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Visit Tanglewoods Neighbor . .
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Half our luxurious, contemporary units have been completed in and around the original
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Our sales agent is: country estate Reinholt Realty condominiums Main Street, Lenox (413) 637-1251 or
Main Street, Stockbridge (413) 298-3664. at Stockbridge Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc.
Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Vice-Chairman J. P. Barger, Vice -Chairman Mrs. John M. Bradley,
George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman
Vernon R. Alden Archie C. Epps Mrs. August R. Meyer
David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar
George H. A. Clowes, Jr. Francis W Hatch, Jr. Thomas D. Perry, Jr.
William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb
Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Richard P. Chapman Edward M. Kennedy Sidney Stoneman AbramT. Collier Albert L. Nickerson John L. Thorndike John T. Noonan Officers of the Corporation Thomas W Morris, Vice-President, Special Projects and Planning John Ex Rodgers, Assistant Treasurer Theodore A. Vlahos, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Mary Glenn Goldman, Assistant Clerk
Administration of the Boston Symphony Orchestra, Inc. Daniel R. Gustin, Acting General Manager Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. Vlahos, Director of Business Affairs
Helen P. Bridge, Director of Volunteers Marc Mandel, Publications Coordinator Vera Gold, Assistant Director of Promotion Richard Ortner, Administrator of Patricia Halligan, Personnel Administrator Tanglewood Music Center Nancy A. Kay, Director of Sales Nancy E. Phillips, Media and John M. Keenum, Director of Production Manager, Boston Foundation Support Symphony Orchestra James F. Kiley, Operations Manager, Charles Rawson, Manager of Tanglewood Box Office Nancy Knutsen, Assistant Manager, Eric Sanders, Director of Corporate Boston Pops Development Anita R. Kurland, Administrator of Joyce M. Serwitz, Assistant Director Youth Activities of Development Steven Ledbetter, Musicologist & Susan E. Tomlin, Director of Program Annotator Annual Giving
Programs copyright '1986 Boston Symphony Orchestra, Inc. Cover design by Wondriska Associates Inc. JOIN THE BSO FOR A SEASON OF GREAT MUSIC AT SYMPHONY HALL AND CARNEGIE HALL.
Subscribe now to the 1986-87 season!
Join Music Director Seiji Ozawa and the Boston Symphony Orchestra in Symphony Hall for a 23-week season of magnificent music. In addition, Ozawa and the BSO will present their traditional three-concert series at Carnegie Hall, featuring appearances by Mstislav Rostropovich and Krystian Zimerman.
Free brochures with complete program information for the BSO's Boston and New York seasons are available at the Tanglewood Main Gate, or call Symphony Hall, (617) 266-1492. Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman, Chairman
Avram J. Goldberg Mrs. Carl Koch Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary John Q. Adams Mrs. Thomas Gardiner Mrs. Hiroshi Nishino Mrs. Weston W. Adams Mrs. James G. Garivaltis Vincent M. O'Reilly Martin Allen Mrs. Ray A. Goldberg Stephen Paine, Sr. Mrs. David Bakalar Jordan L. Golding John A. Perkins Bruce A. Beal Joseph M. Henson Peter C. Read Peter A. Brooke Arnold Hiatt Robert E. Remis Mary Louise Cabot Mrs. Richard D. Hill Mrs. Peter van S. Rice
Mrs. C. Thomas Clagett, Jr. Susan M. Hilles David Rockefeller, Jr. James F. Cleary Glen H. Hiner John Ex Rodgers
John F. Cogan, Jr. Mrs. Marilyn Brachman Hoffman Mrs. Jerome Rosenfeld Mrs. Nat Cole Mrs. Bela T. Kalman Mrs. William C. Rousseau William H. Congleton Mrs. S. Charles Kasdon Mrs. William H. Ryan Arthur P. Contas Richard L. Kaye Gene Shalit Mrs. A. Werk Cook Robert D. King Mark L. Selkowitz Phyllis Curtin John Kittredge Malcolm L. Sherman A.V. d'Arbeloff Robert K. Kraft W Davies Sohier, Jr. Mrs. Michael H. Davis John P. LaWare Ralph Z. Sorenson
Mrs. Eugene B. Doggett Mrs. James F. Lawrence Mrs. Arthur I. Strang Harriett Eckstein Laurence Lesser William F. Thompson
Mrs. Alexander Ellis R. Willis Leith, Jr. Luise Vosgerchian Katherine Fanning Mrs. Charles P. Lyman Mrs. An Wang John A. Fibiger Mrs. Harry L. Marks Roger D. Wellington Kenneth G. Fisher Hanae Mori Mrs. Thomas H.P. Whitney Gerhard M. Freche Richard P. Morse Mrs. Donald B. Wilson Peter H.B. Frelinghuysen Mrs. Thomas S. Morse Brunetta Wolfman
Mrs. Thomas J. Galligan Mrs. Robert B. Newman Nicholas T. Zervas
Overseers Emeriti
Mrs. Frank G. Allen Mrs. Louis I. Kane Mrs. Stephen V.C. Morris Hazen H. Ayer Leonard Kaplan David R. Pokross Paul Fromm Benjamin H. Lacy Mrs. Richard H. Thompson
Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President
Mrs. R. Douglas Hall III Mrs. Carl Koch Executive Vice-President Treasurer
Mrs. Harry F. Sweitzer, Jr. Mrs. Gilman W Conant Secretary Nominating Chairman Vice-Presidents Mrs. Eugene B. Doggett, Development Services Mrs. BelaT. Kalman, Youth Activities Ms. Phyllis Dohanian, Fundraising Projects Mrs. Hart D. Leavitt, Regions Mrs. Craig W Fisher, Tanglewood Mrs. August R. Meyer, Membership Mrs. Mark Selkowitz, Tanglewood Ms. Ellen M. Massey, Public Relations
Chairmen of Regions Mrs. Thomas M. Berger Ms. Prudence A. Law Mrs. F.L. Whitney Mrs. Charles A. Hubbard Mrs. Robert B. Newman Mrs. Thomas H.P. Whitney
Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Norman Wilson Mrs. Thomas Walker Like you, we're unique.
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Brooks and Miss Mary Aspinwall Tap- simplified plans were still too expensive, pan offered Tanglewood, the Tappan and he finally wrote that if the Trustees family estate, with its buildings and 210 insisted on remaining within their acres of lawns and meadows, as a gift to budget, they would have "just a shed," Koussevitzky and the orchestra. The which "any builder could accomplish offer was gratefully accepted, and on without the aid of an architect." The
^5£S5 fl'fcE SYMPHONIC FESTlVM- R *f OE KOUSSEVITZKY - CONDUCTOR 'O f* '
A 1939 banner advertising that summer's Boston Symphony Tanglewood Festival •to*.
Drawing by Dough* McGregor People by Normjn Rockwell Since 1773
A great place to spend an overnight or enjoy a meal. Open every day
for luncheons and dinners. And . . . just a few minutes down the road on Main Street in the center of Stockbridge. The Red Lion Inn has catered to travelers and visitors since 1773.
Phone for reservations (413)298-5545 Fine Food and Lodging The Red Lbn Inn Since 1773. Stockbridge, Mass. 01262
CountryCurtains At the Red Lion Inn in Stockbridge, MA 413-298-4938
Country Curtains are a tradition . . . years of old-fashioned quality and conscientious service from Nantucket to Nob Hill. Curtains in cotton muslin or care
free permanent press . . . some with ruffles, others with fringe or lace trim. Also bedspreads, quilts, canopy covers, dust ruffles, pillow shams, kitchen and dining room accessories, pillows and dolls, wooden rods and much, much more! Visit our charming retail shop at the Red Lion Inn, in Stockbridge, Massachusetts or send for our free mail order catalog.
Monday through Wednesday 10 AM - 6 PM Thursday and Friday 10 AM - 8 PM Saturday 10 AM - 6 PM Sunday 12 Noon to 6 PM Trustees then turned to a Stockbridge in its second year under Artistic Director engineer, Joseph Franz, to make further Leon Fleisher, the Tanglewood Music simplifications in Saarinen's plans in Center looks forward to celebrating its order to lower the cost. The building first half-century of musical excellence that he erected remains, with modifica- in 1990. tions, to this day; it is still called simply The TMC was Koussevitzky 's pride "the Shed." The Shed was inaugurated and joy for the rest of his life. He assem- for the first concert of the 1938 festival. bled an extraordinary faculty in com-
It has echoed with the music of the position, operatic and choral activities, Boston Symphony Orchestra every and instrumental performance; he him- summer since, except for the war years self taught the most gifted conductors. 1942-45, and has become almost a place The school opened formally on 8 July of pilgrimage to millions of concert- 1940, with speeches (Koussevitzky, goers. By 1941, the Theatre-Concert alluding to the war then raging in Hall, the Chamber Music Hall, and Europe, said, "If ever there was a time several small studios— all part of what to speak of music, it is now in the New was then called the Berkshire Music World") and music, the first perform- Center, which had begun operations ance of Randall Thompson's Alleluia for the preceding year—were finished, and unaccompanied chorus, which had the festival had so expanded its activities been written for the ceremony and had and its reputation for excellence that it arrived less than an hour before the attracted nearly 100,000 visitors. event was to begin, but which made
Today, as it approaches its 50th such an impression that it has remained anniversary next summer, Tanglewood the traditional opening music each annually draws more than 300,000 summer. visitors; in addition to the concerts of The emphasis at the Tanglewood the Boston Symphony Orchestra, there Music Center has always been not on are weekly chamber music concerts, sheer technique, which students learn Prelude concerts and Open Rehearsals, with their regular private teachers, but the annual Festival of Contemporary on making music. Although the program Music, and almost daily concerts by the has changed in some respects over the gifted young musicians of the Tangle- years, the emphasis is still on ensemble wood Music Center. The Boston Pops performance, learning chamber music performs each summer as well. The with a group of talented fellow musi- season offers not only a vast quantity of cians under the coaching of a master- music but also a vast range of musical musician-teacher. Many of the pieces forms and styles, all of it presented with learned this way are performed in the a regard for artistic excellence that regular student recitals; each summer makes the festival unique. brings treasured memories of exciting performances by talented young profes- The Tanglewood Music Center sionals beginning a love affair with a Tanglewood is much more than a great piece of music. pleasant, outdoor, summer concert hall; The Tanglewood Music Center it is also the site of one of the most in- Orchestra performs weekly in concerts fluential centers for advanced musical covering the entire repertory under the study in the world. Here, the Tangle- direction of student conductors as well wood Music Center, which has been as members of the TMC staff and visitors maintained by the Boston Symphony who are in town to lead the BSO in its Orchestra ever since its establishment festival concerts. The quality of this (as the Berkshire Music Center) under orchestra, assembled for just eight the leadership of Serge Koussevitzky in weeks each summer, regularly as-
1940, provides a wide range of special- tonishes visitors. It would be impossible ized training and experience for young to list all the distinguished musicians musicians from all over the world. Now who have been part of that annual corps Remembrance of Things TanglewGDd...
The Glass House TANGLEWOOD'S DISTINCTIVE GIFT SHOP
MasterCard /VISA /American Express
LOCATED ATTHE MAIN GATE, TANGLEWOOD, LENOX, MA01240 (413)637-1600
Monday through Saturday: 10am to 4pm Friday and Saturday: 6pm to closing of the grounds Weeknight Theatre concerts: 7pm to closing of the grounds Sunday: 12 noon to closing of the grounds of young people on the verge of a profes- Seminar for Conductors. Beginning in sional career as instrumentalists, 1966, educational programs at Tangle- singers, conductors, and composers. wood were extended to younger stu-
But it is worth noting that 20% of the dents, mostly of high-school age, when members of the major orchestras in this Erich Leinsdorf invited the Boston Uni- country have been students at the versity School for the Arts to become Tanglewood Music Center, and that involved with the Boston Symphony figure is constantly rising. Orchestra's activities in the Berkshires. Today there are three principal pro- Today, Boston University, through its grams at the Tanglewood Music Center, Tanglewood Institute, sponsors pro- each with appropriate subdivisions. The grams which offer individual and en- Fellowship Program provides a demand- semble instruction to talented younger ing schedule of study and performance musicians, with ten separate programs for students who have completed most for performers and composers. of their training in music and who are Today, alumni of the Tanglewood awarded fellowships to underwrite their Music Center play a vital role in the expenses. It includes courses of study musical life of the nation. Tanglewood for instrumentalists, vocalists, conduc- and the Tanglewood Music Center, tors, and composers. The Tanglewood projects with which Serge Koussevitzky Seminars are a series of special instruc- was involved until his death, have be- tional programs, this summer including come a fitting shrine to his memory, a the Phyllis Curtin Seminar for Singers, a living embodiment of the vital, Listening and Analysis Seminar, and a humanistic tradition that was his legacy.
There are discoveries to be made
at every age. At 65, it's Williamstown.
A vital, active college town renowned for its theater festival, art museums and
spectacular natural beauty, Williamstown now has another reason for you to come.
Not just to visit, but to make your home here.
Sweetwood, the new continuing care residential community which is being built
in Williamstown, is precisely the home you've been looking for at this time in your
life. A cut above many residences of its genre, Sweetwood offers amenities so far
beyond expectation, it deserves your utmost consideration. Furthermore, it is
affiliated with Sweet Brook, the finest skilled nursing facility in The Berkshires. This
assures you that every health care need will be given superb attention.
Call 413-458-8371 to have a complimentary Sweetwood brochure sent to you immediately.
The new continuing care community Cold Spring Road Williamstown, MA 01267 413458-837 TANGLEWOOD LENOX, MASSACHUSETTS TANGLEWOOD INFORMATION
Ticket information for all Berkshire Festival events may be obtained at the desks at the Main Gate and at the Lion Gate or by calling 413-637-1940. Box office hours are from 10 a.m. to 6 p.m. Visa, MasterCard, and American Express are accepted.
Open Rehearsals by the Boston Symphony Orchestra are held each Saturday morning
at 10:30. Admission is $7.00 and the proceeds benefit the orchestra's Pension Fund.
The Lost and Found is in the superintendent's house near the Main Gate. Visitors who
find stray property may hand it to any Tanglewood official.
Rest rooms and pay phones may be located on the map opposite.
The First Aid station is near the Main Gate. Physicians expecting calls are asked to leave their names and seat numbers with the guide at the Main Gate.
Limited parking facilities are available for invalids and the physically handicapped. Please ask the parking attendants.
Latecomers will be seated only at the first convenient pause in the program. Those listeners who need to leave before the concert is over are asked to do so between works, and not during the performance.
No smoking, eating, or drinking in the Tanglewood Shed, please. Your cooperation is appreciated.
The use of recording equipment at Tanglewood is forbidden at all times.
Cameras: You are welcome to bring cameras to Tanglewood, but please refrain from taking pictures during the music since the click of shutters, the winding of film, and the flash annoy your neighbors and distract the musicians. Thank you for your understanding and your courtesy.
Please note: In consideration of our patrons and artists, children under four years of
age will not be permitted into the Shed or Theatre-Concert Hall for concerts. While all ages are admitted onto the lawn, everyone, including children, must pay full lawn admission price.
The Tanglewood Tent next to the Shed offers bar service and picnic space to Tent
members on concert days. Tent membership is a benefit available to donors through the Tanglewood Friends' Office.
Refreshments can be obtained in the area west of the Main Gate and at other locations on the grounds. Visitors are invited to picnic before concerts.
T-shirts, posters, beach towels, postcards, books, and other souvenirs are on sale in the Glass House next to the Main Gate. Glass House hours are from 10 a.m. to 4 p.m. Monday through Saturday; from 6 p.m. until the grounds close Friday and Saturday nights; from 7 p.m. Theatre concert nights; and from 12 noon on Sunday. Proceeds help sustain the Boston Symphony concerts at Tanglewood as well as the Tanglewood Music Center.
The Tanglewood Music Store, adjacent to the Glass House and operated by the Boston Symphony Orchestra, stocks sheet music and musical supplies, scores, music books, and recordings. Whenever available, records and cassettes will feature the repertory and artists heard at Tanglewood Festival concerts. The Tanglewood Music Store remains open for half an hour after the conclusion of each concert in the Shed.
Concerts of the Boston Symphony Orchestra and the Tanglewood Music Center are funded in part by the National Endowment for the Arts. CHESTERWGDD -.*,.-Hgg NEW ENGLAND
The Stockbridge, Mass. 1920s m summer BACH estate of Daniel Chester French, sculptor of the Lincoln Memorial. FESTIVAL Studio, mansion, BLANCHE HONECGER MOYSE, Artistic Director sculpture gallery, Italianate garden, nature walk and EIGHTEENTH FALL SEASON museum shop. Daily 10-5. May 1 though SEPTEMBER 23 - OCTOBER 12, 1986 October 31. Off Rte. For program and ticket information write 183, Stockbridge. A Property of the Na- THE BRATTLCBORO MUSIC CENTER, Box T tional Trust for 15 Walnut Street, Brattleboro, Vermont 05301 Historic Preservation. or call the Festival office, 802/257-4523.
Berkshire Artists Exclusively... /TlBERKSHIREI Ine publicIS THEATRE Repertory Performances Throughout the Summer Four Plays A Week Thursdays through In the center of Mondays Mill River, MA 01244 413-229-2018 Call 445-4634 (413) 20 min. from Stockbridge • Open Thurs.-Mon. Excite Your Imagination Lola & Lew Lehrman
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House for Sale: 100 Rooms. Inquire Within. K i ONLY ONE BOOK CAPTURES IT ALL. "The sumptuous times come brilliantly to life THE BERKSHIRE COTTAGES is the next best thing to being there. ' '" NEW YORK TIMES
$27.95 at Tanglewood Gift Shop or direct from i Cottage Press, Box 1265T, Englewood Cliffs, in NJ 0"632. =«*i :V= -*<* presents ANTONY and CLEOPATRA
Directed by Tina Packer
Outdoors on the Mainstage
Tuesdays through Sundays at 8 p.m. July 9 through August 31
BOX OFFICE The Mount 413-637-3353 Lenox, Massachusetts
IF YOU CANT BE HERE FOR THE CONCERTS... The weekend Tanglewood concerts are as close as your radio dial. Listen to WAMC-FM as it presents the igth year of live broadcasts from the music shed. WAIilC/90.3 PUBLIC RADIO FOR EASTERN NEW YORK AND WESTERN hIEW ENGLAND Memberships: Basic $25; Booster $50; Patron $250; Honor $500; Life $1000 WAMC-FM, Box 13000, Albany, New York. 12212 (518) 465-5233 Seiji Ozawa
summers beginning in 1964, and music director for four seasons of the Toronto Symphony Orchestra, a post he relin- quished at the end of the 1968-69 season. Seiji Ozawa first conducted the Boston Symphony in Symphony Hall in January 1968; he had previously appeared with the orchestra for four summers at Tangle- wood, where he became an artistic director in 1970. In December 1970 he began his inaugural season as conductor and music director of the San Francisco Symphony Orchestra. The music direc- torship of the Boston Symphony fol- lowed in 1973, and Mr. Ozawa resigned his San Francisco position in the spring The 1985-86 season is Seiji Ozawa's of 1976, serving as music advisor there thirteenth as music director of the for the 1976-77 season. Boston Symphony Orchestra. In the fall As music director of the Boston Sym- of 1973 he became the orchestra's thir- phony Orchestra, Mr. Ozawa has teenth music director since it was strengthened the orchestra's reputation founded in 1881. internationally as well as at home, begin- Born in 1935 in Shenyang, China, to ning with concerts on the BSO's 1976 Japanese parents, Mr. Ozawa studied European tour and, in March 1978, on a both Western and Oriental music as a nine-city tour of Japan. At the invitation child and later graduated from Tokyo's of the Chinese government, Mr. Ozawa Toho School of Music with first prizes in then spent a week working with the composition and conducting. In the fall Peking Central Philharmonic Orchestra; of 1959 he won first prize at the Inter- a year later, in March 1979, he returned national Competition of Orchestra Con- to China with the entire Boston Sym- ductors, Besangon, France. Charles phony for a significant musical and Munch, then music director of the cultural exchange entailing coaching, Boston Symphony and a judge at the study, and discussion sessions with competition, invited him to Tangle- Chinese musicians, as well as concert wood, where in 1960 he won the performances. Also in 1979, Mr. Ozawa Koussevitzky Prize for outstanding led the orchestra on its first tour devoted student conductor, the highest honor exclusively to appearances at the major awarded by the Tanglewood Music music festivals of Europe. Seiji Ozawa Center. and the Boston Symphony celebrated While working with Herbert von the orchestra's one-hundredth birthday Karajan in West Berlin, Mr. Ozawa came with a fourteen-city American tour in to the attention of Leonard Bernstein, March 1981 and an international tour to whom he accompanied on the New Japan, France, Germany, Austria, and York Philharmonic's spring 1961 Japan England in October/November that tour, and he was made an assistant same year. In August/September 1984, conductor of that orchestra for the 1961- Mr. Ozawa led the orchestra in an 62 season. His first professional concert eleven-concert tour including appear- appearance in North America came in ances at the music festivals of Edinburgh, January 1962 with the San Francisco London, Salzburg, Lucerne, and Berlin, Symphony Orchestra. He was music as well as performances in Munich, director of the Ravinia Festival for five Hamburg, and Amsterdam. This February he returned with the orchestra to Japan leben, Stravinsky's Le Sacre du printemps, for a three-week tour. Hoist's The Planets, and Mahler's Sym- Mr. Ozawa pursues an active inter- phony No. 8, the Symphony of a national career. He appears regularly Thousand. For CBS, he has recorded with the Berlin Philharmonic, the Or- music of Ravel, Berlioz, and Debussy chestre de Paris, the French National with mezzo-soprano Frederica von Radio Orchestra, the Vienna Philhar- Stade, the Mendelssohn Violin Concerto monic, the Philharmonia of London, with Isaac Stern, and, most recently, and the New Japan Philharmonic. His Strauss's Don Quixote and the Schoenberg/ operatic credits include Salzburg, Monn Cello Concerto with cellist Yo-Yo London's Royal Opera at Covent Gar- Ma. For Telarc, he has recorded the den, La Scala in Milan, and the Paris complete cycle of Beethoven piano Opera, where he conducted the world concertos and the Choral Fantasy with premiere of Olivier Messiaen's opera Rudolf Serkin. Mr. Ozawa and the St. Francis ofAssisi in November 1983. orchestra have recorded five of the Messiaen's opera was subsequently works commissioned by the BSO for its awarded the Grand Prix de la Critique centennial: Roger Sessions's Pulitzer 1984 in the category of French world Prize-winning Concerto for Orchestra premieres. Mr. Ozawa conducted the and Andrzej Panufnik's Sinfonia Votiva Boston Symphony Orchestra in the are available on Hyperion; Peter American premiere of scenes from Lieberson's Piano Concerto with soloist St. Francis ofAssisi this past April in Peter Serkin, John Harbison's Symphony
Boston and New York. No. 1, and Oily Wilson's Sinfonia are on Seiji Ozawa has won an Emmy for the New World records. For Angel/EMI, he Boston Symphony Orchestra's "Evening and the orchestra have recorded at Symphony" television series. His Stravinsky's Firebird and, with soloist award-winning recordings include Itzhak Perlman, the violin concertos of Berlioz's Romeo et Juliette, Schoenberg's Earl Kim and Robert Starer. Gurrelieder, and the Berg and Stravinsky Mr. Ozawa holds honorary Doctor of violin concertos with Itzhak Perlman. Music degrees from the University Other recordings with the orchestra of Massachusetts, the New England include, for Philips, Richard Strauss's Conservatory of Music, and Wheaton Also sprach Zarathustra and Ein Helden- College in Norton, Massachusetts.
