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The Illithiad.Pdf
Introduction -Illithid Theology, 40 —Illithids: The Legend, 4 Ilsensine, 40 —The Bowels of the World, 4 Maanzecorian, 41 —Encounter in Darkness, 5 —Consequences, 6 Psychology and Society —Inside the Illithid Mind, 42 Beliefs, 42 Illithids: What They Emotions, 45 Concept of Time, 45 —Mind Flayers at a —Society, 46 Glance, 7 Lot of the Thrall, 46 s Abilitie , Anatomy Inter-illithid Relationships, 46 and Limitations, 7 The Elder Concord, 47 Creeds, 48 —Illithid Social Customs, 53 Life Cycle and Coming of Age, 53 Variations 3 5 , Brain r Elde e th g Joinin —Eggs, 10 Entertainment, 54 —Tadpoles, 10 Nonpsionic Communication, 56 —Ceremorphosis, 11 Illithid Names, 56 —Adults, 12 Outcasts, 56 —Illithid Variations, 14 Illithids and Undead, 57 Arcane Illithids, 14 Illithids and Githyanki, 58 Ulitharids, 15 Illithids and Githzerai, 60 Elder Brains, 16 Alhoons (Illithilichs), 17 An Illithid Community Illithid Vampires, 18 —Abstemious, 61 Urophions, 18 72 , Dwelling r Flaye d Min l Typica A — Neothelids, 18 —Engendering New Communities, 74 Psionics: Options, Abilities, and Drawbacks —Philosophy of Psionics, 20 y Technolog d Illithi Optional Psionics Rule #1, 21 —Psionic Item Distribution, 77 Optional Psionics Rule #2, 21 Psionic Item Descriptions, 77 Psionic Attack and Combat, 21 Unique Psionic Items, 83 Quick Psionic Rules For Illithids, 22 Illithid Psionic Attacks, 23 Illithid Psionic Defenses, 24 Mind Flayer Quick Stat Reference Illithid Psionic Disciplines, 25 —Standard illithids, 86 —Unique Illithid Psionic Disciplines, 28 6 8 , illithids e —Arcan Unique Psionic Power Menu, 28 —Ulitharids, 86 Unique Psionic Power Descriptions, 28 —Alhoons, 87 —Psionic Drawbacks, 33 —Illithid vampires, 87 Psionic Cascade, 33 —Brain golem, 88 Psionic Disease: The Ashen, 34 Psychic Flareback, 34 —Grimlocks, 88 Partial Personalities, 35 —Lugribossk (Ilsensine's Proxy), 89 History and Theology Monsters —Origins, 36 2 9 , Brain r —Elde —Ancient History, 38 —Urophion, 94 9 3 , Empire f o l —Fal —Neothelid, 95 —Recent History, 39 —Gohlbrorn, 96 Introduction Illithidsf O . -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
SF Commentary 83
SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p. -
22 Tightbeam
22 TIGHTBEAM Those multiple points of connection—and favorites—indicate the show’s position of preference in popular culture, and Tennant said he’s consistently surprised by how Doctor Who fandom and awareness has spread internationally—despite its British beginnings. “Doctor Who is part of the cultural furniture in the UK,” he said. “It’s something that’s uniquely British, that Britain is proud of, and that the British are fascinated by.” Now, when Tennant is recognized in public, he can determine how much a fan of the show the person is based on what they say to him. “If someone says, ‘Allons-y!’ chances are they’re a fan,” he said. Most people say something like, “Where’s your Tardis?” or “Aren’t you going to fix that with your sonic screwdriver?” There might be one thing that all fans can agree on. Perhaps—as Tennant quipped—Doctor Who Day, Nov. 23 (which marks the airing of the first episode, “An Unearthly Child”) should be a national holiday. Regardless of what nation—or planet—you call home. Note: For a more in-depth synopsis of the episodes screened, visit https://tardis.fandom.com/ wiki/The_End_of_Time_(TV_story). To see additional Doctor Who episodes screened by Fath- om, go to https://tardis.fandom.com/wiki/Fathom_Events. And if you’d like to learn about up- coming Fathom screenings, check out https://www.fathomevents.com/search?q=doctor+who. The episodes are also available on DVD: https://amzn.to/2KuSITj. The Dark Crystal: Age of Resistance on Netflix Review by Jim McCoy (I would never do this before a book review, but I doubt that the people at Netflix would mind, so here goes: I'm geeked. -
Proper Boskonian 13
