Boston Symphony Orchestra Concert Programs, Summer, 1986

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 1986 Tangtewqpd i 8 . - • .. lil • M -• * •'•-- . in if § H i Visit Tanglewoods Neighbor . White Pines at Stockbridge, the only luxury condominium in Stockbridge. You'll find us a short walk down the road among whispering pines; sunny, rolling meadows; quiet, cool woodlands ... a truly uncommon condominium community on 95 acres of a turn-of-the- century estate. Half our luxurious, contemporary units have been completed in and around the original French Provincial buildings. (A very few of these are available for immediate occupancy.) A third of the remaining 34 units . duplex country villas . will also be ready this summer. White Pines homeowners are already enjoying their on-site private recreation facilities . year-round swimming pool, Har-Tru tennis courts, exercise facilities, sauna and lakefront beach. We invite you to visit our furnished model, open seven days a week. Featured in Sfye JfeUf JJork Sinter For information, call or write: P.O. Box 529 White Hawthorne Street Stockbridge, MA 01262 (413)637-1140 Pines Our sales agent is: country estate Reinholt Realty condominiums Main Street, Lenox (413) 637-1251 or Main Street, Stockbridge (413) 298-3664. at Stockbridge Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Vice-Chairman J. P. Barger, Vice -Chairman Mrs. John M. Bradley, George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar George H. A. Clowes, Jr. Francis W Hatch, Jr. Thomas D. Perry, Jr. William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Richard P. Chapman Edward M. Kennedy Sidney Stoneman AbramT. Collier Albert L. Nickerson John L. Thorndike John T. Noonan Officers of the Corporation Thomas W Morris, Vice-President, Special Projects and Planning John Ex Rodgers, Assistant Treasurer Theodore A. Vlahos, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Mary Glenn Goldman, Assistant Clerk Administration of the Boston Symphony Orchestra, Inc. Daniel R. Gustin, Acting General Manager Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. Vlahos, Director of Business Affairs Helen P. Bridge, Director of Volunteers Marc Mandel, Publications Coordinator Vera Gold, Assistant Director of Promotion Richard Ortner, Administrator of Patricia Halligan, Personnel Administrator Tanglewood Music Center Nancy A. Kay, Director of Sales Nancy E. Phillips, Media and John M. Keenum, Director of Production Manager, Boston Foundation Support Symphony Orchestra James F. Kiley, Operations Manager, Charles Rawson, Manager of Tanglewood Box Office Nancy Knutsen, Assistant Manager, Eric Sanders, Director of Corporate Boston Pops Development Anita R. Kurland, Administrator of Joyce M. Serwitz, Assistant Director Youth Activities of Development Steven Ledbetter, Musicologist & Susan E. Tomlin, Director of Program Annotator Annual Giving Programs copyright '1986 Boston Symphony Orchestra, Inc. Cover design by Wondriska Associates Inc. JOIN THE BSO FOR A SEASON OF GREAT MUSIC AT SYMPHONY HALL AND CARNEGIE HALL. Subscribe now to the 1986-87 season! Join Music Director Seiji Ozawa and the Boston Symphony Orchestra in Symphony Hall for a 23-week season of magnificent music. In addition, Ozawa and the BSO will present their traditional three-concert series at Carnegie Hall, featuring appearances by Mstislav Rostropovich and Krystian Zimerman. Free brochures with complete program information for the BSO's Boston and New York seasons are available at the Tanglewood Main Gate, or call Symphony Hall, (617) 266-1492. Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman, Chairman Avram J. Goldberg Mrs. Carl Koch Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary John Q. Adams Mrs. Thomas Gardiner Mrs. Hiroshi Nishino Mrs. Weston W. Adams Mrs. James G. Garivaltis Vincent M. O'Reilly Martin Allen Mrs. Ray A. Goldberg Stephen Paine, Sr. Mrs. David Bakalar Jordan L. Golding John A. Perkins Bruce A. Beal Joseph M. Henson Peter C. Read Peter A. Brooke Arnold Hiatt Robert E. Remis Mary Louise Cabot Mrs. Richard D. Hill Mrs. Peter van S. Rice Mrs. C. Thomas Clagett, Jr. Susan M. Hilles David Rockefeller, Jr. James F. Cleary Glen H. Hiner John Ex Rodgers John F. Cogan, Jr. Mrs. Marilyn Brachman Hoffman Mrs. Jerome Rosenfeld Mrs. Nat Cole Mrs. Bela T. Kalman Mrs. William C. Rousseau William H. Congleton Mrs. S. Charles Kasdon Mrs. William H. Ryan Arthur P. Contas Richard L. Kaye Gene Shalit Mrs. A. Werk Cook Robert D. King Mark L. Selkowitz Phyllis Curtin John Kittredge Malcolm L. Sherman A.V. d'Arbeloff Robert K. Kraft W Davies Sohier, Jr. Mrs. Michael H. Davis John P. LaWare Ralph Z. Sorenson Mrs. Eugene B. Doggett Mrs. James F. Lawrence Mrs. Arthur I. Strang Harriett Eckstein Laurence Lesser William F. Thompson Mrs. Alexander Ellis R. Willis Leith, Jr. Luise Vosgerchian Katherine Fanning Mrs. Charles P. Lyman Mrs. An Wang John A. Fibiger Mrs. Harry L. Marks Roger D. Wellington Kenneth G. Fisher Hanae Mori Mrs. Thomas H.P. Whitney Gerhard M. Freche Richard P. Morse Mrs. Donald B. Wilson Peter H.B. Frelinghuysen Mrs. Thomas S. Morse Brunetta Wolfman Mrs. Thomas J. Galligan Mrs. Robert B. Newman Nicholas T. Zervas Overseers Emeriti Mrs. Frank G. Allen Mrs. Louis I. Kane Mrs. Stephen V.C. Morris Hazen H. Ayer Leonard Kaplan David R. Pokross Paul Fromm Benjamin H. Lacy Mrs. Richard H. Thompson Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President Mrs. R. Douglas Hall III Mrs. Carl Koch Executive Vice-President Treasurer Mrs. Harry F. Sweitzer, Jr. Mrs. Gilman W Conant Secretary Nominating Chairman Vice-Presidents Mrs. Eugene B. Doggett, Development Services Mrs. BelaT. Kalman, Youth Activities Ms. Phyllis Dohanian, Fundraising Projects Mrs. Hart D. Leavitt, Regions Mrs. Craig W Fisher, Tanglewood Mrs. August R. Meyer, Membership Mrs. Mark Selkowitz, Tanglewood Ms. Ellen M. Massey, Public Relations Chairmen of Regions Mrs. Thomas M. Berger Ms. Prudence A. Law Mrs. F.L. Whitney Mrs. Charles A. Hubbard Mrs. Robert B. Newman Mrs. Thomas H.P. Whitney Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Norman Wilson Mrs. Thomas Walker Like you, we're unique. How are Conifer Banks statewide resources of The unique? We're made up of 6 Conifer Group, it also has the community banks with 96 power to help you meet those offices serving hundreds of needs. communities throughout Contact the Conifer Bank Massachusetts. What's more, nearest you. The world may every Conifer Bank is backed not be our oyster, but our by the resources of The Coni- customers certainly are. fer Group, the 6th largest Guaranty Bank (617) 791-7811 Essexbank (617) 598-2000/(617) 532-2500 bank holding company in the Union National Bank (617) 458-3151 state and the 8th largest in Plymouth-Home National (617) 583-6700 Berkshire Bank (413) 499-1600 New England. Because the Bank of Cape Cod (617) 548-7500 Conifer Bank in your com- Members FDIC munity is local, it under- stands your needs. And be- The Conifer Group cause it has access to the Like You, We're Unique. TANGLEWOOD 5 August 1937 the festival's largest crowd so far assembled under a tent for the The Tanglewood Festival first Tanglewood concert, an all- In August 1934, a group of music- Beethoven program. loving summer residents of the At the all-Wagner concert which Berkshires organized a series of three opened the 1937 festival's second outdoor concerts at Interlaken, to be weekend, rain and thunder twice inter- given by members of the New York rupted the performance of the Rienzi Philharmonic under the direction