MusicforAll Seasons/
All year long, Boston University's School of Music attracts gifted students from
all over the world. From fall to summer, in a setting that combines conservatory intensity with the riches of a liberal arts education, these students are guided to the highest levels of excellence by an exciting faculty led by Phyllis Curtin, famed soprano and Dean of the School for the Arts. During the summer, the University's Tanglewood Institute offers musicians of high school and college age a wide array of line programs in the Berkshire's
Boston University School of Music Tanglewood Institute
855 Commonwealth Avenue, Boston, Massachusetts 02215
617/353-424 1 Boston I fniversity is an equal opportunity institution. 1987 Tanglewood Schedule
Put your name on our mailing list.
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AND win a Box (eight seats) for a Tanglewood concert in 1987.
Coupon will be entered in a drawing for a free box of eight seats for a 1987 Tanglewood
concert of your choice (subject to availability). Please return coupon to: 1987 Tanglewood
Schedule, c/o Friends Office, Lenox, MA 01240. After September 1: 1987 Tangle- wood Schedule, c/o Development Office, Symphony Hall, Boston, iMA 02115.
Yes, please send me your 1987 Tanglewood Schedule and enter my name in the drawing for a free box next season.
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Telephone Violas Peter Hadcock Burton Fine E-flat Clarinet Charles S. Dana chair Bass Clarinet Patricia McCarty Craig Nordstrom Anne Stoneman chair, fully funded in perpetuity Bassoons Ronald Wilkison Sherman Walt Robert Barnes Edward A. Taft chair Jerome Lipson jRoland Small Bernard Kadinoff §Donald Bravo Music Directorship endowed by Joseph Pietropaolo Matthew Ruggiero John Moors Cabot Michael Zaretsky Contrabassoon Marc Jeanneret BOSTON SYMPHONY Richard Plaster Betty Benthin ORCHESTRA *Mark Ludwig Horns Charles Kavalovski 1985/86 *Roberto Diaz Helen Sagoff Slosberg chair First Violins Cellos Richard Sebring Malcolm Lowe Jules Eskin Daniel Katzen Concertmaster Philip R. Allen chair Jay Wadenpfuhl diaries chair Martha Babcock Munch Richard Mackey Max Hobart Vernon and Marion Alden chair Jonathan Menkis Acting Associate Concertmaster Mischa Nieland Helen Horner Mclntyre chair Esther S. and Joseph M. Shapiro chair Trumpets Arzewski Joel Moerschel Cecylia Charles Schlueter Acting Assistant Concertmaster Sandra and David Bakalar chair Roger Louis Voisin chair Robert L. Beal, and *Robert Ripley Andre Come Enid and Bruce A. Beal chair Luis Leguia Bo Youp Hwang Ford H. Cooper chair Robert Bradford Newman chair Charles Daval Edward and Bertha C. Rose chair Carol Procter Max Winder Peter Chapman Ronald Feldman John and Dorothy Wilson chair Trombones Harry Dickson *Jerome Patterson Ronald Barron Forrest Foster Collier chair "Jonathan Miller P. and Mary B. Barger chair, Gottfried Wilfinger J. *Sato Knudsen fully funded in perpetuity Fredy Ostrovsky Norman Bolter Dorothy Q. and David B. Arnold, Jr., Basses chair, fully funded in perpetuity Edwin Barker Bass Trombone Leo Panasevich Harold D. Hodgkinson chair Douglas Yeo Carolyn and George Rowland chair Lawrence Wolfe Tuba Sheldon Rotenberg Maria Stata chair, Chester Schmitz Muriel C. Kasdon ana fully funded in perpetuity Margaret and William C. Marjorie C. Paley chair Hearne Joseph Rousseau chair Alfred Schneider Bela Wurtzler Raymond Sird Timpani Leslie Martin Everett Firth Ikuko Mizuno Salkowski John Sylvia Shippen Wells chair Amnon Levy John Barwicki Percussion Second Violins *Robert Olson Charles Smith Marylou Speaker Churchill *James Orleans Peter and Anne Brooke chair Fahnestock chair Vyacheslav Uritsky Flutes Arthur Press Assistant Timpanist Charlotte and Irving W. Rabb chair Doriot Anthony Dwyer Ronald Knudsen Walter Piston chair Thomas Gauger Joseph McGauley Fenwick Smith Frank Epstein Myra and Robert chair Leonard Moss Kraft Leone Buyse Harp *Michael Vitale Ann Hobson Pilot Piccolo *Harvey Seigel Willona Henderson Sinclair chair *Jerome Rosen Lois Schaefer Evelyn and C. Charles Marran chair *Sheila Fiekowsky Personnel Managers {Gerald Elias Oboes William Moyer Ronan Lefkowitz Ralph Gomberg Harry Shapiro Mildred B. Remis chair *Nancy Bracken Wayne Rapier Librarians *Jennie Shames Marshall Burlingame Alfred Genovese *Aza Raykhtsaum William Shisler *Lucia Lin English Horn James Harper §Julius Schulman Laurence Thorstenberg Phyllis Knight Beranek chair, Stage Manager §Joseph Conte fully funded in perpetuity Position endowed In/
Angelica I loud CUtgett 'Participating in a system rotated Clarinets of Alfred Robison seating within each string section Harold Wright %On sabbatical leave Ann S.M. Banks chair Stage Assistant ^Substituting, Tanglewood 1986 Thomas Martin Harold Harris References furnished request
Aspen Music Festival Liberace Burt Bacharach Panayis Lyras David Bar-Man Marian McPartland Leonard Bernstein Zubin Mehta Bolcom and Morris Metropolitan Opera Jorge Bolet Mitchell-Ruff Duo Boston Pops Orchestra Seiji Ozawa Boston Symphony Orchestra Philadelphia Orchestra Brevard Music Center Andre Previn Dave Brubeck Ravinia Festival David Buechner Santiago Rodriguez Chicago Symphony Orchestra George Shearing Cincinnati May Festival Abbey Simon Cincinnati Symphony Orchestra Georg Solti Aaron Copland Tanglewood Music Center Denver Symphony Orchestra Michael Tilson Thomas Ferrante and Teicher Beveridge Webster Natalie Hinderas Earl Wild Interlochen Arts Academy and John Williams National Music Camp Wolf Trap Foundation for Billy Joel the Performing Arts Gilbert Kalish Yehudi Wyner Ruth Laredo Over 200 others Baldwin w
A Tradition ': : '- \- : since F907 - 1 Berlflhfle |§hool Route 41 Sheffield, Mass* 90 Church St., Lenox, 637-2640 A collejge preparatory coeducational Lunch, Dinner, Sunday Brunch boarding/day school After-Concert Menu Fri./Sat. p.m. ". ' i — ,. . iln ii Momiji berkshire ^ record Gallery outlet Fine Japanese £0ft inc. Woodblock Prints Summer 1986 Exhibitions A Vast Selection of BARGAIN PRICED July - Meiji Period Prints August - Contemporary Japenese Prints Closeouts & Overrun L.P.'s & Cassettes Gallery Hours: Plus- Major Labels at Substantial Discounts. Wed. thru Sat. 10-4 428 Pittsfield-Lenox Rd. Sunday 10-2 Other times by appt. Lenox, Mass. 01240 413-637-2415 Located on Seekonk Road ,Great Barrington Take Taconic Ave. (off Rt. 7 at St. James Church in Stop in or Write & Let Us Put You on Our Gr. Barr.) past Simons Rock 1/4 mile to Seekonk Rd. Mailing List. on left. Go up hill to 1st house on right. (413) 528-4865 11:30-5:30 Mon.-Sat. A. i. (Ger. A; Fr. and It. la.) The RESTAURANT sixth tone in the typical diatonic scale & of C-major. The tone a 1 (see Pitch, Spnwf MOTOR INN absolute) is that sounded by the oboe or other fixed-tone instr. (pfte., organ) to give the pitch for the other instr.s Open for every meal every day the year of the orchestra or military band. 'round. Entertainment in our lounge on weekends. AAA and Mobil Guide In printing, as in music, quality rated. there are those who set the tone and operated by the Grosso Owned by which others are measured. Family for over 50 years. US Rte. 7 Halfway between Pittsfield and Williamstown. The Studley Press New Ashford, Mass. 01237 Motor Inn 413 458 5945 Restaurant 413 458 3465 I) A I, T () N , M A S S A ( II t S I T T S Pillow August 30 June 22 to WP^rSiEtmapping 'tstu No« we're The 54th Danish Ba«et The Boyal Annual Brawn Company Dance Trisha Festival Flamenco antbt and more'. ^wance/n America." Meccaof dan^ hub & mgaZine 3-243-0745 -Hie ^ ^^ at 41 CAREFREE COUNTRY LIVING ON A MAGNIFICENT BERKSHIRE ESTATE OLDBROOKE ~RANWEH Sef among the trees bordering the Cranwell golf course. Coldbrooke Village condominiums are an extension of a charming turn-of-the-century way of life with a modern touch. These are the only residential/golf course dwellings in the Berkshires — 164 of them over the next four years — either individual villas or multiple town houses, all carefully designed and luxuriously appointed. Enjoy access to all the Cranwell resort facilities. plus all the cultural and recreational activities of the Berkshires. Lenox. MA 01240 Tel: (413) 637-2580 Call us for details and/or a personal tour. Mon.- Fri.. weekends by appointment. A Brief History of the Boston Symphony Orchestra For many years, philanthropist, Civil renamed first "Popular" and then War veteran, and amateur musician "Pops," fast became a tradition. Henry Lee Higginson dreamed of found- During the orchestra's first decades, ing a great and permanent orchestra in there were striking moves toward expan- his home town of Boston. His vision sion. In 1915, the orchestra made its first approached reality in the spring of 1881, transcontinental trip, playing thirteen and on 22 October that year the Boston concerts at the Panama-Pacific Exposi- Symphony Orchestra's inaugural concert tion in San Francisco. Recording, begun took place under the direction of con- with RCA in the pioneering days of ductor Georg Henschel. For nearly 1917, continued with increasing fre- twenty years, symphony concerts were quency, as did radio broadcasts of con- held in the old Boston Music Hall; certs. The character of the Boston Sym- Symphony Hall, the orchestra's present phony was greatly changed in 1918, home, and one of the world's most when Henri Rabaud was engaged as highly regarded concert halls, was conductor; he was succeeded the follow- opened in 1900. Henschel was succeed- ing season by Pierre Monteux. These ed by a series of German-born and appointments marked the beginning of -trained conductors—Wilhelm Gericke, a French-oriented tradition which would Arthur Nikisch, Emil Paur, and Max be maintained, even during the Russian- Fiedler—culminating in the appoint- born Serge Koussevitzky's time, with ment of the legendary Karl Muck, who the employment of many French-trained served two tenures as music director, musicians. 1906-08 and 1912-18. Meanwhile, in July The Koussevitzky era began in 1924. 1885, the musicians of the Boston Sym- His extraordinary musicianship and phony had given their first "Prom- electric personality proved so enduring enade" concert, offering both music and that he served an unprecedented term refreshments, and fulfilling Major Hig- of twenty-five years. ginson's wish to give "concerts of a In 1936, Koussevitzky led the or- lighter kind of music." These concerts, chestra's first concerts in the Berkshires, soon to be given in the springtime and and a year later he and the players took The first photograph, actually a collage, of the Boston Symphony Orchestra under Georg Henschel, taken 1882 . Imagine . . SOUTH POND FAR Just ten minutes from Tanglewood on Richmond Pond. Condominiunis starting at $185,000. U36 Barker Road, Pittsfield, Massachusetts Tel. 413 443-3330 — up annual summer residence at Tangle- American and world premieres, made wood. Koussevitzky passionately recordings for Deutsche Grammophon shared Major Higginson's dream of "a and RCA, appeared regularly on tele- good honest school for musicians," and vision, led the 1971 European tour, and in 1940 that dream was realized with the directed concerts on the east coast, in founding at Tanglewood of the Berk- the south, and in the mid-west. shire Music Center (now called the Seiji Ozawa, an artistic director of the Tanglewood Music Center), a unique Tanglewood Festival since 1970, became summer music academy for young the orchestra's thirteenth music director artists. in the fall of 1973, following a year as Expansion continued in other areas as music adviser. Now in his thirteenth well. In 1929 the free Esplanade concerts year as music director, Mr. Ozawa has on the Charles River in Boston were continued to solidify the orchestra's inaugurated by Arthur Fiedler, who had reputation at home and abroad, and his been a member of the orchestra since program of centennial commissions 1915 and who in 1930 became the from Sandor Balassa, Leonard Bern- eighteenth conductor of the Boston stein, John Corigliano, Peter Maxwell Pops, a post he would hold for half a Davies, John Harbison, Leon Kirchner, century, to be succeeded by John Will- Peter Lieberson, Donald Martino, iams in 1980. The Boston Pops celebrated Andrzej Panufnik, Roger Sessions, Sir its hundredth birthday in 1985 under Michael Tippett, and Oily Wilson—on Mr. Williams's baton. the occasion of the orchestra's hun- Charles Munch followed Kousse- dredth birthday has reaffirmed the vitzky as music director in 1949. Munch orchestra's commitment to new music. continued Koussevitzky's practice of Under his direction, the orchestra has supporting contemporary composers also expanded its recording activities to and introduced much music from the include releases on the Philips, Telarc, French repertory to this country. During CBS, Angel/EMI, Hyperion, and New his tenure, the orchestra toured abroad World labels. for the first time, and its continuing From its earliest days, the Boston series of Youth Concerts was initiated. Symphony Orchestra has stood for Erich Leinsdorf began his seven-year imagination, enterprise, and the highest term as music director in 1962. Leinsdorf attainable standards. Today, the Boston presented numerous premieres, re- Symphony Orchestra, Inc., presents stored many forgotten and neglected more than 250 concerts annually. At- works to the repertory, and, like his two tended by a live audience of nearly 1.5 predecessors, made many recordings million, the orchestra's performances for RCA; in addition, many concerts are heard by a vast national and inter- were televised under his direction. national audience through the media of Leinsdorf was also an energetic director radio, television, and recordings. Its of the Tanglewood Music Center, and annual budget has grown from Higgin- under his leadership a full-tuition fellow- son's projected $115,000 to more than ship program was established. Also $20 million, and its preeminent position during these years, the Boston Sym- in the world of music is due not only to phony Chamber Players were founded, the support of its audiences but also to in 1964; they are the world's only perma- grants from the federal and state govern- nent chamber ensemble made up of a ments, and to the generosity of many major symphony orchestra's principal foundations, businesses, and individu- players. als. It is an ensemble that has richly William Steinberg succeeded Leins- fulfilled Higginson's vision of a great dorf in 1969. He conducted several and permanent orchestra in Boston. Music to your mouth. Lobster pic, crisp native duck- ling, prime ribs, baked Indian pudding, grasshopper pic. Our heart) Yankee fare and libations taste as good as they sound. At The Publick House, traditions of cooking and hospitality go back about as far as symphonic ones. Why, we were feeding hungry travellers before Beethoven had his first birthday! We invite you to partake of dinner en route to Tanglewood, or supper on your way home. We're located only a few minutes (and two centuries) from the Massachusetts Turnpike and 1-84. So break your journey bv breaking bread with us. Buddv Adler [nnkeeper Publick House On the Common -Sturbridge. MA (617) 3-17-3313. Exit 9 Mass.Tpke. or Exit 3 for 1-84. PLAZA 600 AT LENOX 600PITTSFIELD-LENOX ROAD, LENOX,MA. cBROTHERSHIPffi, ^EBA Updated,Traditional Men's and Women's Clothing. 4437679 mis (gfei y£m "TOP OF THE TABLE GOODS AT UNDER THE TABLE PRICES V GESSmSEESHESmm J fi Best of the Berkshires fitness Phase I SOLD OUT center tennis golf Now Selling Phase II swimming pool boating hiking minutes toTanglewood and skiing 2,3 and 4 bedroom condominiums starting at $149,900 Visit our decorated models. Sales center (413)499*0900 Directions: Rt.7 to Lake Pontoosuc , turn at Hancock Rd., follow signs to LAKECREST l>ni es Hibjet i li m hange «"!" h r» !" e . The Clear Choice In Retirement Living Is Kimball Farms at Lenox The Guarantee of Lifelong On-Site Quality Health Care The Services That Free Your Time . . The Choices To Make The Most Of It The Financial Security Of 90% Refundability The Quality Of Life That You So Richly Deserve You are personally invited to experience the revolutionary concept in full-service life care retirement living. Kimball Farms at Lenox features the care, comfort, amenities and opportunities never before available in such a satisfying New England setting. Visit our Information Center in the Curtis Hotel before or after the concert, call or write us for more information. If you live outside the Berkshire Hills, call us collect. KIMBALL FARM! at LENOX The Curtis Hotel 4 Main Street Lenox, Mass. 01240 CALL COLLECT (413) 637-9880 v&Rw ronoque for the Privileged Few Oronoque Restoration lovingly combines the elegance of the past with the luxury of the present. Located on one of the most prestigious and convenient roads in Stockbridge, allowing its residents the opportunity to enjoy the total privacy and peace of the unequaled country set- ting, while being in the cultural heart of the Berkshires. Both the restoration and new construction in- clude the latest in modern appointments. The estate features an Olympic (size) swimming pool and tennis courts. These magnificent condominiums are availa- ble in both two and three bedroom units starting at $300,000.00. Visit Wheeler and Taylor Real- tors at the sales office located on the premises or call (413) 298-5584. ronoaua C ON DO M I NI/U MS AT PROSPECT HIL STOCKBRIDGE, MASSACHUSETTS His CbncernWas How To Manage His Wfeallh. At Shawmut, we understand that no current tax liability. the obvious answer may not always We know what you're thinking be the best one. And that's precisely right now. A Shawmut banker is our approach to personal financial the one to talk to when it comes to planning. meeting your finan- Take the man in cial objectives. this ad and his love So, stop into your of antiques. nearest Shawmut With a loan from office. Or if you pre- Shawmut, he pur- fer, call us at 1-800- chased an 18th Cen- SHAWMUT for your tury chair. free Shawmut Guide Which now To Personal Finances. sits quietly appreciating Shawmut in value with LookTo Us For Direction. Tangtewqpd i 8 Thursday, 28 August at 8:30 BILL CROFUT & BENJAMIN LUXON 'American and British Songs" Owing to the spontaneous nature of the concert, the program will be announced from the stage. Week 10 COLLECTOR z^mui^rmfiff^1 A source for English antiques and decorative furniture A selection of quilts, rugs and stuffed animals from The Gazebo of New York OPEN DAILY TEL (413) 637-3382 83 Church Street, Lenox, Mass. 01240 Tanglewood 8 Weekend Prelude Friday, 29 August at 7 CAROL VANESS, soprano WARREN JONES, piano HANDEL "Rejoice greatly/' from Messiah "Di', cor mio," from Alcina "Let the bright Seraphim," from Samson ROSSINI from Les Soirees musicales La promessa L'orgia L'invito La pastorella delle Alpi La danza TURINA Tres poemas, Opus 81 Olas gigantes Tu pupila es azul Besa el aura Baldwin piano Week 10 Notes Despite his German birth and his adoption of English citizenship, Handel (1685-1759) was, in terms of musical style, primarily an Italian composer. The years he spent in Rome (ca. 1706- 1710) in the service of Marquis Francesco Ruspoli proved seminal in his art, for he fully absorbed the vocality and lyricism of Italian music, even instrumental genres (in which he learned much from Corelli), and he employed it above all in doz- ens of works that caress and embellish and display the human voice to its best advan- tage. Few composers have loved the voice so much as Handel, and few have brought to that love such resources of musical imagination and expression. Whether compos- ing Italian cantatas or operas, English church anthems or oratorios, the predilection for the human voice remained part and parcel of Handel's style. 