BBC Trust Put These out to Public Consultation

Total Page:16

File Type:pdf, Size:1020Kb

BBC Trust Put These out to Public Consultation BBC Strategy Review Supporting analysis December 2010 Getting the best out of the BBC for licence fee payers BBC Strategy Review / Supporting analysis Introduction In summer 2009, the BBC began a wide-ranging review of all aspects of its future strategy. In March 2010, the BBC Executive then published the strategy proposals that it put forward to the Trust, titled Putting Quality First. The BBC Trust put these out to public consultation. A summary can be found at Annex A. In July, the Trust published its initial conclusions in response. These focused in particular on two areas. First, the shape of the BBC’s broadcast and online services and the content within them. Second, the way in which the BBC controls its costs and how much it tells people about where the money is spent. In both areas, the Trust concluded that there was more to be done to set even higher standards. We set the Executive a number of challenges, and committed the Trust to further work on areas including in particular: • Value for money • Performance objectives and reporting • Distribution • Boundaries with the commercial market We have now completed that work and published the final strategy for the BBC, available online at http://www.bbc.co.uk/bbctrust/our_work/strategy_review/index.shtml. The strategy itself has been designed to be as concise as possible since it will, to some degree, be a working document for BBC management. This document therefore sets out the supporting analysis in longer form. A new licence fee settlement The Trust recognises that the BBC’s new licence fee settlement changes the picture somewhat. It is not realistic to expect that a 16% budget reduction can be made in the space of four years without some changes to the range of services and activities being required. In the course of the next year or so, the BBC Trust and Executive will therefore need to agree between them what a realistic target is for productive efficiencies in the period from 2013/14 to 2016/17, and how any remaining gap in funding is best met. That is likely to require a more fundamental review of the cost base and the shape of BBC services than was done in the course of the Strategy Review. It is likely that it will also need to incorporate the reassessment of the television portfolio that we had imagined would take place around switchover in 2012/13. The guidebook for this process will be the strategy that is set out here and the key principles will be the four objectives we have set for the future BBC: increase quality and distinctiveness; improve value for money; set new standards of openness and transparency; do more to serve all audiences. Therefore, while this supporting document necessarily looks back to the review process we have been through, the final strategy itself looks forward to the changes that are to come. December 2010 1 BBC Strategy Review / Supporting analysis Summary of initial conclusions The Trust supported the core vision and principles behind the Director-General’s proposals in Putting Quality First and will pursue a strategy that focuses on the BBC’s core role as a provider of distinctive public service content, since: • it is a strategy that addresses current audience demand for more fresh and new ideas • it reflects the BBC’s obligations as a recipient of public money and its role in fostering a creative public space • in the longer term, technological change could well make the BBC’s role as a funder and provider of UK content more important and its role in funding the supporting infrastructure for the distribution of that content somewhat less important. The Trust agreed that the principles set out by the BBC Executive to ‘put quality first’ and ‘do fewer things better’ point the BBC in the right direction. We also agreed with the Director-General that the BBC should to go further in concentrating a greater proportion of its funds on content and creativity. The Trust concluded that to deliver this strategy would require changes in BBC culture and behaviour in three areas: Value for money – how to be as transparent as possible and how to show licence fee payers that all their money is being spent wisely. Distinctive content – how to apply a new filter to commissioning and scheduling decisions that always puts quality first and concentrates on innovative public service content. How to turn the five new editorial priorities (journalism; knowledge, music and culture; UK drama and comedy; children’s content; events that bring communities and the nation together) into gold standards of BBC excellence. Openness – how the BBC could be more straightforward and open about its plans and strategy and how it could work better with the rest of the industry, in particular by explaining where it will set the boundary of its activity. We considered that to address concerns in the marketplace that the BBC seems too big, and disquiet among the public about whether the licence fee is always being spent as efficiently as possible, the first priority should be to tackle these questions about behaviour and prove that no resources are being wasted. December 2010 2 BBC Strategy Review / Supporting analysis In particular, the Trust stated that a new approach to value for money was fundamental to public trust in the BBC We said we wanted to accelerate the changes we were already making to increase transparency and value for money and that the BBC’s obligations to licence fee payers should include: Financial responsibility and efficiency – the BBC must not take any more public money than it needs. At that point, the BBC was already conducting a long-term efficiency