Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ondine - Diary of a Ballet Online
6qNin [Download free ebook] Ondine - Diary of a Ballet Online [6qNin.ebook] Ondine - Diary of a Ballet Pdf Free Hans Werner Henze ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #4990267 in Books 2015-10-30Original language:EnglishPDF # 1 8.50 x .31 x 5.51l, .54 #File Name: 185273095176 pages | File size: 15.Mb Hans Werner Henze : Ondine - Diary of a Ballet before purchasing it in order to gage whether or not it would be worth my time, and all praised Ondine - Diary of a Ballet: 2 of 2 people found the following review helpful. Dear Hans, thanks for sharing, you're the cat's pajamas. Better, you're The Cat's Fugue.By J. FaulkThese extracts, melded together, from the composer's diary were published in Germany in 1959 and in English in 2003.In 1957 Ashton and Henze meet in Ischia to convert the old German folktale Undine into a ballet scenario that choreographer, composer, and the great ballerina Fonteyn can find inspiring (as well as the traditionalist London audience). The tale commences in the hut of a fisherman and his wife and their foundling daughter, actually an ondine. The girl immediately falls in love (so far as an ondine can) with the guest Knight. It takes Ashton and Henze a long time to jettison this commonplace setting. Meanwhile, Henze's diary wanders off into appreciation of Italian life.Henze goes to London to write the music and his diary shares the milieu with us. Designer Lila De Nobili comes over from Paris and joins in the ever-shifting ideas. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
A Community of Monks Or Nuns, Ruled by an Abbot Or Abbess. Usually Founded by a Monastic Order
Abbey - a community of monks or nuns, ruled by an abbot or abbess. Usually founded by a monastic order. Abbeys oftne owe some form of feudal obligation to a lord or higher organization. They are normally self-contained. Abjuration - renunciation, under oath, of heresy to the Christian faith, made by a Christian wishing to be reconciled with the Church. Accidie - term used in ascetical literature for spiritual sloth, boredom, and discouragement. Acolyte - a clerk in minor orders whose particular duty was the service of the altar. Advocate - lay protector and legal representative of a monastery. Advowson - the right of nominating or presenting a clergyman to a vacant living. Agistment - a Church rate, or tithe, charged on pasture land. Aisle - lateral division of the nave or chancel of a church. Alb - a full-length white linen garment, with sleeves and girdle, worn by the celebrant at mass under a chasuble. Almoner - officer of a monastery entrusted with dispensing alms to the poor and sick. Almonry - place from which alms were dispensed to the poor. Almuce - large cape, often with attached hood, of cloth turned down over the shoulders and lined with fur. Doctors of Divinity and canons wore it lined with gray fur. Cape was edged with little Ambulatory - aisle leading round an apse, usually encircling the choir of a church. Amice - a square of white linen, folded diagonally, worn by the celebrant priest, on the head or about the neck and shoulders. Anathema - condemnation of heretics, similar to major excommunication. It inflicts the penalty of complete exclusion from Christian society. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
The Shays Rebellion In. Massachusetts 17864737
