DOCSLIB.ORG

SOUTHBANK UNDERCROFT Cultural & Heritage Assessment Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SOUTHBANK UNDERCROFT Cultural & Heritage Assessment Report SOUTHBANK UNDERCROFT Cultural & Heritage Assessment Report SEPTEMBER 2014 QUOTES “The skate park is the epicentre of UK skateboarding and is part of the cultural fabric of London. It helps to make London the great city it is” Boris Johnson, Mayor of London “The Open Spaces Society considers that the Undercroft is of immense value as a public open space, in the heart of London” Kate Ashbrook, General Secretary, Open Spaces Society “Retaining the Undercroft signals that, as a culture, we are still able to respect those relationships, even when they are different to our own” Dr David Webb, Lecturer in Town Planning, Newcastle University “Preserve the integrity of Southbank, a sanctuary for skateboarders, and an important part of London history” Tony Hawk, World Champion Skateboarder “Skateboarding use brings a unique visual and cultural interest to this part of the South Bank” Catherine Croft, Director, Twentieth Century Society “The Undercroft – that symbol of edginess and counter-culture that the Southbank Centre is lucky enough to have embedded at its very core” Dr Matthew Barac, Research Leader for Architecture, London South Bank University “The Undercroft has brought together people from various backgrounds, created a vibrant public space and added real value to the lives of many young people” Prime Minister Gordon Brown (2008) “The issue of the Undercoft below the Queen Elizabeth Hall has proven to be a salient reminder of the need to understand not just the design of modern spaces but their historic and evolving use” Sara Crofts, Deputy Director, Society for the Protection of Ancient Buildings “It’s fun and friendly for tourists to come across and maybe for the average person to mingle with skateboarders on common ground” Mark Gonzales, Skateboarding Pioneer “This is a culturally and historically important area of the South Bank” Kate Hoey, MP for Vauxhall “For those people, it is not only a source of identity but also distinctiveness, social interaction, and coherence” Simon Hickman, Inspector of Historic Buildings and Areas, English Heritage "The Undercroft is a free space for people to express themselves on a site of real significance to a global youth culture. It is part of what makes our capital city brilliant" Catherine Harrington, Director, The National Community Land Trust Network “This site has built up organically from the skateboarders themselves, generations of skateboarders, going back decades” Ben Bradshaw, MP for Exeter “The skate area already attracts marginalised young people; it already allows them to form diverse communities around a shared common interest” Dr Oliver Mould, Lecturer in Human Geography, University of London “Because of their potency and endurance it is hard to question the validity of the skaters on the South Bank” Sharon Ament, Director, Museum of London “In the case of the Undercroft, it is quite plain that future generations will have an interest in youth and street cultures” Dr William Gallois, Cultural Historian, Exeter University “Not only is the Undercroft iconic, it is a fantastic urban example of public recreational space and how these spaces can help bring people together” Helen Griffiths, Chief Executive, Fields in Trust CONTENTS AUTHORS Paul Richards Creative and Educational Director, UpRise Bonnie Kitching BSc MArch DipArch RIBA AABC, Architect Steffan Blayney BA (Hons) MSt (Oxon), Researcher, Long Live Southbank Contributor Louis Woodhead, Long Live Southbank 1.0 EXECUTIVE SUMMARY 2.0 INTRODUCTION 2.1 Description of the Existing Site 2.2 The Queen Elizabeth Hall and Purcell Room 2.3 Description of the Proposals for the Festival Wing Site 3.0 HISTORICAL BACKGROUND 3.1 The Site in Context 3.2 Origins of Skateboarding 4.0 STATUTORY LEGISLATION & GUIDANCE 5.0 EXISTING DESIGNATIONS & POLICY SIGNIFICANCE 6.0 THE UNDERCROFT: ASSESSMENT OF SIGNIFICANCE 6.1 Statement of Significance – Evidential Value 6.2 Statement of Significance – Historic Value 6.3 Statement of Significance – Aesthetic Value 6.3 Statement of Significance – Community Value 7.0 THE UNDERCROFT: ACTIVITY 7.1 Recreational and Cultural Uses 7.2 Cardboard City 7.3 Attitudes of the Owners 7.4 Proposed and Unbuilt Developments 8.0 THE UNDERCROFT: LONG LIVE SOUTHBANK 8.1 Long Live Southbank 8.2 Statement of Need 8.3 Restoring the Original Undercroft 8.3 A Way Forward 9.0 STATEMENTS OF SUPPORT APPENDICES APPENDIX 1: LISTING DESCRIPTION APPENDIX 2: QUOTES FROM UNDERCROFT USERS APPENDIX 3: QUOTES FROM MEMBERS OF PUBLIC Southbank Undercroft 1970s. Image © Brian Gittings Southbank Undercroft 1.0 EXECUTIVE SUMMARY The Southbank Undercroft Cultural & Heritage Assesment Report is an in depth look at the importance of Southbank Undercroft; an exemplary manifestation of something that occupies the space where Cultural Heritage and Intangible Cultural Heritage merge, and then extends its branches far deeper into both areas, giving a contemporary understanding of how we view and interpret culture in an ever-changing world. It illustrates the evolution and adaptability