4 — .^- ' raw Handel composed both Messiah and Samson in an extraordinary burst of creative energy between 22 August and 29 October 1741. Both are among his supreme achieve- ments, the former contemplative in character, the other dramatic. Both contain so- prano arias that have never been out of singers' repertories: "Rejoice greatly" comes near the end of Part I of Messiah and exists in alternate versions in 4/4 and 12/8 time. "Let the bright Seraphim" immediately precedes the concluding chorus of Samson and calls upon all the heavenly choirs to celebrate the glory of the late hero. Alcina, derived from Ariosto's Orlando furioso, was Handel's last great operatic success, given eighteen times in succession after its premiere in April 1735. (There was a scandal of sorts connected with the opera, in the revealing costume worn by the French dancer Marie Salle. The audience was outraged and came to hiss her later performances; she never appeared in England again.) But opera was, for the time, a dying art in England. Expensive Italian singers made it financially unfeasible, and general audiences discov- ered that they preferred to hear Handel set English words in his oratorios. As a result, Alcina has suffered the fate of most of Handel's operas in our time—all but oblivion, despite its wealth of magnificent music. Alcina, in Ariosto's tale and Handel's libretto, was a powerful sorceress who could fool men into thinking that she was ravishingly beautiful and lived in a magnificent palace. Early in the opera she has, with her wiles, captivated the hero Ruggiero, whose fiancee, the warrior maid Bradamante, has come to search for him with the assistance of a friend, Melisso. The ship of Bradamante and Melisso has been driven ashore on an inhospitable, craggy landscape which suddenly (owing to Alcina's powers) turns into the palace and gardens. Alcina appears with the entranced Ruggiero, who does not recognize Bradamante. The newcomers do not yet reveal their identity, but they ask Alcina's permission to remain in her realm until the seas are calmer. She replies graciously, asking Ruggiero to give them a tour of her palace, to "let them see where, in friendly shade, we shyly discovered the flame of a mutual love." Song composition was never a major preoccupation of Italian opera composers in the nineteenth century; they were too busy writing for the stage, which was far more lucrative and more likely to lead to fame. Gioacchino Rossini's best-known songs, contained in a set called Les Soirees musicales, were all composed in the early 1830s, after he had so suddenly and mysteriously given up operatic composition forever NEW GIFT CATALOGUE COMING IN THE FALL OF 1986 Tangtewqpd Treasures FROM THE GLASS HOUSE Our beautiful new full-color catalogue of memorabilia from the famous Glass House shop will feature Tanglewood and BSO sportswear, elegant gifts, musical items, recordings, and artwork. Exciting new gift items include the first in the Tanglewood Music Series of collector plates by Bovano of Cheshire. The series, exclusively crafted for Tanglewood, will feature a different musical instrument motif each year. For the serious collector, artist Leonard Weber has captured the spirit of Tanglewood in a limited edition print, the "Tanglewood Townscape." In addition, two of the most requested Tanglewood posters (The Violin by William Ward Beecher and the Tanglewood Tree by Lois Novacek) have been reproduced and will be available only through the Tanglewood Treasures catalogue. Best of all, Friends of Tanglewood and Friends of the BSO are entitled to a 10% discount on all merchandise ordered through the catalogue! If you would like to keep the memory of Tanglewood with you all year long, please send $ 1.00 along with the following coupon. We will forward your premiere copy of Tanglewood Treasures after it is printed in October 1986. YES! Please send me your brand new catalogue Tanglewood Treasures. I have enclosed $ 1.00 to cover postage and handling. . Please send me information on becoming a Friend of Tanglewood so that I, too, can qualify for a 10% discount on merchandise ordered through the Tanglewood Treasures catalogue. NAME ADDRESS TANGLEWOOD TREASURES From The Glass House P.O. Box 1794 Tanglewood Treasures Lenox, Massachusetts 01240 FROM THE GLASS HOUSE £x* even though he was only in his late thirties and had more than half his life yet before him. Rossini (1792-1867) chose his texts from poets old and new; about half the songs in the Soirees musicales (including "La promessa") were to poems by Pietro Metastasio, the eighteenth-century Viennese court poet who had created libretti to dozens of operas (and whose opera texts were set time and time again by different composers throughout the century). The others are to texts of Count Carlo Pepoli, a Bolognese nobleman contemporary with Rossini, who also wrote the libretto for Bellini's I puritani. Rossini's songs are, quite naturally, utterly Italian in style, with emphasis always on the voice. In character and shape they differ little from passages to be found in Rossini's operas. Joaquin Turina (1882-1949) was born in Seville and undertook most of his musical training there. He journeyed to Madrid at the age of seventeen with a completed Biblical opera under his arm. Needless to say the Teatro Real was not interested, but an acquaintance with Manuel de Falla turned into a lifelong friendship. In Madrid he began to feel the stirrings of nationalist passions. He moved to Paris in 1906, studied with d'Indy at the Schola cantorum, and absorbed the influence of Debussy. By 1914, Turina had become one of the most highly regarded Spanish composers. His output included operas and zarzuelas, a handful of orchestral works, several chamber pieces, and many piano compositions and songs. Unlike the other major Spanish nationalist composers, Turina also sought to compose in the traditional European forms; he is, for example, the only one of the group to have written a symphony. His music is subtly elegant, marked by grace and frequently by humor. Much of his music is Andalusian in character, drawing upon rhythms and melodic types of his native Seville. The Tres poemas are among his last songs. —Steven Ledbetter HANDEL: Three Arias Rejoice greatly Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem: behold, thy King cometh unto thee: he is the righteous Saviour, and he shall speak peace unto the heathen. Di', cor mio Di', cor mio, quanto t'amai, Tell, dear heart, how much I loved you, mostra il bosco, il fonte, il rio, show the grove, the spring, the brook, dove tacque e sospirai, where I was silent but for my sighing, pria di chiederti merce. before asking your pity; Dove fisse ne' miei rai, where, gazing into my eyes, sospirando, al sospir mio, you, sighing to my sighs, mi dicesti con uno sguardo told me with a glance: peno, ed ardo al par di te. "I suffer and burn as much as you." Let the bright Seraphim Let the bright Seraphim in burning row Their loud, uplifted angel-trumpets blow. Let the Cherubic host, in tuneful choirs, Touch their immortal harps with golden wires. Week 10 ROSSINI: from Les Soirees musicales La promessa (Canzonetta) The Promise (Canzonet) Ch'io mai vi possa lasciar d'amare, That I could ever stop loving you, no, nol credete, pupille care; no, don't believe it, dearest eyes; nemmeno per gioco v'ingannero. not even in jest would I deceive you. Voi sole siete le mie faville, You alone are my spark, e voi sarete, care pupille, and you, dear eyes, shall be il mio bel foco sin ch'io vivro. my radiant fire as long as I live. —Pietro Metastasio L'orgia (Arietta) The Orgy (Arietta) Amiamo, cantiamo le donne e i liquor, Let's love, let's sing women and drink! gradita e la vita fra Bacco ed Amor! Life is pleasant 'twixt Bacchus and Cupid! Se Amor? ho nel core, ho il vin nella If I have love in my heart and wine in testa, my head, che gioia, che festa, che amabile what joy, what celebration, what amiable ardor! ardor! Amando, scherzando, trincando liquor, Loving, jesting, drinking liquor, m'awampo, mi scampo da noie e dolor. I burn, I escape boredom and grief. Cantiam gradita e la vita fra Bacco ed Let's sing: life is pleasant 'twixt Amor! Bacchus and Cupid! Danziamo, cantiamo, alziamo il bicchier, Let's dance, sing, and lift the glass, ridiam, sfidiam i tristi pensier, let's laugh and chase away sad thoughts, amando, scherzando, trincando liquor, loving, jesting, drinking liquor, m'awampo, mi scampo da noie e dolor, I burn, I escape boredom and grief. gradita e la vita fra Bacco ed Amor! Life is pleasant 'twixt Bacchus and Cupid! Fresh Furniture BUTCHER BLOCK • TEAK S OCTOBER WOOD p COMPANY\3^ Super Stop & Shop Plaza / 660 Merrill Rd., Pittsfield, MA Open Mon.-Fri. 10-9, Sat. 10-7, Sun. 12-6 / 442-1525 . . . . 1R3& Regina divina la madre d'Amor Divine queen, mother of Cupid, giuliva rinnova, rinnova ogni cor; gaily renews, renews every heart; balzante spumante con vivo bollor leaping, sparkling with lively passion e il vino divino del mondo signor. is the divine wine, lord of the world. Gia ballo, traballo, che odor, che I wobble, I totter, what bouquet, what vapor! vapor! si beva, ribeva con sacro furor. One drinks and drinks again in holy frenzy. Cantiam la vita e compita fra Bacco Let's sing: Life is fulfilled 'twixt ed Amor! Bacchus and Cupid! —Carlo Pepoli Uinvito (Bolero) The Invitation (Bolero) Vieni, o Ruggiero, la tua Eloisa Come, Ruggiero, your Eloise da te divisa non pud restar: cannot remain separated from you: alle mie lacrime gia rispondevi, you responded once already to my tears, vieni, ricevi il mio pregar. come, now, and receive my prayers. Vieni, o bell'angelo, vien mio diletto, Come, oh fair angel, come my delight, sovra il mio petto vieni a posar! come rest on my bosom! Senti se palpita, se amor t'invita . . Feel how it beats, how love invites you vieni, mia vita, vien, fammi spirar. come, my life, come, that I may breathe again. —Carlo Pepoli La pastorella della Alpi (Tirolese) The Shepherd Girl of the Alps (Tyrolean song) Son bella pastorella I'm a pretty shepherdess che scende ogni mattino, who comes down every morning ed offre un cestellino and offers a basket di fresche frutta e fior. of fresh fruit and flowers. Chi viene al primo albore He who comes at first light avra vezzose rose shall have charming roses e poma rugiadose, and dew-covered apples se venite al mio giardin. if you come to my garden. Son bella pastorella, I'm a pretty shepherdess che scende ogni mattino, who comes down every morning ed offre un cestellino and offers a basket di fresche frutta e fior. of fresh fruit and flowers. Ahu, ahu . . Ahu, ahu . . Chi nel notturno orrore Whoever in nocturnal terrors smarri la buona via, has lost the right path, alia capanna mia at my cabin ritrovera il cammin. shall find the road again. Venite, o passaggiero, Come, o traveler, la pastorella e qua, the shepherdess is here, ma il fior del suo pensiero but she'll give the flower of her thoughts ad uno sol dara! to but one person! Ahu, ahu . . Ahu, ahu . . —Carlo Pepoli Week 10 . . La danza (Tarantella napoletana) The Dance (Neapolitan tarantella) Gia la luna e in mezzo al mare, Already the moon is in the sea, mamma mia, si saltera; mother, they are leaping. l'ora e bella per danzare, It is time to dance, chi e in amor non manchera: whoever is in love will not be missing. Gia la luna e in mezzo al mare, Already the moon is in the sea, mamma mia, si saltera; mother, they are leaping. Presto in danza a tondo a tondo, Quickly dancing round and round, donne mie, venite qua, come here, my ladies, un garzon bello e giocondo a handsome and cheerful fellow a ciascuna tocchera. will take each of you in turn. Finche in del brilla una Stella, As long as a star shines in the sky, e la luna splendera, and the moon continues to shine, il piu bel con la piu bella the most handsome boy with the prettiest girl tutta notte danzera. will dance all night. Mamma mia, Mother, gia la luna e in mezzo al mare, already the moon is in the sea, mamma mia, si saltera; mother, they are leaping. frinche, frinche, frinche, frinche, Frinche, frinche, frinche, frinche, mamma mia, si saltera. mother, they're leaping. La la ra la ra . . La la ra la ra . . Salta, salta, gira, gira, Leap, leap, turn, turn, ogni coppia a cerchio va, every couple goes in a circle, gia s'avanza, si ritira, now advancing, now retiring, e all'assalto tornera. now returning to the assault. H Stone Mill Exclusively by: S? 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Mamma mia, mamma mia, Mother, mother, gia la luna e in mezzo al mare, already the moon is in the sea, mamma mia, si saltera; mother, they are leaping. frinche, frinche, frinche, frinche, Frinche, frinche, frinche, frinche, mamma mia, si saltera. mother, they're leaping. La la ra la ra . . La la ra la ra . . —Carlo Pqjoli TURINA: Trespoemas, Opus 81 I Olas gigantes Gigantic waves que os rompeis bramando breaking with a roar en las playas desiertas y remotas, on deserted and remote beaches, envuelto entre las sabanas de espuma when I am enveloped in sheets of foam, Llevadme con vosotras! carry me away with you! Rafagas de huracan Hurricane gusts que arrebatais del altobosque that snatch from the high wood las marchitas hojas, the withered leaves, arrastrado en el ciego torbellino, when I am dragged in the blind whirlwind, Llevadme con vosotras! carry me away with you! Nubes de tempestad Storm clouds que rompe el rayo that break the lightning bolts y en fuego ornais and adorn in fire las desprendidas orlas your generous borders, arrebatado entre niebla oscura when I am overcome by dark mist, Llevadme con vosotras! carry me away with you! Llevadme por piedad a donde el vertigo Carry me, for pity's sake, to the place where dizziness con la razon me arranque la memoria . . . may rightly pull out my memory . . Por piedad! Por piedad! For pity's sake! For pity's sake! Tengo miedo de quedarme I am afraid to stay con mi dolor a solas. with my grief alone. Please turn the page quietly when the music has stopped. 11 Week 10 1 IN PERFORMANCE AT THE WHITES' HOUSE BRING THE BOSTON SYMPHONY ORCHESTRA INTO YOUR LIVING ROOM MONDAYS AT 8PM wmhfcira! fmSS.I 12 I . II Tu pupila es azul y cuando ries, Your eye is blue and when you smile, su claridad suave me recuerda its soft brightness reminds me el tremulo fulgor de la manana of the trembling brightness of morning que en el mar se refleja. reflected on the sea. Tu pupila es azul y cuando lloras, Your eye is blue and when you weep, las transparentes lagrimas en ella the transparent tears se me figuran gotas de rocio seem to me like dewdrops sobre una violeta. on a violet. Tu pupila es azul, y si en su fondo Your eye is blue, and if in its depths como un punto de luz radia una idea, an idea radiates like a point of light, me parece en el cielo de la tarde it resembles, in the evening sky, Una perdida estrella! Ah! a lost star! Ah! Ill Besa el aura que gime blandamente, The air, softly moaning, kisses las leves ondas que jugando riza; the light waves that curl in play; el sol besa a la nube en Occidente the sun kisses the western cloud y de purpura y oro la matiza; and tints it purple and gold. Ah! Ah! La llama en derredor de tronco ardiente The flame glides around the burning bush por besar a otra llama se desliza, to kiss another flame, y hasta el sauce, inclinandose a su and even the willow, bending under its peso, own weight, al rio que le besa vuelve un beso. returns to the river kiss for kiss. Ah! Ah! —Becquer —English translations by S.L. 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All selections also available on LP and chrome-cassette. © 1986 DG / PolyGram Classics, Inc. 14 1 fl HE Tanglewopd i 8 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Friday, 29 August at 9 SEIJI OZAWA conducting BRAHMS Violin Concerto in D, Opus 77 Allegro non troppo Adagio Allegro giocoso, ma non troppo vivace ITZHAKPERLMAN INTERMISSION RAVEL Valses nobles et sentimentales RAVEL La Valse, Choreographic poem Please do not take pictures during the concert. Flashbulbs, in particular, distract the musicians and other members of the audience. Please be sure the electronic signal on your watch or pager is switched off during the concert. Please be considerate. The noise of coughing and candy wrappers is extremely disturbing to the musicians and other concertgoers. Philips, Telarc, CBS, Deutsche Grammophon, Angel/EMI, New World, Hyperion, and RCA records Baldwin piano 15 Week 10 v Join the Boston Symphony Orchestra for Opening Night 1986! Order your seats now ! Seiji Ozawa and the Boston Symphony will open the 1986-87 season on Thursday, October 2, with a performance of Gusta Mahler's magnificent 'Resurrection' Symphony featuring soprano Edith Wiens, contralto Maureen Forrester, and the Tanglewood Festival Chorus. Opening Night -Thursday, October 2, 1986 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, conductor Edith Wiens, soprano Maureen Forrester, contralto Tanglewood Festival Chorus, John Oliver, conductor MAHLER Symphony No. 2, 'Resurrection' The BSO's season brochure contains a complete order form and is available at the main gate at Tanglewood, or call Symphony Half, (617) 266-1492. Black-tte dinner for Benefactors immediately following the performance. Tickets are priced at $260.00 (Benefactors tickets), $35.00, $25.00, $20.00. i m OH NOTES Johannes Brahms Violin Concerto in D, Opus 77 Johannes Brahms was born in Hamburg, Germany, on 7 May 1833 and died in Vienna on 3 April 1897. He wrote the Violin Concerto in the summer and early fall of 1878, but the pub- lished score incorporates a few revisions made after the premiere, which was given by Joseph Joachim in Leipzig on 1 January 1879, the composer conducting the Gewandhaus Orchestra. The first American performances were given by the Boston Symphony Orchestra on 6 and 7 December 1889 with concertmaster Franz Kneisel as soloist and Arthur Nikisch conducting. The orchestra consists of two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani, and strings. Faint phonograph recordings exist of Joseph Joachim playing Brahms Hungarian Dances, some unaccompanied Bach, and a Romance of his own: through the scratch and the distance, one can hear that even in his seventies the bow-arm was firm and the left hand sure. And though the records also convey a sense of the vitality of his playing, they are, in the end, too slight and too faint to tell us anything we want to know about the violinist whose debut at eight was hailed as the coming of "a second Vieuxtemps, Paganini, Ole Bull" or the musician whose name became, across the more than sixty years of his career, a byword for nobility and probity in art. Joachim was also leader of the most highly esteemed string quartet of his day, as well as an accomplished composer and an excellent conductor. His became a dominant voice in German musical anti-Wagnerian conservatism; his passionate