Planning Weekly List & Decisions
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Local Area Map Bus Map
Gipsy Hill Station – Zone 3 i Onward Travel Information Local Area Map Bus Map Emmanuel Church 102 ST. GOTHARD ROAD 26 94 1 Dulwich Wood A 9 CARNAC STREET Sydenham Hill 25 LY Nursery School L A L L CHALFORD ROAD AV E N U E L 92 B HAMILTON ROAD 44 22 E O W Playground Y E UPPPPPPERE R L N I 53 30 T D N GREAT BROWNINGS T D KingswoodK d B E E T O N WAY S L R 13 A E L E A 16 I L Y E V 71 L B A L E P Estate E O E L O Y NELLO JAMES GARDENS Y L R N 84 Kingswood House A N A D R SYDEENE NNHAMAMM E 75 R V R 13 (Library and O S E R I 68 122 V A N G L Oxford Circus N3 Community Centre) E R 3 D U E E A K T S E B R O W N I N G L G I SSeeeleyeele Drivee 67 2 S E 116 21 H WOODSYRE 88 1 O 282 L 1 LITTLE BORNES 2 U L M ROUSE GARDENS Regent Street M O T O A U S N T L O S E E N 1 A C R E C Hamley’s Toy Store A R D G H H E S C 41 ST. BERNARDS A M 5 64 J L O N E L N Hillcrest WEST END 61 CLOSE 6 1 C 24 49 60 E C L I V E R O A D ST. -
Kennington/Oval
Lambeth Local Plan Proposed Submission November 2013 Kennington/Oval • realise the added potential contribution of St Mark’s churchyard to the public realm 11.77 The Kennington/Oval area sits between the railway viaduct in the west and Kennington • support improvements to Kennington Park Park in the east. It has good transport links to including its heritage attributes the West End and the City and for this reason • make more effective use of premises and is a much sought-after area to live in. The sites within the area and the opportunities area is served by three tube stations (Vauxhall, they provide – including at Kennington Kennington and Oval) and has numerous bus Business Park and those arising from the services to other parts of Lambeth and Central Oval House Theatre’s intention to relocate to London. It includes the local centres along Brixton – in order to build on and contribute Kennington Lane, Kennington Cross, Clapham to the area’s qualities. Road and Brixton Road. It has a very clearly defined and distinctive sense of place and contains St Mark’s Church, a grade II* listed 11.82 The Oval gasometers are hazardous building; Kennington Park, a registered Historic installations. Proposals for development in Park; the nearby world famous Oval cricket the vicinity of the gasometers should seek stadium; and the well known Oval gasometers. and give due weight to advice from the The area around the park and the church Health and Safety Executive and mitigation and the area around Kennington Cross are measures should be included as necessary. conservation areas. -
Press Release Hayward Gallery Welcomes a Series of New Outdoor
Press Release Date: Tuesday 06 July Contact: [email protected] Images: downloadable HERE This press release is available in a variety of accessible formats. Please email [email protected] Hayward Gallery welcomes a series of new outdoor commissions in partnership with the Bagri Foundation Credits (from left): Hayward Gallery exterior © Pete Woodhead; Hayward Gallery Billboard showing Salman Toor’s Music Room © Rob Harris; Jeppe Hein's Appearing Rooms outside Queen Elizabeth Hall. A three-year partnership, announced today, between the Hayward Gallery and the Bagri Foundation will brinG a series of new outdoor art commissions to the Southbank Centre. Aimed at providinG artists from or inspired by Asia and its diaspora with the opportunity to create a prominent public commission, this new initiative is the latest addition to a growing programme of outdoor art installations and exhibitions across the Southbank Centre’s iconic site. The BaGri Foundation commission, launchinG next month, will take place every summer until 2023. Founded with roots in education, the Bagri Foundation is dedicated to realising artistic interpretations and ideas that weave traditional Asian culture with contemporary thinkinG. This mission underpins the three-year partnership between the Foundation and the Hayward Gallery, brinGinG new artistic encounters to the General public. Each year, an artist will be commissioned to produce a site-specific work that invites visitors to London’s Southbank Centre to experience contemporary art in a unique and unexpected space beyond the gallery. The first commission launches in AuGust 2021 with a larGe-scale installation by collective Slavs and Tatars. With a focus devoted to an area East of the former Berlin Wall and West of the Great Wall of China known as Eurasia, Slavs and Tatars’ practice questions understandings of language, ritual and identity through a blend of pop aesthetics, cultural traditions and overlooked histories. -
1. Crystal Palace and Gipsy Hill 1.1