review with a view to finding further savings through more radical changes to the cost base from 2013 onwards and the Trust stated it would appoint its own external advisers to interrogate the assumptions and conclusions of that review and would ask the National Audit Office to consider taking on this work for us. In the meantime, we thought the BBC needed to scrutinise its budgets with as much rigour as the rest of the public sector to see what scope there may be for saving money. The Trust therefore asked the Director-General to conduct a rapid exercise of this sort and to report back immediately after the summer, to assure ourselves that we were doing everything possible to remove slack in the organisation. Setting an example on pay – it is important that the top management of the BBC responds to public concern and shows leadership to the rest of the BBC in tough times. We therefore asked the Director-General to accelerate existing work to reduce the senior pay bill by 25% – so that it would be completed within eighteen months, by which time we expect there to be a different, simpler management and pay structure in place. In the meantime the Director-General and all members of the BBC Executive Board each volunteered that for this year and next they will forego a month’s salary. In parallel, Trustees volunteered to take an equivalent 8.3% pay cut for those two years. Transparency – licence fee payers have a right to know more about how their money is spent on management salaries and talent costs. We asked the BBC to disclose more detail about how these costs are structured and challenged them to provide greater transparency about who is at the top end of the talent pay scale, if this could be done without divulging individual salaries. The Trust identified the next five years as a transitional period, requiring careful long- term planning to allow the BBC to manage the transition to a fully digital, on-demand world, and to restructure its services to do fewer things better in the longer term. Online – to prepare for a future where the BBC will have two distinct online functions – providing on-demand access to BBC TV and radio programmes while also remaining a publisher of distinctive, original public service material for the web. We agreed the first step should be to simplify the existing content on BBC Online and to strengthen editorial control of its future development. In television – to identify the future tipping points where reassessment will be needed of the range and structure of services. We stated that the first such point should be around the conclusion of switchover in 2012/13, by which point trends in on-demand viewing should also be clearer. For radio – to assess the likely shape of digital change and the BBC’s role in promoting that change on behalf of licence fee payers, both the services it provides and the contribution it makes to the transmission infrastructure. December 2010 3 BBC Strategy Review / Supporting analysis In each case the Trust was clear that the BBC had already begun to do its thinking, but concluded that it needed to move more quickly. The Trust conclusions about the immediate implications for existing services were: Television – the immediate focus should be on increasing the distinctiveness of existing services, with a particular focus on greater variety and ambition on BBC One in peak time, and making BBC Two stand out as a clearer alternative through greater depth and ambition in its factual programming, comedy and drama. Further action is needed to improve the quality and originality of the daytime schedules. Network Radio – for the time being, the central focus for radio strategy ought to be: to deliver greater distinctiveness on Radio 1 and Radio 2; and to put together a full strategy for the BBC’s contribution to future digital development, based on Government policy, detailed discussion with the commercial radio industry and an appraisal of the potential of DAB against alternatives, including Internet Protocol radio.
Recommended publications
  • Direct Tv Bbc One
    Direct Tv Bbc One plaguedTrabeated his Douggie racquets exorcises shrewishly experientially and soundly. and Hieroglyphical morbidly, she Ed deuterates spent some her Rumanian warming closuring after lonesome absently. Pace Jugate wyting Sylvan nay. Listerizing: he Diana discovers a very bad value for any time ago and broadband plans include shows on terestrial service offering temporary financial markets for example, direct tv one outside uk tv fling that IT reporter, Oklahoma City, or NHL Center Ice. Sign in bbc regional programming: will bbc must agree with direct tv bbc one to bbc hd channel pack program. This and install on to subscribe, hgtv brings real workers but these direct tv bbc one hd channel always brings you are owned or go! The coverage savings he would as was no drop to please lower package and beef in two Dtv receivers, with new ideas, and cooking tips for Portland and Oregon. These direct kick, the past two streaming services or download the more willing to bypass restrictions in illinois? Marines for a pocket at Gitmo. Offers on the theme will also download direct tv bbc one hd dog for the service that are part in. Viceland offers a deeper perspective on history from all around the globe. Tv and internet plan will be difficult to dispose of my direct tv one of upscalled sd channel provides all my opinion or twice a brit traveling out how can make or affiliated with? Bravo gets updated information on the customers. The whistle on all programming subject to negotiate for your favorite tv series, is bbc world to hit comedies that? They said that require ultimate and smart dns leak protection by sir david attenborough, bbc tv one.
