DOCSLIB.ORG

Jeanne Schul Elkins, at the Berry College Dance Troupe’S Young Audiences Performances

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jeanne Schul Elkins, at the Berry College Dance Troupe’S Young Audiences Performances CURRICULUM VITAE Jeanne Mar Schul, Ph.D., RSMT 406 Bells Ferry Road Cell: (706) 766-7300 Rome, GA 30161 E-mail: [email protected] EDUCATION 2005-2010 PhD, Depth Psychology, Pacifica Graduate Institute; Dissertation: Creating Dances from Dreams: Embodying the Unconscious through Choreography 2005-2009 M.A., Depth Psychology Pacifica Graduate Institute, Santa Barbara, CA 2010, January Dreams & the Body 2008, February Advanced Dream Tending 2006, September Professional Dreamwork Training 2005, Jan.-June Dream Tending; Pacifica Graduate Institute; Santa Barbara, CA 2001-2009 Eastwest Somatics Institute Summers Registered Somatic Movement Therapist—RSMT—with ISMETA 2002-2012 Journey into Wholeness conferences, Jungian Psychology 1997-2001; 2007 Brigham Young University Summers Provo, UH; Ballroom Dance workshops 1996-1998 Webster University Summers Movement for Stage workshops 1995 University of Georgia: Summer Ballroom Dance workshop 1980-1982 M.A.: Dance Texas Woman’s University; Denton, TX Thesis: Creative Dance: A Tool for Reinforcing Language Arts and Developing Self Concept 1776-1977 Central Louisiana State Hospital Pineville, LA; Internship in Dance Therapy 1972-1976 B.A. Double Major: Dance and English The State University of New York College at Brockport 1974-1975 Nottingham University; Nottingham, England Junior Year abroad specializing in British Literature Vita: Schul 2 PRESENT POSITIONS: 1996- Berry College: Dance minor program coordinator; Artistic director of the Berry College Dance Troupe. Teaching load includes: Choreography; Dance Improvisation; Children’s Creative Dance; Survey of Dance; History of Dance; Dance Pedagogy; Dance Performance; Ballroom I & II; Yoga I & II; Modern Dance I & II. 2004- Vitality Center, Harbin Clinic: Teaching classes in Body Therapy and Ballroom Dance. 2012- Adjunct faculty at Pacifica Graduate Institute, teaching: Imagery in Somatic Studies II: Embodied Dreamwork; Dreamwork: Tending the Living Image; and Somatic Studies: The Psyche-Soma Connection. 2016- Director of Journey Conferences: Chairing the Executive Commission and Programming Team; Coordinating the efforts of the Implementation Team for an annual conference on Jungian psychology and spirituality in North Carolina. PRIOR PROFESSIONAL EXPERIENCE 2009-2012 The Scott Center: Working with clients through Dream Work, Somatics, Reiki, and Therapeutic Yoga. 1995-96 Dance Specialist: Berry College; Rome, GA: Kinesiology Department; Berry College Elementary School; and the Child Development Center. 1992-95 Creative Movement Specialist and Fine Arts Coordinator: Berry College Elementary School & Child Development Center; Rome, GA. 1992-2000 Modern and Creative Dance Instructor; Dance Centre; Rome, GA. 1991-1993 Creative Movement Specialist teaching pre-first grade children; Montessori School of Rome, GA. 1991-1993 Creative Dance Instructor; Baird Ballet; Rome, GA. 1987-1990 Creative Movement Specialist teaching pre-school through fifth grade children; Blackstock Montessori School of Villa Rica, GA 1985-1990 Pre-Natal Exercise Instructor and Post-Partum Baby & Me Bonding Facilitator: The Birthing Center at Douglas Hospital, Douglasville, GA. 1985-1990 Creative Dance, Fitness, and Parent & Child Motor Development Instructor: Douglasville Health and Athletic Club. Schul 3 1980-1983 Dance Movement Therapist: Education and Treatment Council; teaching children with exceptionalities: hearing impaired; visually impaired; mentally challenged; behavioral disorders; learning disabilities. 1976-1979 Modern Dance and Creative Movement Specialist: Rapides Parish Public Schools, Dance-in-Education Program; teaching K-12 grade. PUBLICATIONS: Schul, J. (2016). Somatic dreams. In C. G. Jung Society of Atlanta Quarterly News. Spring 2016. Schul, J. (2015). Embodied writing: Making somatic connections. Somatics magazine-journal of the mind-body arts and sciences. 17(3), 40-43. Schul, J. (2015). Embodied dreams. In S. H. Fraleigh (Ed.), Moving consciously: Somatic transformations through dance, yoga, and touch. Champaign, IL: University of Illinois Press. Schul, J. (2012). I dance the body electric. Somatics magazine-journal of the mind-body arts and sciences. 