of Overture and necessitated the omission Henry Hadley. The venture was so altogether of the Siegfried "Forest successful that the promoters incorpo- Murmurs," music too delicate to be rated the Berkshire Symphonic Festival heard through the downpour. At the and repeated the experiment during the intermission, Miss Gertrude Robinson next summer. Smith, one of the festival's founders, The Festival Committee then invited made a fundraising appeal for the build- Serge Koussevitzky and the Boston ing of a permanent structure. The appeal Symphony Orchestra to take part in the was broadened by means of a printed following year's concerts. The orchestra's circular handed out at the two remain- Trustees accepted, and on 13 August ing concerts, and within a short time 1936 the Boston Symphony gave its first enough money had been raised to begin concerts in the Berkshires (at Holm- active planning for a "music pavilion." wood, a former Vanderbilt estate, later Eliel Saarinen, the eminent architect the Center at Foxhollow). The series selected by Koussevitzky, proposed an again consisted of three concerts and elaborate design that went far beyond was given under a large tent, drawing a the immediate needs of the festival and, total of nearly 15,000 people. more important, went well beyond the In the winter of 1936, Mrs. Gorham budget of $100,000. His second, Brooks and Miss Mary Aspinwall Tap- simplified plans were still too expensive, pan offered Tanglewood, the Tappan and he finally wrote that if the Trustees family estate, with its buildings and 210 insisted on remaining within their acres of lawns and meadows, as a gift to budget, they would have "just a shed," Koussevitzky and the orchestra.
Recommended publications
  • JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]
    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.
    [Show full text]
  • Robert Graves the White Goddess
    ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters.
    [Show full text]
  • Symmetry and Narrative in Christopher Rouse's Trombone Concerto with White Space Waiting
    SYMMETRY AND NARRATIVE IN CHRISTOPHER ROUSE’S TROMBONE CONCERTO WITH WHITE SPACE WAITING (AN ORIGINAL COMPOSITION FOR CHAMBER ORCHESTRA) by R. Burkhardt Reiter BM, Eastman School of Music, 1995 MM, Duquesne University, 1999 Submitted to the Graduate Faculty of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by R. Burkhardt Reiter It was defended on April 15, 2005 and approved by Eric Moe, Ph.D. Mathew Rosenblum, Ph.D. Don Franklin, Ph.D. Dennis Looney, Ph.D. Eric Moe, Ph.D. Dissertation Director ii Copyright © 2005 by R. Burkhardt Reiter iii SYMMETRY AND NARRATIVE IN CHRISTOPHER ROUSE’S TROMBONE CONCERTO WITH WHITE SPACE WAITING (AN ORIGINAL COMPOSITION FOR CHAMBER ORCHESTRA) R. Burkhardt Reiter, PhD University of Pittsburgh, 2005 The analytic component of my dissertation, “Symmetry and Narrative in Christopher Rouse’s Trombone Concerto,” illuminates the ways in which the concerto creates a musical metaphor of tragedy. To help frame my discussion of the Trombone Concerto’s narrative elements (which include Rouse’s self-referential quotation to his own Symphony No.1 and a quotation of Leonard Bernstein’s “Kaddish” Symphony No.3) I draw on Northrop Frye’s classification of tragedy as a narrative archetype. In order to illuminate the narrative functions of the two quotations and other motivic elements, I examine (with voice-leading and structural analysis) how the work’s prevailing formal and harmonic symmetry provides the narrative context for its musical expectations. The tragedy of the concerto is realized when the harmonic expectation created by the Bernstein quotation is disrupted by the return of the composition’s opening harmony and motivic gesture.