of a community and physical expression which is inextricably linked to the physical environment in which it resides; a ‘found space’ on the ground level of the Queen Elizabeth Hall brutalist building constructed on the South Bank of the Thames between Waterloo Bridge and Hungerford Bridge in 1968. Southbank Undercroft is distinctively different from all other creative practices in the Southbank Centre complex of buildings which are, in one way or another, formalised, programmed, structured with routine, granted permission, and reliant upon commission, finance and audience. The very organic nature by which the culture and community came into existence, and continued to evolve and grow, despite changes in the management and physicality of the buildings it is situated in, sets a precedent and makes it a solitary and unique case without counterpart. The intention of this report is to provide a deeper insight into the historical, cultural and emotional significance which resonate both within and beyond the specific site. It also looks at ensuring a fully-formed understanding of what honest and integral preservation means, in order to create the basis and framework by which the culture is allowed to continue to evolve by its own direction, free from external influence, alteration and direction. The campaign group, emanating from and initiated by the Undercroft community, unites skateboarders, locals and supporters from around the world who are dedicated in protecting the Southbank Undercroft in its current form. As the historical resident community, existing for over 40 years, users of the Undercroft are keen to actively engage as a community group and have a voice and be involved with the key decisions about the spaces immediate and long-term future. For the past 17 months thousands of members of the community, led by skateboarders, have actively engaged in the campaign to protect the space and over 150,000 people have signed up to a statement of preservation. Statements of support for preservation of the tangible physical and architectural space as well as the organic cultural intangible heritage have come from a large number of significant contributors from across the areas of architecture, planning, academia, politics, culture and the arts. There is a compelling argument for the sympathetic restoration of the complete Undercroft as per the original design. Particularly when considering it also realises the original architects’ intended vision and plan. This sets a president for an arts centre which can work in synergy with the creative and cultural energy that makes the space what it is, and provides a leading example of what can be achieved by considered community collaboration. Cultural and Heritage Assessment Report September 2014 © Long Live Southbank Page 5 of 120 Southbank Undercroft 2.0 INTRODUCTION This Heritage Assessment has been prepared in order to support the preservation, in its current form, of Southbank Undercroft (hereafter, ‘the Undercroft’). The Undercroft is situated in the supporting structures beneath the Queen Elizabeth Hall, which form part of the Southbank Centre complex, on the South Bank Estate in the London Borough of Lambeth, between Waterloo Bridge and Hungerford Bridge. In the first instance, research and physical analysis has been undertaken of the Undercroft space as the supporting structure of the overall building to establish the significance of the space in terms of evidential, historical, aesthetic and communal quality, this baseline information and assessment is used to prepare a series of design parameters which fully consider the heritage significance of the site. This report has been written to information and policies detailed in The National Planning Policy Framework (NPPF) and other relevant guidelines. The aim of the report is to give an overview of the history of the site and its uses, to show how they have developed over time and to give a statement of significance to indicate why the building is important in heritage terms. The report gives an overview of the significance in terms of cultural value, artistic value, recreational value, community value, social value, health and well-being. 2.1 Description of the Existing Site Southbank Centre comprises the Royal Festival Hall, Queen Elizabeth Hall (located above the Undercroft) and the Purcell Room, and the Hayward Gallery. Beyond the Southbank Centre itself, the South Bank area is regarded as a cultural quarter and comprising the independently managed National Theatre, British Film Institute (National Film Theatre 1951-2007) and the BFI IMAX cinema. Graphical representations of Southbank Centre site. Images from public domain 2.1.1 Ownership and Management In 1985 when the abolition of the Greater London Council (GLC) was announced, the Arts Council took over responsibility for the South Bank Centre and the then Deputy Secretary-General, Richard Pulford began work setting up the South Bank Board. 1 year later the South Bank Board took over Cultural and Heritage Assessment Report September 2014 © Long Live Southbank Page 6 of 120 Southbank Undercroft control of the concert halls from the GLC, as a constituent part of the Arts Council.
