​ ​ ○ United We Stand: Anti-Klan. n.d. Location: Buttons. ​ Series II: Free Speech / No Platform The concept of No Platforming is encapsulated in Anti-Racist Action’s first point of unity, “We go where they go. Whenever fascists are organizing or active in public, we're there. We don't believe in ignoring them or staying away from them. Never let the Nazis have the street!”3 This basic principle specifically refers to denying fascists the opportunity to present their views or engage in publicly protected speech or debate. This may involve direct action, which we see as a tool for no platforming in the material in this series: the efforts of German antifascists to stop Nazi marches in Dresden, Berlin, and Bad Nenndorf, and the work of Antifa Sacramento and By Any Means Necessary to shut down a neo-Nazi rally at the Sacramento capitol building in 2016. No platforming is most successful when a coalition of groups works together to shut down fascists. Organizers in Dresden reflect in their 2010 flier that alliances between groups are not yet strong enough to completely end the annual local Nazi march, and they call for more 3 Anti-Racist Action. n.d. “ARA Points of Unity.” ​ ​ https://480ara.blackblogs.org/ara-points-of-unity/ 4 cross-spectrum collaboration to shut down fascist coordination. In the manual When Hate Groups ​ Come to Town, the Center for Democratic Renewal states that building antifascist coalitions across ​ lines of race, class, and faith will be most successful in drawing attention to the presence and harm of fascists, and in developing comprehensive strategies to halt their organizing. ● Antifaschistische Aktion. Dresden Calling. Leaflet. Dresden, Germany, 2009. ​ ​ Location: Subject files. ● It’s Going Down!: Anarchist News & Practice Across So-Called North America, no. 1, ​ ​ ​ 2015. Location: Serials. ​ ​ ● Williams, Randall, and Lyn Wells, eds. When Hate Groups Come to Town: A ​ Handbook of Model Community Responses. Atlanta: Center for Democratic ​ Renewal, 1986. Location: Large pamphlets. ● Antifaschistische Aktion. Kampf dem Faschoaufmarsch. Poster. Berlin, Germany, ​ ​ [1990s?]. Location: Posters. ● Gemeinsam und Entschlossen den Naziaufmarsch blockieren! Leaflet. Bad Nenndorf, ​ Germany, 2012. Location: Subject files. ● Antifa Sacramento. Support the Antifascists: Who Shut Down the Nazi Rally in ​ Sacramento. Leaflet. Sacramento, CA, [2016]. Location: Subject files. ​ ● Turning the Tide 29, no. 1, 2017, Anti-Racist Action-Los Angeles/People Against ​ Racist Terror. Location: Newspapers. Series III: Cultural Organizing As If You Don’t They Will reminds us, “All social movements use cultural organizing, including ​ ​ white nationalism.”4 Culture and cultural spaces create community, build connections between people,
Recommended publications
  • Libertarian Marxism Mao-Spontex Open Marxism Popular Assembly Sovereign Citizen Movement Spontaneism Sui Iuris

    Libertarian Marxism Mao-Spontex Open Marxism Popular Assembly Sovereign Citizen Movement Spontaneism Sui Iuris

    Autonomist Marxist Theory and Practice in the Current Crisis Brian Marks1 University of Arizona School of Geography and Development [email protected] Abstract Autonomist Marxism is a political tendency premised on the autonomy of the proletariat. Working class autonomy is manifested in the self-activity of the working class independent of formal organizations and representations, the multiplicity of forms that struggles take, and the role of class composition in shaping the overall balance of power in capitalist societies, not least in the relationship of class struggles to the character of capitalist crises. Class composition analysis is applied here to narrate the recent history of capitalism leading up to the current crisis, giving particular attention to China and the United States. A global wave of struggles in the mid-2000s was constituitive of the kinds of working class responses to the crisis that unfolded in 2008-10. The circulation of those struggles and resultant trends of recomposition and/or decomposition are argued to be important factors in the balance of political forces across the varied geography of the present crisis. The whirlwind of crises and the autonomist perspective The whirlwind of crises (Marks, 2010) that swept the world in 2008, financial panic upon food crisis upon energy shock upon inflationary spiral, receded temporarily only to surge forward again, leaving us in a turbulent world, full of possibility and peril. Is this the end of Neoliberalism or its retrenchment? A new 1 Published under the Creative Commons licence: Attribution-Noncommercial-No Derivative Works Autonomist Marxist Theory and Practice in the Current Crisis 468 New Deal or a new Great Depression? The end of American hegemony or the rise of an “imperialism with Chinese characteristics?” Or all of those at once? This paper brings the political tendency known as autonomist Marxism (H.
  • We're Not Nazis, But…