The Proper oskonian Number 13 Hi Marsha! N E S FA ~ PRESENTS; The Proper Boskonian 13 IHJ New England Science Fiction Association, Inc. BF Box G, MIT Branch Post Office Cambridge, Massachusetts 02139 The Proper Boskonian, the magazine of the NESFA, Inc. This issue published 1/10/76 2 Editorial Excuses and Apoligies David Stever 3 Poul Anderson's Decision Makers Don D'Ammassa 9 Benjy (NESFA Story Contest Winner 1975) Vai Novak 17 ■ "It's Alright Mrs-. Stever, he's only CRUSHED ft!"' . Kris 20 An Epic. Fantasy Tale The Multitude 21 APA-Napkin/issue the first 29 IN .TOTO! Book Reviews , . D. Christine Benders and David Stever 31 The Alphabet Corner The Readers 4 • - The Cover. Artists are: Rozanne Zainp, Marilyn Hawkes, William Rotsler, and Matthew Zimet. - The Interior Artists are: Alpajpurip3.4, George Barr p32, Rudy DerHagopian. p31,36 Lance Glasser p35, Jim McLeod p4,5,6,7,8,]9, Andy Porter p3, Bill Rotsler p!7,18, Mike Symes p31,33,37, Rozanne Zaino p38 The typists were: Don Eastlake, Jill Eastlake, Morris Keesan, and David Stever Electro-stencils by Dick Harter, Mimeography by Tony Lewis and David Stever Editorial assistance Kris Editor of Proper Boskonian 13: David Stever ©NESF/V 1^6 1 This will have to do'as an editorial. Things have not really changed around the fans in the area, so this issue is as late as it is. In one of the local APAs there has been discussion as to who should be editor if not me, but even talking a about this aspect of PB has not spurred anyone to do any work for the magazine, b but for Don D'Ammassa, who began to reread the complete works of Poul Anderson for the article which begins on the next page. -
The GS Project: a Bubble in Glass – a STEAM Unit of Work for Year 9 English Collaborating with Digital Technologies, Science and Visual Arts
The GS Project Sisley The GS Project: A Bubble in Glass – a STEAM Unit of Work for Year 9 English Collaborating with Digital Technologies, Science and Visual Arts Michael Sisley DATTA ACT, ACTATE, ACT Department of Education, Canberra Abstract: The genre of Science Fiction in English literature has been used for decades to engage students, particularly those with a penchant for Science, Technology, and Mathematics. Growth of the genre in studies at the secondary and tertiary level was seen as a staple for students of Science and Literature with educationalists arguing for combined projects to boost literacy amongst some and scientific method reflected in fiction, though timetabling demands increasingly closed off these opportunities. Recent research coupled with political will has reopened possibilities for collaborative projects, working across the Australian Curriculum, Version 8.1 in 2017. The Generation Ships Project looks at this subgenre of Science Fiction with its particular focii of a small ecosystem struggling for sustainability and a population many years after the launch of their ship who must decide what is worth remembering and what is to be lost – moral choices appealing to middle school students in a problem-solving, constructivist and interactive unit of work. The unit covers classic video and print texts right up to Stephenson’s SevenEves, Syfy’s Ascension and Robinson’s Aurora. Australian Curriculum content descriptors are linked by themes in the subgenre to enable a Year 9 cross-disciplinary study using the STEAM model of Science, Digital Technology, Visual Arts and Mathematics for a timetabled study enacted through different learning areas. The suitability of the texts with their concentration on consistent themes in small world simulations correlates to a Computer Supported Intentional Learning Environment for schools such as Telopea Park in Canberra, the Australian Capital Territory. -
Brains, Minds, and Computers in Literary and Science Fiction Neuronarratives