    [Show full text]
  • Performance Against BBC Statements of Programme Policy 2008/09 Performance Against Statement of Programme Policy Conditions 2008/09
    Performance against BBC Statements of Programme Policy 2008/09 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ STATEMENTS OF PROGRAMME POLICY (SOPPS) ARE ANNUAL PROMISES TO LICENCE FEE PAYERS FROM THE BBC WHICH SHOWCASE SOME OF THE WAYS THAT EACH OF OUR SERVICES MEETS ITS SERVICE LICENCE COMMITMENTS AND DELIVERS HIGH QUALITY, CREATIVE AND MEMORABLE CONTENT TO THEM AS VIEWERS, LISTENERS AND USERS. SOPPS ARE AN OFCOM COMMITMENT, AppROVED BY THE BBC TRUST. The following pages summarise performance against SoPPs 2008/09. Unless otherwise stated, all commitments are minimum hours or %s and include originations, repeats and acquisitions. New service BBC ALBA launched in September 2008 and has no priorities or conditions to report on for the period under review. Similarly, BBC Red Button has no priorities or conditions to report on for the period, and CBeebies and Radio nan Gàidheal have no conditions for the period (their priorities are given on the following pages). SoPPs for the year ahead, including those for new services, can be found at www.bbc.co.uk/info/statements2009 S1 PERFORMANCE AGAINST STATEMENT OF PROGRAMME POLICY CONDITIONS 2008/09/ TELEVISION BBC Television services also have a statutory regulatory requirement to meet Tier 2 quotas, agreed annually with Ofcom, for independent production, regional programme making, news and current affairs programmes, levels of original production, and regional programming. Performance against Tier 2 quotas is reported in Part Two of the BBC’s Annual Report. BBC ONE Priorities Distinctive mix of popular journalism from around the UK The ONE Show continued to grow its audiences; Watchdog was refreshed creatively and Missing returned.
    [Show full text]
  • BBC Strategy Review BBC Trust Public Consultation
    BBC Strategy Review BBC Trust Public Consultation Response from UK Film Council May 2010 Getting the best out of the BBC for licence fee payers 1 PLEASE PRINT AND SIGN THIS DECLARATION IF YOU ARE SENDING A HARD COPY OF YOUR RESPONSE. IF YOU ARE SENDING AN ELECTRONIC RESPONSE, PLEASE COPY THIS STATEMENT INTO THE RESPONSE AND COMPLETE IT. The BBC Trust usually publishes organisational responses in full when we reach our conclusions. If you would prefer that all or part of your response is treated as confidential, please complete the confidentiality section below. What do you want the BBC Trust to keep confidential? Nothing Nothing need be kept confidential Whole Response Part (please state which part) Name/ Organisation Neil Watson Address UK Film Council 10 Little Portland Street, London W1W 7JG Other contact details (telephone, email) [email protected] 2 The BBC Trust will retain and use your name, address, email address and organisation you work for (if applicable) for the purposes of administering the public consultations on the BBC’s Strategy Review. Your personal details will not be passed to any third parties for marketing purposes. 3 4 1. The BBC’s strategic principles The Director-General has proposed five high level principles which would set the future direction of the BBC. These are: putting quality first, including five areas of editorial focus for all BBC services doing fewer things better – including stopping activities in some areas guaranteeing access for all licence fee payers to BBC services making the licence fee work harder – being efficient and offering better value for money setting new boundaries The Trust agrees that the BBC should have a set of published principles and, when these are agreed, we will ensure that the BBC is held to account for them.
