Syllabi and Scheme of Examination MA English
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MA in Comparative Literature (Revised and Introduced from 2018)
MA in Comparative Literature (Revised and introduced from 2018) Semester I CL/MA Core 1: Introducing Literary Studies, Concepts and Events Objective: The course will introduce comparative literary studies and certain concepts and events important to understand literary or cultural texts. The outline of the course will be as follows. Apart from the prescribed texts, there will be special lectures on other aspects of literature and linguistics. Outcome By the end of this section the learner will be able to identify the following Concepts and tools of Comparative Literature: Literature, Comparative Literature, National Literature, General Literature, History, World Literature, Sahitya, Genology, Thematology, Historiography, Literary History, Literary Periodization, itihas, denotation, connotation, extrinsic, intrinsic, synchrony, diachrony, orality, performance, reading. Ten (10) concepts will be discussed. Suggested Readings: Sisir Kumar Das, ‘Prologue’, A History of Indian Literature (1800-1910), Western Impact: Indian Response. David Damrosch, Natalie Melas, & Mbongiseni Buthelezi, (Eds). The Princeton Sourcebook in Comparative Literature. Sayeed, S.A: ‘Being seen through Literature’ (Visva Bharati Quarterly) Dakshinaranjan Mitra Majumder’s introduction to Cchelebhulano Cchara Rabindranath Thakur’s introduction to Thakumar Jhuli, and Sahajpath M.H. Abrams, A Glossary of Literary Terms Events: This section will discuss some of the most important literary and extra-literary events within the Comparative Literary framework. Suggested Readings: Sisir Kumar Das. ‘Prologue’, A History of Indian Literature (1800-1910), Western Impact: Indian Response. CL/MA/ Core 2: Language Course I (Cross-listed) Objective: The objective of this course is to introduce compulsory language learning as part of skill development. The students will have option of selecting ONE Indian or non-Indian language from the pool of options offered to that particular batch. -
Globalism, Humanitarianism, and the Body in Postcolonial Literature
Globalism, Humanitarianism, and the Body in Postcolonial Literature By Derek M. Ettensohn M.A., Brown University, 2012 B.A., Haverford College, 2006 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in English at Brown University PROVIDENCE, RHODE ISLAND MAY 2014 © Copyright 2014 by Derek M. Ettensohn This dissertation by Derek M. Ettensohn is accepted in its present form by the Department of English as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date ___________________ _________________________ Olakunle George, Advisor Recommended to the Graduate Council Date ___________________ _________________________ Timothy Bewes, Reader Date ___________________ _________________________ Ravit Reichman, Reader Approved by the Graduate Council Date ___________________ __________________________________ Peter Weber, Dean of the Graduate School iii Abstract of “Globalism, Humanitarianism, and the Body in Postcolonial Literature” by Derek M. Ettensohn, Ph.D., Brown University, May 2014. This project evaluates the twinned discourses of globalism and humanitarianism through an analysis of the body in the postcolonial novel. In offering celebratory accounts of the promises of globalization, recent movements in critical theory have privileged the cosmopolitan, transnational, and global over the postcolonial. Recognizing the potential pitfalls of globalism, these theorists have often turned to transnational fiction as supplying a corrective dose of humanitarian sentiment that guards a global affective community against the potential exploitations and excesses of neoliberalism. While authors such as Amitav Ghosh, Nuruddin Farah, and Rohinton Mistry have been read in a transnational, cosmopolitan framework––which they have often courted and constructed––I argue that their theorizations of the body contain a critical, postcolonial rejoinder to the liberal humanist tradition that they seek to critique from within. -
99 Essential African Books: the Geoff Wisner Interview