BRAINS, MINDS, AND COMPUTERS IN LITERARY AND SCIENCE FICTION NEURONARRATIVES A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy. by Jason W. Ellis August 2012 Dissertation written by Jason W. Ellis B.S., Georgia Institute of Technology, 2006 M.A., University of Liverpool, 2007 Ph.D., Kent State University, 2012 Approved by Donald M. Hassler Chair, Doctoral Dissertation Committee Tammy Clewell Member, Doctoral Dissertation Committee Kevin Floyd Member, Doctoral Dissertation Committee Eric M. Mintz Member, Doctoral Dissertation Committee Arvind Bansal Member, Doctoral Dissertation Committee Accepted by Robert W. Trogdon Chair, Department of English John R.D. Stalvey Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements ........................................................................................................ iv Chapter 1: On Imagination, Science Fiction, and the Brain ........................................... 1 Chapter 2: A Cognitive Approach to Science Fiction .................................................. 13 Chapter 3: Isaac Asimov’s Robots as Cybernetic Models of the Human Brain ........... 48 Chapter 4: Philip K. Dick’s Reality Generator: the Human Brain ............................. 117 Chapter 5: William Gibson’s Cyberspace Exists within the Human Brain ................ 214 Chapter 6: Beyond Science Fiction: Metaphors as Future Prep ................................. 278 Works Cited ............................................................................................................... -
Perched by Jose Sanchez Tightbeam 302 November 2019 the Editors Are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609
Tightbeam 302 November 2019 Perched by Jose Sanchez Tightbeam 302 November 2019 The Editors are: George Phillies [email protected] 48 Hancock Hill Drive, Worcester, MA 01609. Jon Swartz [email protected] Art Editors are Angela K. Scott and Cedar Sanderson. The front cover is from Angela K. Scott. The back cover is from Jose Sanchez. Anime Reviews are courtesy Jessi Silver and her site www.s1e1.com. Ms. Silver writes of her site “S1E1 is primarily an outlet for views and reviews on Japanese animated media, and occasionally video games and other entertainment.” Reviews are courtesy Declan Finn, Jim McCoy, Pat Patterson, Tamara Wilhite, Tom Feller, and Heath Row. Declan Finn’s web page declanfinn.com covers his books, reviews, writing, and more. Jim McCoy’s reviews and more appear at jimbossffreviews.blogspot.com. Pat Patterson’s reviews appear on his blog habakkuk21.blogspot.com and also on Good Reads and Amazon.com. Regular short fiction reviewers. Greg Hullender and Eric Wong publish at RocketStackRank.com. Cedar Sanderson’s reviews and other interesting articles appear on her site www.cedarwrites.wordpress.com/ and its culinary extension cedarwrites.com/eat- this-while-you-read-that/ Tightbeam is published approximately monthly by the National Fantasy Fan Federation and distributed electronically to the membership. The N3F offers four different memberships. Memberships with The National Fantasy Fan (TNFF) via paper mail are $18; memberships with TNFF via email are $6. Zines other than TNFF are email only. Additional memberships at the address of a current member are $4. Public memberships are free. Send payments to N3F, POB 1925, Mountain View CA 94042. -
SFRA Newsletter Publ Ished Ten Times a Year for the Science Fiction Research Association by Alan Newcomer, Hypatia Press, Eugene, Oregon
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1991 SFRA ewN sletter 191 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 191 " (1991). Digital Collection - Science Fiction & Fantasy Publications. Paper 134. http://scholarcommons.usf.edu/scifistud_pub/134 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Past Presidents of afi! Thomas D. Clareson (1970-76) Arthur O. Lewis, Jr. (1977-78) Joe De Bolt (1979-80) James Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (1985-86) William H. Hardesty (1987-89) Elizabeth Anne Hull (1989-90) Past Editors of the Newsletter Fred Lerner (1971-74) Beverly Friend (1974-78) Roald Tweet (1978-81) Elizabeth Anne Hull (1981-84) Richard W. Miller (1984-87) Robert A. Collins (1987-89) Pilgrim Award Winners J. O. Bailey (1970) Marjorie Hope Nicolson (1971 ) Julius Kagarlitski (1972) Jack Williamson (1973) I. F. Clarke (1974) Damon Knight (1975) James Gunn (1976) Thomas D. Clareson (1977) Brian W. Aldiss (1978) Darko Suvin (1979) Peter Nicholls (1980) Sam Moskowitz (1981 ) Neil Barron (1982) H Bruce Franklin (1983) Everett Bleiler (1984) Samuel R. Delany (1985) George Slusser (1986) Gary K. Wolfe (1987) Joanna Russ (1988) Ursula K. -
