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Histories of the Devil, DOI 10.1057/978-1-137-51832-3 284 BIBLIOGRAPHY BIBLIOGRAPHY Adorno, Theodor W. 1973. Philosophy of Modern Music. Trans. Anne G. Mitchell and Wesley V. Blomster. London: Sheen and Ward. ———. 1974. Minima Moralia. Trans. E.F.N. Jephcott. London: Verso. ———. 1997. Aesthetic Theory. Ed. Gretel Adorno and Rolf Tiedemann, trans. Robert Hullot-Kentor. Minneapolis: Minnesota U.P. ———. 1998. Beethoven: The Philosophy of Music. Ed. Rolf Tiedermann, trans. Edmund Jephcott. Cambridge: Polity. Ainsworth, Maryan W. (ed.). 2010. Jan Gossart’s Renaissance: Man, Myth, and Sensual Pleasure. New Haven: Yale U.P. Alighieri, Dante. 1970–1975. The Divine Comedy. 3 vols. Ed. and Trans. Charles Singleton. Princeton: Princeton U.P. Anderson, M.D. 1963. Drama and Imagery in English Medieval Churches. Cambridge: C.U.P. Aquinas, Thomas. 2003. On Evil. Ed. Brian Davies, trans. Richard Regan. Oxford: O.U.P. Arendt, Hannah. 1968. The Origins of Totalitarianism. 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Pontius Pilate in History and Interpretation.Cambridge: C.U.P. Bontea, Adriana. 2006. ‘A Project in its Context: Walter Benjamin on Comedy’. MLN 121: 1041–1071. 286 BIBLIOGRAPHY Boureau, Alain. 2006. Satan the Heretic: The Birth of Demonology in the Medieval West. Trans. Teresa Lavender Fagan. Chicago: University of Chicago Press. Boss, Valentin. 1991. Milton and the Rise of Russian Satanism.Toronto: Toronto U.P. Boyce, Mary. 1984. Textual Sources for the Study of Zoroastrianism. Manchester: M.U.P. Boyle, Nicholas. 1987. Goethe: Faust Part One. Cambridge: C.U.P. ———. 1991. Goethe: The Poet and the Age, vol 1: The Poetry of Desire.Oxford: O.U.P. Brant, Sebastian. 1944. The Ship of Fools. Trans. Edwin H. Zeydel. New York: Dover. Briggs, K.M. 1959. The Anatomy of Puck: An Examination of Fairy Beliefs among Shakespeare’s Contemporaries and Successors. London: Routledge and Kegan Paul. Bristol, Michael D. 1985. Carnival and Theater: Plebian Culture and the Structure of Authority in Renaissance England. London: Methuen. Brockbank, J. Philip. 1962. Marlowe: Doctor Faustus. London: Edward Arnold. Brown, Beatrice Daw. 1939. ‘Marlowe, Faustus, and Simon Magus’. PMLA 54: 82–121. Brown, Jane K. 1992. Faust: Theatre of the World. New York: Twayne. Brown, Peter. 2000. Augustine of Hippo: A Biography. London: Faber. Browne, Alice. 1977. ‘Descartes’ Dreams’. Journal of the Warburg and Courtauld Institutes 40: 256–273. Brownlow, F.W. 1993. Shakespeare, Harsnett, and the Devils of Denham. Delaware: Delaware U.P. Bruster, Douglas and Eric Rasmussen. 2009. Everyman and Mankind. London: Methuen. Bulgakov, Mikhail. 1997. The Master and Margarita. Trans. Richard Pevear and Larissa Volokhonsky. London: Penguin. Bunyan, John. 1987. The Pilgrim’s Progress. Ed. Roger Sharrock. Harmondsworth: Penguin. Butler, E.M. 1952. The Fortunes of Faust. Cambridge: C.U.P. Butlin, Martin. 1981. The Paintings and Drawings of William Blake. 2 vols. New Haven: Yale U.P. Campbell, Caroline. (ed.). 2007. Temptation in Eden: Lucas Cranach’s Adam and Eve. London: Courtauld Institute of Art Gallery and Paul Holberton. Casey, Timothy J. (ed.). 1992. Jean Paul: A Reader. Trans. Erika Casey. Baltimore: Johns Hopkins U.P. Cawley, A.C. 1959. The Wakefield Pageants in the Towneley Cycle. Manchester: M.U.P. Cazotte, Jacques. 1991. The Devil in Love. Trans. Judith Landry. London: Daedalus. Certeau, Michel de. 1986. Heterologies: Discourse on the Other. Manchester: M.U.P. BIBLIOGRAPHY 287 ———. 1988. The Writing of History. Trans. Tom Conley. New York: Columbia U.P. ———. 1992. The Mystic Fable, vol. 1: The Sixteenth and Seventeenth Centuries. Trans. Michael B. Smith. Chicago: Chicago U.P. ———. 2000. The Possession at Loudun. Trans. Michael B. Smith. Chicago: Chicago U.P. Cervantes, Miguel de. 1998. Exemplary Stories. Trans. Lesley Lipson. Oxford: O.U.P. Chambers, E.K. 1903. The Medieval Stage. 2 vols in one. New York: Dover. ———. 1923. The Elizabethan Stage 4 vols. Oxford: O.U.P. Chaucer, Geoffrey. 1988. The Riverside Chaucer. Ed. Larry D. Benson. Oxford: O.U.P. Chesterfield, Lord. 1992. Lord Chesterfield: Letters. Ed. David Roberts. Oxford: O.U.P. Clark, Stuart. 1997. Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. Oxford: Clarendon. Cohen, Margaret. 1989. ‘Walter Benjamin’s Phantasmagoria’. New German Critique 48: 87–107. Cohn, Norman. 1993. Cosmos, Chaos, and the World to Come: The Ancient Roots of Apocalyptic Faith. New Haven: Yale U.P. Conley, Tom. 1992. The Graphic Unconscious in Early Modern French Writing. Cambridge: Cambridge U.P. Connolly, Julian W. 2013. Dostoevesky’s The Brothers Karamazov. London: Bloomsbury. Constantine. 2005, 2009. Johann Wolfgang von Goethe: Faust, Part I, Faust Part 2. London: Penguin. Cornish, Alison. 2000. Reading Dante’s Stars. New Haven: Yale U.P. Cowper, William. 1934. The Poetical Works of William Cowper. Ed. H.S. Milford. Oxford: OUP. Cox, John D. 2000. The Devil and the Sacred in English Drama, 1350–1642. Cambridge: C.U.P. Craik, T.W. 1958. The Tudor Interlude: Stage, Costume, and Acting. Leicester: Leicester U.P. Daemmirch, Horst S. 1973. The Shattered Self: E.T.A. Hoffmann’s Tragic Vision. Detroit: Wayne State U.P. Damon, S. Foster. 1966. Blake’s Job: William Blake’s Illustrations of the Book of Job. Providence: Brown U.P. Daniel, Howard. 1974. Callot’s Etchings. New York: Dover. De Jonge, Alexis. 1973. ‘Gogol’. In John Fennell (ed.), Nineteenth-Century Russian Literature: Studies of Ten Russian Writers.
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