identification with the musical past was productive, the range of his experience was prodigious. Europe's courts, universities, and learned academies vied to honor Joachim, but what speaks to us more eloquently than the doctorates and the Pour le merites is an accounting of what composers dedicated to him (and sometimes wrote for him to play), a list that includes the second version of Schumann's Symphony No. 4 in D minor, Liszt's Hun- garian Rhapsody No. 2, Dvorak's Violin Concerto, and, by Brahms, the Opus 1 piano sonata in C, the scherzo of a violin sonata composed jointly with Schumann and Albert Dietrich, and the Violin Concerto. Brahms and Joachim met in 1853 and they gave many concerts together, with Brahms at the piano or on the conductor's podium. Joachim was the elder by two years and, as a very young man, the more confident and the more technically ac- complished composer of the two. Brahms quickly acquired the habit of submitting work in progress to Joachim for stern, specific, and carefully heeded criticism. In the 1880s the friendship was ruptured when Brahms too plainly took Amalie Joachim's side in the differences that brought the Joachims' marriage to an end in 1884. The Double Concerto for violin and cello was tendered and accepted as a peace offering in 1887 (Joachim and Robert Hausmann, cellist in the Joachim Quartet, were the first soloists). Their correspondence was resumed, almost as copiously as before, but inti- macy was lost for good, and the prose is prickly with diplomatic formalities and flourishes. The first mention of a concerto in the Brahms-Joachim correspondence occurs on 21 August 1878. Brahms was spending the summer at Portschach on Lake Worth in southern Austria, where a year previously he had begun his Second Symphony; it was a region, he once said, where melodies were so abundant that one had to be careful not to step on them. Brahms and Joachim met at Portschach the end of that 17 Week 10 month. The correspondence continued, and plans were made for a tryout of the con- certo with the orchestra of the Conservatory in Berlin, for Joachim to compose a cadenza, and for the premiere either with the Vienna Philharmonic or at the Leipzig Gewandhaus. On New Year's Day of 1879, Joachim and Brahms introduced the work in that same hall in Leipzig where, just four weeks short of twenty years back, Brahms's First Piano Concerto had met with catastrophic, brutal rejection. Brahms had not written a concerto since, and curiosity was keen, the more so because there were few significant violin concertos: received opinion had it that there were in fact just two, Beethoven's and the Mendelssohn. The first movement rather puzzled the audience, the Adagio was greeted with some warmth, and the finale elicited real enthusiasm. About Joachim's playing there was no disagreement, and his cadenza was universally admired. Indeed, after the Vienna premiere two weeks later, Brahms reported to his friend Elisabet von Herzogenberg that Joachim had played the cadenza "so magnificently that people clapped right into my coda." On 6 March, Joachim reported from London that he had dared play the concerto from memory for the first time, and he continued to champion it wherever he could. None of the early performances was so moving an occasion for Joachim and Brahms as the concert in celebration of the unveiling of the Schumann monument in Bonn on 2 May 1880: Brahms's concerto was the only work chosen that was not by Schumann. Meanwhile, composer and violinist continued to exchange questions, answers, and opinions about the concerto well into the summer of 1879, Brahms urging Joachim to propose ossias (easier alternatives), Joachim responding with suggestions for where and how the orchestral scoring might usefully be thinned out, with changes of vio- linistic figuration, and even with a considerable compositional emendation in the TANGLEWOOD ANNUAL FUND—THE KOUSSEVITZKY SOCIETY We would like to thank the following contributors for their generous support of the Tanglewood Annual Fund for the 1986 season. These very special supporters have each donated $ 1,000 or more in unrestricted gifts to the Tanglewood Annual Fund campaign. Mr. and Mrs. Herbert B. Abelow Mr. and Mrs. Victor Levy Ms. Victoria Albert Mrs. Irma Mann Mr. and Mrs. Gordon P. Baird Mr. and Mrs. K. Fred Netter Mrs. Judith Bernstein Mr. Harrison L. Neylon Mr. Harold G.Colt Mr. Robert Owens Mrs. Pauline Copen Mr. and Mrs. Millard H. Pryor, Jr. Mr. and Mrs. Albert Comelio Mr. and Mrs. Arthur Rodbell Mr. and Mrs. Herbert J. Coyne Mr. and Mrs. Joseph W. Rosgen Mrs. Daniel England, Jr. Mr. and Mrs. Leon Schneider Mr. and Mrs. Eugene M. Elkind Mr. and Mrs. Eugene Schnell Jo Ann Fitzpatrick Mr. and Mrs. Albert P. Shore Mr. and Mrs. Dale Fowler Mr. and Mrs. Abraham Simcovitz Dr. and Mrs. Donald B. Giddon \ J Mrs. MarciaM. Simon Mr. Randolph G. Hawthorne Mrs. William F. Sondericker Mr. C.H.Jenkins, Jr. Mr. and Mrs. Ronald Stillman Mr. and Mrs. BelaT. Kalman Dr. and Mrs. Jerry Sugar Mr. Stephen B. Kay Mr. Henry Voremberg L. Mr. and Mrs. Richard Kaye Dr. and Mrs. Harold J. White Mr. and Mrs. Carleton F. Kilmer Oliver A. and Lissa Wyman 18 finale. Except for the last, Brahms accepted most of Joachim's proposals before he turned the material over to his publisher. In spite of Brahms's secure prestige by this point in his career, in spite of Joachim's ardent and effective sponsorship, the concerto did not easily make its way. It was thought a typical example of Brahmsian severity of manner; Hans von Billow's quip about the difference between Max Bruch who had bI written a concerto for the violin and Brahms who had written one against the violin was widely repeated; and as late as 1905, Brahms's devoted biographer, Florence May, was obliged to admit that "it would be too much to assert that it has as yet entirely conquered the heart of the great public." Fritz Kreisler, who took it into his repertory about 1900, had as much as anyone to do with changing that, and Brahms would be surprised to know that his concerto has surpassed Beethoven's in popularity (and that Mendelssohn's elegant essay is no longer thought of as being in that league at all). To us it seems odd to think of playing the Beethoven and Brahms concertos on the same program, as was the case at the first performance, at Joachim's suggestion. But then, the likeness that makes the idea an uncomfortable one for us was probably the very factor that made it attractive to Joachim, who was not, after all, presenting two established masterpieces but, rather, one classic, and a new and demanding work by a forty-five-year-old composer with a reputation for being "difficult." But Beethoven is present, in the choice of key, in the unhurried gait (though the tradition that turns Beethoven's and Brahms's "allegro, but not too much so" into an endlessly stretched out, energyless Andante does neither work any good), in the proportions of the three movements, in the fondness for filigree in the high register, in having the soloist enter in an accompanied cadenza, in leading the main cadenza not to a vigorous tutti but to a last unexpected and hushed reprise of a lyric theme (the second theme in Bee- thoven, the first in Brahms). Brahms begins with a statement that is formal, almost neutral, and unharmonized except for the last two notes. But the sound itself is subtle—low strings and bassoons, to which two horns are added, and then, with basses, two more. And the resumption, quietly and on a remote harmony, is altogether personal.* So striking a harmonic *And, one might add, Beethovenian—inspired by the orchestra's first mysterious entrance in the Fourth Piano Concerto. 19 departure so early will take some justifying, and thus the surprising C major chord under the oboe's melody serves as signal that this movement aims to cover much space, that it must needs be expansive. A moment later, at the top of the brief cres- cendo, the rhythm broadens—that is, the beats are still grouped by threes, but it is three half-notes rather than three quarters, and this too establishes early a sense of immense breadth. On every level the music is rich in rhythmic surprise and subtlety: the aggressive theme for strings alone insists that the accents belong on the second beat, another idea dissolves order (and imposes a new order of its own) by moving in groups of five notes, the three-four/three-two ambiguity returns again and again. The musing and serene outcome of the cadenza is not so much a matter of the pianissimo and dolce and tranquillo that Brahms writes into the score as of the trance-like slow motion of the harmonies. (Things have changed in the last hundred years. The danger now is not that the audience will applaud as it did at the Vienna premiere, but that it will cough.) When the great Pablo de Sarasate was asked whether he intended to learn the new Brahms concerto he replied, "I don't deny that it is very good music, but do you think I could fall so low as to stand, violin in hand, and listen to the oboe play the only proper tune in the whole work?" What the oboe plays at the beginning of the Adagio is indeed one of the most wonderful melodies ever to come to Brahms. It is part of a long passage for winds alone, subtly voiced and anything other than a mere accom- panied solo for the oboe, and a magical preparation for the return of the violin.* As the critic Jean-Jacques Normand charmingly puts it, "Le hautbois propose, et le violon dispose. " It is strange that Sarasate should not have relished the opportunity to turn the oboe's chastely beautiful melody into ecstatic, super-violinistic rhapsodies. A new and agitated music intervenes. Then the first ideas return, enriched, and with the wind sonorities and the high-flying violin beautifully combined. For the finale, Brahms returns to his old love of gypsy music, fascinatingly and inventively de- ployed, and the turn, just before the end, to a variant in 6/8 (heard, but not so notated) is a real Brahms signature. —from notes by Michael Steinberg Michael Steinberg, now Artistic Adviser of the San Francisco Symphony, was the Boston Symphony Orchestra's Director of Publications from 1976 to 1979. *A characteristic detail: the oboe melody is preceded by two bars of an F major chord for bassoons and horns. The entrance of the solo violin, which plays a variant of the oboe tune, is preceded by the same two measures, but given to the orchestral strings as they make their first appearance under the dissolving and receding wind-band music. 20 Maurice Ravel Valses nobles et sentimentales La Valse, Choreographic poem Joseph Maurice Ravel was born at Ciboure, Basses Pyrenees, on 7 March 1875 and died in Paris on 28 December 1937. He composed the Valses nobles et sentimentales for piano solo in 1911, orchestrating it the following year. The score was used as the basis of a ballet, "Adelaide, or The Language of the Flowers," performed in Paris on 22 April 1912. It is dedicated to Louis Aubert. The score calls for two flutes, two oboes and English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones and tuba, timpani, bass drum, cymbals, triangle, side drum, tambourine, celesta, glockenspiel, two harps, and strings. As with so many of his other orchestral works, Ravel wrote the "Noble and Senti- mental Waltzes" first for piano, probably with no particular intention of orchestrating them at all. The work was first performed by Louis Aubert in May 1911 without an announcement of the composer's name. Speculation as to the author's identity ranged from Satie to Kodaly. Once the composer's name was revealed, Ravel was prevailed upon by Mile. Trouhanova's ballet company to orchestrate the work to accompany a ballet. He did so very quickly, and Adelaide, ou Le Langage des fleurs had four gala per- formances at the Theatre du Chatelet in April 1912 (on a program with Dukas's La Peri and d'lndy's Istar). After a revival in 1916, the ballet failed to hold the stage; this is not, perhaps, surprising, since it was laden with a rather silly scenario in which a flirta- tious prima donna presents a series of flowers (symbolizing some emotion or charac- teristic) alternately to her suitors, the noble duke and the amorous Loredan. The musi- cal score stands firmly on its own without the dubious benefit of the narrative ele- ments, and it has become firmly established (both in its original piano version and in orchestral dress) as a concert piece. Probably more than any other dance or rhythmic pattern, the 3/4 lilt of the waltz characterizes the nineteenth century and romanticism. Certainly from at least the time of the Congress of Vienna in 1815 until World War I, the waltz was the dance craze that dominated Europe and America, first as a somewhat scandalous new dance that caused fathers to worry about their daughters (it was, after all, the first social dance in which the partners assumed an embrace position), eventually as a familiar and well-loved dance for the elders, while the younger fry turned to something else that was newly scandalous in its turn. The occasional waltz songs of an Offenbach, the string of waltzes conceived by both the elder and younger Johann Strauss for dancing in Viennese cafes of mid-century, the vibrant ballet waltzes of a Tchaikovsky, were becoming, by the beginning of the present century, slow waltz songs in charm- ing Ruritanian operettas, meltingly sentimental but wondrously evocative when properly used (for example, the principal waltz song in Lehar's The Merry Widow or Victor Herbert's "Kiss me again" in Mile. Modiste). Ravel's suite of waltzes is an amazingly objective summary of the waltz tradition, a jeu d'esprit that probably had no further aim, when first conceived, than taking the waltz medium almost as a "found object" and working with it as a modeller with his clay. This intention is signalled by the epigraph that Ravel put at the head of his score, drawn from Henri de Regnier: "Le plaisir delicieux et toujours nouveau d'une occupation inutile" ("the delicious and ever-new pleasure of a useless occupation"). The score alternates faster and more vigorous waltzes (presumably the "noble" ones) with slower and more evocative movements ("sentimental"). The opening waltz is unusu- 21 Week 10 ally acerbic in harmonic character (especially for a genre so associated in the public mind with sugary harmonies); Ravel makes use of appoggiaturas and added disso- nances of the seventh, ninth, and eleventh to reduce the sugar content considerably. No. 2 is more fragile, featuring a delicate little melody on the flute. The third has a broader swing, with rhythmic patterns often extending over two bars in the manner of Tchaikovsky; the oboe gets the main tune. No. 4 continues this broader rhythm but in more animated fashion, more in the style of a Viennese waltz. It has hints of the raciness of the later Viennese operettas. The fifth waltz is slower, more delicate, essen- tially an interlude. No. 6 is extremely fast and harbors rhythmic complexities in its written-out alternations of 3/2 and 6/4 meters (a kind of rhythmic shift often employed in waltzes, but rarely notated so explicitly). Ravel himself regarded No. 7 as one of his finest creations; it begins tentatively and blossoms into a charming freshness of melody that builds to an exhilarating climax. Such an ending virtually requires a coda. Ravel's Epilogue casts one more retrospective glance in slow waltz style with imagina- tive and evocative orchestral coloration. This envoi is a final sophisticated tribute to the long waltz tradition—a tradition that Ravel himself was to destroy with the violent satire of La Valse in less than a decade. Ravel composed La Valse in 1919 and 1920, based on sketches made before the war for a sym- phonic poem with the intended title "Wien" ("Vienna"). The work was first performed on 8 January 1920 by the Lamoureux Orchestra in Paris. La Valse is scored for three flutes (third doubling piccolo), two oboes and English horn, two clarinets and bass clarinet, two bassoons and contrabassoon, four horns, three trumpets, three trombones and tuba, timpani, triangle, tambourine, side drum, bass drum, cymbals, castanets, tam-tam, glockenspiel, crotales, two harps, and strings. Ravel found it difficult to return to normal work after the ravages of the First World War. Quite aside from the long interruption in his compositional activity and the loss of many friends, he was suffering from a recurring insomnia that plagued him for the rest of his life and played a considerable role in the dramatic reduction of new works. He had already started sketching a symphonic poem that was intended to be a musi- cal depiction of Vienna; naturally it was a foregone conclusion to cast the work as a grand orchestral waltz. Ravel had never yet visited the Austrian capital (he was only to do so in 1920, after finishing his big waltz composition), but he "knew" Vienna through the composers, going back to Schubert and continuing with the Strauss fam- ily and many others, who had added a special Viennese lilt to the waltz (in this sense Ravel was as familiar with Vienna as Bizet and Debussy were with Spain when they composed what we still regard as the most convincing "Spanish" music ever written). The first sketches for Wien apparently date from 1907, when Ravel was completing another musical travelogue, the Rapsodie espagnole. He began orchestrating the work during 1914 but ceased after the outbreak of hostilities; he complained in his letters that the times were not suitable for a work entitled Vienna. After the war, Ravel was slow to take up the composition again. Only a commission from Serge Diaghilev induced him to finish it, with the new title La Valse, Poeme choregraphique, and intended for production by the Russian Ballet. When the score was finished, however, Diaghilev balked. He could see no balletic character in the music, for all its consistent exploitation of a dance meter, and he refused to produce the ballet after all. (This marked the end of good relations between the composer and the impresario). La Valse 22 9 was first heard in concert form; only in 1928 did Ida Rubenstein undertake a ballet production of the score, for which Ravel added a stage direction: "An Imperial Court, about 1855." The score bears a brief scenic description: Clouds whirl about. Occasionally they part to allow a glimpse of waltzing couples. As they gradually lift, one can discern a gigantic hall, filled by a crowd of dancers in motion. The stage gradually brightens. The glow of chandeliers breaks out fortissimo. The hazy beginning of La Valse perfectly captures the vision of "clouds" that clear away to reveal the dancing couples. The piece grows in a long crescendo, interrupted and started again, finally carried to an energetic and irresistible climax whose violence hints at far more than a social dance. Ravel's date of "1855" for the mise-en-scene was significant. It marked roughly the halfway point of the century of Vienna's domination by the waltz—the captivating, carefree, mind-numbing dance that filled the salons, the ballrooms, and the inns, while the whole of Austrian society was slowly crumbling under an intensely reac- tionary government, the absolutism of Emperor Franz Joseph, who was twenty-five in 1855 and reigned until the middle of the First World