Note on the Citation of Dramatic Texts

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Note on the Citation of Dramatic Texts Quotations Unless otherwise indicated, early modern dramatic texts are quoted from the facsimiles of their earliest printed editions in the Early Eng- lish Books Online database. Exceptions to this rule include a number of plays that exist in multiple early texts or in manuscript. A Fair Quarrel is quoted from the second 1617 edition (STC 17911a); A Game at Chess is quoted from the Malone Society edition, edited by T.H. Howard-Hill (1990), which is based on the Trinity Manuscript; Hamlet is quoted from the 1623 First Folio; Hengist, King of Kent is quoted from the Malone Society edition, edited by Grace Ioppolo (2003), which is based on the Portland Manuscript; and The Second Maiden’s Tragedy (rechristened The Lady’s Tragedy in Taylor and Lavagnino, Thomas Middleton: The Collected Works) is quoted from the Malone Society edition, edited by W.W. Greg (1910). Other exceptions are speciﬁed in the endnotes. For the sake of readability, features such as ‘v’ for ‘u,’ ‘i’ for ‘j,’ and the long ‘s’ are modernized. Language, punctuation, and lineation have occasionally been corrected or modernized to aid clarity; such changes are indicated in endnotes or with square brackets. When adjustments to punctuation or lineation have been made, capitalization has been altered silently. Act, Scene, and Line References Act, scene, and line references to standard modern editions are pro- vided where possible. All plays by Thomas Middleton are keyed to Gary Taylor and John Lavagnino, Thomas Middleton: The Collected Works (2007); non-Middletonian plays by Thomas Dekker to Fredson Bowers, xii Note on the Citation of Dramatic Texts The Dramatic Works of Thomas Dekker (1953–61); non-Middletonian plays by John Webster to Anthony Hammond, David Gunby, David Carnegie, and MacDonald P. Jackson, The Works of John Webster (1995–2008); plays by John Fletcher to Fredson Bowers, The Dramatic Works in the Beaumont and Fletcher Canon (1966–96); plays by Philip Massinger to Philip Ed- wards and Colin Gibson, The Plays and Poems of Philip Massinger (1976); and plays by Shakespeare to G. Blakemore Evans, The River side Shake- speare (1974). Plays by William Rowley not included in the texts above are keyed to the following editions: • Charles Wharton Stork, William Rowley: His ‘All’s Lost by Lust’ and ‘A Shoemaker a Gentleman,’ with an Introduction on Rowley’s Place in the Drama (1910) • Herman Doh, A Critical Edition of ‘Fortune by Land and Sea,’ by Tho- mas Heywood and William Rowley (1980) • Trudi L. Darby, A Critical, Old-Spelling Edition of William Rowley’s ‘A New Wonder, A Woman Never Vexed’ (1988) • Michael Nolan, ‘The Thracian Wonder’ by William Rowley and Thomas Heywood: A Critical Edition (1997) • Anthony Parr, ‘The Travels of the Three English Brothers,’ in Three Renaissance Travel Plays (1995).

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Early Theatre 9.2 Issues in Review Lucy Munro, Anne Lancashire, John Astington, and Marta Straznicky Popular Theatre and the Red Bull Governing the Pen to the Capacity of the Stage: Reading the Red Bull and Clerkenwell In his introduction to Early Theatre’s Issues in Review segment ‘Reading the Elizabethan Acting Companies’, published in 2001, Scott McMillin called for an approach to the study of early modern drama which takes theatre companies as ‘the organizing units of dramatic production’. Such an approach will, he suggests, entail reading plays ‘more fully than we have been trained to do, taking them not as authorial texts but as performed texts, seeing them as collaborative endeavours which involve the writers and dozens of other theatre people, and placing the staged plays in a social network to which both the players and audiences – perhaps even the playwrights – belonged’.1 We present here a variation on this approach: three essays that focus on the Red Bull theatre and its Clerkenwell locality. Rather than focusing on individual companies, we take the playhouse and location as our organising principle. Nonetheless, we are dealing with precisely the kind of decentring activity that McMillin had in mind, examining early drama through collaborative performance, through performance styles and audience taste, and through the presentation of a theatrical repertory in print. Each essay deals with a different ‘social network’: Anne Lancashire re-examines the evidence for the London Clerkenwell play, a multi-day biblical play performed by clerks in the late fourteenth and early fifteenth centuries; John Astington takes a look at acting traditions and repertory composition at the Red Bull and its fellow in the northern suburbs, Golden Lane’s Fortune playhouse; and Marta Straznicky looks at questions relating to the audience for Red Bull plays in the playhouse and the print-shop.
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Bibliography
206 Fletcherian Dramatic Achievement Bibliography Primary sources Apology for Actors Thomas Dekker, An Apology for Actors (1612), ed. Richard H. Per- kinson, New York 1941 Aristotle Poetics, tr. W. Hamilton Fyfe, The Loeb Classics Library, Cam- bridge, Mass., London 1927 St Augustine St Augustine, The Teacher, in Against the Academicians; and, The Teach- er, trans. Peter King, Indianapolis, Cambridge 1995 Bellenden The Chronicles of Scotland: Compiled by Hector Boece: Translated into Scots by John Bellenden, 1531, ed. R. W. Chambers and Edith C. Batho, vol. I, Edinburgh and London 1938 Bowers I-X The Dramatic Works in the Beaumont and Fletcher Canon, gen. ed. Fredson Bowers, 10 vols, Cambridge UP 1966–1996 [Cicero] Ad Herennium, tr. Harry Caplan; The Loeb Classical Library, Cambridge, Mass., London 1954 Demetrius and Enanthe MS John Fletcher, Demetrius and Enanthe, ed. Margaret McLaren Cook and F. P. Wilson, The Malone Society Reprints 1950 (1951) Dio Dio Cassius, Dio’s Roman History, tr. Earnest Cary, vol. vii, The Loeb Classical Library, Cambridge, Mass., London 1961 Faithful Friends The Faithful Friends, ed. G. R. Proudfoot and G. M. Pinciss, The Malone Society Reprints 1970 (1975) Henslowe’s Diary Henslowe’s Diary, ed. R. A. Foakes, 2nd edition, Cambridge UP 2002. Howard-Hill (1980) Sir John Van Olden Barnavelt: by John Fletcher and Philip Massinger, ed. T. H. Howard-Hill, The Malone Society Reprints 1979 (1980) Bonduca MS Bonduca: by John Fletcher, ed. W. W. Greg, The Malone Society Re- prints, 1951 Mann Thomas Mann, Doctor Faustus, tr. H. T. Lowe-Porter, Everyman’s Library, vol.80, 1992 Masque of Queens Ben Jonson, The Masque of Queens (1609), published in his Workes (1616): 945–964 Meres Francis Meres, Palladis Tamia (1598), Scholars’ Facsimiles & Re- prints, New York 1938 Metrical Boece (1858) The Buik of the Chroniclis of Scotland; or, A Metrical Version of the History of Hector Boece; By William Stewart (1535), ed.
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