    [Show full text]
  • ALAN GILBERT Conducts CHRISTOPHER ROUSE II ROYAL STOCKHOLM PHILHARMONIC ORCHESTRA SHARON BEZALY Flute
    ALAN GILBERT conducts CHRISTOPHER ROUSE II ROYAL STOCKHOLM PHILHARMONIC ORCHESTRA SHARON BEZALY flute Christopher Rouse BIS-CD-1586 BIS-CD-1586_f-b.indd 1 09-08-21 11.27.57 BIS-CD-1586 Rouse:booklet 21/8/09 10:36 Page 2 ROUSE, Christopher (b. 1949) Flute Concerto (1993) 27'56 1 I. Amhrán 4'02 2 II. Alla Marcia 4'15 3 III. Elegia 9'37 4 IV. Scherzo 4'53 5 V. Amhrán 5'07 Symphony No. 2 (1994) 26'13 6 I. Allegro 7'01 7 II. Adagio 12'04 8 III. Allegro 7'06 9 Rapture (2000) 11'22 TT: 66'37 Sharon Bezaly flute Royal Stockholm Philharmonic Orchestra Alan Gilbert conductor All works published by Boosey & Hawkes 2 BIS-CD-1586 Rouse:booklet 21/8/09 10:36 Page 3 Christopher Rouse Christopher Rouse is one of America’s most prominent composers, with a body of work remarkable for its emotional intensity. It has won him a Pulitzer Prize (for the Trombone Concerto) and a Grammy Award (for Concert de Gaudí) as well as the election to the prestigious American Academy of Arts and Letters in 2002. Born in Baltimore in 1949, Rouse developed an early interest in both clas - sical and popular music. He graduated from Oberlin Conservatory and Cornell Uni ver sity, numbering among his teachers George Crumb and Karel Husa. Rouse has maintained a steady interest in popular music: at the Eastman School of Music, where he was Professor of Composition until 2002, he taught a course in the his tory of rock for many years.
    [Show full text]
  • Giorgio De Santillana, Hertha Von Dechend
    Preface page v AS THE SENIOR, if least deserving, of the authors, I shall open the narrative. Over many years I have searched for the point where myth and science join. It was clear to me for a long time that the origins of science had their deep roots in a particular myth, that of invariance. The Greeks, as early as the 7th century B.C., spoke of the quest of their first sages as the Problem of the One and the Many, sometimes describing the wild fecundity of nature as the way in which the Many could be deduced from the One, sometimes seeing the Many as unsubstantial variations being played on the One. The oracular sayings of Heraclitus the Obscure do nothing but illustrate with shimmering paradoxes the illusory quality of "things" in flux as they were wrung from the central intuition of unity. Before him Anaximander had announced, also oracularly, that the cause of things being born and perishing is their mutual injustice to each other in the order of time, "as is meet," he said, for they are bound to atone forever for their mutual injustice. This was enough to make of Anaximander the acknowledged father of physical science, for the accent is on the real "Many." But it was true science after a fashion. Soon after, Pythagoras taught, no less oracularly, that "things are numbers." Thus mathematics was born. The problem of the origin of mathematics has remained with us to this day. In his high old age, Bertrand Russell has been driven to avow: "I have wished to know how the stars shine.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    CJanqlewoo 5^» a,«a? @%^ BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH A %c] CMusic Director «ikkW Berkshire Festival 1962 Q)harles <J)(lunch conducts the boston Symphony The talents of Charles Munch are particularly suited to the lush, romantic "Romeo and Juliet" by Tchaikovsky, and the playful, humorous antics of Strauss' "Till." Champion of the music of Ravel, Dr. Munch restores "Daphnis and Chloe" to a single, beautifully rounded work by presenting the delightful score in its entirety. Both albums are in Living Stereo and Monaural Hi-Fi. TCHAJKOVSKV ROMEO & JULIET STRAUSS TILL EULENSPIEGEL RCAVICTOR THE MOST TRUSTED NAME IN SOUND Boston Symphony Orchestra CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1962 TWENTY-FIFTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS FOURTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1962 by Boston Symphony Orchestra, inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA. Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abram Bebkowitz E. Morton Jennings, Jr. Sidney R. Rabb Theodore P. Ferris Henry A. Laughlin Charles H. Stockton Francis W. Hatch John T. Noonan John L. Thorndike Harold D. Hodgkinson Mrs. James H. Perkins Raymond S. Wilktns C D. Jackson Oliver YVolcott Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Tangleivood Advisory Comtnittee Alan J. Blah Henry W. Dwight George E. Mole Robert K. Wheeler Lenges Bull George W. Edman Whitney S. Stoddard H. George Wilde Lawrence K. Miller Jesse L. Thomason Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Samuel H. Sprott Lenox, William T.