«vex. ”33.. *0 - . I" ‘ “I' WHLE "xx.“ woe-51w "~=-_v ~ ~. ~. ' ’:’. ‘ ' .. J { Sigfriad Thesis MICHIGAN THE MASSACHUSETTS for SHAYS Tafi‘e‘l 17864737 the IQSO STATE Degree REBELLION Synnesfvedf COLLEGE of M. IN. A. THESH" ' WWW/la ”WWW/W v This is to certify that the thesis entitled The Shays Rebellion in .‘F"‘“-‘ c Massachusetts 1786-1787 -i‘v- - presented bg Sigfried Tafel Synnestvedt Mavn”fim has been accepted towards fulfillment .- of the requirements for .‘gm-Q 1J1. A 0 degree in HiStOI‘! fi‘“— Mfamw \_ Major professor W fi Date May 21*: 1950 fi . ... n n\ . n ... a ”hid 4.. J . l“;‘¢wn . .0... «I» t! ”18*. ‘0 ., y I I I l.‘ 9.. II . t . .. ’ t3. [al.W’oib ~ l t ...? I r 1.. .10»... tit-Nun‘huf .HO'HIM. qup K . c e...» iii...» ......lfimi. -1-.$wtO§H+e .Nuvkh $1.33... 8...... .49... have»... ..mv Li... 1 #7.”. .3: . ... V. | ..u\. .... .. .nr.I. 0 ’ . .. r. .. r. u) . V’1 r . .. ., . .. I lew'r'. ..‘wk. \r?‘.. v’. .‘J A.). r. ...o S. .s 6 ’ftv‘.’ ....Kr3.$....r)u.._.-.. l .. .., .. THE SHAYS REBELLION IN MASSACHUSETTS 1786-1787 BY Sigrried Tetel Signeatvedt .A THESIS Submitted to the School of Graduate studies of Michigan State College of Agriculture and Applied Science in partial fulfillment of the requiremente for the degree of HASTEB.OI.LBTS Department of History 1950 Acknowledgement I wish to expreee my thanks to Proreeecr Robert Brown for hie helpful aug- geetione and constructive criticism.in both the research and writing done in the completion or this eaeay. -
Ethan Allen to Guy Carleton, Lord Dorchester, Quebec 16 July 17881
Ethan Allen to Guy Carleton, Lord Dorchester, Quebec 16 July 17881 My Lord. I have the honor of addressing your Lordship, on the subject of American politics, as it may respect the reciprocal interest of Great Britain, and the little rising State of Vermont. Your Lordship is undoubtedly sensible of the Jealousy of the United States over Vermont, since it is not and will not be confederated with them. They proceed so far as to threaten its subjugation, as soon as they have established their new proposed constitution and made their government sufficiently energetic. Their arguements for so doing, (in 1 Printed: Duffy, Allen, I, 273–75. The severely damaged manuscript is in the Henry Stevens Collection in the Vermont State Archives. Allen (1738– 1789), a revolutionary and military leader, was a native of Connecticut. In 1770 he moved with his brothers to the New Hampshire Grants in the Green Mountains, where he formed the Green Mountain Boys to challenge New York’s jurisdiction over the territory. In 1775 he led the Green Mountain Boys in capturing Fort Ticonderoga. The Second Continental Congress gave him command of the Green Mountain Regiment in the Continental Army, but political enemies took the command from him. During the invasion of Canada in 1775, Allen was taken prisoner by the British and endured considerable hardships in prison. In 1778 the British released him, largely through the efforts of his family. From 1778 to 1784 he was commander-in-chief of Vermont’s military forces and political advisor to Governor Thomas Chittenden. From 1778 to 1781 he tried to convince Congress to grant statehood to Vermont; failing in that he sought annexation to the British Empire. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. -
South Bay Chamber Music Society April 26 & 28, 2019 Trio Ondine
South Bay Chamber Music Society April 26 & 28, 2019 Trio Ondine Alison Bjorkedal, harp Alma Lisa Fernandez, viola Boglárka Kiss, flute Program Notes by Boglárka Kiss, D.M.A. Many standard chamber music ensembles, such as the string quartet or piano trio, have long histories with origins that are difficult to pinpoint. Not so with the flute, viola, harp formation: The first major composition written for the group was the Sonate by Claude Debussy in 1915. Inspired by the unique timbral possibilities of this trio, countless composers followed in Debussy’s footsteps, creating a rich 20th-century repertoire for the ensemble. Today’s program features works by American, French and German composers, a couple of transcriptions, as well as Debussy’s beloved and groundbreaking Sonate. Aperitif Lucas Richman (b. 1964) Lucas Richman is an award-winning conductor and composer who enjoys a diverse career. He has served as Music Director for the Bangor Symphony Orchestra since 2010 and recently completed a 12-year tenure as Music Director for the Knoxville Symphony Orchestra. Mr. Richman received a GRAMMY Award in 2011 for having conducted the Royal Philharmonic Orchestra on Christopher Tin’s classical/world fusion album, Calling All Dawns. Mr. Richman’s numerous collaborations with film composers as their conductor has yielded recorded scores for many films, while his own compositions have been performed by over two hundred orchestras across the United States. He has fulfilled commissions for countless organizations including Aperitif for the Debussy Trio. The piece is a buoyant work in a traditional A-B-A form, bound together by rhythmic permutations of a five-note motive, the first of which is heard at the onset of the piece. -
