Van Cliburn: an American Hero
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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
2020-Commencement-Program.Pdf
One Hundred and Sixty-Second Annual Commencement JUNE 19, 2020 One Hundred and Sixty-Second Annual Commencement 11 A.M. CDT, FRIDAY, JUNE 19, 2020 2982_STUDAFF_CommencementProgram_2020_FRONT.indd 1 6/12/20 12:14 PM UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Piano Concerto Honoring Memory of Cliburn, Turk Is Sunday, May 5
MAY 2013 Annual Dance Concert is Friday, May 3 PERFORMANCE SHOWS OFF DANCE SKILLS OF KC STUDENTS The broad range of dance and performance; and Shelley skills of the Kilgore College Wayne for tap and jazz. Dance Department can be Tickets are $10, $5 for seen at the department’s students with KC identification. annual Spring Dance Concert, Tickets will go on sale at set for 8 p.m. Friday, May 3, in 6:30 p.m. the night of the Van Cliburn Auditorium on performance at the auditorium’s the Kilgore campus. box office. The choreography Tickets can be purchased by is a collaboration of the cash or check only – no credit students and instructors: cards accepted. Cathy Beckman for ballet, For more information, Above: (From left to right) Kelci Bjornlie, Lauren Cabrera, Ashlee Cloud, Meg Funderburk, modern dance technique, contact Beckman at (903) 983- Angie Gonzalez, Jazzlyn Howard, Jennifer Jones, Leisha Kastner, Macy Lopez, Heather improvisation/composition 8633. Prince, Caroline Roberts and Simon Weaver. Photo by O. Rufus Lovett Piano concerto honoring memory of Cliburn, Turk is Sunday, May 5 The Kilgore College Piano the memories of Van Cliburn Division will host a special and Anne Dean Turk than to concert in memory of two host a first-class piano concert great contributors to the music in their memory?” said Sandra community – Van Cliburn and Siler, KC piano instructor. Anne Dean Turk. “The legacies they left not The free concert is set for only Kilgore College, but also 3 p.m. Sunday, May 5, at Van the music community world- Cliburn Auditorium on the wide, will never be forgotten. -
Grants? Did You Know That If You’Ve Received a Grant from the Arizona Commission on the Arts, You May Have Indirectly Received $$ from NEA?
Welcome!! Thanks – Arizona Commission on the Arts Thanks—Bob Booker, Executive Director of the AZ Commission and Thanks—Jim Ballinger, Executive Director of the Phoenix Art Museum and member of the National Council on the Arts Audience Questions: How many applied to the NEA? How many received NEA grants? Did you know that if you’ve received a grant from the Arizona Commission on the Arts, you may have indirectly received $$ from NEA? How many served on an NEA grant panel? Today would like to share general information about: • Who we are and what we do. • Will guide you through NEA funding categories and, • Share tips on preparing what we hope will be a successful application 1 Let’s begin with Who we Are: NEA established as an independent federal agency by Congress 1965 Our Mission is to Advance: • Artistic excellence, creativity and innovation in the arts • For the benefit of individuals and communities NEA is single largest national public funder of the arts. Awarded more than $4 billion in grants since inception 2 Now, I’d like to introduce full scope of NEA’s Signature Programs 3 NEA provides: 1. Financial awards to eligible organizations and, 2. We recognize artists and arts organizations through several programs. We: • Award Direct Grants • Foster State and Regional Partnerships • Maintain Leadership Initiatives • Present Literature Fellowships Recognition Awards • Administer Lifetime Honorifics 4 Direct Grants constitute 60% of NEA’s grant funding. We support projects of artistic excellence and artistic merit in a wide range of artistic disciplines. In NEA’s current fiscal year, we have awarded 17 direct grants of $435,000 throughout the state of ARIZONA. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
N E W S L E T T E R Fall 2018
Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
SENATE April 14 White to Do It
6288 CONGRESSIONAL RECORD-- SENATE April 14 white to do it. Not to build highways in partisan measure, with all the Republicans are not accustomed by the expenditure of Arabia while our people drown for the lack in the House voting against it. funds than the Supreme Court can force its of levees; not to 'train farmers of ;foreign So, you see when I mentioned "Cabbages philosophy upon us of the South by the lands to grow rice when our farmers starve and Kings" and "Potatoes and Things," I use of troops. because of acreage reductions due to the couldn't be far wrong in saying they are Every major problem can be broken down loss of foreign markets. related. Certainly, we should worry about to small problems-if you solve the small President' Eisenhower told us one day that and work toward the friendship of King ones, there will be no large ones to defeat if we should seek only to arm and create Saud, but not to the exclusion of help to weapons for war and not protect and de our farmers. We should strive to keep the you. That is true of our State and Nation. velop our own natural resources, that we Suez Canal open to world traffic, but not It is true of your efforts in the development would enter an age of peril. We are still to the extent of cost that precludes the of our sweet potato economy. Certainly, you waiting for the administration to place this dredging of the Calcasieu River where our will continue to have problems. -