    [Show full text]
  • SYMPHONY HALL, BOSTON HUNTINGTON and MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 bstao Symplhoimj INC. PIERRE MONTEUX, Conductor FORTY-SECOND SEASON. 1922-1923 ProgrannnnriKg WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1233 "UHE INSTRUMENT OF THE IMMORTALS Q OMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt and convenience a Steinway can at his Steinway be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long ago!" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. 'Prices: $875 and up Convenient terms. Used pianos taken in exchange. TEINWAY & SONS, STEINWAY HALL 109 EAST 14th STREET NEW YORK Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE 1234 ostein SympSnoey Oirelhestra Forty-second Season, 1922-1923 PIERRE MONTEUX, Conductor Violins.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 58,1938-1939, Subscription Series
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 FIFTY-EIGHTH SEASON, 1938-1939 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Assistant Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1938, BY BOSTON SYMPHONY ORCHESTRA, IflC. The OFFICERS and TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Ernest B. Dane . President Henry B. Sawyer Vice-President Ernest B. Dane Treasurer Allston Burr M. A. De Wolfe Howe Henry B. Cabot Roger I. Lee Ernest B. Dane Richard C. Paine Alvan T. Fuller Henry B. Sawyer Jerome D. Greene Edward A. Taft N. Penrose Hallowell Bentley W. Warren G. E. Judd, Manager C. W. Spalding, Assistant Manager [337] Complete FIDUCIARY SERVICE /^INDIVIDUALS The fiduciary services of Old Colony Trust Company available to individuals are many and varied. We cite some of the fiduciary capacities in which we act. Executor and Admi?iistrator We settle estates as Executor and Administrator. T,rustee We act as Trustee under wills and under voluntary or living trusts. Agent We act as Agent for those who wish to be relieved of the care of their investments. Ofii The officers of Old Colony Trust Company are always glad to discuss estate and property matters with you and point out if and where our services are applicable. Old Colony Trust Company 17 COURT STREET, BOSTON Member of the Federal Deposit Insurance Corporation sillied with The First National Bank of Bosto] [338] SYMPHONIANA Exhibition GENUINE 'The Boston Symphony Starts Its New York Season at Carnegie Hall" AMERICAN EXHIBITION ANTIQUES An exhibition of paintings by Gaston Bladet, flute player in the Orchestra from 1923 until his death in 1938, and sculpture by George Aarons may be seen in the First Balcony Gallery.
    [Show full text]
  • North American Saxophone Alliance 2019 Region 10 Conference February 22 - 24, 2019
    NORTH AMERICAN SAXOPHONE ALLIANCE 2019 REGION 10 CONFERENCE FEBRUARY 22 - 24, 2019 DON WRIGHT FACULTY OF MUSIC WESTERN UNIVERSITY LONDON, ONTARIO Welcome Dear NASA Members and Friends: Welcome to the North American Saxophone Alliance 2019 Region 10 Conference. On behalf of the Don Wright Faculty of Music, it is a pleasure host you in our new Music Building facili- ties at Western University. This weekend, we will be celebrating the numerous artistic contributions and successes of Canadian saxophonists from the provinces of Ontario, Quebec, New Bruns- wick, Nova Scotia, Prince Edward Island, and Newfoundland and Labrador. Given the vast area that comprises Region 10, our regional conferences play a central role in allowing us to join together and appreciate the diversity of projects that are being created across our country. We hope that you enjoy the variety of recitals, lectures, and clinics that our members contribute this weekend, in ad- dition to the outstanding concerts and masterclasses offered by our featured guest artists, Dr. Andrew Bishop (University of Michigan) and Prof. Joseph Lulloff (Michigan State University). Thank you for being a part of our conference, and we hope that you have the opportunity to take in all that London has to offer during your visit! Dr. Bobbi Thompson Dr. James Kalyn Dr. Nicole Strum & Prof. Marie-Chantal Leclair Conference Host Regional Director Programming Committee Acknowledgements Thank you to the numerous individuals who contributed to the success of this conference: Dean Betty Anne Younker; Dr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
    S E I J I O Z A W A MUSIC D I R ECTOR .. * * ~~~, £££&&££ •_ J^f*:U0P J>J>T "•• <••-:'••-«» •»--- SYMPHONY "1 ESTRA =*aie '- - ~ - 19 9 9-200 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1400,000. its absolute finest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR, at Jisner Jiill BROOKLINE 1 -^-^"o J • ', 3C .-.Sk^v JTg. i|g| 25? T~5| *? z~ - 1 i[ •m; .*» im • CORTLAND Hammond SOTHEBY'S PROPERTIES INC. RESIDENTIAL International Realty Seiji Ozawa, Music Director ill Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman wdSfBr BMEHH Harlan E. Anderson William F. Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. ex-officio ex-officio Charles K. Gifford Ed Linde Peter C. Read Gabriella Beranek Avram J. Goldberg Mrs. August R. Meyer Hannah H. Schneider Jan Brett Thelma E. Goldberg Richard P.