War. The social glitter of mind- less whirling about concealed the volcano that was so soon to explode. Ravel's La Valse has the captivating rhythms in full measure, but the music rises to an expressionistic level of violence, hinting at the concealed rot of the society. Would La Valse have been different if composed before the horrors of the war? Who can tell? In any case, con- sciously or not, Ravel's brilliantly orchestrated score captures the glitter and the vio- lence of a society that, even as he was composing, had passed away. —Steven Ledbetter SOUTH MOUNTAIN CONCERTS Pittsfield, Massachusetts DepoTwenty-two 68th Season of Chamber Music Aug. 23, Steinhardt, Eskin, Artymiw Sept. 7, Festival Winds And Menahem Pressler, Piano A Full Menu Restaurant Sept. 14, Juilliard String Quartet Open 24 Hours Gift Shop Sept. 28, Guarneri String Quartet 518 781-4400 Oct. 5, Beaux Arts Trio For Brochure and Ticket Information Write Exit ThruwayClean Comfortable Restrooms South Mountain Concerts Box 23 B-31-90 N.Y.S. Rte. 22 Canaan, NY 1201 Pittsfield, Massachusetts 01202 Box Office 413 442-2106 23 \J 019 N.V.10 810, New *>» °\3 X as* nnweTsasy -ill 111 % || ' v. culturalA fe- bv. y nx&w*** On Armanrd Hammer Mrs Dorolhv Godwin Mi and W-s Danny Kaye Mr. and Mrs. Irving M Rosenb i Or, Mrs. Arthur Sackier i and Ambassador and Mrs. I r ^ r i nn Vr ar.o Mrs Jaines D WoMenson.fi Mrs. one C/mmings Mr. and Mrs Mites Lerman Mr. and Mrs. Irvino Schneider The Weitei A' no , Family Founders ($25,000 and over) Mr arid Mrs. Leonard Davis Mrs. Janice Levin- Diane and Norman Bernstein Mr. Lester Deutsch Mrs. Sam Lopin Mr. and Mrs Albert Schusster i i. -::.: ; , . : ., ni'ailman and Mrs. Lawrence Super; Soaafin.de and Arthur Gilbert r. and Mi ft.rihu i?i i:V:;r!'j.?.i'a Do'" Mr n.v'i Ceil Foundation Mr. Syms ; id /irs Crr-u'fesQoia.: ": Mr and Mrs. Morns Bergraen M; ii/irs Guilford Glazer Joseph and Mazer Sy '- -.''" '.' Mr. and Mrs. Aaron Ziegelman .:;,:.:-'• ': 'ro Lionsrd Bernstein' Mr and Mrs Norman H-schfieta Mrs Louis Nathanson r Tns ,'-.lrni-j--:;c.n ;-arit : :i^£M^%£$£ M^ty'dS^^ rArvA-vrdnvr^viVr:M:^^^ ^fil - ; 24 I ARTISTS William Crofut & Benjamin Luxon William Crofut and Benjamin Luxon Edinburgh, and Aldeburgh. His many have performed throughout the world, United States performances include including appearances at the Edinburgh frequent appearances with the Cincin- International Festival, Hong Kong Arts nati, National, and Houston symphony Festival, Brighton Festival, and Tangle- orchestras, the New York Philharmonic, wood. Here in the United States, they and the Metropolitan Opera, as well as have performed on distinguished con- a long-standing association with Seiji cert series and with the symphony or- Ozawa and the Boston Symphony Or- chestras of Cincinnati and Houston. chestra. He has been associated with The duo has been the subject of tele- the English Opera Group since the vision specials produced in England earliest days of his career and has and the United States; 'Two Gentlemen toured with them in Europe, Russia, Folk," which aired nationally, was co- and Canada. produced by WGBH in Boston and PBS. Bill Crofut's international career has The numerous recordings of the Crofut taken him from Carnegie Hall, the White and Luxon duo are available on the House, the United Nations, and Lincoln Cousin Jacks, Tioch, and Pro Arte labels. Center for the Performing Arts to con- One of their latest albums, "All Through certs in over fifty countries. He has the Night," has been cited as one of the undertaken seven world tours represent- year's top-selling albums by Ovation ing the United States, received a Presi- Magazine. dential Citation in recognition of his Baritone Benjamin Luxon, one of the contribution to cultural exchanges, and most widely requested baritones in served as Presidential White House Europe and the United States, performs Consultant on Cultural Affairs. A music regularly at the Royal Opera House, consultant for M.G.M. on the movie Covent Garden, the Frankfurt Opera, Brainstorm, he has authored two books, and the festivals of Glyndebourne, Troubadour and The Moon on One Hand. 25 m Carol Vaness Carmelites, sharing the stage with Leon- tyne Price and Regine Crespin. In addi- tion to the operas of Mozart and Handel, her repertoire encompasses great roman- tic and modern works as well, including Verdi's La traviata, Rigoletto, Un hallo in maschera, and Simon Boccanegra, Antonia in Les Contes d'Hoffmann, Leila in The Pearl Fishers, Massenet's Manon, Britten's Peter Grimes, and Samuel Barber's Antony and Cleopatra. Future engagements will expand her repertoire to include Verdi's II trovatore and Otello, Gounod's Faust, Rossini's Mose, Rosalinda in Fledermaus, and Mme. Lidoine in Dialogues of the Carmelites. Recording projects have included an album of Haydn Masses for In a few short seasons, Carol Vaness has risen to international prominence, sing- A wonderful new with distinction in the United States, ing reason to visit England, France, Germany, Austria, Greece, and Australia. A leading so- the Berkshires prano of the Metropolitan Opera, her Discover one of the Berkshires' debut was as Armida in Handel's most delightful indulgences — a Rinaldo, followed by triumphant per- sojourn at The Orchards. Our formances as Vitellia in La clemenza di spacious guest rooms are indiv- Tito, as Fiordiligi in Cost fan tutte, both in idually decorated and appointed New York and on tour, and this season with English antiques. Many have as the Countess in the new Ponnelle fireplaces. At bedtime, you'll find production of he nozze di Figaro and as turned-down covers and a plate of Electra in Idomeneo. Her debut at the freshly-baked cookies. Paris Opera was as Nedda in Pagliacci The Orchards abounds with fine opposite Jon Vickers; at Covent Garden diversions, such as superb dining, as Mimi in La boheme; and at the Glynde- cabaret performances by the bourne Festival, Munich State Opera, Williamstown Theatre Festival the Deutsche Oper in West Berlin, and Company and a post-performance the Vienna State Opera as Donna Anna menu of sweets, savories and in Don Giovanni. Ms. Vaness made her libations. recording debut in Don Giovanni with Come. For a taste, a brief inter- Bernard Haitink and the Glyndebourne lude, a leisurely vacation. After all, Festival for the EMI label. With the same no one deserves The Orchards more collaborators, she has also recorded Cosi than you do. fan tutte. A native of California, Ms. Vaness won the 1976 San Francisco Opera Auditions and subsequently spent two seasons there as an affiliate artist. She returned as a principal artist tl)eORCM^RP5 during the company's first international summer season in 1981 as Donna Anna Williamstown, Massachusetts 01267 opposite the Don Giovanni of Cesare (413)458-9611 (800)225-1517 Siepi, and again in 1982 as Blanche de la In Massachusetts (800) 231-2344 Force in a revival of Dialogues of the I 26 EMI, a complete La Juive for Phonogram, Four Last Songs, with the Marin Sym- and Beethoven's Ninth Symphony with phony in California. Her television the Cleveland Orchestra and Christoph appearances include "In Performance at von Dohnanyi, recently released by the White House" with Beverly Sills and Telarc. members of the New York City Opera in Ms. Vaness's orchestral engagements 1981, Idomeneo and Simon Boccanegra have included a nationally broadcast with the Glyndebourne Opera, Le nozze Verdi Requiem with Riccardo Muti and di Figaro with the Metropolitan Opera, the Philadelphia Orchestra in memory and a concert appearance with Luciano of Eugene Ormandy, the aforemen- Pavarotti televised nationally on "Live tioned Beethoven Ninth in Cleveland, from Lincoln Center. " Now making her another Beethoven Ninth with Radio home in New York City, Carol Vaness France in Epidauris, Greece, and her makes her Boston Symphony Orchestra first concert performance of Strauss's debut this weekend at Tanglewood. Warren Jones chamber music, having performed as guest artist on series in New York, Chicago, San Francisco, San Antonio, and Minneapolis. A gifted teacher as well as performer, Mr. Jones is a former faculty member of Newton College and has given master classes and seminars at the San Francisco Conservatory of Music, Hartt School of Music, California State University, and Texas Tech Univer- sity, among others. A native of Washington, D.C., he is an honors graduate of the New England Conserva- tory of Music. Mr. Jones's television and radio credits include "The Phil Donahue Show," interviews on Austrian National Radio and "St. Paul Sunday Morning" Warren Jones is one of the most sought- (Minnesota Public Radio), several reci- after young pianists on the American tals taped for broadcast on National musical scene today. In recent appear- Public Radio, live recitals on WNCN in ances throughout the United States he New York City, and appearances on the has accompanied leading artists such as "Tonight" Show with Luciano Pavarotti mezzo-sopranos Marilyn Home and and Marilyn Home. Frederica von Stade, sopranos Judith Blegen and Carol Vaness, Swedish baritone Hakan Hagegard, and young American bass John Cheek. Mr. Jones holds the title of assistant conductor at the Metropolitan Opera and is associ- ated each summer with the Salzburg Festival in Austria as musical assistant to James Levine. In 1985 he made his Tanglewood recital debut and also appeared at the Caramoor Festival in upstate New York. He is active in 27 VIVALDI BRAHMS: ITZHAK PERLMAN TCHAIKOVSKY VIOLIN VIOLIN CONCERTO Paganini: Concerto No. 1 in D CONCERTO THE FOUR SEASONS SERENADE MELANCOUQUE L ITZHAKPERLMAN PERLMAN Sarasate: Carmen Fantasy Chicago Symphony OrchMtr* PERLMAN Israel Philharmonic Royal Philharmonic Lawrence Foster THE PHILADELPHIA ORCHESTRA QIUUNI ORMANDY DS-38123* DS-37286* DS-36836* DS-37640* * Also available on Compact Disc and Cassette RECORDS • TAPES • VIDEO SMITH MILLS SHOPS. RTE 6 N DARTMOUTH WALPOLE MALL. WALPOLE NEEDHAM ST - MARHSHALLS .487 HARVARD STREET. SHOPPING CENTER-NEWTON BROOKLINE BRADLEES PLAZA. SHAWS-AME'S PLAZA. RTE44.RAYHHAM RTE 140.FOXBORO SEEKONK SQUARE SHOPPING SHERWOOD PLAZA RTE 9 CENTER RTE6. SEEKONK good uibfotiovio NATICK LOCATIONS Itzhak Perlman career. After a return to Israel, which Time magazine hailed as "the return of the prodigy," Mr. Perlman joined the ranks of superstar performers known throughout the world.. It is not just his flawless technique that commands this position; it is his communication of the sheer joy of making music that is evi- dent in his appearance, whether alone or with distinguished colleagues in chamber music or orchestral repertoire. Mr. Perlman has won numerous Grammy awards for his recordings, and his records appear regularly on the best-seller charts. His recordings are on EMI, Angel, CBS Masterworks, London/ Decca, RCA, and Deutsche Grammo- phon. His repertoire is vast, encompas- sing all the standard violin literature, as Itzhak Perlman's hold on the public well as many works by new composers, imagination stems from a unique combi- whose efforts he has championed. nation of talent, charm, and humanity Among the works written expressly for quite unrivaled in our time. The Israeli- him are the Robert Starer and Earl Kim born violinist's artistic credentials are violin concertos recorded with Seiji supreme, but since his initial appear- Ozawa and the Boston Symphony Or- ance on the famed Ed Sullivan Show in chestra for Angel/EMI. Mr. Perlman was 1958, his personality has combined with selected as "Musician of the Year" and his technique in such a manner as to appeared on the cover of Musical create an artistic force of unique and America's Annual Directory of Music compelling nature. Mr. Perlman has and Musicians for 1981. He lives in New been heard with every major orchestra York with his wife Toby and their four in the world, on most of the great con- children. cert stages either alone or in close collab- Mr. Perlman's association with the oration with great artists, on countless Boston Symphony Orchestra dates back national television shows, and in record- to 1966 and 1967, when he performed ing studios here and abroad. On every occasion, he has displayed not only the gifts that make him a great musician, but also those that make him a great man. In 1981, the International Year of the Disabled Person, Mr. Perlman's presence on stage, on camera, and in personal appearances of all kinds spoke eloquently for the cause of the handi- capped and disabled. He champions this cause, and his devotion to it is an integral part of his life. Born in Israel in 1945, Itzhak Perlman completed his initial training at the Academy of Music in Tel Aviv. Following hou'5 mon thjrs to 00-8 00 study at the Juilliard School in New York In sal sun 9 00 8 00 minutes from tanglewood ouldoor cale gouimei rood with Ivan Galamian and Dorothy DeLay, Iresn baked goods picnic platl»r: line |Oweirv & gills he won the prestigious Leventritt Com- picnic platters prepared masieichaige & visa accepted petition and began his international 29 and recorded the Tchaikovsky, Sibelius, and Prokofiev Second violin concertos with Erich Leinsdorf . These recordings, RIYERBROOK and the Dvorak Opus 11 Romance, have been reissued on RCA Gold Seal. In recent seasons he has performed music of Beethoven, Bach, Stravinsky, Berg, A private residential facility designed to Starer, Kim, Mendelssohn, Sarasate, meet the needs of moderately mentally and Saint-Saens with the orchestra, handicapped girls. The gracious estate giving the world premiere of Robert houses twenty-five students in a warm Starer's concerto in October 1981, and family atmosphere. participating in the Gala Centennial Concert celebrating the BSO's hun- dredth birthday that same month. His recording of the Alban Berg and Igor (443) 298-4926 Stravinsky violin concertos with Seiji Ozawa and the Boston Symphony for Deutsche Grammophon won the 1981 Grammy award for Best Classical Per- formance by an Instrumental Soloist with Orchestra. Most recently, he per- formed Shostakovich's Violin Concerto No. 1 with Ozawa and the orchestra in October 1985. Perhaps Siena's biggest drawing card is the close faculty-student interaction and the degree of personal attention that each student is able to command. From The Best Buys in College Education P^ P^ By Edward B. Fiske, Education Editor, The New York Times Loudonville (Albany), New York 12211 (518) 783-2424 30 TANGLEWOOD ANNUAL FUND We would like to thank the following Friends for their generous support of the 1986 Tanglewood Annual Fund. These special contributors have each donated $150 or more in unrestricted gifts to the Tanglewood Annual Fund campaign. Mr. Eugene Abel Mr. and Mrs. Norman Brickman Mrs. Frances Dichter Mr. and Mrs. Arthur Abrahamson Mr. and Mrs. Thomas Bridges Mr. and Mrs. Bruce Docherty Mr. and Mrs. E. W. Adams Mr. Alan J. Brody Mrs. Mortimer Downer Mrs. George W. Adams Mr. James Brody Mr. Arthur W. Drew, Jr. Ms. Constance Adolph Mr. and Mrs. Moody B. Brown Ms. Judith Drucker Mr. and Mrs. Robert Aerenson Mr. Richard A. Brown Mr. and Mrs. H. Philip Dudley Mr. Howard J. Aibel Ms. Sandra L. Brown Mr. L. Robert Duffy Mr. and Mrs. Sidney Albert Mr. Arthur J. Brumaghim Mr. Vincent Duffy Mr. and Mrs. Harold Alexander Mr. and Mrs. Allan S. Bufferd Mr. Joseph H. Dukoff Mr. and Mrs. Lawrence H. Alexander Mrs. Edythe O. Burdick Mr. and Mrs. James Bruce Duncan Mr. John D. Allen Mr. James C. Burley Mrs. Adelmo P. Dunghe, Jr. Mrs. Margaret L. Allen Mr. R.W Burmester Mr. and Mrs. Roger Dunning Ms. Nancy R. Alpert Ms. Martha Eliot Buttenheim Dr. and Mrs. Arthur A. Echental Mr. and Mrs. Robert C Alsop Mr. Robert F. Butterworth Ms. Jean Edelheit Dr. and Mrs. Duane R. Anderson Mrs. William Callan Mrs. Alfred H. Edelstein Miss Marion A. Anderson Dr. and Mrs. E.S. Campell Mrs. MonteenJ. Elliott Dr. and Mrs. Leonard Antiles Mr. Elliott A. Caplin Mr. and Mrs. Alexander Ellis, Jr. Dr. and Mrs. Frank Arams Mrs. Thomas B. Card Mr. and Mrs. Charles R. Ellis Mr. David Brooks Arnold Ms. Marsha Caron Mr. and Mrs. George M. Elvin Mr. and Mrs. Gilbert Aronowitz Mr. John F. Carroll, Jr. Mr. C.L. Emerson, Jr. Dr. Norman Atkin Mr. and Mrs. Robert Carswell Dr. and Mrs. Melvin A. Engelman Mr. and Mrs. Charles August Ms. Dot Cellini Mr. and Mrs. Simon England Dr. and Mrs. Norman L. Avnet Mr. Michael B. Chaiklin Ms. Muriel Epstein Mrs. Richard H. Baer Mr. L. Robert Charles Mrs. Cornelia P. Erbe Prof, and Mrs. Dudley W.R. Bahlman Dr. and Mrs. Frank Chereskin Mr. and Mrs. Eugene J. Erdos Ms. Beverly Baker Mrs. Florence Chesterton-Norris Mrs. Harris Fahnestock Dr. and Mrs. Richard Ball Mr. Charles J. Clapper Ms. PatFarrell Mr. Richard F. Balsam Mrs. William O. Clark Ms. Beatrice Faustine Mr. and Mrs. J. A. Davis Banks Mr. Allen Clark, Jr. Dr. and Mrs. Samuel L. Feder Mr. Aldo J. Barbaglia Mr. and Mrs. Michael J. Close Mrs. John C. Fedoruk Mr. Benjamin R. Barber Mr. William Coffey Mr. Kenneth Feinberg Mrs. Rose Barell Dr. and Mrs. Barry H. Cohen Mr. David A. Feindel Mr. Frank Barnes Mr. Howard S. Cohen Dr. S.J. Feinhandler Ms. Susan H. Barnett Mr. and Mrs. Leonard Cohen Mr. and Mrs. Milton Feldman Mr. Edward Barry Dr. and Mrs. Morris Cohen Ernestine and Alex Felser Ms. Elaine Batchelder Mr. and Mrs. Paul Cohen Max and Helen Ferder Ernest J. Beaudoin, D.D.S. Mrs. Clara Cole Mr. Frank E. Ferguson Ms. Ruth Beck Ms. Margery C. Collins Mr. and Mrs. Chester C. Fernald Mrs. Elizabeth G. Beckett Mr. Johns H. Congdon Mr. Alan R. Finberg Dr. Beer Mr. Arthur J. Conlon, Jr. Ms. Claire Finegold Mr. and Mrs. Arthur Bell Mr. and Mrs. Jeffrey Cook Mr. and Mrs. Louis Anthony Fisher Mr. and Mrs. Lee Bell Mr. and Mrs. Monroe Cooperman Mr. and Mrs. Lloyd Fishman Mr. and Mrs. William F. Bell Mt. Henry G. Corey Mr. James Flaherty Mr. and Mrs. Jerome Bender Dr. Martin E. Corwin Mr. and Mrs. Joseph Flavin Mr. and Mrs. Henry A. Benicak Mr. George M. Coulter Mr. and Mrs. Stanley Florin Mr. Richard L. Benson Mrs. Sidney A. Coven Mr. Peter E. Fogleman Mr. and Mrs. Paul Beres Mr. and Mrs. Christopher H. Covington Mr. Charles M. Fowler Mr. Jerome Berko Mr. and Mrs. John Cowie Mr. and Mrs. Harold Frank Mr. and Mrs. Richard S. Berkson Mr. John C. Craig Mr. and Mrs. Daniel Freed Mr. and Mrs. Daniel M. Berley Ms. Ellen Cramp Mr. and Mrs. Eric Friedl Sandra and George Berlstein Mr. Winthrop Crane III Mrs. Phyllis Friedlander Mr. Joseph E. Bermant Mr. and Mrs. Walter J. Crawford Mr. and Mrs. Morton Friedlieb Mr. and Mrs. Bernard Bernstein Mrs. Mary W Crawley Mr. and Mrs Harry Friedman Mrs. Elayne P. Bernstein Mr. and Mrs. George R. Creeger Mr. and Mrs. Herbert Friedman Ms. Rose Bernstein Mr. Robert Crisp Dr. and Mrs. Lester H. Friedman Mr. Miles Bid well Mr. and Mrs. Bigelow Crocker Mr. and Mrs. Bernard Friedson Mr. Leonard Bimbaum Mrs. Mary H. Crocker Mr. and Mrs. Fred W Friendly Mrs. Eva F. Bitsberger Mr. and Mrs. Harry Crowther Mr. Edward S. Frisch Mr. and Mrs. Joseph Blaze Mr. and Mrs. Scott Cunningham Mrs. J. Alwin Froehlich Mr. Irving Blickstein Ms. Joan Curran Mr. and Mrs. Arthur J. Gaines Mr. and Mrs. Edgar Blumberg Mr. and Mrs. Thomas E. Curtin, Jr. Mr. and Mrs. Thomas Gardiner Mr. and Mrs. Norbert A. Bogdan Mrs. Ellen G. Davis Dr. and Mrs. Charles Gardner, Jr. Miss Carol Jane Boivin Dr. and Mrs. Lawrence A. Davis Mr. Leslie J. Garfield Miss Rhoda C Bonville Mr. Louis Ivan Davis Mr. and Mrs. Irving A. Garson