Collecting the New: Museums and Contemporary
Collecting the New Museums and Contemporary Art Collecting the New Edited by Bruce Altshuler PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 3 Market Place, Woodstock, Oxfordshire OX20 1SY press.princeton.edu Copyright © 2005 Princeton University Press All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publishers, except by a reviewer who may quote brief passages in a review. Printed on acid-free paper. ∞ Designed by Deborah Hodgdon Composed by Bytheway Publishing Services Printed in the United States of America 1098765432 Second printing, and first paperback printing, 2007 Paperback ISBN-13: 978-0-691-13373-7 The Library of Congress has cataloged the cloth edition of this book as follows Collecting the new : museums and contemporary art / edited by Bruce Altshuler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-691-11940-3 (CL : alk. paper) ISBN-10: 0-691-11940-6 (CL : alk. paper) 1. Art, Modern—20th century—Collectors and collecting—United States. 2. Art, Modern—21st century—Collectors and collecting—United States. 3. Art museums—Collection management—United States. I. Altshuler, Bruce. N6486.C65 2004 708.13′09′051—dc22 2004057051 British Library Cataloging-in-Publication Data is available Contents Collecting the New: A Historical Introduction 1 Bruce Altshuler The Right to Be Wrong 15 Howard N. Fox To Have and to Hold 29 Robert Storr 9 Minutes 45 Seconds 41 Jeffrey Weiss Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum 55 Christophe Cherix Keeping Time: On Collecting Film and Video Art in the Museum 65 Chrissie Iles and Henriette Huldisch Collecting New-Media Art: Just Like Anything Else, Only Different 85 Steve Dietz Beyond the “Authentic-Exotic”: Collecting Contemporary Asian Art in the Twenty-first Century 103 Vishakha N. -
Window: the Magazine of Western Washington University, 2017
Western Washington University Western CEDAR Window Magazine Western Publications Fall 2017 Window: The aM gazine of Western Washington University, 2017, Volume 10, Issue 01 Mary Lane Gallagher Western Washington University, [email protected] Office ofomm C unications and Marketing, Western Washington University Follow this and additional works at: https://cedar.wwu.edu/window_magazine Part of the Higher Education Commons Recommended Citation Gallagher, Mary Lane and Office of Communications and Marketing, Western Washington University, "Window: The aM gazine of Western Washington University, 2017, Volume 10, Issue 01" (2017). Window Magazine. 19. https://cedar.wwu.edu/window_magazine/19 This Issue is brought to you for free and open access by the Western Publications at Western CEDAR. It has been accepted for inclusion in Window Magazine by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. WESTERN WASHINGTON UNIVERSITY THEWINDOW UNIVERSITY MAGAZINE FALL/WINTER 2017 A new CARVER Western Washington University • window.wwu.edu Blue for WWU More than 180 trees in downtown Bellingham are dressed in strings of blue lights thanks to a gift from the WWU Alumni Association. The lights went up for Western’s second annual “Paint B’Ham Blue for WWU” event Sept. 27 to welcome new students to Bellingham. In November, the lights turned white for the holiday season. The WWU Alumni Association’s assistance helped with the purchase, installation and maintenance of the lights, adding a festive -
1987 a Gift of Music Kennedy Center Honors
Alexandria Harmonizers 70th Anniversary Throwback Thursdays No. 21 – 1987 A Gift of Music Kennedy Center Honors Gala Performances In the year following our first international championship, we received many invitations to perform on shows around the area. This was a welcome surprise for the chapter and we would realize only later that it represented a predictable trend associated directly with that singular contest achievement. In late 1987 the Harmonizers were invited to participate in the Kennedy Center Honors Gala by Ray Charles, the Director of the Ray Charles Singers (not the soul singer), who was responsible for the vocal music used during the gala. Charles felt it would be appropriate to feature barbershop harmony in a tribute to Perry Como who was once a barber and had sung in a barbershop quartet. The plan developed for us to sing a pure barbershop song, “When You Were Sweet Sixteen,” and excerpts from several Como songs. We recorded the music on Friday for we would “lip-sync” during the performance. Walter Cronkite introduced us as the “Alexandria Harmonizers, Champion Barbershop Singers.” At this point, only Vaudeville appeared, after which large vertical panels behind them started moving, revealing one part of the chorus after another. As the final panel moved away, disclosing all 100 men, Nancy Reagan reportedly leaned forward with a big smile and said “Wow!” There were admiring comments as we went off stage: Rosemary Clooney: “I loved your sound”; Jimmy Stewart: “That was really great!”; Lucille Ball: “I adore your sound”; Angela Lansbury: “That was sensational! You really got ‘em.” At show’s end, the Harmonizers came singing down the aisles and joined the dramatic finale.