Load more

Recommended publications
  • South Bank Conservation Area Statement 2007 Conservation Area
    South BankSouth Bank Conservation Area Statement 2007 Conservation Area Conservation Area Statement September 2007 South Bank Conservation Area Statement 2007 Conservation Area Context Map This map shows the South Bank Conservation Area (CA 38) in its wider context which includes the following neighbouring conservation areas: - CA 09 Walcot Conservation Area (part only) CA 10 Lambeth Palace Conservation Area CA 21 Roupell Street Conservation Area CA 34 Waterloo Conservation Area CA 40 Lower Marsh Conservation Area CA 50 Lambeth Walk & China Walk Conservation Area CA 51 Mitre Road & Ufford Street Conservation Area 2 South Bank Conservation Area Statement 2007 Conservation Area Boundary Map The maps in this document are based upon Ordnance Survey material with permission of Ordnance Survey on behalf of the Controller of Her Majesty’s Stationery Office. © Crown Copyright. Unauthorised preproduction infringes Crown Copyright and may lead to prose- cution or civic proceedings. LB Lambeth 100019338 2007. 3 South Bank Conservation Area Statement 2007 CONTENTS PAGE INTRODUCTION 5 1. PLANNING FRAMEWORK 6 2. CONSERVATION AREA APPRAISAL 7 2.1 Purpose and structure of a Conservation Area Appraisal 7 2.2 Historic Development 7 2.3 City Context & Strategic Views 11 2.4 Archaeology 11 2.5 Spatial Form 11 2.6 Streetscape 14 2.7 Permeability 16 2.8 Public Realm 17 2.9 Access 17 2.10 Street Furniture 18 2.11 Public Art 19 2.12 Activity and Uses 19 2.13 Spaces 20 2.14 Built form 21 2.15 Listed Buildings 22 2.16 Locally Listed Buildings 23 2.17 Buildings making a Positive Contribution 23 2.18 Buildings Making a Neutral Contribution 26 2.19 Buildings Making a Negative Contribution 26 2.20 Spaces Making a Positive Contribution 27 2.21 Spaces Making a Neutral Contribution 28 2.22 Spaces Making A Negative Contribution 29 2.23 Important Local Trees 29 2.24 Important Local Views 29 2.25 Signs & Advertisements 30 2.26 Setting of the Conservation Area 31 2.27 Appraisal Conclusion 31 4 South Bank Conservation Area Statement 2007 PAGE 3.
    [Show full text]
  • Planning Weekly List & Decisions
    Planning Weekly List & Decisions Appeals (Received/Determined) and Planning Applications & Notifications (Validated/Determined) Week Ending 09/10/2020 The attached list contains Planning and related applications being considered by the Council, acting as the Local Planning Authority. Details have been entered on the Statutory Register of Applications. Online application details and associated documents can be viewed via Public Access from the Lambeth Planning Internet site, https://www.lambeth.gov.uk/planning-and-building- control/planning-applications/search-planning-applications. A facility is also provided to comment on applications pending consideration. We recommend that you submit comments online. You will be automatically provided with a receipt for your correspondence, be able to track and monitor the progress of each application and, check the 21 day consultation deadline. Under the Local Government (Access to Information) Act 1985, any comments made are open to inspection by the public and in the event of an Appeal will be referred to the Planning Inspectorate. Confidential comments cannot be taken into account in determining an application. Application Descriptions The letters at the end of each reference indicate the type of application being considered. ADV = Advertisement Application P3J = Prior Approval Retail/Betting/Payday Loan to C3 CON = Conservation Area Consent P3N = Prior Approval Specified Sui Generis uses to C3 CLLB = Certificate of Lawfulness Listed Building P3O = Prior Approval Office to Residential DET = Approval
    [Show full text]
  • Etnies Album Download Free Etnies Album Download Free
    etnies album download free Etnies album download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67da3abdce05c41a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Etnies album download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67da3abdadc384d4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare.