Shays' Rebellion
Educational materials developed through the Howard County History Labs Program, a partnership between the Howard County Public School System and the UMBC Center for History Education. Shays’ Rebellion Historical Thinking Skills Assessed: Close Reading, Corroboration Author/School/System: Megan Brown and Ronald Bianchi, Howard County Public School System, Maryland Course: United States History Level: Upper Elementary/Middle Task Question: How did the leaders of the American Revolution view Shays’ Rebellion? Learning Outcome: Students will be able to read closely and corroborate multiple primary sources to draw conclusions about the founding fathers’ views of Shays’ Rebellion. Standards Alignment: Common Core Standards for English Language Arts and Literacy RI.5.1 Quote accurately from a text when explaining what the text says explicitly and when drawing inferences from the text. RI.5.2 Determine two or more ideas of a text and explain how they are supported by key details; summarize the text. RI.5.6 Analyze multiple accounts of the same event or topic, noting important similarities and differences in the point of view they represent. W.5.1 Write opinion pieces on topics or texts, supporting a point of view with reasons and information. W.5.1.a Introduce a topic or text clearly, state an opinion, and create an organizational structure in which ideas are logically grouped to support the writer’s purpose. National History Standards Era 3: Revolution and the New Nation Standard 3: The institutions and practices of government created during the Revolution and how they were revised between 1787 and 1815 to create the foundation of the American political system based on the U.S. -
JACQUES ZOON Masterclass Di Flauto Traverso
JACQUES ZOON Masterclass di flauto traverso 2 e 3 marzo 2017 Conservatorio Rossini di Pesaro, Auditorium Pedrotti Il Conservatorio Rossini di Pesaro organizza una masterclass di Flauto tenuta dal M° Jacques Zoon nei giorni 2 e 3 marzo 2017, presso l'Auditorium Pedrotti del Conservatorio (p.zza Olivieri 5, 61121 Pesaro, Italia). La masterclass, a cui parteciperanno 4 studenti interni del Conservatorio Rossini in qualità di allievi effettivi selezionati da apposita commissione interna, è aperta anche ad iscritti esterni. Per iscriversi, occorre inoltrare all'indirizzo e-mail [email protected] apposita domanda di partecipazione entro il 10 febbraio 2017, unitamente al proprio c.v. e ad un video in formato wave con una recente esecuzione di un brano a libera scelta (max. minuti 5), inviato attraverso uno dei servizi online gratuiti (wetransfer, jumbomail). Tale video non potrà essere fatto oggetto di montaggi o tagli, ma dovrà contenere l'esecuzione dal vivo e con inquadratura frontale del candidato. La selezione dei partecipanti effettivi sarà fatta direttamente dal M° Zoon attraverso la valutazione delle esecuzioni audio-video inviate. Gli studenti selezionati in qualità di effettivi riceveranno relativa comunicazione entro il 20 febbraio; coloro che non saranno selezionati potranno partecipare alla masterclass in qualità di uditori. La quota di frequenza in qualità di allievo effettivo esterno è di € 250,00. La quota di frequenza in qualità di uditore esterno è di € 70,00. Jacques Zoon CV Jacques Zoon ha iniziato lo studio del flauto presso il Conservatorio di Amsterdam, per perfezionarsi poi in Canada al Bannf Center for the Arts, con Geoffrey Gilbert.