Elizabeth Taylor 1932 – 2011
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INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9031073 Russian verse parody, 1815-1870: Literary and social functions Gribble, Lyubomira Deyanova Parpulova, Ph.D. -
Complete Product Catalogue
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The Following Full Text Is a Publisher's Version
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/134729 Please be advised that this information was generated on 2021-09-23 and may be subject to change. Computational Linguistics in the Netherlands Journal 4 (2014) 171-190 Submitted 06/2014; Published 12/2014 Gender Recognition on Dutch Tweets Hans van Halteren [email protected] Nander Speerstra [email protected] Radboud University Nijmegen, CLS, Linguistics Abstract In this paper, we investigate gender recognition on Dutch Twitter material, using a corpus con- sisting of the full Tweet production (as far as present in the TwiNL data set) of 600 users (known to be human individuals) over 2011 and 2012. We experimented with several authorship profiling techniques and various recognition features, using Tweet text only, in order to determine how well they could distinguish between male and female authors of Tweets. We achieved the best results, 95.5% correct assignment in a 5-fold cross-validation on our corpus, with Support Vector Regression on all token unigrams. Two other machine learning systems, Linguistic Profiling and TiMBL, come close to this result, at least when the input is first preprocessed with PCA. 1. Introduction In the Netherlands, we have a rather unique resource in the form of the TwiNL data set: a daily updated collection that probably contains at least 30% of the Dutch public tweet production since 2011 (Tjong Kim Sang and van den Bosch 2013). -
The Last Comedy
v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina tion's role in a vibrant and prosperous soci ety. It champions artists, business leaders and their gift of creativity. It brings profes The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession al development. -
Fall 2019 Pegasus Books
PEGASUS BOOKS FALL 2019 PEGASUS BOOKS FALL 2019 NEW HARDCOVERS THE KING’S WAR The Friendship of George VI and Lionel Logue During World War II Peter Conradi and Mark Logue Following the New York Times bestselling The King’s Speech, this eagerly anticipated sequel takes King George VI and his speech therapist Lionel Logue into the darkest days of World War II. The broadcast that George VI made to the British nation on the outbreak of war in September 1939—which formed the climax of the multi-Oscar-winning film The King’s Speech—was the product of years of hard work with Lionel Logue, his iconoclastic, Australian- born speech therapist. Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch’s side. The King’s War follows that relationship through the dangerous days of Dunkirk and the drama of D-Day to eventual victory in 1945—and beyond. Like the first book, it is written by Peter Con- radi, a London Sunday Times journalist, and Mark Logue, Lionel’s grandson, and again draws on exclusive material from the Logue Archive—the collection of diaries, letters, and other documents left by Lionel and his feisty wife, Myrtle. This gripping narrative provides a fascinating portrait of two men and their respective families—the Windsors and the Logues—as they together face the greatest chal- lenge in Britain’s history. PETER CONRADI is an journalist with the London Sunday Times. -
'Like an American, but Without a Gun'?: Canadian National Identity
. Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience. -
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending. -
The Cord Weekly (September 19, 2007)
The Cord WeeklyThe tie that binds since 1926 NOZUKAMANIA ANIMAL HOUSES? GLOBALIZATION Justin Nozuka makes An in-depth look into Greek Life at Global Studies matures into a x a stop at Wilf's ... PAGE 32 Laurier... PAGES 16-17 full department... PAGE 8 Volume 48 Issue 6 WEDNESDAY SEPTEMBER 19, 2007 www.cordweekly.com Student house broken into A residence on Regina St. becomes victim of theft LAURA CARLSON down like every half hour. Our NEWS EDITOR other roommate and his girlfriend were downstairs only 20 minutes Last Saturday, after attending a before that, so within that window get-together in an upstairs apart- of time, which was like 20 minutes, ment suite located