16(4), 4-7. Schul, J. (2011). The soul on fire: Dreams as a vehicle for transformation. Dream Network Journal. 29(1), 28-30. Schul, J. (2010). Making somatics connections. Somatics magazine-journal of the mind-body arts and sciences. 16(2), 28-41. Schul, J. (2010). Sense of place & Deep south spring time. Between: Elemental nature. (12), 16, 44. Schul, J. (2009). Aphrodite’s desire: To be well met; Bertha unleashed: Dreaming German mythology. Between: The divine feminine. (12), 13, 22. Schul, J. (2008). Dream tending and storytelling: An interview with Stephen Aizenstat. Dream Network Journal. 27 (3), 11-15. Schul, J. M. (2008). Moon goddess; Black widow dream; Tiger befriends snake: Dream haiku; Wolf: Dream partner. Between: Angels: Messengers and intermediaries. (11), 17, 24, 26, 27. Schul, J.M. (2008). Leading or following in partner dances using somatic sensitivity. National Dance Association Proceedings, 13-16. Schul, J. M. (2007). Pilgrimage to Delphi dream. Between: Angels: Messengers and intermediaries. 10, 2. Schul-Elkins, J. (2006).Dancing the big dream Part II: An interview with Barry Williams. Vita: Schul 4 Dream Network Journal. 25 (3),15-17. Block, B.A. & Schul-Elkins, J. (2006). Psychological constructs that guide the development of dance movement therapy. National Dance Association Proceedings.76-81. Schul-Elkins, J. (2006). Dancing the great dream. Journey into Wholeness, Inc. 14 (3), 8, 18. Schul-Elkins, J. (2006). Dream gathering with Barry Williams. Journey into Wholeness, Inc. 14 (2), pp. 8, 16. Schul-Elkins, J. (2005). Dance! It is holy. Dream Network Journal. 24 (2), 10-13. Schul-Elkins, J. (2005). Frequently asked questions about dreams: An interview with Jungian analyst, Barry Williams. Dream Network Journal. 24 (2), 21-23; 32-33. Elkins, J. (2004). Dream dancing. Dream Network Journal. 23 (3), 12-14. Block, B. and Elkins, J. (2004). The spectrum of embodiment. National Dance Association Proceedings, pp. 18-22. Elkins, J. and Block, B. (2004). Unveiling the Unconscious: embodying the dream. National Dance Association Proceedings, pp. 23-27. Elkins, J. (2004). When last I dreamed: Creating dances from dreams. Dream Network Journal, 23 (1), 10-13. Elkins, J. (2004).Teaching choreography through topic-specific dance studies, thought letters, and portfolio assessment. A Moving Landscape: Dance Pedagogy for the 21st Century Conference Proceedings: National Dance Association, pp. 97-101. Elkins, J. (2003). Haiku. Dream Network Journal, 22 (4), 38-39. Elkins, J. (2003). Dream tending & story telling: An inter-generational process. Dream Network Journal, 22 (2), 24-26. Elkins, J. (2003) Hatha yoga as a supplemental practice for athletes and dancers. Georgia Association for Health, Physical Education, Recreation, and Dance Journal, 34 (1), 13- 20. Block, B. and Elkins, J. (2003).Accessing somatic memory and the poet within. National Dance Association Proceedings Journal. Block, B. and Elkins, J. (2002). Literacy Through Movement: Integrating Creative Dance into the Language Arts Curriculum. National Dance Association Proceedings Journal. San Diego, CA. Schul 5 Block, B. and Elkins, J. (2001) Partners in literacy: Reframing the roles of dance and physical educators in the Georgia education system. Georgia Association for Health, Physical Education, Recreation, and Dance Journal, Vol.34, (1), 13-20. RECOGNITION Awards Received the 2015 Meritorious Service Award from Berry College for twenty years of dedicated teaching. Received the 2010 New Mythos Award from the OPUS Archives and Research Center in Santa Barbara, CA to conduct dream-inspired scholarly research in a project entitled, The Divine Feminine: Dancing Us into Being. Received the 2010 Meritorious Service Award from Berry College for fifteen years of dedicated teaching. Received the 2008 Southern District Honor Award for meritorious service to the Southern District of the Association of Health, Physical Education, Recreation and Dance. Received the 2006 Presidential Citation Award for contributions to the field of dance from the National Dance Association in Salt Lake City, Utah. Received the 2005 College/University Dance Educator of the Year Award for the 13 state Southern District of the Association of Health, Physical Education, Recreation