Mr. and Mrs. Nicholas Boraski Ms. Maude S. Davis Mr. and Mrs. Paul Garvey Mr. Carl G. Bottcher Mr. Eugene Dellea Ms. Carol Ann Gawle Mr. Robert J. Bourdius Mr. and Mrs. Arthur W Demelle Dr. and Mrs. Robert B. Geehr Ms. Mary Lyn Bourque Mr. and Mrs. Gerald A. Denmark Mr. and Mrs. Aaron J. Gellman Mr. and Mrs. William Gordon Bowie Mr. A. Michael De Sisto Mr. and Mrs. Robert George Mr. and Mrs. Horace C. Boyer Mr. Arnold R. Deutsch Mrs. Kirkland H. Gibson Mr. and Mrs. Kevin J. Brennan Ms. Ethel Dewey Mr. and Mrs. Roy L. Giebel Mrs. Joseph Brenner Mr. and Mrs. Henry B. Dewey Mr. and Mrs. R.W. Gilbert Mr. Samuel Bresnick Ms. Neisa K. DeWitt Mr. Stephen A. Gilbert Mrs. S.J. Brewer Mr. Channing Dichter Mr. and Mrs. Herbet Gilman 31 Mrs. Edwin Ginsburg Mr. and Mrs. Liesel Kaim Mr. Coleman Levy Mr. and Mrs. William M. Ginsburg Mr. and Mrs. John M. Kaiser Ms. Marion Levy Mr. Kenneth Glaser Mr. and Mrs. Philip Kalker Mr. Morton J. Levy Mr. and Mrs. Seymour Glaser Dr. and Mrs. Robert Kantor Dr. and Mrs. Walter Levy Mr. and Mrs. Joseph Glasser Mr. and Mrs. Frederick J. Kaplan Mrs. Elizabeth S. Lewis Dr. and Mrs. Herbert R. Glodt Mr. Herb Kaplan Mr. and Mrs. Gerald F Lewis Mr. Harold Glucksman Ms. Matilda Kaplan Mr. R. Cragin Lewis Mr. and Mrs. Gordon Godfrey David S. Karan, M.D. Dr. and Mrs. Sanford M. Lewis Mr. and Mrs. Bruce Godt Mr. Donald B. Kashdan Mr. and Mrs. Theodore Ley Mr. Charles Gold Mr. Gilbert Katz Mrs. Theodore Libby Mr. and Mrs. Albert S. Goldberg Mr. Murray Katz Mr. and Mrs. Richard Lieb Mr. and Mrs. Herbert Goldberg Mr. Myron Katz Mr. Murray Liebowitz Mr. Paul A. Goldman Mrs. Stanley W Katz Mr. David Lilley Mr. and Mrs. Dale E. Good Mr. David E. Katzman Ms. Barbara E. Lindberg Mr. Richard I. Goodkind Ms. Charlotte Kaufman Mr. and Mrs. John G. Lindsay Mr. and Mrs Peter Goodman Ms. Jane Kaufman Mr. Steven Liftman Mrs. Robert A. Goodman Mrs. Raphael Kaye Mr. Wilbert E. Locklin Mr. Stanley L. Goodman Mr. and Mrs. George Keator Mr. Roger Loeb Miss Jacquline Goodspeed Mr. Eugene C. Kelley, Jr. Mr. and Mrs. Walter Loeb Ms. Esther Gordon Mrs. Charles Flint Kellogg Mr. and Mrs. Richard C. Lonsdale Mr. and Mrs. Kermit Gordon Mr. Edward B. Kellogg Mr. Chauncey C. Loomis, Jr. Ms. Rosalind Gorin Mr. and Mrs. Kingsley Kelly Mrs. Stanley Loomis Mr. and Mrs. D. Gotlieb Dr. and Mrs. Sidney R. Kennedy, Jr. Mr. Ross Lucke Mr. Arthur Gottesfeld Mr. and Mrs. Fred A. Keshen Mr. Steve Ludmerer Dr. and Mrs. Thomas D. Graff Mr. and Mrs. George H. Kidder Mr. and Mrs. Erik Lund Mr. Robert M. Graha n Mr. and Mrs. Carroll G. Killen Miss Herberta Lundegren Mr. John Granbery Mr. and Mrs. Jerome H. Kimball Mr. and Mrs. Leonard Luria Mr. and Mrs. Robert P. Grandy Mr. and Mrs. Harold C. King Dr. and Mrs. Richard J. Lynch Mr. and Mrs. R. Gordon Granger Mr. and Mrs. John Kittredge Mr. and Mrs. Colin MacFadyen Mr. and Mrs. Richard Grant Ms. Abbey S. Klein Dr. Paul Maglione Mr. and Mrs. Robert Greenfield Dr. and Mrs. Harvey Klein Mr. and Mrs. Donald F. Malin Ms. Elsa Ross Greifinger Mr. and Mrs. Murray Klein Mr. and Mrs. Leon Malman Mr. and Mrs. Fred Grill Mr. Paul Kleven Ms. Zelda Manacher Mr. Bernard Grobman Mr. and Mrs. Marvin Kobacker Mr. and Mrs. Edward Mandell Dr. Eric Grossman Ms. Barbara Koenig Ms. Mary B. Marcellot Mr. and Mrs. Robinson A. Grover Mr. and Mrs. Jacques Kohn Mr. and Mrs. William Margolis Mr. Alan R. Gruber Dr. and Mrs. Joseph Kolker Mr. and Mrs. Kenneth L. Marks Mr. P. Guthmann Mr. Wolfgang Kolodziej Mr. and Mrs. C. Virgil Martin Dr. and Mrs. Jerome Haas Mr. and Mrs. Andrew P. Kordalewski Mr. and Mrs. Arthur Marx Mr. and Mrs. John C. Haas Mr. and Mrs. John E. Koslowski Mr. Edwin Massengill Mr. Sanford Halberstadter Mr. Earl Kramer Mr. and Mrs. Aaron M. Master Mr. and Mrs. George H. Hamilton Mr. George Kramer Dr. and Mrs. Stuart Masters Dr. and Mrs. William G. Hamm Mr. and Mrs. Kenneth R. Kramer Ms. Jean R. Matoi Mr. and Mrs. R. Hammond Mr. and Mrs. Michael B. Krasner Mrs. WP Mauldin Mr. Theodore E. Haringa Dr. and Mrs. R. Krasnick Mr. David L. -McClelland Mr. Jerome Patrick Harkins Mr. and Mrs. M. Chapin Krech Mr. William S. McEwan Ms. M.J. Harmon-Meyers Mr. and Mrs. Harvey C. Krentzman Mr. Robert E. McGill HI Ms. Enid Harris Mr. Joseph Kruger Dr. and Mrs. Martin F. McKneally Mr. and Mrs. Donald Hastings Dr. Leon M. Kruger Mr. and Mrs. Thomas McLaughlin Mr. and Mrs. Gordon H. Hastings Mr. and Mrs. Lawrence Kryger Mr. EX. McWilliams Mr. Thomas W. Hawn George Kury, M.D. Mr. Terence S. Meehan Mrs. Paul J. Henegan and L. Hedda Rev. Kury, M.D. Miss Kate Meinecke Ms. Marian Hennessy Dr. and Mrs. Stephen K. Kwass Mr. Jeorg G. Meixner Mr. Frank C. Henry Dr. and Mrs. Frank Lachmann Joel Robert Melamed, M.D. Mr. and Mrs. Donald Hewat Dr. and Mrs. John H. Lamont Mr. Steven Melnick Pearl and Philip Heyman Mrs. Joseph Lander Dr. and Mrs. Irving M. Mender Mr. and Mrs. Robert M. Hicks Mr. Michael Landes Mr. and Mrs. Abrahams. Mendes Dr. Conwell Higgins Mr. and Mrs. Alfred H. Landess Dr. and Mrs. George Menken Mr. Richard Hirschman MarkL. Lang, D.D.S. Mr. and Mrs. Jerry Mervis Mr. and Mrs. Sidney R. Hodes Dr. and Mrs. Sanford Langsam Mr. and Mrs. William Metlay Dr. and Mrs. Saul Hofstein Mr. William W. Lanigan Mr. Rollin Mettler, Jr. Mr. Richard Holland Ms. Betty D. Larsen Mrs. August R. Meyer Mr. S. Emil Holland Mr. and Mrs. Gerald I. Laskin Mr. Donald Meyer Dr. and Mrs. Samuel S. Holland, Jr. Dr. Morton Lauter Mr. and Mrs. Leonard Meyerson Mr. Dwight R. Holmes Mrs. James E Lawrence Mr. and Mrs. Ralph Michel Mr. and Mrs. Jack L. Honig Mr. and Mrs. Leonard I. Lazarus Mrs. James Michelman Mrs. Lindsey Hooper, Jr. Mr. Martin N. Leaf Mr. and Mrs. Barton Miller Mr. and Mrs. Richard Houdek Mr. and Mrs. Gerald Le Boff Dr. and Mrs. Bernard Milloff Mr. and Mrs. Amory Houghton, Jr. Mrs. Barbara M. Lee Mr. and Mrs. William W. Mills, Jr. Ms. Marilyn F. Hughes Ms. Carole Lee Mr. and Mrs. Amos Milo Mr. John D. Humason Mr. and Mrs. Dana J. Lehman Mr. and Mrs. Robert Milstein Mr. and Mrs. Matthew Intner Mr. I.W Leib Mr. Julius Mintz Mr. and Mrs. Benjamin Itkin Mr. and Mrs. Saul Leibow Mr. and Mrs. Sydney Mitchell Mr. and Mrs. Richard S. Jackson, Jr. Mr. Herbert Leifman Mr. and Mrs. Thomas W Mittag Mr. and Mrs. Richard S. Jackson, Sr. Mr. Jacques E. Lennon Mr. and Mrs. Frank M. Moody Mr. and Mrs. Julian A. Jadow Mr. and Mrs. Arkody Leokum Mr. Bernard Morcheles Mr. and Mrs. Arnold Jaffe Martha L. Lepow, M.D. Dr. and Mrs. Milnor B. Morrison, Jr. Mr. and Mrs. Myron I. Jaffe Mr. and Mrs. John S. Leslie Dr. and Mrs. Thomas S. Morse Mr. and Mrs. Pliny Jewell, Jr. Mr. and Mrs. Robert C. Lesser Mr. and Mrs. James E. Mortensen Mr. Harold A. Johansson Mr. and Mrs. Felix Levenbach Ms. Jean A. Mortland Mr. and Mrs. Daniel R. Johnson Mr. and Mrs. Charles Levey Mr. John Robert Moskin Mr. and Mrs. John C. Johnson Mrs. Arthur Levine Mrs. Florence Moss Mr. Wayne C. Johnson Dr. Gwen Levinson Mr. Michael Motta Dr. and Mrs. Idris W Jones Ms. Katherine Levitan Miss Lucetta Mowry 32 Mr. and Mrs. Nicholas K. Moy Mr. Philip D. Rich Mr. Marvin Schwartzbard Mrs. Hugo Mueller Mr. and Mrs. Seymour Rich man Mr. Roger M. Scott Ms. Eileen M. Murphy Mr. Stephen J. Ridge, Jr. Mr. and Mrs. George Seefeld Mr. and Mrs. Milton Musicus Mrs. William I. Riegelman Mr. and Mrs. William A. Selke Dr. and Mrs. Robert N. Namiot Mr. Donald Rimmer Ms. Evelyn Seltzer Mr. and Mrs. Paul Nassau Dr. and Mrs. Edmund Rittner Mr. Allyn Seymour, Jr. Mr. and Mrs. Russell B. Neff Mr. Lawrence Rivkin Ms. Perry Shambroom Mr. and Mrs. Melvin B. Nessel Mr. Robert W Romatzick Mr. and Mrs. Leo Shear Mrs. Stephen Nevin Dr. and Mrs. Howard Rosen Mrs. Alfred J. Shepherd Mr. James B. Newlands Mr. and Mrs. Leonard Rosen Mr. and Mrs. S. Sheppard Mrs. Ruby Newman Mr. Mark Rosen Dr. Michael Sheridan Mr. and Mrs. Miguel A. Nogueras Mr. Charles Rosenberg Dr. and Mrs. Warren T. Sherman Mr. and Mrs. Ralph Novik Ms. Muriel F. Rosenberg Miss Rosamond Sherwood Mr. and Mrs. Richard P. Nyquist Mr. and Mrs. Robert J. Rosenblatt Mrs. Frank Shewer Mr. and Mrs. Michael Oestreicher Mr. and Mrs. Julius Rosenbloom Mr. William S. Shirer Dr. and Mrs. Martin Oppenheim Mrs. Miriam Feist Rosengart Mr. and Mrs. George J. Shub Mrs. Warren K. Page Mr. and Mrs. Lawrence Rosenthal HerveyS. Sicherman, M.D. Mr. and Mrs. Stephen Paine Mr. and Mrs. Joseph W Rosgen Mrs. Dotty Siegel Dr. and Mrs. Egidio Papa Mr. and Mrs. Bernard Rosow Mrs. Bertram H. Siegeltuch Mrs. K.L. Parker Mr. and Mrs. Jerome M. Rosow Miriam and Paul Silberman Dr. and Mrs. Richard Pasternak Mr. Adrian E. Ross Mr. and Mrs. Robert Silman Lt. Col. Arthur T.Paul Mr. and Mrs. Charles S. Rotenberg Mr. Theodore Simkin Ms. Elizabeth Pawlikowski Mr. David Roth Mrs. Maurice Simon Mr. and Mrs. David B. Payne Mr. Robert Roth Mr. and Mrs. Robert L. Singleton, Jr. Mr. Philip Pearlman Mrs. Merl. L. Rouse Mr. and Mrs. Kenneth S. Sisson Mr. Jaroslav Pelikan Mrs. Leon A. Rubel Ms. Rachel Skolkin Dr. Elizabeth Pelinka Mr. and Mrs. Burton Rubin Mr. and Mrs. Walter Slavin Mr. and Mrs. William Pennell Mr. and Mrs. Milton B. Rubin Mr. and Mrs. James R. Slote Mr. and Mrs. H. Felix Pereira Margaret and Edward Rubinow Dr. and Mrs. Louis Small Mr. and Mrs. Thomas D. Perry, Jr. Dr. Jordan S. Ruboy Mrs. Ernest W. Smith, Jr. Ms. Laura Persily Ms. Sue Z. Rudd Mr. Newlin R. Smith Mr. Edward N. Peters Mr. Marvin Sachs Mrs. Ruth P. Smith Mr. and Mrs. Richard Peters Dr. and Mrs. Parvis J. Sadighi Mr. Richard Snow Ms. Sally Peterson Mr. Harold D. Safir Ms. Nancy Farr Solley The Rev. Thomas Phelan Mrs. Julian L. Sagalyn Mr. David Solomon Miss Cecile Phillips Mr. Alan S. Salny Dr. Norman Solomon Ms. Susan Ochs Phillips Mr. and Mrs. Robert Saltonstall Mr. Raphael Solomon Mr. and Mrs. Ludien G. Picard Dr. Jacob A. Salzman Mr. Louis Solowey Dr. and Mrs. Ralph Pike Ms. Shirley S. Sarkis Mr. Mayno Sorenson Mr. and Mrs. Andrew L. Pincus Mr. and Mrs. Robert Satter Dr. George H. Sorter Mr. and Mrs. I.M. Pincus Mr. and Mrs. Robert N. Sayer Mrs. Girard Spencer Mr. Mark Pitkow Mr. and Mrs. Aaron Schecter Mr. and Mrs. Irwin Speyer Drs. Eduardo and Lina Plantill Mr. and Mrs. Joseph Schluger Mrs. Florence Spicehandler Mr. and Mrs. Harold Piatt Mr. and Mrs. Ernest Schnesel Mr. and Mrs. Peter J. Sprague Ms. Elaine Plaxsun Mr. and Mrs. Michael Schoeman Mr. and Mrs. James R. Squire Mr. and Mrs. Charles Podmaniczky Dr. and Mrs. Arthur Schon Dr. Lucy Frank Squire Dr. Galen A. Politis Mr. and Mrs. Albert Schussler Mr. Alvin A. Steiner Ms. Julia Polk Mr. Harold S. Schwartz Mr. H. Lee Stern Dr. Charles Popper Mr. and Mrs. Harry Schwartz Rabbi Jack Stern, Jr. Stanley L. Portnow, M.D. Dr. Joel E. Schwartz Mrs. Elinor Stetson Ms. Linda Poskanzer Dr. Leonard Posner Dr. and Mrs. Nathaniel Posner Mr. and Mrs. Douglas Post Mrs. Diana Hitt Potter Dr. and Mrs. J. David Poutasse Mr. H. Praver Mr. Donald L. Prior Mr. Samuel Pulsifer Mr. and Mrs. Herbert Purvin Mr. and Mrs. Grafton H. Pyne, Jr. New England Conservatory Dr. and Mrs. Harry Quain Mr. and Mrs. Robb Quinby at Walnut Hill School Mr. and Mrs. Brian Quinn Zander, Artistic Director Ms. Elisabeth Quinn Benjamin Mr. and Mrs. Selig Rachles An exceptional program for exceptional Dr. and Mrs. S.G. Rachlin young musicians, grades 7-12 Mr. Norman Racusin Qualified students can combine advanced Mr. and Mrs. Harry Rantz Mr. and Mrs. Alfred Rappaport musical training at New England Conservatory Ms. Carole C. Raymond with a comprehensive college preparatory Ms. Joyce M. Redinger program in the beautiful environment of the Mr. and Mrs. Fritz Redl Walnut Hill School in Natick, MA, Dr. Keith Reemtsma Mr. Joseph H. Reich just 15 miles from Boston. Mrs. Leo H. Reichman Mrs. Gordon S. Reid For more Theodore Wiprud Mr. and Mrs. Bernard Reifler information Program Coordinator Mr. and Mrs. Harry L. Reiner contact: Walnut Hill School Mrs. June C. Reinhold Ms. Barbara Reitman 12 Highland St Ms. Carol Ann Rennie Natick, MA 01760 Mr. and Mrs. Robert Resnick (617) 653-4312 Ms. G. Ann Reynolds 33 Jordan Marsh A Unit of Allied Stores. 34 Mr. Charles P. Stevenson Mr. and Mrs. Edward A. Van Dyke Ms. Nancy F. Westheimer Mr. and Mrs. Murray J. Stichman Ms. Virginia P. Van Sickler, Ms. Carol Andrea Whitcomb Mrs. Edward S. Stimpson in memory of Rolland S. Tapley Dr. Ess A. White, Jr. Ms. Wendy Stock Mr. Paul Varkell Mr. and Mrs. Robert E. Whitehead Mr. and Mrs. Lawrence W. Strattner, Jr. Mr. J.L. Veranth Dr. Edwin F. Whiting Mr. and Mrs. Simon D. Strauss Mr. and Mrs. R.G. Vinopal Mr. Lawrence E. Wikander Mr. and Mrs. Julian Street, Jr. Mr. and Mrs. Roger L. Voisin Dr. and Mrs. C.J. Wildman Mr. Mark Stroock Mr. and Mrs. Maurice Volin Mr. and Mrs. J. Burke Wilkinson Ms. Ellen Sufian Mr. and Mrs. Robert C. Von Sothen Mr. and Mrs. Henry H. Williams, Jr. Mr. and Mrs. Herbert Susser Dr. and Mrs. Arthur Voorhess Mr. and Mrs. Edward G. Wilson Mr. John B. Sutliffe Mr. Henry Voremberg Mr. Richard L. Wilson Mr. and Mrs. Morton H. Swartz Mr. and Mrs. Warren R. Vroom Mr. Robert R. Wilson Mrs. Kenneth Swimm Mr. and Mrs. Simon Wainrib Mr. Fred Windover Mr. and Mrs. Alfred G. Symonds Ms. Mary Elizabeth Walsh Mrs. Mervin Wineberg Dr. and Mrs. Edgar B. Tart Mr. Nicholas Wandmacher Dr. and Mrs. Joseph G. Wirth Mr. Rush Taggart Mr. and Mrs. Ray Warner Dr. and Mrs. Stephen M. Wittenberg Dr. and Mrs. Samuel Tarnower Mr. Monroe S. Wasch Mr. and Mrs. Ivan H. Wohlworth Mr. and Mrs. Leonard Taubenblart Mr. Kenneth E. Washbume Mr. and Mrs. Wallace W Wolf Mr. and Mrs. Jack Teich Mr. and Mrs. Winthrop M. Wassenar Mrs. Carolyn S. Wolfe Mr. and Mrs. Robert Terry, Jr. Mr. Gilbert Waters Mr. and Mrs. Eugene J. Wolfson Miss Hilaire D. Thomas Dr. Alvin A. Weinstein Ms. Janet E. Wood Dr. and Mrs. Richard H. Thompson Mr. and Mrs. Morton E. Weinstein Mr. and Mrs. Henry W. Wyman Mr. and Mrs. Richard K. Thorndike Mr. and Mrs. Elliott Weisberger Mr. and Mrs. Edward Wyner Mr. and Mrs. David Tillinghast Mr. and Mrs. Morton L. Weiss Mr. BertYaffe Mr. and Mrs. Orlando N. Tobia Dr. Nancy Weiss Mrs. Christopher Young Mr. and Mrs. Denis EG. Tottenham Charles Wiessman, M.D. Mr. and Mrs. James V Young Mr. and Mrs. Ronald Trabulsi Mr. and Mrs. Neal W. Welch Mr. and Mrs. John M. Young Dr. Robert E.Trattner Mr. and Mrs. Morris Welling Mr. and Mrs. L.J. Yury Mrs. Ursula I. Traugott Mr. and Mrs. Robert A. Wells Mr. Olafs Zeidenbergs Mr. Scott A. Trexler Ms. Harriet L. Weltman Mr. Sam Zemsky Mr. and Mrs. William Trosten Mr. Robert H. Wentorf, Jr. Dr. and Mrs. Leonard Zimmerman Mr. Stephen Truran Mr. and Mrs. Harold Wernick Mr. Jack Zisblatt Dr. and Mrs. Henry Tulgan Dr. and Mrs. George J. Wertheim Mr. and Mrs. John H. Zorek Mr. and Mrs. Joseph Urbach Dr. and Mrs. Henry Wertheimer Mr. and Mrs. Arthur Zucker x ' SUMMER ON THE MOUNTAIN The Country Inn at Jiminy Peak is the available for sale or rent. perfect place to spend your summer The Jiminy Peak Tennis Club, a brand holiday. This deluxe new Inn combines new facility consisting of tournament- charming New England ambiance with the grade courts and a pro shop, will be most modern resort amenities such as a operated by All American Sports. Programs fully-equipped exercise room, heated will be available for all levels of play. In outdoor pool, saunas, and Jacuzzis. addition, you can enjoy our Alpine Slide All accommodations are suites consist- and putting course or spend time trout ing of a bedroom, bath, living room and fishing or bicycling. a kitchen. For further information, call or write — Drummonds Restaurant, located on the we'll be happy to answer any questions top floor of the Inn, offers fine food and you may have. magnificent views of the mountain. THE MOUNTAIN RESORT The Country Inn has special holiday and weekend packages, with suites available JiminytPeak for sale or rental. In addition, Jiminy has two condominium communities, The Corey Road TV Country Village and Beaver Pond Meadows, Hancock, Mass. fH977 where both 2 and 3 bedroom units are 413-738-5500 35 New Endowment Funds Additions to existing funds For support ofthe instructional Alfred E. Chase Foundation & performance program: Mrs. Maria Cole Mrs. Lester S. Morse The Honorable & Mrs. John H. Fitzpatrick Mr. & Mrs. David R. Pokross The Louis Krasner Fund Theodore Edson Parker Foundation Mrs. A. Werk Cook Thorndike Family Peter H. B. Frelinghuysen Edward Shufro Fund Contributions to the General Endowment William and Juliana Thompson Carl A. Weyerhaeuser 1966 Trust Frank Stanley Beveridge Foundation Surdna Foundation Master Teacher Fund Eleanor Naylor Dana Charitable Trust Anonymous 0) Gordon P. Getty Gilbert Kaplan Guarantor Fellowships Mr. & Mrs. Philip Krupp Mrs. R. E. Lee Anonymous Estate of Harry Shulman BayBanks Mary H. Smith Leonard Bernstein John H. Stookey Clowes Fund Anonymous (2) Charles E. Culpeper Foundation Dr. John H. Knowles Memorial Fernand Gillet Memorial Marie Gillet Reader's Digest Seiji Ozawa Albert and Elizabeth Nickerson We gratefully acknowledge these generous gifts to Peggy Rockefeller the endowment of the Tanglewood Music Center, Morris A. Schapiro which allow us to continue to bring the best young musicians to Tanglewood and to offer them tuition- Fellowships free Fellowships. Frederic andJuliette Brandi Brookline Youth Concerts Awards Committee David Rockefeller, Jr. Marion Callanan Memorial Peter M. Flanigan Rosamond Sturgis Brooks Co-Chairmen Tappan Dixey Memorial Haskell and Ina Gordon Philip and Bernice Krupp Robert McClellan/IBM Matching William and Lia Poorvu Tanglew®d Music Center Scholarships 5 th ANNIVERSARY William E. Crofut Family Claire and Millard Pryor CAMPAIGN 36 The Windsor bed. A 1786 look El Greco might have had one. Geometric white lamp with crafted in 1986 Vermont, our Our version ofthe Spanish lacquer shade. $189. Our rush exclusivedesign. Solid ash. armoire. In waxed pickled seat bench ofpickled pine. Queen $499. Full (shown) $439. pine. 87" x 48" x 21". $1,399. 47" long $329. 25" long $199 Twin $359 Bedding not included. CHAMPAGNE IN BED, and "Breakfast at Tiffany's." Audrey Hepburn, never better. Stewart's experimental pancakes were a hit. Pamela even had seconds. After 'Tiffany's", "The Hunchback of Notre Dame." Pamela cried. Stewart snored. 5 p.m. showers and offto The Orson Welles to meet Citizen Kane, Eric and Vicky. THEFURNITURESTOREOF Crate&Barrel 1045 MASSACHUSETTS AVE. CAMBRIDGE. MA 02138 (617)547-3994 MON -SAT 10 TO 6. THURS 10 TO 9 SUN 12 TO 5. FREE PARKING. Retirement or Health Care There is a new option in Massachusetts Consider the all-new continuing care community of Carleton-Willard Village Nursing care needs are met in a residential village where privacy and individuality are respected. A professional staff is ready to meet your every need in skilled nursing, intermediate nursing, or rest home facilities. Retirement living is available in townhouses and apartments for those couples or individuals who wish to live life to its fullest, relieved of the burdens of day-to- day living. Phone or visit us at: 100 Old Billerica Road Bedford, Massachusetts 01730 CARUION WlllARDVIUACl (617) 275-8700 V '7 Owned and operated by Carleton-Willard Homes, Inc. A non-profit corporation . . CRO S B Y'S FOR PICNICS, PARTIES, PASTA, PROSCIUTTO, PEPPERS, PESTO, POACHED PEARS, PECAN PIES, PUD- DINGS, PLUS... ALL YOU COULD, SHOULD, OR WOULD EAT! TO TAKE OUT OR BE CATERED. COM- PLEMENTED BY A FINE SELECTION OF WINE, BEER AND SPARKLING WATERS. 