    [Show full text]
  • Ranking 2019 Po Zaliczeniu 182 Dyscyplin
    RANKING 2019 PO ZALICZENIU 182 DYSCYPLIN OCENA PKT. ZŁ. SR. BR. SPORTS BEST 1. Rosja 384.5 2370 350 317 336 111 33 2. USA 372.5 2094 327 252 282 107 22 3. Niemcy 284.5 1573 227 208 251 105 17 4. Francja 274.5 1486 216 192 238 99 15 5. Włochy 228.0 1204 158 189 194 96 10 6. Wielka Brytania / Anglia 185.5 915 117 130 187 81 5 7. Chiny 177.5 1109 184 122 129 60 6 8. Japonia 168.5 918 135 135 108 69 8 9. Polska 150.5 800 103 126 136 76 6 10. Hiszpania 146.5 663 84 109 109 75 6 11. Australia 144.5 719 108 98 91 63 3 12. Holandia 138.5 664 100 84 96 57 4 13. Czechy 129.5 727 101 114 95 64 3 14. Szwecja 123.5 576 79 87 86 73 3 15. Ukraina 108.0 577 78 82 101 52 1 16. Kanada 108.0 462 57 68 98 67 2 17. Norwegia 98.5 556 88 66 72 42 5 18. Szwajcaria 98.0 481 66 64 89 59 3 19. Brazylia 95.5 413 56 63 64 56 3 20. Węgry 89.0 440 70 54 52 50 3 21. Korea Płd. 80.0 411 61 53 61 38 3 22. Austria 78.5 393 47 61 83 52 2 23. Finlandia 61.0 247 30 41 51 53 3 24. Nowa Zelandia 60.0 261 39 35 35 34 3 25. Słowenia 54.0 278 43 38 30 29 1 26.
    [Show full text]
  • Long Live Southbank Join Forces to Celebrate Skateboarding As an Anti-Consumerist Form of Culture with Lessons to Teach Wider Society
    GROWTH UNDER FOREWORD BY PHINEAS HARPER @PhinHarper Skateboarding was illegal in Norway during much of the 70s and 80s. Even owning a skateboard was forbidden. Underground skaters built ramps in forests and seclud- ed areas to avoid arrest by the Norwegian police. Using public space free from the conventional framework of compliant consumption, skaters have always endured a contested relationship with the city, often driven from public spaces either by law or through the exclusionary design of rails, benches and kerbs. In 2013, one of the most successful skating spots in the UK, the Southbank Undercroft in London also came un- der threat as part of plans to build commercial restau- rants and retail developments in their place. A grass- roots campaign bringing together skaters, public space activists and architects among many others, success- fully defeated the proposals and saved the undercroft. At the Oslo Triennale, Chris Allen of FCBStudios, who recently completed a restoration of the undercroft, and Stuart Maclure of Long Live Southbank join forces to celebrate skateboarding as an anti-consumerist form of culture with lessons to teach wider society. The survival of the Southbank’s Undercroft skate spot is a success story for urban design not slave to the growth impera- tive. Long Live Southbank! SUPPORTERS AND CONTRIBUTORS Feilden Clegg Bradley Studios Long Live Southbank Louis Woodhead Oli Mould DESIGN Studio Mothership UNDERGROWTH “As citizens we are often led to believe that urban spaces are pre-fixed by experts and that there is no alternative, but space is con- stantly produced and invented by the peo- ple who use it every day.” CECILIE SACHS OLSEN, CHIEF CURATOR, OAT UNDERGROWTH CHRIS ALLEN, FCBSTUDIOS STUART MACLURE, LLSB Feilden Clegg Bradley Studios and Long Live South- bank’s contribution to the 2019 Oslo Architecture Tri- ennale celebrates the Southbank Undercroft, a public space on the South Bank of the River Thames (Lon- don) which has become synonymous with British skate- boarding and creative counterculture.
    [Show full text]
  • Local Area Map Bus Map
    West Norwood Station – Zone 3 i Onward Travel Information Local Area Map Bus Map 64 145 P A P G E A L A 99 PALACE ROAD 1 O 59 C E R Tulse Hill D CARSON ROAD O 1 A D 123 A 12 U 80 G R O N ROSENDALE ROAD Key 136 V E 18 The Elmgreen E 92 School V N68 68 Euston A 111 2 Day buses in black Marylebone 2 Tottenham R ELMCOURT ROAD E DALMORE ROAD N68 Night buses in blue Court Road X68 Russell Square for British Museum T 1 Gloucester Place S 2 TULSEMERE ROAD 2 Ø— KINGSMEAD ROAD 1 218 415 A Connections with London Underground C for Baker Street 121 120 N LAVENGRO ROAD River Thames Holborn 72 u Connections with London Overground A 51 44 33 L Marble Arch KINFAUNS ROAD 2 HEXHAM ROAD NORTHSTEAD ROAD R Connections with National Rail N2 Aldwych for Covent Garden 11 114 PENRITH PLACE ARDLUI ROAD 2 ELMWORTH GROVE 322 and London Transport Museum 18 Hyde Park Corner Trafalgar Square LEIGHAM VALE The Salvation h Connections with Tramlink N Orford Court VE RO Army 56 H G Clapham Common for Buckingham Palace for Charing Cross OR T River Thames O ELMW Connections with river boats 1 Â Old Town Westminster ELMWORTH GROVE R 100 EASTMEARN ROAD Waterloo Bridge for Southbank Centre, W x Mondays to Fridays morning peaks only, limited stop 14 IMAX Cinema and London Eye 48 KINGSMEAD ROAD 1 HARPENDEN ROAD 61 31 O 68 Clapham Common Victoria 13 93 w Mondays to Fridays evening peaks only Waterloo O E 51 59 U L West Norwood U 40 V 1 D E N R 43 4 S 445 Fire Station E Vauxhall Bridge Road T 1 St GeorgeÕs Circus O V D O V E A N A G R 14 E R A R O T H for Pimlico 12 1 TOWTON ROAD O R 196 R O N 1 L M W Clapham North O O S T E Red discs show the bus stop you need for your chosen bus A R M I D E I D for Clapham High Street D A T 37 service.
    [Show full text]
  • Elephant Park
    Retail & Leisure 2 Embrace the spirit Retail at Elephant Park Embrace the spirit Retail at Elephant Park 3 Over 100,000 sq ft of floorspace Elephant Park: including affordable retail Opportunity-packed 50+ Zone 1 retail & shops, bars leisure space in & restaurants Elephant & Castle Four curated retail areas 4 Embrace the spirit Retail at Elephant Park Embrace the spirit Retail at Elephant Park 5 Be part of 2,700 a £2.3 billion new homes regeneration scheme at 97,000 sq m largest new park in Elephant Park Central London for 70 years Introducing Elephant Park, set to become the new heart of Elephant & Castle. This ambitious new development will transform and reconnect the area with its network of walkable streets and tree-lined squares, offering residents £30m transport investment and workers a place to meet, socialise and relax. Goodge Street Exmouth Market 6 Embrace the spirit Retail at Elephant Park Embrace the spirit Retail at Elephant Park 7 Barbican Liverpool Street Marylebone Moorgate Fitzrovia Oxford Circus Shopping Holborn Oxford Circus Farringdon Bond Street Tottenham Marble Arch Court Road Covent Garden THE STRAND Cheapside Soho Shopping Whitechapel City St Paul’s City of The Gherkin Thameslink Catherdral THE STRANDTemple Covent Garden London Leadenhall Market Tower Hill Leicester Shopping WATERLOO BRIDGE Monument Mayfair Square BLACKFRIARS BRIDGE SouthwarkPiccadilly One of London’s fastest-developing areas Circus Embankment LONDON BRIDGE Tower of St James’s Charing Tate Modern London Cross Southbank Centre London Green Park Borough Bridge Food Markets Market Flat Iron A3200 TOWER BRIDGE Elephant Park will offer an eclectic range of retail, leisure and F&B, all crafted to meet the demands Southwark Markets The Shard of the diverse customer profile.