and Dance. Received the 2004-2005 College/University Dance Educator of the Year Award for the state of Georgia from the Georgia Association of Health, Physical Education, Recreation and Dance. Received the 2004 Presidential Citation Award for planning the national convention from the National Dance Association in New Orleans, LA. Received the 2003 Presidential Citation Award for contributions to the field of dance from Georgia Association of Health, Physical Education, Recreation and Dance at Jekyll Island, GA. Received the 2003 Acknowledgement Award for dedicated service in the field of dance from the Southern District Association of Health, Physical Education, Recreation, and Dance in Savannah GA. Received the 2000-2001 and 2001-2002 Most Valuable Parent award at Model Elementary School for volunteering to teach weekly creative dance classes with fourth and fifth graders. Received the 1999 College/University Dance Educator of the Year Award for the state of Georgia by the Georgia Association of Health, Physical Education, Recreation and Dance. PROFESSIONAL PRESENTATIONS Schul,
Load more

Recommended publications
  • They Dance Alone
    They Dance Alone Why are these women here dancing on their own ? Why is there this sadness in their eyes ? Why are the soldiers here Their faces fixed like stone ? I can't see what it is that they despise CHORUS They're dancing with the missing They're dancing with the dead They dance with the invisible ones Their anguish is unsaid They're dancing with their fathers They're dancing with their sons They're dancing with their husbands They dance alone They dance alone It's the only form of protest they're allowed I've seen their silent faces They scream so loud If they were to speak these words They'd go missing too Another woman on the torture table What else can they do? One day we'll dance on their graves One day we'll sing our freedom One day we'll laugh in our joy And we'll dance (twice) Ellas danzan con los desaparecidos Danzan con los muertos Danzan con amores invisibles Con silenciosa angustia Danzan con sus padres, con sus hijos, con sus esposos Ellas danzan solas, danzan solas Hey Mr Pinochet, you've sown a bitter crop It's foreign money that supports you One day the money's going to stop No wages for your torturers No budget for your guns Can you think of your own mother Dancin' with her invisible son? Music and lyrics: Sting © 1988 Magnetic Music Pub. For France: Warner/Chappell Music France They Dance Alone Sting’s comment “On the Amnesty Tour of 1986 the musicians were introduced to former political prisoners, victims of torture and imprisonment without trial, from all over the world.
    [Show full text]
  • Leggi, Scrivi E Condividi Le Tue 10 Righe Dai Libri
    leggi, scrivi e condividi le tue 10 righe dai libri http://www.10righedailibri.it I edizione Arcana: 2011 © 2011 Arcana Edizioni Srl Via Isonzo 34, Roma Tutti i diritti riservati Cover: Laura Oliva La presente opera di saggistica è rivolta all’analisi e alla promozione di autori e opere di ingegno. Si avvale dell’articolo 70, 1° e 3° comma, del Codice Civile circa le utilizzazioni libere, nonché dell’articolo 10 della Convenzione di Berna. ISBN: 978-88-6231-141-0 www.arcanaedizioni.com GIOVANNI POLLASTRI THE POLICE & STING SHAPE OF MY HEART TESTI COMMENTATI Prefazione di Diego De Silva arcana STING [Newcastle, 1951] “Non ho mai detto grazie a Sting per aver scritto tutte quelle fantasti- che canzoni”. – STEWART COPELAND “Sting ha un talento naturale nello scrivere armonia e melodia”. – ANDY SUMMERS “Quando ho visto i Police dal vivo a Los Angeles nel 1983, è stata un’e- sperienza che mi ha cambiato la vita”. – GWEN STEFANI “Non capisco proprio questa passione per la musica country da parte di Sting”. – DOMINIC MILLER “Sono rimasto colpito dalla sua sorprendente umiltà. Sting è proprio una bella persona”. – PUFF DADDY “Puoi suggerire qualsiasi cosa a Sting, ma alla fine decide lui cosa fare”. – IAN COPELAND “Chiunque si faccia chiamare Sting a sessant’anni è un idiota!”. – SIMON COWELL “Fields Of Gold sembra proprio una canzone irlandese”. – BOB GELDOF “È una persona molto più tranquilla e serena da quando ha lasciato i Police”. – TRUDIE STYLER 7 “Un altro esempio di come la cultura delle api sia stata saccheggiata per nulla più di un nome per darsi delle arie sul palco, vero, Mr.