on Regina Street they got into our place," saidPortz. North, a group of Laurier students Due to the fact that they were returned to their own five-bed- just upstairs and a key was needed room apartment, located within to gain entry, the group didn't think the same complex, as victims of a to lock the front door or the doors break and enter. to their own rooms - something Upon their intrusion at approxi- they typically do when they are not mately 11:00pm, the two male bur- in the building. glars stole five laptops, three wal- "If we're not in this [complex] lets, an iPod, two backpacks and we usually lock our doors, but all other personal belongings. of our doors were open or at least Chris Beech, one of the victims unlocked," said Portz. of the theft, and a third-year busi- The suspects entered the apart- ness student, expressed how taken ment through thewindow in Portz's aback he was after his roommate room, which was also not secured. -
57-06 Rogers Evening of Comedy
N E W S R E L E A S E Top comedians to headline Rogers Evening of Comedy at Laurier For Immediate Release September 14, 2007 57-06 Contact: Brian Breckles or Jessica Moran Director, Alumni Relations Manager, Community Relations Wilfrid Laurier University Rogers Communications Inc. (519) 884-0710 ext. 3174 (519) 894-8167 WATERLOO — Four outstanding Canadian comedians — Trevor Boris of MuchMusic’s Video On Trial, Debra DiGiovanni from NBC’s Last Comic Standing, Scott Harris of Montreal’s Just for Laughs festival, and the renowned Mike Bullard — are coming to Wilfrid Laurier University for the Rogers Evening of Comedy. The show is open to the public and takes place Saturday, September 22 at 7:30 p.m. in the Laurier Athletic Complex. “We have an outstanding line up of Canada’s top comedians all on one stage for a two-hour show that you won’t want to miss,” says Brian Breckles, Laurier’s alumni relations director. “They’ll put on a great show that will allow us to bring together the local community, Laurier students and alumni.” “Rogers is proud to partner with Laurier on such an exciting event,” says Susanna D’Arcy, regional president for Rogers Cable, Southwest Ontario. “Were looking forward to bringing the community together for an entertaining evening of laughter. ” Trevor Boris, a regular on MuchMusic’s Video On Trial, has performed in comedy festivals worldwide and is a two-time nominee for the Canadian Comedy Award. He was recently the first stand-up comic in over four years to make the cover of NOW Magazine, and was named in the magazine’s Top 10 Comedy Shows of 2006. -
Tthhheee Tttaaattttttooooo
A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years. -
Bloomsbury Children's
Bloomsbury Fall 2014 • September through December PICTURE AND BOARD BOOKS MIDDLE GRADE BOOKS SEPTEMBER SEPTEMBER A Chick ‘n’ Pug Christmas Dance Divas #4: Step It Up Super Sniffers Wake Up Missing Chick ‘n’ Pug Meet the Dude Magic in the Mix My Christmas Activity & Sticker Book Thursdays with the Crown My Snowman Activity & Sticker Book Secrets at the Chocolate Mansion Monkey Business OCTOBER The Quirks: Welcome to Normal Dragon’s Extraordinary Egg The Ellie McDoodle Diaries: Ellie for President Chick ‘n’ Pug Meet the Dude The Magic Half NOVEMBER The Frog Princess Herman’s Letter Dragon’s Breath Moo! Once Upon a Curse No Place For Magic DECEMBER OCTOBER I Love You Night and Day Penguin in Love Jim Henson’s Enchanted Sisters: Winter’s Flurry Adventure Urban Outlaws TEEN BOOKS The Fairy-Tale Matchmaker SEPTEMBER NOVEMBER Hostage Three Princess Ponies #5: An Amazing Rescue Crown of Midnight Princess Ponies #6: Best Friends Forever! Heir of Fire DECEMBER Beautiful Lies Dance Divas #5: On Pointe The Last Good Day of the Year Knightley and Son: K-9 Starry Nights A Breath of Frost Conjured DISTRIBUTION TITLES DECEMBER OCTOBER First Animal Encyclopedia: Seas & Oceans Not in the Script The Ghost of the Trenches and other stories The Fire Artist The National Archives: World War I Unclassified Whisper the Dead My Brother’s Keeper Chasing Power Dead Girls Don’t Lie NOVEMBER The Vanishing Game Broken The Driving Book Cover image from A Chick ‘n’ Pug Christmas by Jennifer Sattler For the most update-to-date Edelweiss catalog information, visit www.edelweiss.abovethetreeline.com BLOOMSBURY USA CHILDRENS • SEPTEMBER 2014 JUVENILE FICTION / ANIMALS / DUCKS, GEESE, ETC. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity.