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Историја Музике Данас Music History Today Историја музике данас Music I/2019 History Today 26 Реч уреднице Editor's Note ема броја 26 Историја музике данас инспирисана je међународном Тконференцијом The Future of Music History [Будућност историје музике], одржаном септембра 2017. године у Српској академији наука и уметности, у организацији Музиколошког института САНУ. Премда Today је свега неколико чланака у Теми броја проистекло из радова изложених на конференцији (који су значајно проширени и рецензирани) – док су Историја преостали текстови настали независно од овог повода – обједињује их разматрање положаја историјске музикологије као научне дисциплине у првим деценијама XXI века. музике Music History History Music данас данас he main theme of No 26 Music History Today was inspired by the Tinternational conference The Future of Music History organised by the Institute of Musicology SASA. The conference took place at the Serbian Academy of Sciences and Arts in September 2017. Although only a few articles in this issue originated from papers presented at the conference (which have Music been significantly expanded and peer-reviewed) – while the remaining articles were written independently – all authors gathered here share a consideration of the current position of historical musicology as a scientific discipline in the first decades of the 21st century. History Историја музике Today 26 Часопис ISSN 1450-9814 МУЗИКОЛОШКОГ ИНСТИТУТА САНУ I/2019 Journal of THE INSTITUTE OF MUSICOLOGY SASA 26 I/2019 Историја музике данас Music History Today Музикологија Часопис Музиколошког института САНУ Musicology Jоurnal of the Institute of Musicology SASA ~ 26 (I /2019) ~ ГЛАВНИ И ОДГОВОРНИ УРЕДНИК / EDITOR-IN-CHIЕF Ивана Медић / Ivana Medić РЕДАКЦИЈА / ЕDITORIAL BOARD Александар Васић, Ивана Весић, Јелена Јовановић, Данка Лајић Михајловић, Биљана Милановић, Весна Пено, Катарина Томашевић / Aleksandar Vasić, Ivana Vesić, Jelena Jovanović, Danka Lajić Mihajlović, Biljana Milanović, Vesna Peno, Katarina Tomašević СЕКРЕТАР РЕДАКЦИЈЕ / ЕDITORIAL ASSISTANT Наташа Марјановић / Nataša Marjanović МЕЂУНАРОДНИ УРЕЂИВАЧКИ САВЕТ / INTERNATIONAL EDITORIAL COUNCIL Светислав Божић (САНУ), Џим Семсон (Лондон), Алберт ван дер Схоут (Амстердам), Јармила Габријелова (Праг), Разија Султанова (Кембриџ), Денис Колинс (Квинсленд), Сванибор Петан (Љубљана), Здравко Блажековић (Њујорк), Дејв Вилсон (Велингтон), Данијела Ш. Берд (Кардиф) / Svetislav Božić (SASA), Jim Samson (London), Albert van der Schoot (Amsterdam), Jarmila Gabrijelova (Prague), Razia Sultanova (Cambridge), Denis Collins (Queensland), Svanibor Pettan (Ljubljana), Zdravko Blažeković (New York), Dave Wilson (Wellington), Danijela Š. Beard (Cardiff) Музикологија је рецензирани научни часопис у издању Музиколошког института САНУ. Посвећен је проучавању музике као естетског, културног, историјског и друштвеног феномена и примарно усмерен на музиколошка и етномузиколошка истраживања. Редакција такође прихвата интердисциплинарне радове у чијем је фокусу музика. Часопис излази два пута годишње. Упутства за ауторе могу се преузети овде: http://www.doiserbia.nb.rs/journal.aspx?issn=1450- 9814&pg=instructionsforauthors Musicology is a peer-reviewed journal published by the Institute of Musicology SASA (Belgrade), dedicated to the research of music as an aesthetical, cultural, historical and social phenomenon and primarily focused on musicological and ethnomusicological research. Editorial board also welcomes music-centred interdisciplinary research. The journal is published semiannually. Instructions for contributois can be found on the following address: http://www.doiserbia.nb.rs/journal. aspx?issn=1450-9814&pg=instructionsforauthors ISSN 1450-9814 eISSN 2406-0976 UDK 78(05) БЕОГРАД 2019. BELGRADE 2019 Одрицање од одговорности / Disclaimer Садржај објављених текстова одражава искључиво ставове њихових аутора. Уредник и ре- дакција не сносе одговорност за тачност изнетих података. Електронске адресе и линкови су тачни у тренутку објављивања ове свеске. Уредник и редакција не одговарају за трајност, тачност и прикладност линкованог садржаја. / The content of published articles reflects only the individual authors' opinions, and not those of the editor and the editorial board. Responsibility for the information and views expressed in the articles therein lies entirely with the author(s). Electronic addresses and links are correct at the moment of the publication of this volume. The editor and the editorial board are not responsible for the persistence or accuracy of urls for external or third-party websites referred, and do not guarantee that any content on such websites is, or will remain, accurate and appropriate. ПРЕВОДИОЦИ / TRANSLATORS Зорица Симовић, Шон Рајли, Ивана Медић / Zorica Simović, Sean Reilly, Ivana