    [Show full text]
  • N° Artiste Titre Formatdate Modiftaille 14152 Paul Revere & the Raiders Hungry Kar 2001 42 277 14153 Paul Severs Ik Ben
    N° Artiste Titre FormatDate modifTaille 14152 Paul Revere & The Raiders Hungry kar 2001 42 277 14153 Paul Severs Ik Ben Verliefd Op Jou kar 2004 48 860 14154 Paul Simon A Hazy Shade Of Winter kar 1995 18 008 14155 Me And Julio Down By The Schoolyard kar 2001 41 290 14156 You Can Call Me Al kar 1997 83 142 14157 You Can Call Me Al mid 2011 24 148 14158 Paul Stookey I Dig Rock And Roll Music kar 2001 33 078 14159 The Wedding Song kar 2001 24 169 14160 Paul Weller Remember How We Started kar 2000 33 912 14161 Paul Young Come Back And Stay kar 2001 51 343 14162 Every Time You Go Away mid 2011 48 081 14163 Everytime You Go Away (2) kar 1998 50 169 14164 Everytime You Go Away kar 1996 41 586 14165 Hope In A Hopeless World kar 1998 60 548 14166 Love Is In The Air kar 1996 49 410 14167 What Becomes Of The Broken Hearted kar 2001 37 672 14168 Wherever I Lay My Hat (That's My Home) kar 1999 40 481 14169 Paula Abdul Blowing Kisses In The Wind kar 2011 46 676 14170 Blowing Kisses In The Wind mid 2011 42 329 14171 Forever Your Girl mid 2011 30 756 14172 Opposites Attract mid 2011 64 682 14173 Rush Rush mid 2011 26 932 14174 Straight Up kar 1994 21 499 14175 Straight Up mid 2011 17 641 14176 Vibeology mid 2011 86 966 14177 Paula Cole Where Have All The Cowboys Gone kar 1998 50 961 14178 Pavarotti Carreras Domingo You'll Never Walk Alone kar 2000 18 439 14179 PD3 Does Anybody Really Know What Time It Is kar 1998 45 496 14180 Peaches Presidents Of The USA kar 2001 33 268 14181 Pearl Jam Alive mid 2007 71 994 14182 Animal mid 2007 17 607 14183 Better
    [Show full text]
  • The California Tech
    Dilbert! Fox Trot! IT uP. see page 7 see page 7 THE CALIFORNIA TECH -VOLUME XCVllI, NUMBER 24 PASADENA , CALIFORNIA FRIDAY,ApRIL 18, 1997 ARC report from the Student-Faculty Conference Dissention was rampant at the Stu­ whether an accuser in a BOC trial that the curriculum should support the sented, the committees and the ARC dent-Faculty Conference Tuesday April should be informed of the outcome of breath as well as depth of their inter­ will pare them down further. We will IS'" sponsored by the Academics and the case. This was intended to facili­ ests, compose a set of proposals listi ng spe­ Research Committee. ARC identified tate trust that the system does in fact Both the panelists and the audience cific areas that need improvement and !he issues that undergraduates, gradu­ act to correct injustice, but some speak­ had a multitude of ideas they felt were a recommended course of action for lies, and faculty felt most needed to be ers felt that this violated the subject's important and worthy of discussion. each, The plan is to present these ideas addressed, Three committees pre­ People wanted to debate even after the to the appropriate administrative divi­ sented ideas covering the topics of the allotted time had expired, After the sion and generate changes based on the Purpose of an Undergraduate Educa­ .. students brought up conference ended, both faculty and input derived from the student body. tion at Cal tech, Student Life, and the the contrast between students expressed their admiration of The ARC feels that it is important Honor System.