1. Crystal Palace and Gipsy Hill 1.1. Crystal Palace and Gipsy Hill Area Vision 1.1.1. Crystal Palace and Gipsy Hill are: • On the boundary of Lambeth, Croydon and Bromley; • An edge of town centre location situated to the north of Upper Norwood District Town Centre; • Characterised by a range of housing types including Victorian terrace and semi-detached family housing, typical of a 19th-century railway suburb, alongside more modern housing types; • An area with plentiful public open spaces and in close proximity to Crystal Palace Park, Dulwich Upper Wood and Norwood Park offering panoramic views towards Central London. • Accessible by rail from mainline stations to Gipsy Hill station and bus routes, however there is no tube connection and the area is less well served by public transport than many other parts of Southwark. 1.1.2. Development in Crystal Palace and Gipsy Hill should: • Preserve and enhance the character of Crystal Palace and Gipsy Hill; • Complement, and not detract from, the economic function of Upper Norwood town centre; • Provide as many homes as possible across a range of tenures including social housing; • Prioritise walking and cycling and improve public transport to reduce pressure on car parking and improve accessibility; • Support improvements to local connectivity and accessibility including enhanced public transport, walking and cycling routes; • Support improvements to local services to meet local needs, including for school places and GP provision. 1.1.3. Growth opportunities in Crystal Palace and Gipsy Hill: Whilst development opportunities in Crystal Palace and Gipsy Hill are relatively limited, the area has the potential to contribute towards meeting Southwark’s housing need. -
Planning Applications Committee
PA PLANNING APPLICATIONS COMMITTEE Date and Time: Tuesday 12th February 2002 (7.00pm) Venue: Room 8, Lambeth Town Hall, Brixton Hill, SW2 1RW Democratic Services Officer: Noel Bell Democratic Services Division Tel/Voicemail: 020 7926 2225 Chief Executive’s Department Fax: 020 7926 2755 London Borough of Lambeth Email: [email protected] Lambeth Town Hall Website: www.lambeth.gov.uk Brixton Hill London SW2 1RW Despatched: 28th January 2002 MEMBERS: Councillors DAVID, GRIGG, LING (Chair), McKENNA (Vice Chair), PALMER and SARGEANT. SUBSTITUTE MEMBERS: Councillors COMPTON, CURTIS, FEWTRELL HEATHER and MALLEY. i Planning Applications Committee Front Page 12.2.2002 PROGRAMME OF FUTURE MEETINGS PLANNING APPLICATIONS Deadline Agenda Meeting Decision Published by Date 5pm) Published (Tues [7 clear days] [10 clear 7.30pm) days] 08.02.02 11.02.02 26.02.02 08.03.02 22.02.02 25.02.02 12.03.02 22.03.02 08.03.02 11.03.02 26.03.02 09.04.02 19.03.02 21.03.02 09.04.02 19.04.02 05.04.02 08.04.02 23.04.02 03.05.02 ACCESS INFORMATION Location: • Lambeth Town Hall is on the corner of Acre Lane and Brixton Hill, 200 metres south of Brixton tube station (Victoria Line) – turn left on leaving the station and look for the clock tower. Facilities for disabled people: • Access for people with mobility difficulties, please ring the bell (marked with the disabled access symbol) on the right-hand side of the Acre Lane entrance. • For further special requirements please contact the officer listed on the front page. -
ANNUAL REVIEW Our 60Th-Anniversary Festival Embodied Introduction Everything That Southbank Centre Strives to Do Well
ANNUAL REVIEW Our 60th-anniversary festival embodied IntroductioN everything that Southbank Centre strives to do well. Innovative and inclusive, all- In 1951, when the UK had every right to encompassing and artistically excellent, celebrate what we had achieved and colourful and joyful, our celebrations every incentive to anticipate eagerly transformed our venues and public space where we could yet go, millions of and accelerated our transformation into people shrugged off the grey post-war the world’s biggest and best permanent austerity and visited the South Bank festival site. Our interpretation of culture site for the Festival of Britain. It was goes way beyond performances on a national event, the only light in the stage to embrace food, design, debate, otherwise foggy post-war gloom. architecture, environment, even politics, as cultural phenomena in their own right. Sixty years later, against a similar mood We have worked with an extraordinary of austerity, 2.8 million people visited range of partners this year, to whom we our 60th-anniversary festival in just are enormously grateful. The Eden Project over four months and 400,000 attended turned the once desolate roof of the ticketed or free events. More than 3,000 Queen Elizabeth Hall into a stunning new artists, including musicians, singers, rooftop garden, working with Grounded visual artists, dancers, authors, poets, Ecotherapy, a team of gardeners all conductors, DJs and comedians took part. previously homeless. This gave the public the chance to admire wild flowers, river views and allotments in the centre of London. Pirate Technics created Susan, an enormous straw fox who made her den beside the Hayward Gallery and greeted commuters over Waterloo Bridge. -
Conservation Management Plan for the National Theatre Haworth Tompkins