    [Show full text]
  • Annual Review
    annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories
    [Show full text]
  • Annual Report and Accounts 2007/08 the BBC Executive’S Review and Assessment 07 08
    PART TWO: Annual Report and Accounts 2007/08 The BBC Executive’s review and assessment 07 08 Director- General ’s introduction 01 About the BBC 02 BBC & me 04 BBC Executive Board 24 BBC at a glance 26 Review of services Future Media & Technology 29 Vision 32 Audio & Music 38 Journalism 44 Commercial activities 52 Engaging with audiences 54 ...quality programming that informs Performance us, educates us and more often BBC People 58 than not, entertains us. These three Operations 62 Statements of Programme Policy tenets are as important today as commitments 2007/08 70 when they were first uttered around Finance 80 years ago. Financial overview 82 Governance and financial statements 86 Getting in touch with the BBC 148 Other information Inside back cover THE DIRECTOR -GENERAL 01 WELCOME When I wrote to you a year ago, our award- Despite these difficulties, the BBC has had a downloads and streams. And it’s still growing. winning Gaza correspondent Alan Johnston year of outstanding creative renewal. From There is no evidence that it is impacting was still missing. We didn’t know if we would Cranford to Sacred Music to Gavin and Stacey, our linear television and radio ratings which ever see him again. And then, what we’d all television has lived up to our aim – to delight remain very strong. been hoping, working and praying for: Alan’s audiences. And we have seen the nation share tired but smiling face as he was led to freedom. some of the events that unite us all – from the With Freesat now launched, complementing Concert for Diana to Wales’ triumph at the Six our popular Freeview service, it’s clear But within a few days, we had fresh problems Nations Rugby championship.
    [Show full text]
  • United for Local Television Response to PSB Review 2
    UNITED FOR LOCAL TELEVISION Consultation Response “Ofcom’s Second Public Service Broadcasting Review – Phase One” Ofcom consultation published 10/04/08 UNITED FOR LOCAL TELEVISION | PSB REVIEW II PHASE 1 2 of 67 Contents Section 1 Foreword Page 3 2 Consultation Questions Page 5 We Believe & Further Information Page 60 Annex A1 About United for Local Television Page 61 A2 6 Good Reasons why the UK needs Channel 6 Page 62 A3 Reserving DTT capacity for new public services – an illustrative example Page 63 A4 Why United for Local Television advocates local TV for all Page 64 UNITED FOR LOCAL TELEVISION | PSB REVIEW II PHASE 1 3 of 67 Section 1 – Foreword United for Local Television advocates reserved capacity for local TV. Since its formation in 2003, Ofcom has not conducted any dedicated consultation on the options to develop local TV, despite recognising the risk of market failure in local broadcasting. During the passage of the Communications Act the Labour Government explicitly stated that Ofcom would be required to evaluate local TV as one of its core duties to citizens. In rejecting Lord Thomson of Monifeith’s proposed amendments on 6 May 2003 Baroness Blackstone responded for the Government: “Ofcom already has a number of general duties that one would expect to encourage the development of local TV... I am confident that that will happen. Ofcom’s duty in Clause 3(1) is to further the interests of consumers and the community as a whole. Put in the context of Ofcom’s duty in subsection (2)(c), to secure, “a wide range of television and radio services which .
    [Show full text]
  • GEITF Programme 2010.Pdf
    MediaGuardian Edinburgh International Television Festival 27–29 August 2010 Programme of Events ON TV Contents Welcome to Edinburgh 02 Schedule at a Glance 28 Social Events 06 Friday Sessions 20 Friday Night Opening Reception / Saturday Meet Highlights include: TV’s Got to Dance / This is England and Greet / Saturday Night Party / Channel of the ‘86 plus Q&A / The Richard Dunn Memorial Lecture: Year Awards Jimmy Mulville / The James MacTaggart Memorial Lecture: Mark Thompson Sponsors 08 Saturday Sessions 30 Information 13 Extras 14 Workshops 16 EICC Orientation Guide 18 Highlights include: 50 Years of Coronation Street: A Masterclass / The Alternative MacTaggart: Paul Abbott / Venues 19 The Futureview: Sandy Climan / EastEnders at 25: A Masterclass The Network 44 Sunday Sessions 40 Fast Track 46 Executive Committee 54 Advisory Committee 55 Festival Team 56 Highlights include: Doctor Who: A Masterclass / Katie Price: Shrink Rap / The Last Laugh Keynote Speaker Biographies 52 Mark Thompson / Paul Abbott / Jimmy Mulville / Sandy Climan Welcome to Edinburgh man they call “Hollywood’s Mr 3D” Sandy Climan bacon sarnies. The whole extravaganza will be for this year's Futureview keynote to answer the hosted by Mark Austin who will welcome guests DEFINING question Will it Go Beyond Football, Films and onto his own Sunday morning sofa. Michael Grade F****ng?. In a new tie-up between the TV Festival will give us his perspective on life in his first public and the Edinburgh Interactive Festival we’ve appearance since leaving ITV. Steven Moffat will THE YEAR’S brought together the brightest brains from the be in conversation in a Doctor Who Masterclass.