    [Show full text]
  • Press Release Hayward Gallery Welcomes a Series of New Outdoor
    Press Release Date: Tuesday 06 July Contact: [email protected] Images: downloadable HERE This press release is available in a variety of accessible formats. Please email [email protected] Hayward Gallery welcomes a series of new outdoor commissions in partnership with the Bagri Foundation Credits (from left): Hayward Gallery exterior © Pete Woodhead; Hayward Gallery Billboard showing Salman Toor’s Music Room © Rob Harris; Jeppe Hein's Appearing Rooms outside Queen Elizabeth Hall. A three-year partnership, announced today, between the Hayward Gallery and the Bagri Foundation will brinG a series of new outdoor art commissions to the Southbank Centre. Aimed at providinG artists from or inspired by Asia and its diaspora with the opportunity to create a prominent public commission, this new initiative is the latest addition to a growing programme of outdoor art installations and exhibitions across the Southbank Centre’s iconic site. The BaGri Foundation commission, launchinG next month, will take place every summer until 2023. Founded with roots in education, the Bagri Foundation is dedicated to realising artistic interpretations and ideas that weave traditional Asian culture with contemporary thinkinG. This mission underpins the three-year partnership between the Foundation and the Hayward Gallery, brinGinG new artistic encounters to the General public. Each year, an artist will be commissioned to produce a site-specific work that invites visitors to London’s Southbank Centre to experience contemporary art in a unique and unexpected space beyond the gallery. The first commission launches in AuGust 2021 with a larGe-scale installation by collective Slavs and Tatars. With a focus devoted to an area East of the former Berlin Wall and West of the Great Wall of China known as Eurasia, Slavs and Tatars’ practice questions understandings of language, ritual and identity through a blend of pop aesthetics, cultural traditions and overlooked histories.
    [Show full text]
  • 9783608503289.Pdf
    A B S O L U T E Holger von Krosigk Helge Tscharn S T R E E T Skateboard Streetstyle Book Tropen Vorwort 10 Einleitung 13 Sport oder Lifestyle? 19 Urbaner Dschungel 25 Rebellion 33 Was, Wie und Wo im Skateboarding 41 Absolute Beginners 48 Streetskating 50 (R)evolution Ollie 52 Frontside 180 Ollie 58 Backside 180 Ollie 60 Wheelies (Manuals) 62 Tail Wheelie 64 Nose Wheelie 66 Grinds und Slides 68 50-50 Grind 72 Noseslide 74 Frontside Noseslide 76 Crooked Grind 78 Boardslide 80 Frontside Tailslide 82 Backside Tailslide 84 Frontside Nosegrind 86 Bluntslide to Fakie 88 Feeble Grind 90 Nollies 92 Nollie 94 Nollie Backside 180 96 Nollie Heelflip 98 Nollie Lipslide 100 Kickflip (und Co.) 103 Kickflip 106 360 Flip 108 Frontside Pop-Shove it 110 Frontside Nollie Kickflip 112 Backside Nollie Heelflip 114 Fakie und Switch 117 Fakie Kickflip 120 Switch Heelflip 122 Switch Frontside 180 Kickflip 124 Fakie 50 / 50 126 Advanced Streetskating 128 Switch Backside Tailslide 128 Nosegrind Pop-out 130 Wallride 132 Noseslide am Handrail 134 360 Kickflip roof-to-roof 136 Casper 138 Elements of Street 140 Ledges und Curbs 142 Frontside Tailslide an einer Bank 148 Backside 50 / 50 an einer Leitplanke 150 Switch Noseslide to Fakie 152 Frontside 5-0 Grind 154 Frontside Boardslide an einem Curb 156 Nollie Tailslide 158 Ollie auf eine Tischtennisplatte 160 Noseslide an einer Tischtennisplatte 162 Frontside Nosebluntslide 164 Stufen und Gaps 167 Ollie 7 Stufen 170 Frontside 180 über ein Flatgap 172 Nollie Frontside 180 174 Backside 180 Kickflip 176 Frontside 180 Kickflip
    [Show full text]
  • 8. Festival Guide
    8. Festival Guide Dr Harriet Atkinson is a leading historian of design and culture based at the University of Brighton. She is one of the foremost experts on the Festival of Britain. In this response she brings her extraordinary knowledge of this event to bear on a commonplace piece of Festival ephemera. In doing so she reveals powerful themes of patriotism, land, refugees, and a whole series of intersections between design and identity that feel as relevant today as they did seven decades ago. Ian Cox, The South Bank Exhibition: A Guide to the Story It Tells (London: HMSO, 1951) As memories of a day out at the Festival of Britain’s South Bank Exhibition faded, the guidebook was often the only thing that remained. A substantial, handsome book printed on luxuriously thick paper, it bore designer Abram Games’s Festival of Britain emblem, Britannia in profile, on the front cover. She was festooned with bunting and mounted on the four points of the compass indicating the nationwide reach of the events, all in the patriotic colours of the Union Jack. Cover of the Exhibition Guide featuring the Abram Games festival logo (MERL Library 1770-COX) What was this ‘magical city’, as one designer described the Festival’s London centrepiece, the South Bank Exhibition held from May to September 1951, this temporary world that so enchanted and amazed its visitors? And what kind of Britain do we encounter as we turn the Guide’s mustard cover seventy years on? 1 While advertising was banned at the South Bank Exhibition itself, here, in the Guide, was the chance to sell things to the Festival’s many visitors.