Conservation Management Plan For The National Theatre Final Draft December 2008 Haworth Tompkins Conservation Management Plan for the National Theatre Final Draft - December 2008 Haworth Tompkins Ltd 19-20 Great Sutton Street London EC1V 0DR Front Cover: Haworth Tompkins Ltd 2008 Theatre Square entrance, winter - HTL 2008 Foreword When, in December 2007, Time Out magazine celebrated the National Theatre as one of the seven wonders of London, a significant moment in the rising popularity of the building had occurred. Over the decades since its opening in 1976, Denys Lasdun’s building, listed Grade II* in 1994. has come to be seen as a London landmark, and a favourite of theatre-goers. The building has served the NT company well. The innovations of its founders and architect – the ampleness of the foyers, the idea that theatre doesn’t start or finish with the rise and fall of the curtain – have been triumphantly borne out. With its Southbank neighbours to the west of Waterloo Bridge, the NT was an early inhabitant of an area that, thirty years later, has become one of the world’s major cultural quarters. The river walk from the Eye to the Design Museum now teems with life - and, as they pass the National, we do our best to encourage them in. The Travelex £10 seasons and now Sunday opening bear out the theatre’s 1976 slogan, “The New National Theatre is Yours”. Greatly helped by the Arts Council, the NT has looked after the building, with a major refurbishment in the nineties, and a yearly spend of some £2million on fabric, infrastructure and equipment. -
Mr Boris Johnson, Mayor of London the Greater London Authority City Hall, the Queen’S Walk, London, SE1 2AA
Mr Boris Johnson, Mayor of London The Greater London Authority City Hall, The Queen’s Walk, London, SE1 2AA BY EMAIL: 13 March 2013 Dear Mayor Johnson Policing and Crime Plan The Crystal Palace Community Association (CPCA), a 43-year-old registered charity and amenity society, and the Gipsy Hill Residents Association (GHRA), is deeply concerned over proposals to close the purpose built Gipsy Hill police station as part of the cuts to be imposed on London’s police forces. Upper Norwood is a unique part of southeast London lying, as it does, at the confluence of five London boroughs; Lambeth, Croydon, Southwark, Bromley and Lewisham. There is nowhere else in London with this anomalous configuration. Over many decades the cross-borough make-up of the neighbourhood has led to significant difficulties in many areas of local government administration including effective, intelligence- led, local policing. Different initiatives have been made over the years to improve the efficacy of policing in Norwood; the latest being the creation of a Crystal Palace and Upper Norwood Triangle SNT. This cross-borough team has enjoyed some success; demonstrating the benefits and efficiencies of cross-border policing. However, it is understood that even this small presence is likely to be reduced under ill-conceived and researched cost-cutting proposals with the ‘Local Policing Model’ being part reliant on ‘contact points’ in, as yet, unidentified locations. Additionally, police will be based at centres well away from the Crystal Palace/Norwood area ensuring that valuable time is spent ‘commuting’ between their ‘home’ base and the ‘patch’ they have been assigned to work in. -
English National Ballet Solstice Southbank Centre's Royal Festival Hall, London 16 - 26 June 2021
English National Ballet Solstice Southbank Centre's Royal Festival Hall, London 16 - 26 June 2021 www.ballet.org.uk/solstice This summer (16 - 26 June) English National Ballet presents Solstice, a programme of diverse repertoire highlights, at the Southbank Centre’s Royal Festival Hall. Solstice features highlights from classics like Swan Lake, The Sleeping Beauty, and Le Corsaire as well as a passionate duet from Broken Wings, Annabelle Lopez Ochoa’s ballet inspired by the life of Frida Kahlo, Stina Quagebeur’s Hollow and joyous steps from Coppélia. There are moments of reflection and tenderness in extracts from Akram Khan’s Dust and Ben Stevenson’s Three Preludes, set to Rachmaninov’s music and the programme concludes with William Forsythe’s Playlist (Track 1, 2), a high-energy work set to neo-soul and house music. Tamara Rojo CBE, English National Ballet’s Artistic Director said: “I'm so pleased we will be performing at the Royal Festival Hall this summer. After so long without performing in theatres it's wonderful to have the opportunity to have so many of the Company back on stage showcasing highlights from English National Ballet's much loved and diverse repertoire.” Accompanied by live music performed by musicians of English National Ballet Philharmonic, Solstice follows English National Ballet’s return to the stage at Sadler’s Wells earlier this month. All rehearsals and performances are in strict compliance with the UK Government’s COVID- 19 guidance Photos are available to download here using the login details below: Login: press Password: ENBPress2021 Watch the trailer for Solstice here All rehearsals and performances are in strict compliance with the UK Government’s COVID- 19 guidance. -