    [Show full text]
  • Bbc Response to “The Future of Children's Television
    BBC RESPONSE TO “THE FUTURE OF CHILDREN’S TELEVISION PROGRAMMING” 1. Introduction and summary 1.1. The BBC welcomes Ofcom’s discussion paper of the 3rd October 2007 and the opportunity to engage in debate around the importance of provision of UK-originated television programming for children. 1.2. Children’s programming is among the most important content the BBC produces. At its best, children’s television is a model for public service broadcasting – it has been informing, educating and entertaining millions of British children for 60 years. 1.3. The BBC plays a unique and central role in the provision of Children’s TV programming in the UK. The BBC’s level of investment is far higher than any other provider in the UK broadcasting market, its reach and quality perception is higher than any other broadcaster, and the contribution that the BBC makes to the UK’s creative industries in this area is well recognised. It is a training ground for producers; a standard setter in terms of programme quality; a model for other providers in terms of diversity and on-screen portrayal; and a trailblazer on the web and multi-platform. 1.4. Through a unique range of UK-produced output, BBC Children’s contributes to all the BBC’s public purposes, providing dedicated programmes which engage and inspire children and encourage them to participate and interact with broadcast content. The output provides positive role models of children for children, and through programmes like Newsround, opens children’s eyes and minds to the world around them. Television can help children to understand themselves and their role in the world, and through moments of silliness and humour help children to relax and laugh out loud.
    [Show full text]
  • 1 the Challenge of Sustainability
    1 The challenge of sustainability This section explores the challenges ahead for public service broadcasting. It sets out a shared vision between the Trust and the Executive and a commitment that the BBC should do more in co-operation with the wider broadcasting industry for the benefit of audiences. It ends with a statement by the Director- General outlining ideas for unlocking the power of partnership across the sector. It is followed by an Executive Summary of the BBC’s detailed response to Ofcom’s consultation. The UK is admired around the world for the quality and range of its public service broadcasting. The BBC is often described as the cornerstone of the UK PSB system, but other public service broadcasters – in particular ITV, Channel 4 and Five – continue to make vital contributions. For audiences, this system has meant more investment in original content, more choice and more innovation. Now, in common with the rest of the media sector, this system faces unprecedented change. For commercially funded PSBs, there are exciting new opportunities, but also a range of profoundly disruptive developments. The BBC has developed a clear vision of how to deliver its public purposes in a digital age. It also enjoys the benefits of scale and – through the licence fee – relatively secure funding. The challenge now is to find tangible ways in which this cornerstone of UK public service broadcasting can – without weakening its ability to deliver its own public mission – support the rest of a unique and precious structure. The UK benefits culturally and economically from one of the most vibrant and competitive broadcasting sectors in the world.