    We're Not Nazis, But…

    August 2014 American ideals. Universal values. Acknowledgements On human rights, the United States must be a beacon. This report was made possible by the generous Activists fighting for freedom around the globe continue to support of the David Berg Foundation and Arthur & look to us for inspiration and count on us for support. Toni Rembe Rock. Upholding human rights is not only a moral obligation; it’s Human Rights First has for many years worked to a vital national interest. America is strongest when our combat hate crimes, antisemitism and anti-Roma policies and actions match our values. discrimination in Europe. This report is the result of Human Rights First is an independent advocacy and trips by Sonni Efron and Tad Stahnke to Greece and action organization that challenges America to live up to Hungary in April, 2014, and to Greece in May, 2014, its ideals. We believe American leadership is essential in as well as interviews and consultations with a wide the struggle for human rights so we press the U.S. range of human rights activists, government officials, government and private companies to respect human national and international NGOs, multinational rights and the rule of law. When they don’t, we step in to bodies, scholars, attorneys, journalists, and victims. demand reform, accountability, and justice. Around the We salute their courage and dedication, and give world, we work where we can best harness American heartfelt thanks for their counsel and assistance. influence to secure core freedoms. We are also grateful to the following individuals for We know that it is not enough to expose and protest their work on this report: Tamas Bodoky, Maria injustice, so we create the political environment and Demertzian, Hanna Kereszturi, Peter Kreko, Paula policy solutions necessary to ensure consistent respect Garcia-Salazar, Hannah Davies, Erica Lin, Jannat for human rights.
  • Traversing Borders (Univ of California, Riverside, 12 May 12)

    Traversing Borders (Univ of California, Riverside, 12 May 12)

    Traversing Borders (Univ of California, Riverside, 12 May 12) Riverside, CA - USA, May 12, 2012 Jeanette Kohl, University of California Riverside University of California, Riverside First Annual Art History Graduate Conference: "Traversing Borders" Saturday, May 12, 2012, 9 am - 5:30 pm at the California Museum of Photography (CMP) 3824 Main Street, Riverside CA. Keynote Speaker: Dr. Steve Hindle, W.M. Keck Foundation Director of Research, Huntington Library, San Marino CA Not very often, if ever, does academic scholarship fit neatly into the confines of a single label. Whether it crosses between disciplines or regional or temporal borders, most academic studies are more complex than they initially seem. The ‘Italian’Renaissance deals with a geographic region made up of independent city-states that were not, at the time, defined as a single region. Anthropologists in Latin America and Asia consider cultures that are inextricable from the multi- tude of others with which they traded for hundreds of years. Many musicians cite painters as influ- ences, and those painters may have been influenced by performance theory. Some crossover jumps outside the humanities even, with architects influenced by nature and artists by medicine and anatomy. It is the duplicity of these labels that we wish to address from different angles with “Traversing Bor- ders.” 9:00 – 9:30 am Registration 9:20 – 9:30 am Welcome address Harmony Wolfe and Erin Machado, Co-chairs of Traversing Borders Jeanette Kohl, Graduate Advisor, UC Riverside, History of Art 9:30 -
  • Alexander B. Stohler Modern American Hategroups: Lndoctrination Through Bigotry, Music, Yiolence & the Internet