Some Thoughts on Faster-Than-Light (FTL) Travel
12 Propulsion and Energy Forum AIAA 2016-4918 July 25-27, 2016, Salt Lake City, UT 52nd AIAA/SAE/ASEE Joint Propulsion Conference Destination Universe: Some Thoughts on Faster-Than-Light (FTL) Travel Gary L. Bennett* Metaspace Enterprises Faster-than-light (FTL) travel is a staple of science fiction and it has been seriously investigated by a number of physicists. Despite the challenges both theoretical and practical, the idea of FTL travel is intriguing because if it can be achieved it offers the human race the chance to travel to the stars within the lifetimes of the crew. Three of the principal FTL concepts are discussed in this paper: (1) tachyons which are hypothetical FTL particles with properties consistent with the special theory of relativity; (2) wormholes which offer a window to distant star systems using general relativity; and (3) warp drives which employ general relativity to modify spacetime to get around the velocity of light speed limit. Issues facing hypothetical FTL travelers are discussed. In space there are countless constellations, suns and planets; we see only the suns because they give light; the planets remain invisible, for they are small and dark. There are also numberless earths circling around their suns, no worse and no less than this globe of ours. For no reasonable mind can assume that heavenly bodies that may be far more magnificent than ours would not bear upon them creatures similar or even superior to those upon our human earth. ---Giordano Bruno (1548 – 1600) Burned at the stake for heresy (17 February 1600) 1. Introduction The stars have beckoned the human race since before the dawn of history. -
September 12-14, 1997 S,\\ Oscow, Qdafto Cactus Computer "We Make Computing Affordable."
oscon XIX September 12-14, 1997 S,\\_oscow, qdafto Cactus Computer "We make Computing affordable." .. ·.·- .. · BUY ~re you paying too ~ GAMES""\ much for your -~~- ,;1~p~~~tCOST' co;::!:; '... r""~-a: ; ·:·.\ ,-~:~~ -~ • Ask your --- •A:~' I '"-. J ~ .1=------~~ . /) ·,.,._~-·\r .~- ~ ·-.·.~-:;·~~~ ' dl friends! ..... ___ They've already joined the Cactus GAME CLUB. IT's FREE! See game and other catalogs with up-to-the-minute pricing at www.TurboNet.com/Cactus MosConXIX September 12-14, 1997 Larry Niven, Author Guest Rick Sternbach, Artist Guest Poul Anderson, Science Guest David & Betty Bigelow, Fan Guests Karen Kruse Anderson, Filk Guest Co-editors Lou Ann Lomax and Phrannque Sciamanda have Table of Contents produced the progress reports and, with Keith Farmer, this Chairman's Message. ................................................ J program book. All with the assistance of Jon Gustafson and Susan Larry Niven, Author Guest ....................................... 2 Meyer. Our thanks to them all. Jon Gustafson has provided his art Rick Sternbach, Artist Guest............ ......................... 4 CDs (Atlantis to the Stars, Dragons & Dinosaurs, and Rockets & Poul Anderson, Science Guest .......................· ........... 5 Robots) which we have used for much of the art found in the PRs David & Betty Bigelow, Fan Guests. ......................... 7 and program book. The folks at Cactus Computer have been gracious enough to provide our web site once again this year, and Karen Kruse Anderson, Filk Guest••••••••...•••.••••.......• 8 again we thank them, even as we grow increasingly computer Filk ........................................................................ 9 literate. The PRs and Program Book were all produced on MS Biographies of Our Other Professional Guests ....... 10 Word 6.0 for Windows. Do not do this at home. Programming .......................................................... 16 The MosCon XIX Program Book is © 1997 by Moscow Gaming & Gaming Rules......................................