99 ESSENTIAL AFRICAN BOOKS: THE GEOFF WISNER INTERVIEW Interview by Scott Esposito Tags: African literature, interviews Discussed in this interview: • A Basket of Leaves: 99 Books that Capture the Spirit of Africa, Geoff Wisner. Jacana Media. $25.95. 292 pp. Although it is certain to one day be outmoded by Africa’s ever-changing national boundaries, for now Geoff Wisner’s book A Basket of Leaves offers a guide to literature from every country in the African continent. Wisner reviews 99 books total, covering the biggest homegrown authors (Achebe, Coetzee, Ngugi), some notable foreigners (Kapuscinski, Chatwin, Bowles), and a host of lesser-knowns. The books were selected from hundreds of works of African literature that Wisner has read: how to whittle hundreds down to just 99 books to represent an entire continent? Wisner says reading widely was key, as was developing a “bullshit detector” for the “false” and “fraudulent” in African lit by living there and working with the legal defense of political prisoners in South Africa and Nambia. Full of sharp opinions and oft-overlooked gems, A Basket of Leaves offers a compelling overview of a continent and its literature—an overview one that Wisner is eager to supplement and discuss in person. —Scott Esposito Scott Esposito: To start, how did you conceive and develop A Basket of Leaves? Geoff Wisner: The idea developed rather slowly. For several years I was raising money for political prisoners in South Africa and Namibia. I edited a newsletter on Southern Africa and started to read authors like Nadine Gordimer and J.M. -
Sahitya Akademi PUNJABI Publications
Sahitya Akademi PUNJABI Publications MONOGRAPHS (MAKERS OF INDIAN LITERATURE) Amrita Pritam (Punjabi writer) By Sutinder Singh Noor Pp. 96, Rs. 40 First Edition: 2010 ISBN 978-81-260-2757-6 Amritlal Nagar (Hindi writer) By Shrilal Shukla Translated by Narinder Bhullar Pp. 116, First Edition: 1996 ISBN 81-260-0088-0 Rs. 15 Baba Farid (Punjabi saint-poet) By Balwant Singh Anand Translated by Prem Kotia Pp. 88, Reprint: 1995 Rs. 15 Balwant Gargi (Punjabi Playright) By Rawail Singh Pp. 88, Rs. 50 First Edition: 2013 ISBN: 978-81-260-4170-1 Bankim Chandra Chatterji (Bengali novelist) By S.C. Sengupta Translated by S. Soze Pp. 80, First Edition: 1985 Rs. 15 Banabhatta (Sanskrit poet) By K. Krishnamoorthy Translated by Prem Kotia Pp. 96, First Edition: 1987 Rs. 15 Bhagwaticharan Verma (Hindi writer) By Shrilal Shukla Translated by Baldev Singh ‘Baddan’ Pp. 96, First Edition: 1992 ISBN 81-7201-379-5 Rs. 15 Bhai Kahn Singh Nabha (Punjabi scholar and lexicographer) By Paramjeet Verma Pp. 136, Rs. 50.00 First Edition: 2017 ISBN: 978-93-86771-56-8 Bhai Vir Singh (Punjabi poet) By Harbans Singh Translated by S.S. Narula Pp. 112, Rs. 15 Second Edition: 1995 Bharatendu Harishchandra (Hindi writer) By Madan Gopal Translated by Kuldeep Singh Pp. 56, Rs. 15 First Edition: 1984 Bharati (Tamil writer) By Prema Nand kumar Translated by Pravesh Sharma Pp. 103, Rs.50 First Edition: 2014 ISBN: 978-81-260-4291-3 Bhavabhuti (Sanskrit poet) By G.K. Bhat Translated by Prem Kotia Pp. 80, Rs. 15 First Edition: 1983 Chandidas (Bengali poet) By Sukumar Sen Translated by Nirupama Kaur Pp. -
Melancholia and the Search for the Lost Object in Farah's Maps
A. E. Eruvbetine and Solo- Melancholia and the search for the mon Omatsola Azumurana A. E. Eruvbetine is a Professor of lost object in Farah’s Maps English at the University of Lagos, Nigeria. Email: [email protected] Solomon Omatsola Azumurana teaches in the Department of English, University of Lagos, Nigeria. Email: [email protected]; [email protected] Melancholia and the search for the lost object in Farah’s Maps Maps, given its intriguing narrative thrusts and multi-axial thematic concerns, is arguably the most studied or analysed of Nur- rudin Farah’s nine prose fictions. The novel’s title as well as its synopsis has naturally dictated the focus of critics on the Western Somalia Liberation Front’s war efforts geared towards liberating the Ogaden from Ethiopian suzerainty and restoring it to Somalia. The nationalist fervour, the war it precipitates and its fallouts of a strife-ridden milieu have such a pervading presence