    Alexander B. Stohler Modern American Hategroups: Lndoctrination Through Bigotry, Music, Yiolence & the Internet

    Alexander B. Stohler Modern American Hategroups: lndoctrination Through Bigotry, Music, Yiolence & the Internet Alexander B. Stohler FacultyAdviser: Dr, Dennis Klein r'^dw May 13,2020 )ol, Masters of Arts in Holocaust & Genocide Studies Kean University In partialfulfillumt of the rcquirementfar the degee of Moster of A* Abstract: I focused my research on modern, American hate groups. I found some criteria for early- warning signs of antisemitic, bigoted and genocidal activities. I included a summary of neo-Nazi and white supremacy groups in modern American and then moved to a more specific focus on contemporary and prominent groups like Atomwaffen Division, the Proud Boys, the Vinlanders Social Club, the Base, Rise Against Movement, the Hammerskins, and other prominent antisemitic and hate-driven groups. Trends of hate-speech, acts of vandalism and acts of violence within the past fifty years were examined. Also, how law enforcement and the legal system has responded to these activities has been included as well. The different methods these groups use for indoctrination of younger generations has been an important aspect of my research: the consistent use of hate-rock and how hate-groups have co-opted punk and hardcore music to further their ideology. Live-music concerts and festivals surrounding these types of bands and how hate-groups have used music as a means to fund their more violent activities have been crucial components of my research as well. The use of other forms of music and the reactions of non-hate-based artists are also included. The use of the internet, social media and other digital means has also be a primary point of discussion.
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War

    American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War

    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
  • The Kpd and the Nsdap: a Sttjdy of the Relationship Between Political Extremes in Weimar Germany, 1923-1933 by Davis William

    The Kpd and the Nsdap: a Sttjdy of the Relationship Between Political Extremes in Weimar Germany, 1923-1933 by Davis William

    THE KPD AND THE NSDAP: A STTJDY OF THE RELATIONSHIP BETWEEN POLITICAL EXTREMES IN WEIMAR GERMANY, 1923-1933 BY DAVIS WILLIAM DAYCOCK A thesis submitted for the degree of Ph.D. The London School of Economics and Political Science, University of London 1980 1 ABSTRACT The German Communist Party's response to the rise of the Nazis was conditioned by its complicated political environment which included the influence of Soviet foreign policy requirements, the party's Marxist-Leninist outlook, its organizational structure and the democratic society of Weimar. Relying on the Communist press and theoretical journals, documentary collections drawn from several German archives, as well as interview material, and Nazi, Communist opposition and Social Democratic sources, this study traces the development of the KPD's tactical orientation towards the Nazis for the period 1923-1933. In so doing it complements the existing literature both by its extension of the chronological scope of enquiry and by its attention to the tactical requirements of the relationship as viewed from the perspective of the KPD. It concludes that for the whole of the period, KPD tactics were ambiguous and reflected the tensions between the various competing factors which shaped the party's policies. 3 TABLE OF CONTENTS PAGE abbreviations 4 INTRODUCTION 7 CHAPTER I THE CONSTRAINTS ON CONFLICT 24 CHAPTER II 1923: THE FORMATIVE YEAR 67 CHAPTER III VARIATIONS ON THE SCHLAGETER THEME: THE CONTINUITIES IN COMMUNIST POLICY 1924-1928 124 CHAPTER IV COMMUNIST TACTICS AND THE NAZI ADVANCE, 1928-1932: THE RESPONSE TO NEW THREATS 166 CHAPTER V COMMUNIST TACTICS, 1928-1932: THE RESPONSE TO NEW OPPORTUNITIES 223 CHAPTER VI FLUCTUATIONS IN COMMUNIST TACTICS DURING 1932: DOUBTS IN THE ELEVENTH HOUR 273 CONCLUSIONS 307 APPENDIX I VOTING ALIGNMENTS IN THE REICHSTAG 1924-1932 333 APPENDIX II INTERVIEWS 335 BIBLIOGRAPHY 341 4 ABBREVIATIONS 1.
  • Antifa (United States)