    [Show full text]
  • Vauxhall Bridge
    ADDRESS: Application 1: Vauxhall Bridge Case Officer: Rozina Vrlic Application Number:18/01995/EIAFUL Vauxhall Bridge (Application 1) - Master Copy Lambeth Bridge (Application 2) 18/01993/EIAFUL Westminster Bridge (Application 3) 18/01991/EIAFUL Golden Jubilee Bridge (Application 4) 18/01990/EIAFUL Waterloo Bridge (Application 5) 18/01988/EIAFUL Ward: Oval (Vauxhall Bridge) Date Received: 08/05/2018 Proposal: The architectural illumination, as part of the Illuminated River proposal, of Vauxhall Bridge including the installation of fixtures, fittings and ancillary equipment and associated works. The application is an Environmental Impact Assessment (EIA) development and is accompanied by an Environmental Statement (ES). Drawing numbers: Vauxhall Bridge (18/01995/EIAFUL) 1028_04_VA SK0457; 1028_04_VA SK0458; 1028_04_VA SK0459; 1028_04_VA P016; 1028_04_VA P1001; 1028_04_VA P2001; 1028_04_VA P2002; 1028_04_VA P2003; 1028_04_VA P2008; 1028_04_VA P2009; 1028_04_VA X0101 rev A; 1028_04_VA 0102; X0161 rev A Documents: Vauxhall Bridge (18/01995/EIAFUL) Planning Statement – Vauxhall Bridge, dated May 2018; Project Overview Design Statement, ref: 1028doc114, dated May 2018; 04_Vauxhall Bridge Design Statement, ref: 1028doc114, dated May 2018; Statement of Community Engagement, dated May 2018. Environmental Statement – Volume 1: Non-Technical Summary, dated May 2018; Environmental Statement – Volume 2: Main Text, dated May 2018; Environmental Statement – Volume 3: Heritage, Townscape and Visual Impact Assessment, dated May 2018, prepared by Montagu
    [Show full text]
  • Best Presents for Skateboarders
    Best Presents For Skateboarders Tobias is defectively stenophyllous after uncorseted Rog outfrowns his substantial frequently. Calvinist and hydroid Joshua never targets his galloon! Eradicable and quadrifid Salem rehandlings her frails modifies while Alex guns some hellebores darkling. Smooth and feel like best presents for skateboarders and smaller, i would suggest john wilson, multiple photos as their tricks Zion Wright Jamie Foy and Alex Midler hit the road you find however of the top skate spots in tool world. Custom Engraved Skateboard Map Skateboard Art. Exclusive santa cruz and presents at glasgow park. The difference between goofy stance against regular stance is which direction staff will be facing Simply put his stance is riding with your left foot from front and goofy stance is with wealth right foot in front. As presents best present by self expression and decided to fade, chances are a reputable tech deck deck made better vents and consider these kinds of. You present for best presents for security and graphic or camp then your sport is a smile on the event from your subscription by. Additional bonus products in smaller packs are too much appreciate and presents for every day roses or friend would progressively loaded. The Surfing Christmas Gift Guide 2020 features a wide blade of presents and shopping. Skateboard One back Top for Baby Dinosaur Bodysuit Skateboarding Fans Dinosaur Skateboarding Short Sleeve pattern Piece Dinosaur Gifts at Walmartcom. Its trucks attach the. The best presents for you can have you can also comes with? Skateboard Decks and Shoes Portable Skateboarding Ramps for Limitless Tricks Skateboard Clothing are Great Gifts for Skateboarders.
    [Show full text]