in the novel that the personal experiences of the novel’s two major characters, Askar and Misra, are quite often discussed as basic allegories of ethnic and nationalistic rivalries. This paper focuses on the personal experiences of Farah’s two major characters. It contends that the private story of Askar and Misra is so compelling and central to the many issues broached in the novel that it deserves significant critical attention. Drawing upon Sigmund Freud’s and Melanie Klein’s concepts of melancholia, the paper explores how central the characters’ haunting sense of melancholia is to the happenings in Farah’s Maps. Keywords: Freud, Klein, melancholia, lost object, Maps (Nurrudin Farah). -
Re-Envisioning the Question of Postcolonial Muslim Identity: Challenges and Opportunities
Re-envisioning the Question of Postcolonial Muslim Identity: Challenges and Opportunities Dr. Jamil Asghar ABSTRACT: In our contemporary era of transnationalism, the issue of identity has assume unprecedented significance and scope. In this paper, I intend to discuss the complexities and nuances of the Muslim identity in the postcolonial literary discourses. One of the basic contentions of the paper is to find some pattern in the transnational and transcultural diversity presently characterizing the Muslim identity discourses. Hence, this paper is a plea to discover some kind of literary and discursive sharedness in the contemporary postcolonial Muslim writings. It has been observed that at this point in time the Muslim identity in not only subject to myriad influences, it is also a topic of heated and passionate debates. In fiction, memoirs, travel writing, media and cultural narratives, the issue of Muslim identity is invested with all kinds of representations ranging from uncouth explosive-bearing terrorists to friendly and sociable people. It has also been shown that the Orientalist legacy, far from being dead, is being given new lease on life by the highly ‘constructed’ and ‘worked over’ images of Muslims in the Western media. The large Muslim diasporic populations settled in the European countries are specifically bearing the brunt of such stereotypical depictions built by media persons, political commentators, analysts and ‘cultural experts’. Faced with this mighty discursive onslaught, the Muslim writers, novelists, poets, intellectuals have been responding variedly and with considerably mixed motives: acceptance, rejection, rectification, resistance, etc. Keywords: Identity, Muslim, diaspora, discourse, postcolonial, representation. Journal of Research (Humanities) 82 1.1. -
AFRICAN LITERATURE and the ENVIRONMENT: a STUDY in POSTCOLONIAL ECOCRITICISM By
AFRICAN LITERATURE AND THE ENVIRONMENT: A STUDY IN POSTCOLONIAL ECOCRITICISM By Cajetan N. Iheka A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT AFRICAN LITERATURE AND THE ENVIRONMENT: A STUDY IN POSTCOLONIAL ECOCRITICISM By Cajetan N. Iheka African Literature and the Environment: A Study in Postcolonial Ecocriticism , examines how African literary texts document, critique, and offer alternative visions on ecological crises such as the Niger-Delta oil pollution and the dumping of toxic wastes in African waters. The study challenges the anthropocentricism dominating African environmental literary scholarship and addresses a gap in mainstream ecocriticism which typically occludes Africa’s environmental problems. While African literary criticism often focuses on impacts of environmental problems on humans, my dissertation, in contrast, explores the entanglements of humans and nonhumans. The study contributes to globalizing ecocriticism, expands the bourgeoning corpus of ecological investigations in African literary criticism, and participates in efforts to foster interdisciplinary connections between the humanities and the sciences. Following the lead of postcolonial ecocritics, like Rob Nixon, who have pressed the need for dialogue between ecocriticism and postcolonialism, Chapter One interprets Frantz Fanon’s Wretched of the Earth , Homi Bhabha’s Location of Culture, and Gayatri Spivak’s A Critique of Postcolonial Reason as an -
J.B.METZLER Metzler Lexikon Weltliteratur