    Antifa (United States)

    Antifa (United States) From Wikipedia, the free encyclopedia Jump to navigationJump to search An antifa sticker The Antifa (/ænˈtiːfə, ˈæntiˌfɑː/)[1] movement is a conglomeration of left wing autonomous, militant anti-fascist[7] groups in the United States.[11] The principal feature of antifa groups is their use of direct action.[12] They engage in varied protest tactics, which include digital activism, property damage, physical violence, and harassment against those whom they identify as fascist, racist, or on the far-right.[18] Conflicts are both online and in real life.[14] They tend to be anti-capitalist[19] and they are predominantly far-left and militant left,[20][12] which includes anarchists, communists and socialists.[25] Their stated focus is on fighting far- right and white supremacist ideologies directly, rather than through electoral means.[12] Contents • 1History o 1.1Terminology • 2Ideology and activities o 2.1Notable street protests and violence • 3Response • 4Hoaxes • 5See also • 6References • 7Bibliography • 8Further reading History Further information: Antifa movements Logo of Antifaschistische Aktion, the militant anti-fascist network in 1930s Germany that inspired the Antifa movement When Italian dictator Benito Mussolini consolidated power under his National Fascist Party in the mid-1920s, an oppositonal anti-fascist movement surfaced both in Italy and countries like the United States. Many anti-fascist leaders in the United States were syndicalist, anarchist, and socialist émigrés from Italy with experience in labor
  • Themen Und Analysen Gruppierungen Und Aktivitäten Bezirks- Und Regionalberichte Personen Und Locations

    Themen Und Analysen Gruppierungen Und Aktivitäten Bezirks- Und Regionalberichte Personen Und Locations

    Themen und Analysen Gruppierungen und Aktivitäten Bezirks- und Regionalberichte Personen und Locations Neonazis in Berlin & Brandenburg – eine Antifa-Recherche. Januar 2018 FIGHT#6 BACK Inhalt Von Antifas für Antifas 3 Potsdam 55 Interview mit Antifas 4 Cottbus 57 NPD Berlin 6 Frankfurt (Oder) 62 AfD Berlin 10 Barnim 65 Organisierte Neonazigewalt 19 Oberhavel 67 „Autonome Nationalisten Berlin“ 21 „Freie Kräfte“ im Nordwesten Brandenburgs 70 Die rassistische Mobilisierung in Berlin-Buch 22 Havelland 72 Charlottenburg-Wilmersdorf 25 Bruderschaften 74 Neonazistrukturen in Lichtenberg 28 RechtsRock made in Berlin 78 Marzahn-Hellersdorf 31 RechtsRock in Brandenburg 82 Treptow-Köpenick 33 Neonazis im Kampfsport in Berlin und Brandenburg 86 „Mahnwachen für den Frieden“ 36 Neonazis und Tattooläden 90 BÄRGIDA 39 Neonazilocations in Berlin und Brandenburg 93 „Der III. Weg“ 44 Personenregister 98 Die „Identitäre Bewegung Berlin-Brandenburg“ 47 Anschläge auf Geflüchtetenunterkünfte in Brandenburg 102 Rassistische Mobilisierung in Brandenburg 50 Anschläge auf Geflüchtetenunterkünfte in Berlin 104 AfD in Brandenburg 52 Editorial Die Fight Back ist eine Antifa-Recherchepublikation für Berlin und Als Fachblatt für die antifaschistische Praxis richtet sich die Fight Back Brandenburg. Sie portraitiert seit 2001 die Neonaziszene und rechte an alle, die sich mit den Erscheinungsformen der extremen Rechten Aktivitäten – zu Beginn nur in Form einiger Spotlights aus Berlin, gibt aktionistisch, wissenschaftlich, journalistisch und im Bildungsbereich die sechste Ausgabe auf über hundert Seiten einen detailierten Über- auseinandersetzen. Wir wollen diejenigen stärken, die tagtäglich von blick über die Region Berlin-Brandenburg. rechten Zumutungen betroffen sind und dagegen ankämpfen – in ihren Neben Bezirks- und Regionalberichten wird auf einzelne Gruppierun- Kiezen, auf ihren Dörfern, publizistisch wie juristisch, zivilcouragiert gen, Aktions- und Themenschwerpunkte detailierter eingegangen.
  • The Public Sphere on the Beach Hartley, John; Green, Joshua