    [Show full text]
  • Elgar Society
    Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May Song • Dream Children • Coronation Ode • Weary Wind of the West • Skizze • Offertoire • The Apostles • In The South (Alassio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • HowElgar Calmly Society the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No.2 •ournal O Hearken Thou • Coronation March • Crown of India • Great is the Lord • Cantique • The Music Makers • Falstaff • Carissima • Sospiri • The Birthright • The Windlass • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • The Spirit of England • The Fringes of the Fleet • The Sanguine Fan • Violin Sonata in E minor • String Quartet in E minor • Piano Quintet in A minor • Cello Concerto in E minor • King Arthur • The Wanderer • Empire March • The Herald • Beau Brummel • Severn Suite • Soliloquy • Nursery Suite • Adieu • Organ Sonata • Mina • The Spanish Lady • Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Amour • Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • The Snow • Fly, Singing Bird • From the Bavarian Highlands • The Light of Life • KingJULY Olaf2007 Vol.• Imperial 15, No. 2 March • The Banner of St George • Te Deum and Benedictus • Caractacus • Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Matin • Three Characteristic Pieces • The Dream of Gerontius • Serenade Lyrique • Pomp and Circumstance • The Elgar Society The Elgar Society Journal Founded 1951 362 Leymoor Road, Golcar, Huddersfield, HD7 4QF Telephone: 01484 649108 Email: [email protected] President Richard Hickox, CBE July 2007 Vol.
    [Show full text]
  • Translations
    5 Sri Aurobindo Translations VOLUME5 THE COMPLETE WORKS OF SRI AUROBINDO ©SriAurobindoAshramTrust1999 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA Translations ii Publisher’s Note Translations comprises all of Sri Aurobindo’s translations from Sanskrit, Bengali, Tamil, Greek and Latin into English, with the exception of his translations of Vedic and Upanishadic literature. The Vedic and Upanishadic translations appear in volumes 14 – 18 of THE COMPLETE WORKS OF SRI AUROBINDO.Histrans- lations of some of the Mother’s French Prieres` et meditations´ appear in volume 31, The Mother with Letters on the Mother. His translations from Sanskrit into Bengali appear in volume 9, Writings in Bengali and Sanskrit. The contents of the present volume are divided by original language into five parts. The dates of the translations are given in the Note on the Texts. They span more than fifty years, from 1893 to the mid-1940s. Less than half the pieces were published during Sri Aurobindo’s lifetime; the rest are reproduced from his manuscripts. CONTENTS Part One Translations from Sanskrit Section One. The Ramayana Pieces from the Ramayana 1. Speech of Dussaruth 5 2. An Aryan City 7 3. A Mother’s Lament 9 4. The Wife 11 An Aryan City: Prose Version 23 The Book of the Wild Forest 24 The Defeat of Dhoomraksha 27 Section Two. The Mahabharata Sabha Parva or Book of the Assembly-Hall Canto I: The Building of the Hall 33 Canto II: The Debated Sacrifice 41 Canto III: The Slaying of Jerasundh 56 Virata Parva: Fragments from Adhyaya 17 66 Udyoga Parva: Two Renderings of the First Adhaya 67 Udyoga Parva: Passages from Adhyayas 75 and 72 72 The Bhagavad Gita: The First Six Chapters 73 Appendix I: Opening of Chapter VII 100 Appendix II: A Later Translation of the Opening of the Gita 101 Vidula 105 Section Three.
    [Show full text]