1682 J.B.METZLER Metzler Lexikon Weltliteratur 1000 Autoren von der Antike bis zur Gegenwart Band 1 A-F Herausgegeben von Axel Ruckaberle Verlag J. B. Metzler Stuttgart . Weimar Der Herausgeber Bibliografische Information Der Deutschen National Axel Ruckaberle ist Redakteur bei der Zeitschrift für bibliothek Literatur »TEXT+ KRITIK«, beim >>Kritischen Lexikon Die Deutsche Nationalbibliothek verzeichnet diese zur deutschsprachigen Gegenwartsliteratur<< (KLG) und Publikation in der Deutschen Nationalbibliografie; beim >>Kritischen Lexikon zur fremdsprachigen detaillierte bibliografische Daten sind im Internet über Gegenwartsliteratur<< (KLfG). <http://dnb.d-nb.de> abrufbar. Rund die Hälfte der in diesen Bänden versammelten Autorenporträts stammen aus den folgenden Lexika: >>Metzler Lexikon englischsprachiger Autorinnen und Autoren<<, herausgegeben von Eberhard Kreutzer und ISBN-13: 978-3-476-02093-2 Ansgar Nünning, 2002/2006. >>Metzler Autoren Lexikon<<, herausgegeben von Bernd Lutz und Benedikt Jeßing, 3. Auflage 2004. ISBN 978-3-476-02094-9 ISBN 978-3-476-00127-6 (eBook) »Metzler Lexikon amerikanischer Autoren<<, heraus DOI 10.1007/978-3-476-00127-6 gegeben von Bernd Engler und Kurt Müller, 2000. »Metzler Autorinnen Lexikon«, herausgegeben von Dieses Werk einschließlich aller seiner Teile ist urheber rechtlich geschützt. Jede Verwertung außerhalb der Ute Hechtfischer, Renate Hof, Inge Stephan und engen Grenzen des Urheberrechtsgesetzes ist ohne Flora Veit-Wild, 1998. Zustimmung des Verlages unzulässig und strafbar. Das >>Metzler Lexikon -
ABSTRACTS 22 June Session 1: 09:00 – 10:00 Critique / Postcritique I
(Last update: 30 May 2021) ABSTRACTS 22 June Session 1: 09:00 – 10:00 Critique / Postcritique I Magnus Ullén, Stockholm University Historicizing Post-Critique: Reading in the Age of Surveillance Capitalism Lately, several critics have argued the importance of highlighting the affective dimension of reading, and have declared the existing paradigm of “critical reading” insufficient to that end. In its place, Stephen Best and Sharon Marcus have called for “surface reading”, Rita Felski for a neo-phenomenology informed by the actor-network theory of Bruno Latour, and Toril Moi for a mode of ordinary reading she traces to late Wittgenstein. A peculiar feature of these attempts at post-critical reading practices is that they seem much more adept at exposing the limits of existing forms of reading than with demonstrating the advantages of the alternative ways of reading they supposedly introduce. Felski, for instance, has written two books deploring the reading practices of “critique” without offering any readings of her own; Moi’s case for ordinary reading is equally void of productive readings of literary texts. These circumstances suggest the need for historicizing the calls for post-critical modes of reading. The present talk suggests that the medieval quadriga, which maps reading over four interconnected levels – literal (historical), allegorical, tropological (aesthetic), and anagogical (ideological) – may help us do so. It goes on to argue that post-critique is marked by a regression to the tropological aspect of the text, and that this circumstance suggests an unwillingness to confront the question of how our individual understanding of the text is interpellated, as it were, by the ideological machinery of the anagogical level, precisely at the moment when that interpellation has become so compelling as to make “free” reading virtually impossible. -
Albo D'oro Dei Vincitori Del Mondello
Albo d’Oro dei vincitori del Premio Letterario Internazionale Mondello 1975 BARTOLO CATTAFI, letteratura UGO DELL’ARA, teatro DENIS MCSMITH, Premio speciale della Giuria 1976 ACHILLE CAMPANILE, letteratura ANTONINO ZICHICHI, scienze fisiche DOMENICO SCAGLIONE, scienze finanziarie FELICE CHILANTI, giornalismo FRANCESCO ROSI, cinema GIAMPIERO ORSELLO, informazione PAOLA BORBONI, teatro 1977 GÜNTER GRASS, letteratura SERGIO AMIDEI, SHELLEY WINTERS, cinema ROMOLO VALLI, ROBERTO DE SIMONE, teatro GIULIANA BERLINGUER, EMILIO ROSSI, televisione PIETRO RIZZUTO, lavoro STEFANO D’ARRIGO, Premio speciale della Giuria 1978 MILAN KUNDERA, Il valzer degli addii (Bompiani), narrativa