    The Public Sphere on the Beach Hartley, John; Green, Joshua

    www.ssoar.info The public sphere on the beach Hartley, John; Green, Joshua Postprint / Postprint Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: www.peerproject.eu Empfohlene Zitierung / Suggested Citation: Hartley, J., & Green, J. (2006). The public sphere on the beach. European Journal of Cultural Studies, 9(3), 341-362. https://doi.org/10.1177/1367549406066077 Nutzungsbedingungen: Terms of use: Dieser Text wird unter dem "PEER Licence Agreement zur This document is made available under the "PEER Licence Verfügung" gestellt. Nähere Auskünfte zum PEER-Projekt finden Agreement ". For more Information regarding the PEER-project Sie hier: http://www.peerproject.eu Gewährt wird ein nicht see: http://www.peerproject.eu This document is solely intended exklusives, nicht übertragbares, persönliches und beschränktes for your personal, non-commercial use.All of the copies of Recht auf Nutzung dieses Dokuments. Dieses Dokument this documents must retain all copyright information and other ist ausschließlich für den persönlichen, nicht-kommerziellen information regarding legal protection. You are not allowed to alter Gebrauch bestimmt. Auf sämtlichen Kopien dieses Dokuments this document in any way, to copy it for public or commercial müssen alle Urheberrechtshinweise und sonstigen Hinweise purposes, to exhibit the document in public, to perform, distribute auf gesetzlichen Schutz beibehalten werden. Sie dürfen dieses or otherwise use the document in public. Dokument nicht in irgendeiner Weise abändern, noch dürfen By using this particular document, you accept the above-stated Sie dieses Dokument für öffentliche oder kommerzielle Zwecke conditions of use. vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an.
  • Medical Disinterestedness: an Archaeology of Scientificness and Morality in the Canadian Medical Profession

    Medical Disinterestedness: an Archaeology of Scientificness and Morality in the Canadian Medical Profession

    Medical Disinterestedness: An Archaeology of Scientificness and Morality in the Canadian Medical Profession by Helen Hyunji Kang M.Sc. (Public Health Sciences), University of Toronto, 2005 B.A.Sc. (Arts and Science), McMaster University, 2002 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of Sociology and Anthropology Faculty of Arts and Social Sciences © Helen Hyunji Kang 2013 SIMON FRASER UNIVERSITY Spring 2013 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Helen Hyunji Kang Degree: Doctor of Philosophy (Sociology) Title of Thesis: Medical Disinterestedness: An Archaeology of Scientificness and Morality in the Canadian Medical Profession Examining Committee: Chair: Dr. Stacy Pigg, Professor of Anthropology Dr. Cindy Patton Senior Supervisor Professor of Sociology Dr. Dany Lacombe Committee Member Professor of Sociology Dr. Zoë Druick Committee Member Associate Professor, School of Communication Dr. Lara Campbell Internal Examiner Associate Professor, Gender, Sexuality and Women’s Studies Dr. Nancy Tomes External Examiner Professor, Department of History SUNY Stony Brook University Date Defended/Approved: April 17, 2013 ii Partial Copyright Licence Abstract In this dissertation I consider the emergence of and the shifts in the scientific and moral standards in the Canadian medical profession, or what I call medical disinterestedness. I examine editorial content from medical journals as a discursive space in which professional norms are constituted.
  • Art As Resistance by Langer