Medić ЛЕКТОPИ ЗА ЕНГЛЕСКИ ЈЕЗИК / ENGLISH-LANGUAGE EDITING Иван Муди, Зорица Симовић / Ivan Moody, Zorica Simović ЛЕКТОРИ ЗА СРПСКИ ЈЕЗИК / SERBIAN-LANGUAGE EDITING Мирјана Нешић / Mirjana Nešić KОРЕКТУРА / PROOFREADING Наташа Марјановић / Nataša Marjanović ДИЗАЈН И ТЕХНИЧКА ОБРАДА / DESIGN & PREPRESS Студио Omnibooks, Београд / Studio Omnibooks, Belgrade ШТАМПА / PRINTED BY Скрипта Интернационал, Београд / Scripta Internacional, Belgrade Часопис је индексиран на http://doiserbia.nb.rs/, http://dais.sanu.ac.rs/handle/123456789 /914 и у међународној бази ProQuest. / The journal is indexed in http://doiserbia.nb.rs/, http://dais.sanu.ac.rs/handle/123456789/914 and in the international database ProQuest. Издавање ове публикације подржали су Министарство културе и информисања Републике Србије, Министарство просвете, науке и технолошког развоја Републике Србије и СОКОЈ - Организација музичких аутора Србије / The publication of this volume was supported by the Ministry of Culture and Information of the Republic of Serbia, the Ministry of Education, Science and Technological Development of the Republic of Serbia and SOKOJ - Serbian Music Authors' Organization ОРГАНИЗАЦИЈА МУЗИЧКИХ АУТОРА СРБИЈЕ САДРЖАЈ / CONTENTS РЕЧ УРЕДНИЦЕ / EDITOR’S FOREWORD 9–12 ТЕМА БРОЈА / THE MAIN THEME ИСТОРИЈА МУЗИКЕ ДАНАС /MUSIC HISTORY TODAY Žarko Cvejić Music History and the Historicist Imagination: Revisiting Carl Dahlhaus and Leo Treitler Жарко Цвејић Историја музике и промишљање историзма: cећање на Карла Далхауса и Лија Трајтлера 15–26 Jānis Kudiņš Phenomenon of the Baltic Singing Revolution in 1987–1991: Three Latvian Songs as Historical Symbols of Non-Violent Resistance Јанис Кудинш Феномен балтичке певане револуције 1987–1991: три летонске песме као историјски симболи ненасилног отпора 27–39 Nuppu Koivisto New Data, New Methods? Sources on Ladies’ Salon Orchestras in Europe, 1870–1918 Нупу Коивисто Нови подаци, нове методе? Грађа о европским женским оркестрима, 1870–1918 41–60 Derek B. Scott Music Hall: Regulations and Behaviour in a British Cultural Institution Дерек Б. Скот Мјузик-хол: прописи и понашање у британској културној институцији 61–74 Rūta Stanevičiūtė Baltic Musicological Conferences: National Music Historiographies and Transnationalism Рута Станевичиуте Балтичке музиколошке конференције: национална музичка историографија и транснационализам 75–89 Helmut Loos Post-factual Music Historiography: Legends of Art–Religion Хелмут Лос Постчињенична историографија музике: легенде о уметности–религији 91–105 Valia Christopoulou A National Perspective and International Threads to Postmodernism at the Fifth Hellenic Week of Contemporary Music Валиа Христопулу Национална перспектива и интернационални постмодернистички токови на Петој грчкој недељи савремене музике 107–113 Mirjana Veselinović-Hofman On the Future of Music History in Professional and Central- Peripheral European Musical Circumstances Мирјана Веселиновић-Хофман О будућности историје музике у професионалном и централнопериферном европском музичком окружењу 115–124 András Ránki Theories on Socialist Realism and Socialist Music Culture in the 1960s in Hungary Андраш Ранки Теорије о социјалистичком реализму и социјалистичкој музичкој култури у Мађарској шездесетих година ХХ века 125–140 VARIA Моника Новаковић Silentium est aurum: Oднос тишине и звука у филму на примеру филмова Самурај (Le Samouraï, 1967) Гојине утваре (Goya’s Ghosts, 2006), Уметник (The Artist, 2011) и Чинови освете (Acts of Vengeance, 2017) Monika Novaković Silentium est aurum: The Relationship Between Silence and Sound in Film as Illustrated by Films Le Samouraï (1967), Goya’s Ghosts (2006), The Artist (2011) and Acts of Vengeance (2017) 143–159 Бранислава Трифуновић Композитор револуције: Скрјабинова замисао Мистеријума – тоталног уметничког дела Branislava Trifunović Composer of the Revolution: Scriabin’s idea of the Mysterium – the total work of art 161–181 Igor Radeta Ontological Hermeneutics as a Catalyst of Musicological Discourse: A Few Sketches Игор Радета Онтолошка херменеутика као катализатор музиколошког дискурса: неколико скица 183–192 НАУЧНА КРИТИКА И ПОЛЕМИКА / SCIENTIFIC REVIEWS AND POLEMICS Данка Лајић Михајловић Мирјана Закић, Душом и фрулом: Добривоје Тодоровић. Факултет музичке уметности, Универзитет уметности, Београд, 2015. (ISBN 978-86-88619-59-2) 195–198 Наташа Марјановић Маријана Кокановић Марковић, Друштвена улога салонске музике у животу и систему вредности српског грађанства у XIX веку. Београд, Музиколошки институт САНУ, 2014. (ISBN 978-86-80639-20-8) 199–203 Светлана Ђачанин Милорад Лонић, Кореографија. Традиционални плес на сцени. Нови Сад: Матица српска, 2018. (ISBN 978-86-7946-230-5) 204–205 Јелена Јанковић Бегуш O љубави према (пост)опери Jelena Novak, Operofilia. Beograd, Orion Art, 2018.
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