straniera GHIANNIS RITSOS, Tre poemetti (Guanda), poesia straniera CARMELO SAMONÀ, Fratelli (Einaudi), opera prima narrativa GIOVANNI GIUGA, Poesie da Smerdjakov (Lacaita), opera prima poetica ANTONELLO AGLIOTTI, FRANCO CHIARENZA, MUZI LOFFREDO, GIOVANNI POGGIALI, GIULIANO VASILICÒ, teatro JURIJ TRIFONOV, Premio speciale della Giuria 1979 N. S. MOMADAY, Casa fatta di alba (Guanda), narrativa straniera JOSIF BRODSKIJ, Fermata nel deserto (Mondadori), poesia straniera FAUSTA GARAVINI, Gli occhi dei pavoni (Vallecchi), PIERA OPPEZZO, Minuto per minuto (La Tartaruga), opera prima narrativa GILBERTO SACERDOTI, Fabbrica minima e minore (Pratiche), opera prima poetica LEO DE BERARDINIS, PERLA PERAGALLO, teatro JAROSLAW IWASZKIEVICZ, Premio speciale della Giuria 1980 JUAN CARLOS ONETTI, Gli addii (Editori Riuniti), narrativa straniera JUAN GELMAN, Gotan (Guanda), poesia straniera -
Festival of Letters 2014
DELHI Festival of Letters 2014 Conglemeration of Writers Festival of Letters 2014 (Sahityotsav) was organised in Delhi on a grand scale from 10-15 March 2014 at a few venues, Meghadoot Theatre Complex, Kamani Auditorium and Rabindra Bhawan lawns and Sahitya Akademi auditorium. It is the only inclusive literary festival in the country that truly represents 24 Indian languages and literature in India. Festival of Letters 2014 sought to reach out to the writers of all age groups across the country. Noteworthy feature of this year was a massive ‘Akademi Exhibition’ with rare collage of photographs and texts depicting the journey of the Akademi in the last 60 years. Felicitation of Sahitya Akademi Fellows was held as a part of the celebration of the jubilee year. The events of the festival included Sahitya Akademi Award Presentation Ceremony, Writers’ Meet, Samvatsar and Foundation Day Lectures, Face to Face programmmes, Live Performances of Artists (Loka: The Many Voices), Purvottari: Northern and North-Eastern Writers’ Meet, Felicitation of Akademi Fellows, Young Poets’ Meet, Bal Sahiti: Spin-A-Tale and a National Seminar on ‘Literary Criticism Today: Text, Trends and Issues’. n exhibition depicting the epochs Adown its journey of 60 years of its establishment organised at Rabindra Bhawan lawns, New Delhi was inaugurated on 10 March 2014. Nabneeta Debsen, a leading Bengali writer inaugurated the exhibition in the presence of Akademi President Vishwanath Prasad Tiwari, veteran Hindi poet, its Vice-President Chandrasekhar Kambar, veteran Kannada writer, the members of the Akademi General Council, the media persons and the writers and readers from Indian literary feternity. -
Stories on Human Rights by Filmmakers, Artists and Writers
Stories on Human Rights by Filmmakers, Artists and Writers •MARINA ABRAMOVIC •CHARLES DE MEAUX •HANY ABU-ASSAD •TONI MORRISON •CHIMAMANDA NGOZI ADICHIE •MURALI NAIR •ARMAGAN BALLANTYNE •IDRISSA OUEDRAOGO •SERGEI BODROV •RUTH OZEKI •ASSIA DJEBAR •PIPILOTTI RIST •NURUDDIN FARAH •DANIELA THOMAS •DOMINIQUE GONZALEZ-FOERSTER •SAMAN SALOUR & ANGE LECCIA •JOSÉ SARAMAGO •KHALED HOSSEINI •SARKIS •RUNA ISLAM •ROBERTO SAVIANO •ELFRIEDE JELINEK •BRAM SCHOUW •FRANCESCO JODICE •TERESA SERRANO •ETGAR KERET •ABDERRAHMANE SISSAKO & SHIRA GEFFEN •PABLO TRAPERO •ZHANG-KE JIA •APICHATPONG WEERASETHAKUL •NAGUIB MAHFOUZ •MO YAN •GABRIEL GARCIA MARQUEZ •JASMILA ZBANIC Concept and Curatorship : An initiative of : A Project of : Adelina von Fürstenberg OFFICE FOR THE HIGH UNITED NATIONS COMMISSIONER FOR HUMAN RIGHTS Stories on Human Rights by Filmmakers, Artists and Writers SUMMARY The Partners p. 3 Press release p. 4 The genesis of a worldwide artistic project p. 5 A film of six themes and 22 short-movies p. 6 1 / Culture p. 7 2 / Development p. 8 3 / Dignity and Justice p. 9 4 / Environment p. 10 5 / Gender p. 11 6 / Participation p. 12 List of screenings p. 13 Stories on Human Rights, the book p. 14 History: The Universal Declaration of Human Rights p. 16 Human Rights today p. 17 ART for The World p. 18 Partners p. 19 CONTACTS Faits&Gestes : Sébastien Bizet / Laurent Delarue 10, rue des Messageries – 75010 Paris [email protected] / [email protected] 00 33 (0)1 53 34 65 84 00 33 (0)6 07 55 54 81 / 00 33 (0)6 30 25 34 66 ART for