    Art As Resistance by Langer

    Dokument1 21.10.1998 02:20 Uhr Seite 1 Bernd Langer Art as Resistance Placats · Paintings· Actions · Texts from the Initiative Kunst und Kampf (Art and Struggle) KUNST UND KAMPF KuK Gesch engl 20.10.1998 22:48 Uhr Seite 1 Art as Resistance Paintings · Placats · Actions · Texts from the Initiative Kunst und Kampf (Art and Struggle) KuK Gesch engl 20.10.1998 22:48 Uhr Seite 2 Die Deutsche Bibliothek - CIP-Einheitsaufnahme Langer, Bernd: Art as resistance : placats, paintings, actions, texts from the Initiative Kunst und Kampf (art and struggle) ; Kunst und Kampf / Bernd Langer. [Transl. by: Anti-Fascist Forum]. - 1. Engl. ed. - Gšttingen : Aktiv-Dr. und Verl., 1998 Einheitssacht.: Kunst als Widerstand <engl.> ISBN 3-932210-03-4 Copyright © 1998 by Bernd Langer | Kunst und Kampf AktivDruck & Verlag Lenglerner Straße 2 37079 Göttingen Phone ++49-(5 51) 6 70 65 Fax ++49-(5 51) 63 27 65 All rights reserved Cover and Design, Composing, Scans: Martin Groß Internet: http://www.puk.de interactive web-community for politics and culture e-Mail: [email protected] Translated by: Anti-Fascist Forum P.O. Box 6326, Stn. A Toronto, Ontario M5W 1P7 Canada Internet: http://burn.ucsd.edu/~aff/ e-Mail: [email protected] first English edition, November 1998 Langer, Bernd: Art as Resistance Paintings · Placats · Actions · Texts from the Initiative Kunst und Kampf Internet: http://www.puk.de/kuk/ e-Mail: [email protected] ISBN 3-932210-03-4 KuK Gesch engl 20.10.1998 22:48 Uhr Seite 3 Bernd Langer Art as Resistance Paintings · Placats · Actions · Texts from the Initiative Kunst und Kampf (Art and Struggle) Kunst und Kampf KuK Gesch engl 20.10.1998 22:48 Uhr Seite 4 Table of contents 5 Foreword Part 1 Chapter I .....................................................................................
  • The Contemporary Relevance of Protest Song Aileen Dillane, Martin

    The Contemporary Relevance of Protest Song Aileen Dillane, Martin

    Stand Up, Sing Out: The Contemporary Relevance of Protest Song Aileen Dillane, Martin J. Power, Amanda Haynes and Eoin Devereux Sound is an integral part of protest, and singing is a way for ordinary people, as well as amateur or professional musicians, to sonorously raise their voices in an appeal for justice. The intimate and sensuous activity of singing, in solo form or as part of a collective, has a power and persuasiveness beyond mere rhetoric. Because of music’s ubiquity, its presence in all cultures, and its fundamental ownership by all human beings, it is a medium and a performance act that is essentially recognisable, familiar, and translatable; therefore, it has the potential to reach across social and political divides, or, at the very least, reveal our shared humanity. Music, of course, is not intrinsically good or inherently utopian, even if, in making music – in musiking - people celebrate not only who they are, but also often who they hope to become (Small 1998: xi). Like any medium, music can be used for malign propaganda purposes. It can disinform, it can proselytise, it can incite, and it can exclude; singers, song texts and performance activities may, in fact, be part of the very systems that reproduce oppressive structures and behaviours (Turino 2008). But when singing is mobilized in order to counter injustice, to challenge inequality, to rise above hate and fear, to appeal against the normalisation of bigotry, racism, misogyny, homophobia, and a myriad of other anti-democratic, anti-human practices, then the power of song is revealed as affective, persuasive, ethical and hopeful.