62 CHURCH STREET LENOX, MASS. 01240 TELEPHONE 637-3396 OPEN SEVEN DAYS Kripalu Center at Shadowbrook . A year-round resourceforyour health and well-being . . . The perfect place to nurture your body mind and spirit . . . Offering weekend to month -long seminars in health andfitness, personal growth, yoga and spiritual attunement. • comfortable accommodations • bodywork, facials and • delicious vegetarian cuisine flotation tank • daily yoga and aerobic dance classes • holistic physician in private practice • sauna and whirlpool • private beach on Lake Mahkeenac Jfli (TJlllfJ"^ \ Call for complete program guide. KRIPALU CENTER FOR YOGA AND HEALTH Box 793, Dept. T, Lenox, MA 01240 (413) 637-3280 Across from Tanglewood on Route 183 M=. 'You always look so good. you feel great So and we feel even better. Because we love fashion makes us nothing happier than our fashionable customers. But your high-style look carries a low price tag of Cohoes. The store with fine Themen's and women's fashions at prices worth a trip from anywhere?' 1111■111111.1111111111.11111111111.11.1.11111.11.11.11."1111 C ES 43 MOHAWK STREET, COHOES, NY JUST 45 MIN. WEST ON 1-90 TO 787-NORTH COHOESCARD, MASTERCARD & VISA ACCEPTED. TELEPHONE (518) 237-0524 STORES ALSO IN HARTFORD, CT; PROVIDENCE, RI; ROCHESTER, NY; WOODBRIDGE VA. OUTSIDE OF WASHINGTON, DC. OPENING IN ATLANTA, GA. FALL OF 1986 . Become a 1986 Friend ofTanglewood . . .... and enjoy special benefits all season long! Tanglew(©d N N U u N D Because you give, there's music at Tanglewood. Contributors of $40 Single Membership Attend, without charge, conceits performed by the student orchestra of the Tanglewood Music Center. Register for the popular Talks & Walks lecture series, Contributors o available only to Friends of Tanglewood. Receive an invitation to "Berkshire Day Family Membership at Seranak" in June 1987. (includes children under 21) Contributors of $150 In addition to above benefits, receive the Tanglewood Advance Ticket Order Form in the early spring, before tickets go on sale to the general public (to be eligible, your gift must be made by December 31, 1986). Receive special acknowledge- ment in the Tanglewood program booklet (for gifts made before July 1, 1986). Enjoy the hospitality of the Tanglewood Tent—a club which provides bar service and picnic space on concert days. Also attend the Saturday evening Tent Buffet, a prix-fixe supper served from 6:30 until 8:00 (reservations required). Contributors of $250 In addition to above benefits, receive special parking privileges for conveniently located parking. Contributors of $650 In addition to above benefits, attend pre-concert suppers for a fixed price on Friday and Saturday evenings at the charming Seranak estate (reservations required). The Koussevitzky Society In addition to above benefits, attend a complimentary gala dinner party at Contributors of $1,000 Seranak, attend a Juilliard String Quartet chamber music rehearsal, receive special acknowlegement in the Tanglewood and Tanglewood On Parade program booklets, enjoy gold card parking privileges. Also receive (upon request) two complimentary passes to each BSO Saturday morning Open Rehearsal, and a pair of complimentary tickets to one Thursday Recital. Become eligible for special ticket assistance through the Tanglewood Friends Office. For further information on becoming a 1986 Friend of Tanglewood, contact Sue Tomlin, BSO Director of Annual Giving (617) 266-1492, or come by the Tanglewood Friends Office (413) 637-1600. Q 1\?5 ) I want to become a Friend of Tanglewood for the 1986 season! Enclosed is my check for $_ to the Tanglewood Annual Fund. Name- Telephone. Address. City- State_ Zip_ Please make your check payable to: "Tanglewood Annual Fund" and mail to: Tanglewood Annual Fund, % Friends Office, Tanglewood, Lenox, MA 01240. Thank you for your valuable support! Ah hi AUDUDON GUIDED TOUR • Aged, Hand-Cut Steaks • • Fresh Seafood •Prime Rib • * Spectacular Salad Bar • • Fresh Berries & Cream • Homemade Chocolate Mousse Guided Exhibit of Audubon's • Ben Jerry's Ice Cream • & "BIRDS OF AMERICA" AMSTERDAM COLLECTION Gallery Shop featuring limited edition Crints, porcelain bird figurines, nature •DAKOTA ooks, poster art, plus complete custom frame service. A Berkshire Roadside Restaurant Open 10 a.m. to 5 p.m. dailv. Admission for Guided Tour. Route 7 on the Lenox- Group rates for 15 or more. Pittsfield Town Line Dinner Served • Mon-Thurs 5-10 p.m. ^AUDUBON Fri & Sat 5-11 p.m. • Sun 4-10 p.m. r^ GALLERIES r PINE & SHAMROCK STREETS 413-499-7900 STOCKBRIDGE. MA Established 1984 Gallery (4 13) 298-4074 Gift Shop(413) 298-3946 / The yic0- Berkshire Clothing Co. What 14)kx* Men's and Women's Casual OPEN: Mon - Fri 10 - 9 Clothing at Discount Prices Saturday 10 - 6 Sunday 12 - 5 at the corner of Route 7 & Holmes Road, Lenox, MA - 443-3406 SEIJI OZAWA CLAUDIO ABBADO LEONARD BERNSTEIN CHARLES DUTOIT ZUBIN MEHTA MICHAEL TILSON THOMAS CHRISTOPH VON DOHNANYI PHYLLIS CURTIN SHERRILL MILNES - LEONTYNE PRICE SHIRLEY VERRETT BURT BACHARACH JACOB DRUCKMAN - DAVID DELTREDICI OLIVER KNUSSEN What do these names have in common, along with hundreds ofmusicians who perform in America 's major symphony orchestras ? All are distinguished alumni of a unique program founded in 1940 as the fulfillment of Serge Koussevitzky's vision of the ideal musical community. Today, the Tanglewood Music Center continues to be the nation's preeminent academy for advanced musical study and performance. Maintained and financed by the Boston Symphony Orchestra, the Tanglewood Music Center offers exceptional young instrumentalists, singers, composers, and conductors a comprehensive and exhilarating eight-week program of musical training, under the direction of the world's greatest concert artists. Since admission to the TMC is based solely on musical ability rather than the ability to pay, the Center operates each year at a substantial loss to the BSO. We need your support. Please contribute Tanglewod the Center. to Tanglewood Music When you do, you contribute to the future of Music music itself. Please make checks payable to the Tanglewood Music Center and mail to Center the Friends Office, Tanglewood, Lenox MA 01240. For further information, please contact John Keenum in the Friends Office at Tanglewood, or call (413)637-1600. . . Boston Symphony Association of Volunteers at Tanglewood Executive Committee Mrs. Craig W. Fischer Mrs. MarkL. Selkowitz Co-Chairmen Mrs. Peter Buttenheim Mr. David Kalib Phonathon White Mr. Bruce Callahan Pines Ushers country estate Mrs. Leonard H. Cohen condominiums Mrs. Kenneth M. Nash at Stockbridge (see inside cover) front Talks & Walks Mr. Joseph T. Duffy Mrs. Anthony G. Massimiano Glass House Mrs. George Elvin PEOPLE Mrs. Arthur W Paddock Opening Ceremonies That is what we are all about. Mr. Hilbert H. Finn Great people working with Tanglewood Business you. Mrs. James G. Garivaltis Mrs. Robert L. Singleton Great craftsmen working for Fellowship Luncheon you. Mr. & Mrs. Paul J. Hickey If you are looking for a builder to share Berkshire Day your concerns about your new home, Mrs. John C. Johnson addition, or remodeling needs. . then call us at (203) 435-2713. Mrs. Morton L. Weiss The Dansant Mrs. Eugene Leibowitz LTD salmon creek builders Youth Activities P.O. BOX 444 • Salisbury, Ct. 06068 Mrs. Karl K. Lipsky Ms. Julia B. Polk Fellowship Students Mr. Paul C. Merlino Secretary/Treasurer Dr. Thomas S. Morse Maintaining the majesty Community Affairs of the Tanglewood trees . . Mrs. Thomas S. Morse Nominating Committee; Seranak Mrs. Joseph Nathan Friends Receptions Mr. &Mrs. Robert J. Rosenblatt TMC Raffle Mr. Ernest Sagalyn Tanglewood Tent Club Mr. Mark L. Selkowitz HRUFT Nominating Committee Mrs. Raymond H. Schneider The Haupt Tree Company Patron Dinner Sheffield, Massachusetts 01257 Mr. & Mrs. Robert A. Wells 413-229-8565 Volunteer Recognition 1986 Tanglewood Talks & Walks Exclusively available to the Friends of Tangle- July 10 Leon Fleisher wood is a stimulating series of six lecture- luncheons in the Tanglewood Tent. The tent Artistic Director opens at 12 noon with table space reserved for Tanglewood Music Center picnics. The talk by our guest speaker begins at lp.m. and is followed by a guided tour of the July 17 Joel Smirnoff Tanglewood grounds at approximately 1:45. Bring a picnic lunch; beverages will be available. Second Violin Juilliard String Quartet Reservations must be prepaid and cannot be accepted by telephone. Seating will be deter- July 31 Empire Brass mined in the order reservations are received. Special seating requests will be accommodated The internationally renowned Quintet to the extent possible. Because seating in the tent is limited, we urge you to reserve now. August 14 John Oliver If you need to cancel your reservation, please call the Tanglewood Friends Office (637-1600) Conductor Tanglewood Festival Chorus so that those on a waiting list may be accommodated. August 21 Christoph Eschenbach The series of six Talks & Walks is available at $ 18 per person. Individual tickets may be purchased for Pianist and Conductor $3. 50 per program. Ticket reservations will be accepted only from Friends ofTanglewood. August 28 BiMCrofut Benjamin Luxon Reservations may be made through the Tangle- wood Friends Office or by mailing your check to: Folk singers of America and the British Talks & Walks 1986 Isles % Friends Office Tanglewood Lenox, MA 01240 Please make your check payable to "Tanglewood Talks & Walks" 1986 Tent Club Buffet Saturday evening buffet suppers are available exclusively to Friends and Business Friends of Tanglewood who are members ofthe Tent Club! The Boston Symphony Association of Volunteers at Tanglewood is pleased to announce that buffet dinners will be served in the Tanglewood Tent Club every Saturday evening throughout the season. All Tanglewood Tent Club members and their guests are invited to join us for leisurely dining on the Tanglewood grounds —no rushing, no waiting, no worrying, no work! Enjoy a varied selection of hot and cold entrees accompanied by vegetables, salads, breads, relishes, desserts and beverages — all for the fixed price of $16.50 per person. Dining Hours: Saturdays from 6:30 p.m. until 8:00 p.m. Concert begins at 8:30 p.m. Reservations: Reservations are required and are limited to 100 per evening. Call Janet Tlvy at the Friends Office (4 13) 637- 1600. Reservations must be made by noon on Friday for the following Saturday. We regret the necessity to charge for all reservations unless cancellation is made before Friday noon. Five great reasons to visit ManchesterVillage,Vermont! Play, shop, tour, dine and stay in one of New England's most historic villages! The jelly Mill *1111,1k &Friends 0„,id4.40 the best of everything— under Orvis one roof. Crafts, gifts, world famous for fly-fishing rods jewelry, kitchen & and equipment, custom shotguns home accessories, and classic country clothing. gourmet foods, A selection of fine gifts toys and more. Plus and accessories. luscious luncheons. a. Landau the world's largest w....1/11.11..111dIrdt collection of Icelandic woolens. Jackets, sweaters, blankets and accessories. Fashionable sweaters and accessories from around the globe. • Hildene home of all Abraham Lincoln's descendants. A mansion with original family furnishings. Formal gardens, observatory, aeolian pipe organ, visitors' center. The Equinox historic 4-season, 154-room resort. The Main Dining Room serves delectable cuisine... Marsh Tavern, fine spirits & hearty fare. (802) 362-4700 All are open 7 days a week. From the Berkshires: North on State 7 to Bennington. North on Historic 7A to Manchester Village. Come back to the good old days... Come back to ManchesterVilla • e! 7111•1111M Days in the Arts A Memorable Experience This summer, for the nineteenth season, the Boston Symphony Orchestra is pleased to host hundreds of middle school students from Boston and other cities paired with students from suburban communities of Massa- chusetts in a week of unparalleled arts and recreational experiences at Tanglewood. Participating area cultural institutions include Berkshire Public Theatre, Berk- shire Theatre Festival, Chester- wood, the Clark Art Institute, Jacob's Pillow, the Rockwell like . I felt is so^m near Ozawa >; Museum, and Shakespeare & Co. "Being world too. •- the an-art I was in Musi c and'trees ouch 'everyone and teach youngstersfrom Afferent back- grounds to touch each other. " were "The five days very crammed with meaning activities- way What a great the arts to present to children!" Tanglew(©d The Boston Symphony Orchestra gratefully acknowledges the following contributors to Days in the Arts: The Charles Sumner Bird Foundation, The Boston Foundation, The Cambridge Foundation, Frances R. Dewing Foundation, Alice Willard Dorr Foundation, The Marilyn Brachman Hoffman Endowment, Arthur D. Little, Inc., Massachusetts Council on the Arts and Humanities, Mrs. Robert W. Palm, Polaroid Foundation, Scully Signal Company, and all those individuals who generously support the program. In addition, the following have contributed under the auspices of the Associated Grantmakers of Massachusetts: Boston Globe Foundation, Boston Safe Deposit and Trust Co. - Trustees of the Peter E. Strauss Trust, Jessie B. Cox Charitable Trust, Theodore Edson Parker Foundation, Mabel Louise Riley Foundation, Nathaniel and Elizabeth P. Stevens Foundation, Charles Irwin Travelli Fund, and Zayre Corporation For further information, please contact the Youth Activities Office, Boston Symphony (Orchestra, Symphony ll.ill. Boston, MA 021 IV WMNR Fine Arts Radio 88-i fm Classical Music in Western Connecticut r THIb FIGHT SPOT Leslie J. Garfield & Co Inc for sophisticated entertainment in an elegant, relaxed setting, 9 pm Specializing in the Sale of to 1 am, seven nights a week, Manhattan Residential and Gj^UJV, beginning July 3rd LIGHT Commercial Buildings SPOT for supper or dessert with wine or 595 MADISON AVE cocktails, exotic coffees or teas. NEW YORK, N.Y. 10022 EDLINDERMAN (212) 371-8200 Dynamic Broadway Entertainer. at Seven Hills Plunkett Street between Routes 7 and 20 in Lenox, five minutes from Tanglewood. Reservations 637-0060. The businesses and professional organizations listed below have all contri- buted to Tanglewood. By donating $300 or more, each company is listed as a Business Friend of Tanglewood for the 1986 season. Contributors of $1,000 or more are indicated in capital letters. We are very grateful for the generous support of the following companies and organizations and appreciate their commitment to Tanglewood. Hilbert H.Finn Robert L. Plageman Tanglewood Business Committee Antiques/Art Galleries Great Barrington Savings Besse-Clarke Bank Pittsfield, Henry B. Holt Gallery, Inc. MA Great Barrington, (413) 447-7361 Essex Falls, N] MA (413) 528-1190 (201) 228-0853 1884 House Inc. Stockbridge, 7 Arts Antiques The Lee National Bank MA 298-5159 Stockbridge, MA Lee, MA (413) (413) 243-0115 (413) 298-3577 Elise Farar, Inc. Lee Savings Bank Lenox, The Shop on Main Street MA Chatham, NY Lee, MA (413) 637-1131 (413) 243-0117 (518) 392-9044 England's LENOX NATIONAL BANK Pittsfield, MA Automotive Lenox, MA (413) 443-3561 637-0017 Berkshire Foreign Auto Parts (413) The Talbots Pittsfield, MA Lenox Savings Bank Lenox, MA (413) 499-1130 Lenox, MA (413) 637-3576 Central Berkshire New Car (413) 637-0147 Contracting/Outdoor Dealers Associates North Adams Hoosac Services Pittsfield, MA Savings Bank County Concrete Corp. (413) 442-1584 North Adams, MA Pittsfield, MA 663-5353 (413) 499-4980 S&W Sales Co., Inc. (413) Ridgewood, NY The Pittsfield Co-Operative Joseph Francese, Inc. (718) 821-3060 Bank Pittsfield, MA Pittsfield, MA (413) 442-8500 Banking (413) 447-7304 The Haupt Tree Co., Inc. Bank of Boston, Sheffield, MA Western Mass., N.A. (413) 229-8565 Pittsfield, MA Beverage Sales/Distribution Hutchinson Sand & Gravel (413) 445-5651 Co., Inc. Coca-Cola Bottling Co. of BAYBANKS, INC. Northampton, MA Cheshire, MA Boston, MA (413) 743-5522 (413) 584-2050 (617) 482-2255 William T Lahart & Son, The Fahey Beverage Co., Inc. BERKSHIRE BANK & Inc. Pittsfield, MA TRUST COMPANY Lenox, MA (413) 442-7313 Pittsfield, MA (413) 637-0146 (413) 499-1600 Goshen Wine & Spirits Goshen, CT J.H. Maxymillian, Inc. BERKSHIRE COUNTY Pittsfield, (203)491-2078 MA SAVINGS BANK (413) 442-0853 Pittsfield, MA Merchant Du Vin Petricca Industries, Inc. (413) 443-5601 Lenox, MA Pittsfield, (413)637-2811 MA Citicorp/Citibank (413) 499-2779 Boston, MA United Liquors, West/ Ward's Nursery, Inc. (617) 742-0303 Perrier-Poland Springs Great Barrington, Chicopee, MA MA City Savings Bank of (413) 528-0166 (413) 593-5704 Pittsfield M.F Webber Landscaping, Pittsfield, MA Inc. (413) 443-4421 West Stockbridge, MA Clothing COMFED Savings Bank (413) 528-0275 Pittsfield, Springfield, Arcadian Shop, Inc. Peter D. Whitehead, Builder Lowell, MA Lenox, MA Great Barrington, MA (413) 447-8400 (413) 637-3010 (413) 528-3185 First Agricultural Bank The Bagatelle, Inc. Williams Construction Pittsfield, MA Miami, FL West Stockbridge, MA (413) 499-3000 (305) 576-1676 (413) 232-7003 Dentistry New Yorker Electronics Co., Heating Oil/Gasoline Craig W. Fischer, D.M.D. Inc. Lipton Energy Pittsfield, MA Mamaroneck, NY Pittsfield, MA (413) 499-2862 (914) 698-7600 (413) 443-9191 Alan G. Green, D.D.S., P.C. Energy/Utilities O'Connell Oil Associates Commack, NY The Berkshire Gas Co. Pittsfield, MA (516) 266-1616 Pittsfield, MA (413) 499-4800 Elliot M. Greenfeld, D.D.S. (413) 442-1511 Stockbridge Fuel & Grain Pittsfield, MA The Home Gas Corp. Co., Inc. (413) 499-4540 Great Barrington, MA Stockbridge, MA Jeffrey Kochman, D.D.S. (413) 528-1910 (413) 298-3000 New York, NY Northeast Utilities/ Sweatland-Pierce-Harrison (212) 753-3560 Western Mass. Electric Co. Oil Joseph M. Weinstein, D.D.S., Pittsfield, MA Pittsfield, MA P.C. (413) 443-6411 (413) 443-6461 New York, NY (212) 927-1117 Financial Services High Technology Gelfand, Rennert & Feldman Blaze SSI Corporation Education New York, NY Brielle, NJ Berkshire Community (212) 682-0234 (201) 223-5575 College Kenneth J. Loveman & Co., DYNATECH CORP. Pittsfield, MA CPA's Burlington, MA (413) 499-4660 Pittsfield, MA (617) 272-3304 Berkshire Country Day (413) 443-9122 Hill Engineering, Inc. School, Inc. Christopher D. Morse Dalton, MA Lenox, MA Associates/Integrated (413) 684-0925 (413) 637-0755 Resources Equity Corp. Phoenix Software Berkshire Hills Regional Stockbridge, MA Associates Ltd. School District (413) 298-3355 Norwood, MA Stockbridge, MA Ernest S. Sagalyn, CLU (617) 769-7020 (413) 298-3711 Pittsfield, MA Desisto Schools, Inc. (413) 442-1779 Industrial Products West Stockbridge, MA Michael K. Schaefer, CPA Butler Wholesale Products, (413) 298-3776 Boston, MA Inc. Great Barrington Rudolf (617) 227-1931 Adams, MA Steiner School Smith Barney, Harris (413) 743-3885 Great Barrington, MA Upham & Co., Inc. J. Gerber & Co., Inc. (413) 528-4015 Hartford, CT New York, NY Stanley H. Kaplan (203) 275-0747 (212) 613-1100 Educational Center Ltd. Funeral Homes Ray Murray Inc. Newton Center, MA Lee, MA (617) 244-2202 Dery Funeral Home Pittsfield, Dalton, (413) 243-2164 The Kolburne School, Inc. Cheshire, MA New Marlborough, MA (413) 443-9151 Insurance (413) 229-8787 Hickey-Birches Funeral BERKSHIRE LIFE Miss Hall's School Home INSURANCE COMPANY Pittsfield, MA Great Barrington, MA Pittsfield, MA (413) 443-6401 (413) 528-3080 (413) 499-4321 Pittsfield