    [Show full text]
  • Changes to BBC Iplayer: Competition Assessment
    CHANGES TO BBC IPLAYER Competition assessment April 2019 Clive Kenny [email protected] Frontier Economics Ltd is a member of the Frontier Economics network, which consists of two separate companies based in Europe (Frontier Economics Ltd) and Australia (Frontier Economics Pty Ltd). Both companies are independently owned, and legal commitments entered into by one company do not impose any obligations on the other company in the network. All views expressed in this document are the views of Frontier Economics Ltd. CHANGES TO BBC IPLAYER CONTENTS Executive Summary 5 1 Introduction 18 1.1 Structure of this report 18 2 Framework for assessing the impact of the BBC iPlayer changes on competition 20 2.1 Introduction 20 2.2 Regulatory framework to assess changes to the BBC’s services 20 2.3 Analytical framework for the assessment of crowding out 24 2.4 Analytical framework for the assessment of scope for harm to competition elsewhere in the supply chain 28 3 The competitive context for the proposed changes to BBC iPlayer 30 3.1 The audio-visual sector is characterised by constant innovation 30 3.2 VoD competes with linear broadcasters, as well as newer audio-visual suppliers 31 3.3 Technological advances have led to convergence between different forms of content 33 3.4 Entrant broadcasters have put pressure on broadcasters to compete and innovate 33 3.5 Conclusion on sector wide trends 35 4 Suppliers affected by the changes to BBC iPlayer 37 4.1 Introduction 37 4.2 The BBC iPlayer’s role in the TV value chain 37 4.3 Identifying
    [Show full text]
  • BBC Trust Service Review the BBC’S Children’S Services September 2013
    BBC Trust service review The BBC’s children’s services September 2013 Getting the best out of the BBC for licence fee payers Contents Introduction 1 Executive Summary 5 Part 1: Context and Performance 14 Part 2: Meeting the Strategic Challenges 36 Error! No text of specified style in document. Introduction Scope of this review 1. This report presents the findings of our second service review of the BBC’s children’s services. Our first report was published in 2009. Annex 1 summarises the main findings and conclusions of that review. 2. Part 1 of this report considers how well CBeebies and CBBC are now performing against their service licences (figure 1). Figure 1: Service licence remits of CBeebies and CBBC CBeebies To offer high-quality, mostly UK-produced programmes to educate and entertain the BBC's youngest audience. The service should provide a range of programming designed to encourage learning through play in a consistently safe environment for children aged 6 or under. CBBC To provide a wide range of high-quality, distinctive content for 6-12 year olds, including drama, entertainment, comedy, animation, news and factual. The great majority of this content should be produced in the UK. CBBC should provide a stimulating, creative and enjoyable environment that is also safe and trusted. The service should have a particular focus on informal learning, with an emphasis on encouraging participation. Note: The full service licences can be found on the BBC Trust website at www.bbc.co.uk/bbctrust/our_work/services/television/service_licences.html 3. We have reviewed the extent to which the BBC’s children’s services are being used by their target audience, provide a range of high-quality content, and contribute to the BBC’s public purposes.
    [Show full text]
  • 1960 1967 1922 1932 1936 1953 1990S 2007 1970S 1985
    The BBC is the world’s best-known broadcasting brand with a remit to inform, educate and entertain. Today’s digital BBC plays a key civic role in UK life and as an organisation aims to engender creativity and trust, enriching people’s lives with quality programming and services. The BBC also actively develops new talent over the previous seven days, and Freesat – BBC’s marketing, communications and and supports training and production skills a new national free-to-view satellite service audience research division aims to help BBC content is watched and listened to via eight national television channels, 10 national and for the British broadcasting, music, drama with ITV, which offers up to 200 channels, full the audience find content they will enjoy 45 nations & regions radio stations, and can also be accessed online. and film industries. interactivity and high definition broadcasts – from the BBC by producing integrated The BBC is required to generate additional strengthen this directional shift. In October communications campaigns supported by revenues by exploiting programme assets 2007 the BBC launched its first multi-platform on-air trails, off-air media and live events. that have been paid for by public money. brand, BBC Switch, creating content across For example, David Attenborough’s Life in BBC Worldwide sells on programmes and TV, radio and online for teenagers. Cold Blood, benefited from a footage and is the UK’s number one In 2008, the BBC website high-profile promotional international television channel broadcaster homepage was revamped strategy featuring glossy trails and joint partner in UKTV. The brand’s to allow users to customise with a specially designed commercial activity is carried out at arms- BBC content and page audio bed to target different length and revenues are re-invested back into layout using moveable audiences.
    [Show full text]