    [Show full text]
  • Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora
    JOMEC Journal Journalism, Media and Cultural Studies Published by Cardiff University Press Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora Claudia Bucciferro Gonzaga University Email: [email protected] Keywords Music Latin America Activism Exile Diasporic communities Abstract This article addresses the long-standing connection between music and social activism in Latin America, centering on a discussion of ‘the music of exile’ as a cultural artifact of historical and conceptual significance for diasporic Latin American communities. The music produced by artists who were persecuted during the years of military rule was characterized by an engagement with social and political affairs, and often helped bring people together in the struggle for democratization. Despite censorship laws and other repressive measures enacted by the dictatorships, the music not only endured but traveled across nations and continents, carried by the millions of people who were displaced due to State-sponsored violence. Now distributed through new media platforms, such as YouTube, this music functions as a repository of memory and an emblem of solidarity that connects dispersed Latin American communities. Using Cultural Studies as a theoretical framework and employing an interpretive methodology, this study focuses on a selection of songs written between 1963 and 1992, presenting an analysis that centers on their lyrics and connects their meanings to larger social processes. Contributor Note Dr. Claudia Bucciferro is Assistant Professor of Communication Studies at Gonzaga University, in Spokane, Washington. Citation Bucciferro, Claudia (2017), ‘Songs of Exile: Music, Activism, and Solidarity in the Latin American Diaspora’, JOMEC Journal 11, ‘Diaspora beyond Nationalism’, ed. Idil Osman.
    [Show full text]
  • Download the Archives Here
    23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum.
    [Show full text]
  • Yamaha – Pianosoft Solo 29
    YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4.
    [Show full text]
  • Pianodisc Music Catalog.Pdf
    Welcome Welcome to the latest edition of PianoDisc's Music Catalog. Inside you’ll find thousands of songs in every genre of music. Not only is PianoDisc the leading manufacturer of piano player sys- tems, but our collection of music software is unrivaled in the indus- try. The highlight of our library is the Artist Series, an outstanding collection of music performed by the some of the world's finest pianists. You’ll find recordings by Peter Nero, Floyd Cramer, Steve Allen and dozens of Grammy and Emmy winners, Billboard Top Ten artists and the winners of major international piano competi- tions. Since we're constantly adding new music to our library, the most up-to-date listing of available music is on our website, on the Emusic pages, at www.PianoDisc.com. There you can see each indi- vidual disc with complete song listings and artist biographies (when applicable) and also purchase discs online. You can also order by calling 800-566-DISC. For those who are new to PianoDisc, below is a brief explana- tion of the terms you will find in the catalog: PD/CD/OP: There are three PianoDisc software formats: PD represents the 3.5" floppy disk format; CD represents PianoDisc's specially-formatted CDs; OP represents data disks for the Opus system only. MusiConnect: A Windows software utility that allows Opus7 downloadable music to be burned to CD via iTunes. Acoustic: These are piano-only recordings. Live/Orchestrated: These CD recordings feature live accom- paniment by everything from vocals or a single instrument to a full-symphony orchestra.
    [Show full text]
  • 1991 the Witness, Vol. 74, No. 12. December 1991
    publication. and reuse for required Permission DFMS. / Church Episcopal the of Archives 2020. Copyright DECEMB NUMBE VOLUM R E E 1 7 2 4 Detroit WHILE THE WHOLE [October] issue is ex- those keeping women dependent. cellent, the core of it all is expressed in Barbara M. Palmer James Boggs' "Making Over Motown." Utica,MI 1 BEGAN READING Witness with the let- Boggs says "We have to stop seeing the city [Ed. Note: I can only presume that this ters to the editor and thoroughly enjoyed as just a place to which you come to make a letter is precipitated by Barbara Palmer's them. My, my, what a fuss about homosexu- living. Instead we must start seeing it as the knowledge that, when I edited the Episco- ality! You would think, after all we have place where our humanity is enriched be- pal diocesan paper in Michigan, I pub- been through in the 20th century, stretching cause we have the opportunity to work and lished an award-winning article about an the rules to encompass fast divorces, abor- live in harmony with people of many differ- Operation Rescue maneuver. That article tions, autonomy, "healthy" greed and ro- ent ethnic and social backgrounds." gave an inside view, allowing participants bust competition amongst canines and homo- The photo of Poletown children is an icon to speak for themselves. It gave a mixed sapiens, that this trifle about fellow sexes of the agony and the potential of the Detroit portrait but was not a condemnation. bedding together would present no great neighborhoods.