High School Hardware/Home Supplies Biener Agency, Inc. Pittsfield, MA Great Neck, NY (413) 499-1235 Carr Hardware & Supply (516) 482-7700 Co., Inc. Simon's Rock of Bard Bradford, Brownlow & Pittsfield, MA College Associates (413) 443-5611 Great Barrington, MA Pittsfield, MA (413) 528-0771 Dettinger Lumber Co., Inc. (413) 443-6441 Pittsfield, MA Valleyhead, Inc. COLT INSURANCE (413) 442-6916 Lenox, MA AGENCY, INC. (413) 637-3635 DRESSER-HULL LUMBER Pittsfield, MA Williams College Executive COMPANY (413) 445-5648 Lee, MA Program Massachusetts Mutual Life (413) 243-1400 Williamstown, MA Insurance Company/ (413) 597-2544 Pittsfield Supply Company McCormick & Toole Pittsfield, MA Insurance Agency, Inc. Electronics (413) 445-4589 Pittsfield, MA ARGIL ELECTRONICS, WEST END LUMBER (413) 443-6428 LTD. YARD, INC. Mole & Mole New York, NY Bridgeport, CT Lenox, MA (212) 691-8111 (203) 333-2178 (413) 637-0061 Reynolds, Barnes & Hebb, GENERAL ELECTRIC Berkshire Hematology/ Inc. PLASTICS BUSINESS Oncology Associates, P C. Pittsfield, MA GROUP Pittsfield, MA (413) 447-7376 Pittsfield, MA (413) 499-4161 (413) 494-1110 Stevenson & Co., Inc. The Berkshire Learning Pittsfield, MA Lee Lime Corporation Center (413) 443-3581 Lee, MA Pittsfield, MA (413) 243-0053 (413) 442-5531 Legal Lipton Industries Inc. Berkshire Orthopaedic Cain, Hibbard, Myers & Pittsfield, MA Associates, Inc. Cook (413) 499-1661 Pittsfield, MA Pittsfield, MA Mount Tom Box Co., Inc. (413) 499-1190 (413) 443-4771 West Springfield, MA Berkshire Radiological Joel S. Greenberg, P.C. (413) 781-5300 Associates Pittsfield, MA The Mutterperl Group Pittsfield, MA (413) 499-2244 New York, NY (413) 443-6457 Howland & Sheppard, P.C. (212) 239-0345 BERKSHIRE UROLOGICAL Amherst, MA A. Shapiro & Sons ASSOCIATES, INC. (413) 549-4570 North Adams, MA Pittsfield, MA Otterbourg, Steindler, (413) 663-6525 (413) 499-0300 Houston and Rosen, P.C. Damon Corporation New York, NY Media/Entertainment Needham Heights, MA (212) 661-9100 Berkshire Broadcasting Co., (617) 449-0800 Rutberg & Heller Inc. 510 Medical Walk-In Center Lenox, MA North Adams, MA Pittsfield, MA (413) 637-2255 (413) 663-6567 (413) 499-0237 Bernard Turiel, P.C. BRITISH BROADCASTING John Galt, M.D., Inc. New York, NY CORPORATION Pittsfield, MA (212) 563-6830 London, England (413) 445-4564 "Getting Married/ Hagyard Pharmacy Management/I3usiness A Planning Guide" Lenox, MA Consulting Boston, MA (413) 637-0048 Canter, Achenbaum, (617) 739-3349 HEALTH PROGRAMS Associates Inc. GENERAL CINEMA INTERNATIONAL New York, NY CORPORATION Wellesley, MA (212) 751-9630 Chestnut Hill, MA (617) 235-2856 Colonial Consulting (617) 232-8200 William E. Knight, M.D. Corporation, Inc. High Fidelity Magazine Pittsfield, MA New York, NY New York, NY (413) 442-4438 (212) 307-1830 (212) 887-8355 JGG Associates, Inc. INTERNATIONAL Pittsfield, MA TELEVISION TRADING Moving/Storage (413) 584-8760 CORP. Frank L. Castine, Inc. John Michael Associates, South Egremont, MA Athol, MA Inc. (413) 528-9010 (617) 249-9105 East Hartford, CT Jaycole Advertising Inc. Mullen Brothers (203) 282-0177 New York, NY Pittsfield, MA Periodical Marketing (212) 533-6355 (413) 499-0815 Services Company Pittsfield News Co., Inc. Security Self Storage Hackensack, NJ Pittsfield, MA Pittsfield, MA (201) 342-6335 (413) 445-5682 (413) 445-5181 Right Associates Steve Ganak Ad Reps Providence, RI Boston, MA (401) 331-1729 (617) 542-6913 Paper Products/Printing Manufacturing Virstal Theatrical Productions BRM Associates, Inc. Boyd Converting Co., Inc. Sheffield, MA New York, NY South Lee, MA (413) 229-6609 (212) 249-0505 (413) 243-2200 Beloit Corporation Culbro Corporation Medical/Science Jones Division New York, NY Berkshire Anesthesiologists Dalton, MA (212) 561-8700 Pittsfield, MA (413) 443-5621 Davison Trading Company (413) 499-0141 Berkshire Corp. Holyoke, MA Berkshire Associates for Great Barrington, MA (413) 534-7748 Neurological Diseases, (413) 528-2602 General Electric Company Inc. C.T. Brigham Co. Pittsfield, MA Pittsfield, MA Pittsfield, MA (413) 494-1110 (413) 499-2831 (413) 445-5646 CRANE & COMPANY, INC.! The Rose Agency HOUSATONIC BYRON WESTON Pittsfield, MA CURTAIN COMPANY COMPANY (413) 443-7211 Housatonic, MA Dalton, MA Ruffer Realtors (413) 274-3317 (413) 684-2600 Pittsfield, MA JENIFER HOUSE James River Corp. (413) 445-5661 Great Barrington, MA Curtis Div. /Adams Mill White Pines Country (413) 528-1500 Adams, MA Estate Condominiums KAY-BEE TOY & HOBBY (413) 743-0290 Stockbridge, MA SHOPS, INC. MEAD CORPORATION (413) 637-1140 Lee, MA Specialty Paper Division (413) 243-2000 South Lee, MA Tourism/Resorts The Lemon Tree (413) 243-1231 Berkshire Hills Conference Lenox, MA Sheaffer Eaton Textron Center (413) 637-1024 Pittsfield, MA Pittsfield, MA Lenox Kites (413) 499-2210 (413) 443-9186 Lenox, MA STUDLEY PRESS, INC. Butternut Basin, Inc. (413) 637-2115 Dalton, MA Great Barrington, MA Loeb's Foodtown of Lenox (413) 684-0441 (413) 528-2000 Lenox, MA Walden Printing Company Eastover Incorporated (413) 637-0270 Walden, NY Lenox, MA McClelland Drug Store (914) 778-3575 (413) 637-0625 Lee, MA Photography (413) 243-0135 Where to Eat Price Chopper Photo Shop, Inc. Abdalla's Liquor and Deli Supermarkets Pittsfield, MA Stockbridge, MA Schenectady, NY (413) 442-6411 (413) 298-5533 (518) 355-5000 Walter Hilton Scott, BURGER KINGS OF Rayburn Musical Photographer BERKSHIRE COUNTY Instrument Co., Inc. Stockbridge, MA Boston, MA (413) 298-3651 Church Street Cafe Lenox, MA (617) 266-4727 Whitestone Photo (413) 637-2745 The Record Store, Inc. Lenox, MA Williamstown, MA (413) 637-0584 Crosby's Lenox, MA (413) 458-5418 Real Estate (413) 637-3396 Paul Rich & Son Home Apple Hill—Angus Luau Hale Restaurant Furnishings MacDonald Realty Lenox, MA Pittsfield, MA Great Barrington, MA (413) 443-4745 (413) 443-6467 (413) 528-3458 Shaker Mill Tavern The Sounds of Music Corashire Realty West Stockbridge, MA Lenox, MA Great Barrington, MA (413) 232-8565 (413) 637-0908 (413) 528-0014 Taft Farms Cohen & White Associates Where to Shop Great Barrington, MA (413) 528-1515 Lenox, MA Allendale Shopping Center (413) 637-1086 Pittsfield, MA Yankee Candle Company, Evergreen Realty (914) 967-7500 Inc. South Deerfield, MA Pittsfield, MA Bazaar Stores (413) 665-8306 (413) 4994610 New York, NY Sheldon Gross Realty, Inc. (212) 988-7600 West Orange, NJ Christopher & Co. (201) 325-6200 Lenox, MA Where to Stay Charlotte R. Isaacs (413) 637-3612 Apple Tree Inn Real Estate COUNTRY CURTAINS Lenox, MA Stockbridge, MA Stockbridge, MA (413) 637-1477 (413) 298-3300 (413) 243-1474 Barrington Court Motel Israel Realty Associates, Inc. Crescent Creamery, Inc. Inc. New York, NY Pittsfield, MA Great Barrington, MA (212) 239-9790 (413) 445-4548 (413) 528-2340 Prestige Realty DECO ART SUPPLIES Berkshire Spur Motel Springfield, MA Pittsfield, MA Canaan, NY (413) 788-0985 (413) 442-1893 (518) 781-4432 Esther Quinn Realty Farrell's Decorating Center Blantyre Pittsfield, MA Pittsfield, MA Lenox, MA (413) 4994646 (413) 442-2029 (413) 637-3556 Reinholt Realtors Guido's Fresh Marketplace Gateways Inn, Inc. Lenox, MA Pittsfield, MA Lenox, MA (413) 637-1251 (413) 442-9909 (413) 637-2532 Laurel Hill Motel Windflower Inn, Inc. The General Systems Co., Lee, MA Great Barrington, MA Inc. (413) 243-0813 (413) 528-2720 Pittsfield, MA Monument Mountain Yankee Motor Lodge, Inc. (413) 499-2880 Motel, Inc. Lenox, MA G.W. Enterprises Great Barrington, MA (413) 499-3700 Sarasota, FL (413) 528-3272 J-L Distributors, Inc. The Morgan House Other Pittsfield, MA Lee, MA Abbott's Limousine & (413) 443-7185 (413) 243-0181 Taxi Service Kripalu Center for Yoga Quincy Lodge Lee, MA and Health Lenox, MA (413) 243-1645 Lenox, MA (413) 637-9750 AKC Fund, Inc. (413) 637-3280 THE RED LION INN New York, NY Sarum Tea Company Inc. Stockbridge, MA (212) 737-1011 Salisbury, CT (413) 298-5545 BALDWIN PIANO AND (203) 435-2086 Susse Chalet Motor Lodge ORGAN COMPANY Taylor Rental Center Lenox, MA New York, NY Pittsfield, MA (413) 637-3560 (212) 245-6700 (413) 443-4072 Tanglewood Motor Inn BOSTON SHOWCASE TRAVEL CONSULTANTS Lenox, MA COMPANY INTERNATIONAL (413) 442-4000 Newton Highlands, MA Wellesley, MA (617) 965-1100 The Village Inn (617) 235-2995 Lenox, MA Bradley Architects, Inc. W.A. Wilde Company (413) 637-0020 Pittsfield, MA Holliston, MA (413) 448-8253 The Weathervane Inn (617) 429-5515 South Egremont, MA BROADWAY Willowood Nursing & (413) 528-9580 MANUFACTURERS Retirement Facility SUPPLY/AMERICAN Wheatleigh Hotel & Great Barrington, MA TERRY CORP. (413) 528-4560 Restaurant New York, NY Lenox, MA (212) 226-8040 AVEDIS ZILDJIAN (413) 637-0610 COMPANY Joe Chuckrow Sales, Inc. The Williams Inn Norwell, MA Latham, NY (617) 871-2200 Williamstown, MA (518) 783-6158 (413) 458-9371 Covenant Foundation Chestnut Hill, MA Limited Edition Prints 441110111..0:2.105 Co0 b y LEONARD WEBER TANGLEWOOD Avad-a-ati.". Catalog $3.00 Hayloft Gallery G/ass #0,444.42_ Monterey, MA 01245 Tel. 528-1806 Buy Yourself a Real Estate Foxhollow was a real estate—twice! Once George Westinghouse built an exquisite mansion here. Then Mrs. Cornelius Vanderbilt built the present Foxhollow Manor House. Now we offer you the 1980s answer to a real country estate. All new two story homes with 2 decks overlooking Laurel Lake, cathedral ceilings, glass walls, fireplace, solarium breakfast room, guest wing and garage. Each completed home features top of the line cabinetry, appliances, floor tiles and carpeting. Three to five bedrooms priced from $242,000 to $279,000. lirttiolt.,4, es olldo n 1.41 111.5 Eoxhollow, Route 7, Leriox, NIA (413) 637-3647 COMING CONCERTS AT TANGLEWOOD Thursday, 21 August at 8:30 Thursday, 28 August at 8:30 (Theatre-Concert Hall) (Theatre-Concert Hall) CHRISTOPH ESCHENBACH and WILLIAM CROFUT & TZIMON BARTO, duo-pianists BENJAMIN LUXON with EVERETT FIRTH and Program of English and American ARTHUR PRESS, percussion folk songs Music of Bartok and Messiaen Friday, 29 August at 7 Friday, 22 August at 7 (Weekend Prelude) (Weekend Prelude) CAROL VANESS, soprano CHO-LIANG LIN, violin WARREN JONES, piano SANDRA RIVERS, piano Music of Handel, Rossini, and Turina Music of Beethoven Friday, 29 August at 9 Friday, 22 August at 9 BOSTON SYMPHONY ORCHESTRA BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, conductor CHRISTOPH ESCHENBACH, ITZHAK PERLMAN, violin conductor and pianist BRAHMS Violin Concerto BEETHOVEN Piano Concerto No. 1; RAVEL Valses nobles et sentimentales; Symphony No. 1 La Valse Saturday, 23 August at 8:30 Saturday, 30 August at 8:30 BOSTON SYMPHONY ORCHESTRA ISRAEL PHILHARMONIC ORCHESTRA CHRISTOPH ESCHENBACH, conductor ZUBIN MEHTA, conductor TZIMON BARTO, piano WOMEN OF THE TANGLEWOOD PROKOFIEV Classical Symphony FESTIVAL CHORUS, JOHN OLIVER, RAVEL Piano Concerto in G conductor SATIE La Belle excentrique BEETHOVEN Symphony No. 2 TCHAIKOVSKY Serenade for strings HOLST The Planets Sunday, 24 August at 2:30 Sunday, 31 August at 8:30 BOSTON SYMPHONY ORCHESTRA BOSTON SYMPHONY ORCHESTRA SEMYON BYCHKOV, conductor SEIJI OZAWA, conductor CHO-LIANG LIN, violin CAROL VANESS, soprano BEETHOVEN Overture to The Creatures THOMAS MOSER, tenor of Prometheus BENJAMIN LUXON, baritone SIBELIUS Violin Concerto TANGLEWOOD FESTIVAL CHORUS, TCHAIKOVSKY Symphony No. 5 JOHN OLIVER, conductor BOSTON BOY CHOIR, Tuesday, 26 August THEODORE MARIER, director BRITTEN TANGLEWOOD ON PARADE War Requiem Afternoon events beginning at 2:30 (Gates open at 2) Programs subject to change. Gala concert at 9 with the BOSTON SYMPHONY ORCHESTRA TANGLEWOOD MUSIC CENTER ORCHESTRA SEIJI OZAWA and JOHN WILLIAMS, conductors Program to include music of John Williams and Tchaikovsky's 1812 Overture The Berkshires Most Entertaining Restaurant A sampling from our menu. Fresh Seafood Giant Hamburger Platters Steaks & Ribs Salads & Luscious Desserts Deck Cafe Lunch, Dinner & Sunday Buffet Brunch Saturday Mite Comedy Connection Open 7 days & nights Reservations suggested ^\ WEST STOCKBRIDGE t - ^ MASS. m 413-232-8565 Join Us with a subscription to Berkshiremagazne The magazine of the Berkshires • Calendar of Events • Guide to Dining & Lodging detailed performance schedules and programs • Feature Articles • Spectacular Color Photographs about the people, places, culture and that capture the beauty of the Berkshires history of the Berkshires Subscribe now — for yourself or a friend ❑ 1 year $12.15 ❑ 2 years $22.95 Your Name Gift Recipient's Name Address Address City State Zip City State Z p ❑ Check enclosed for subscriptions ❑ Please bill me for subscriptions ❑ New subscription ❑ Renewal ❑ 1 American Express VISA j Visa 001 MasterCard CARD is EXP. DATE AUTHORIZED CARD SIGNATURE Box 617, Dept. 05006, Stockbridge, MA 01262 The Village at October Mountain East Street Lee, Massachusetts 01238 243 - 1453 Just as it is becoming almost impossible to find gracious country living at an affordable price, the Village at October Mountain emerges. Our Colonial Townhouses offer a flexible design package that will satisfy the needs of the most discrim- inating buyers and is only minutes from Tanglewood and the major ski areas. PRICES STARTING IN THE LOW $100'S We overlook nothing but the Berkshires. THE TANGLEWOOD MUSIC CENTER Leon Fleisher, Artistic Director 1986 Concert Schedule Tuesday, 1 July at 2 p.m. Sunday, 27 July at 8:30 p.m. Tanglewood Music Center Vocal Recital—Fellows Exercises Opening Monday, 28 July at 8:30 p.m. (admission free; Tanglewood Music Center Orchestra open to the public) Leon Fleisher and Tuesday, 8 July at 8:30 p.m. Conducting Fellows conducting Tanglewood Music Center Orchestra Program to be announced Seiji Ozawa and Conducting Fellows conducting Program to include Saturday, 2 August through Beethoven Symphony No. 7 Thursday, 7 August FESTIVAL OF Sunday, 13 July at 10 a.m. MUSIC Chamber Music—Fellows CONTEMPORARY Saturday, 2 August Sunday, 13 at 8:30 p.m. July —Fellows of the Tanglewood Recital Fellows Vocal — Music Center, 2 p.m. Monday, 14 July at 8:30 p.m. Sunday, 3 August Young Artists Orchestra —Fellows of the Tanglewood Eiji Oue conducting Music Center, 10 a.m. Program to include —Fellows of the Tanglewood Berlioz Symphonie fantastique Music Center, 8:30 p.m. Monday, 4 August Tuesday, 15 July at 8:30 p.m. Fellows of the Tanglewood Vocal Recital—Fellows — Music Center, 8:30 p.m. Wednesday, 16 at 8:30 p.m. July Tuesday, 5 August Tanglewood Music Center Orchestra Juilliard String Quartet, 8:30 p.m.' Gustav Meier — and Wednesday, 6 August Conducting Fellows conducting —Tanglewood Music Center Program to include Orchestra, Oliver Knussen, Wagner Excerpts from Tannhauser conductor, 8:30 p.m. Saturday, 19 July at 2 p.m. Thursday, 7 August Chamber Music—Fellows —Joseph Silverstein, violin, and Peter Serkin, piano, 8:30 p.m.* Sunday, 20 July at 10 a.m. Chamber Music—Fellows Sunday, 20 July at 8:30 p.m. Sunday, 10 August at 10 a.m. Chamber Music Young Artists — Chamber and Vocal Music- Fellows Monday, 21 July at 8:30 p.m. Monday, 11 August at 8:30 p.m. Chamber Music Young Artists — Young Artists Orchestra Tuesday, 22 July at 8:30 p.m. Robert Sirota and Tanglewood Music Center Orchestra Eiji Oue conducting Leonard Bernstein and Program to include Conducting Fellows conducting Brahms Symphony No. 2 Program to be announced Wednesday, 13 August at 8:30 p.m. Wednesday, 23 July at 8:30 p.m. Chamber Music— Fellows Chamber and Vocal Music Fellows — Saturday, 16 August at 2 p.m. Saturday, 26 July at 2 p.m. Tanglewood Music Center Orchestra Young Artists Orchestra and Chorus Leon Kirchner and Leonard Atherton and Conducting Fellows conducting Eiji Oue conducting Program to include Program to include Stravinsky Symphony in Bartok Concerto for Orchestra Three Movements Sunday, 27 July at 10 a.m. Sunday, 17 August at 2 p.m. Chamber Music— Fellows Chamber Music— Fellows There's A Great Spirit long The Mohawk Trail Take the road less traveled, along the woOded Mohawk Trail, and through the Pioneer Valley. Sure, you'll get there faster if you take the turnpike, but you'll miss so much. Cross covered bridges, visit Historic Deerfield, bid .at a country auction, ride a riverboat or just savor th unspoiled scenery. Stay a day or more, at a country `,_ BOSTON inn, fine hotel, or partake of bed and breakfast. The Great Spirit of the Mohawk beckons . . . For more information, contact: CONVENTION AND VISITORS BUREAU _ 1500 Main Street, Springfield, MA 01115 • (413) 787-1548 Mohawk Trail Association Dept. T., P.O. Box J, Charlemont, MA 01339 • (413) 664-6256 Funded in part by the Mass. Dept. of Commerce, Div. of Tourism. fig The spirit of Massachusetts is the spirit of America. Sunday, 17 August at 8:30 p.m. Vocal Recital—Fellows Monday, 18 August at 8:30 p.m. Chamber Music—Young Artists Tuesday, 19 August at 8:30 p.m. i Young Artists Orchestra and Chorus rv Leonard Atherton and Eiji Oue conducting; Joseph Silverstein, violin Program to be announced Wednesday, 20 August at 8:30 p.m. Tanglewood Music Center Orchestra Gennady Rozhdestvensky and Conducting Fellows conducting Program to include Shostakovich Symphony No. 10 Saturday, 23 August at 2 p.m. Vocal Recital—Fellows Sunday, 24 August at 10 a.m. Chamber Music—Fellows Sunday, 24 August at 8:30 p.m. Chamber Music—Fellows Schedule subject to change. Monday, 25 August at 8:30 p.m. Young Artists Chamber Music— Current information available each week at Tuesday, 26 August the Tanglewood Main Gate. TANGLEWOOD ON PARADE (Afternoon events beginning at 2:30, Except where noted, admission is by a $5 followed by a gala orchestra concert donation for chamber music and vocal con- at 9 featuring the Tanglewood Music certs, and by a $6 donation for orchestra Center Orchestra, the Young Artists concerts. Members of the Friends of Music at Orchestra, and the Boston Symphony Tanglewood are admitted to all Tanglewood Orchestra.)* Music Center events without charge. Tanglewood Festival ticket required Programs designated "Fellows" events are performed by members of the Tanglewood Music Center's Fellowship Program for advanced young performers 18 years of age and older. The Tanglewood Music Center Orchestra is comprised of members of the Fellowship Program. Programs designated "Young Artists" events are performed by members of the Boston University Tanglewood Institute's Young Artists Instrumental and Vocal Programs for high-school age musicians. "Tanglewood on Parade" is a day-long series of concert performances and other events highlighting the entire spectrum of Tanglewood performance activities, including the Tanglewood Music Center Fellowship Program, the Boston University Tanglewood Insti- tute's Young Artists Programs, and the Boston Symphony Orchestra itself. "Tanglewood on Parade" is presented as a benefit for the Tanglewood Music Center and concludes with a gala concert at 9:00 p.m. featuring the Boston Symphony Orchestra, the Tanglewood Music Center Orchestra, and conductors Seiji Ozawa and John Williams. Tanglewood Festival tickets are required and are available at the Tanglewood box office. FROM ENGLAND, IRELAND, HOLLAND & FRANCE 4tf5£<« ANTIQUES 6 FLOORS 12 SHOPS PINE ANTIQUE "COI INTRY FURNITURE" .. 413-229-8307 Berkshire School Road & Route 41, Sheffield, MA 01257 VISIT THE BERKSHIRE PRIVATE CAMPS. Select The Right Program For Your Child. BELVOIRTERRACE, girls. Indiv. programs LENOX FOR BOYS. 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