ARTISTIC RENTALS PROMOTER GUIDE Royal Festival Hall, Queen
ARTISTIC RENTALS PROMOTER GUIDE Royal Festival Hall, Queen Elizabeth Hall and Purcell Room This document forms part of Southbank Centre’s Rental Agreement Valid from: 1 April 2021 – 31 March 2022 INCLUDED IN ARTISTIC HIRE PAGE 2 CONTRACT, DEPOSIT AND SETTLEMENT PAGE 2 GETTING YOUR EVENT ON SALE PAGE 3 FRONT OF HOUSE INFORMATION PAGE 11 TECHNICAL, PRODUCTION AND BACK OF HOUSE PAGE 18 MARKETING YOUR EVENT PAGE 23 RECORDING, FILMING & BROADCASTING PAGE 29 SOUTHBANK CENTRE CONTACTS PAGE 30 APPENDICES PAGE 31 Romax SC Partners and their Partners/Sponsors SC Print Monthly Listings Deadlines House Seats, Venue Holds, Development Holds, Tech Holds Event Copy & Image Guidelines Safeguarding at Southbank Centre Southbank Centre Approved Caterers _________________________________________________________________________________ Abbreviations used in this document: Royal Festival Hall – RFH Queen Elizabeth Hall – QEH Purcell Room – PUR Southbank Centre – SC AUDITORIUM CAPACITIES RFH 2,780 seats total (2,745 with extended stage; 234 seats are Choir Stalls, behind the stage) 2,284 seats with full tech holds QEH 915 seats 707 seats with full tech holds PUR 293 seats total 236 seats with full tech holds 365 without extended stage in place (N.B. default position is with extended stage) SC reserves the right to adjust the costs listed in this Promoter Guide at any time All prices listed are exclusive of VAT, which will be charged at the prevailing rate All information correct at December 2020 1 INCLUDED IN ARTISTIC HIRE Venue • Backstage areas and dressing -
Waterloo Guided Walks
WATERLOO GUIDED WALKS Waterloo is a historic and a fascinating neighbourhood, full of surprises, which can be discovered on these self-guided walks. Choose one or two routes through this historic part of South London, or add all four together to make one big circuit. Each section takes about 30 minutes without stops. WWW.WEAREWATERLOO.CO.UK @wearewaterloouk We are working with the Cross River Partnership through their Mayor’s Air Quality Funded programme Clean Air Better Business (CABB) to deliver air quality improvements and encourage active travel for workers, residents and visitors to the area. VICTORIAN WATERLOO Walk through the main iron gate (you are welcome to visit or attend a service) and skirt the church to the right, leaving by the gate hidden in the hedge right behind the building. Follow Secker Street left and right, In medieval times this area was desolate Lambeth Marsh, which only really came to life with the crossing Cornwall Road to Theed Street completion of Westminster Bridge in 1750. Then around a century later the first railways arrived, running above ground level on mighty brick viaducts. Start in Waterloo Station, under the four-faced clock suspended from the roof at the centre of the concourse, a popular meeting 4 spot for travellers for almost 80 years. Theed Street, Windmill Walk and Roupell Street This is one of London’s most atmospheric quarters, much fi lmed, with its nineteenth-century terraces, elegant streetlamps and steeply pitched roofs. The gallery on the corner of Theed Street was once a cello factory and the musical motif continues as you walk: the gate signed ‘The Warehouse’ is home to the London Festival Orchestra, which became independent in the 1980s and performs at major venues and festivals. -
Cultural Infrastructure List in Lambeth 2020
Cultural Infrastructure List in Lambeth March 2020 Contents Introduction ......................................................................................................................... 4 Purposes of the document ................................................................................................. 4 Structure of the Paper ....................................................................................................... 4 Methodology ...................................................................................................................... 4 Policy Context ..................................................................................................................... 6 Draft London Plan Intend to Publish Version December 2019 ........................................... 6 Draft Revised Lambeth Local Plan – Proposed Submission Version January 2020 ........... 7 Leisure, recreation, arts and cultural facilities in Lambeth .............................................. 8 Table 1 – Archives and libraries in Lambeth .................................................................... 10 Map 1 – Archives and libraries in Lambeth ...................................................................... 12 Table 2 – Art centres in Lambeth ..................................................................................... 13 Map 2 – Art Centres in Lambeth ...................................................................................... 15 Table 3 – Art galleries and museums (including commercial/ private