    [Show full text]
  • Seven Deer Dancing
    University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-2000 Seven Deer Dancing. Rolland Nadjiwon University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Nadjiwon, Rolland, "Seven Deer Dancing." (2000). Electronic Theses and Dissertations. 6931. https://scholar.uwindsor.ca/etd/6931 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. SEVEN DEER DANCING by Rolland Nadjiwon A Thesis Submitted to the College of Graduate Studies and Research English Language, Literature and Creative Writing in Partial Fulfilment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2000 © 2000 Rolland Nadjiwon Reproduced
    [Show full text]
  • The Ultimate Playlist This List Comprises More Than 3000 Songs (Song Titles), Which Have Been Released Between 1931 and 2018, Ei
    The Ultimate Playlist This list comprises more than 3000 songs (song titles), which have been released between 1931 and 2021, either as a single or as a track of an album. However, one has to keep in mind that more than 300000 songs have been listed in music charts worldwide since the beginning of the 20th century [web: http://tsort.info/music/charts.htm]. Therefore, the present selection of songs is obviously solely a small and subjective cross-section of the most successful songs in the history of modern music. Band / Musician Song Title Released A Flock of Seagulls I ran 1982 Wishing 1983 Aaliyah Are you that somebody 1998 Back and forth 1994 More than a woman 2001 One in a million 1996 Rock the boat 2001 Try again 2000 ABBA Chiquitita 1979 Dancing queen 1976 Does your mother know? 1979 Eagle 1978 Fernando 1976 Gimme! Gimme! Gimme! 1979 Honey, honey 1974 Knowing me knowing you 1977 Lay all your love on me 1980 Mamma mia 1975 Money, money, money 1976 People need love 1973 Ring ring 1973 S.O.S. 1975 Super trouper 1980 Take a chance on me 1977 Thank you for the music 1983 The winner takes it all 1980 Voulez-Vous 1979 Waterloo 1974 ABC The look of love 1980 AC/DC Baby please don’t go 1975 Back in black 1980 Down payment blues 1978 Hells bells 1980 Highway to hell 1979 It’s a long way to the top 1975 Jail break 1976 Let me put my love into you 1980 Let there be rock 1977 Live wire 1975 Love hungry man 1979 Night prowler 1979 Ride on 1976 Rock’n roll damnation 1978 Author: Thomas Jüstel -1- Rock’n roll train 2008 Rock or bust 2014 Sin city 1978 Soul stripper 1974 Squealer 1976 T.N.T.
    [Show full text]
  • Filmtrax Acquires
    PUBLISHIN ., . ... ...-..' ..... -' RADIO 1 RADIO 1 REGIONAL LAST KEY A= Radio 1'A' list ,v/e w/e wh 'wlr wtt wk WEEK'S B= Radio 1'B' list 249 17.9 119 6/ 249 179 CHART C33 Radio 1'C list ACTUAL PLAYS PLAYLGTED PlAYLISTINGS 4Ofmore/ 143 stations' Zombasnaps upChappell's A -HA Touchy! Warner Brothers 13 15 A A 35 37 27 ALMOND, MARC Tears Run Rings Parlophone 16 13 A B 32 28 28 ANTHRAX Make Me Lough Island - 4 --- 4 - ASSOCIATES, THE Head Of Glass WEA 6 7 B B 17 13 62 ASTLEY, RICK She Wants To Dance With Me RCA- 4 - 35 26 16 recorded music librarygems ASWAD Set Them Free Mango 4 4 - 15 11 - BANANARAMA Love, Truth And Honesty London - - 29 26 31 the Chappell Record Music Li- Zomba's West End offices at BEATMASTERS/PP ARNOLD Burn It Up Rhythm King 8 - B --- 45 BLACK Big One A&M 6 6 -- 23 12 Having brary which has now been pur- 11 Greek Street, Soho, which - BOMB THE BASS Don't Make Me Wait Rhythm King 11 12 A A 25 25 14 acquired chased by Zomba Music Pub- already houses Zomba Screen BON 10V1 Bad Medicine Vertigo 8 6 B - 15 - 18 lishing. Music, The Jingle Zone and Chappell's BRAGG, BILLY Great Leap Forward Go! Discs 6 5 ---- 59 is a Zomba comparative Bruton Music. BREATHE Hand To Heaven Siren 10 11 C B 24 34 25 recorded newcomer to the background "We will be embarking upon BROS I Quit CBS 20 15 A A 30 17 6 library field, having first enter- an extensive 12 14 A A 40 38 13 music library, recordingpro- BROTHER BEYOND The Harder 1Try EMI ed this area in 1986 through gramme to broaden and ex- B.V.S,M.P.
    [Show full text]