Tributes Paid to Mike Pentelow, Editor of Fitzrovia News
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Phil Cohen, Reading Room Only: Memoir of a Radical Bibliophile And
Phil Cohen, Reading Room Only: Memoir of a Radical Bibliophile, hardback, 274 pages, Nottingham: Five Leaves, 2013. ISBN: 978-1907869785; £14.99. and Sophie Parkin, The Colony Room Club: A History of Bohemian Soho, 1948-2006, hardback, 265 pages, London: Palmtree Publishers, 2012. ISBN: 978-0957435407; £35. Reviewed by James Heartfield (Freelance, UK) The Literary London Journal, Volume 12 Number 1–2 (Spring/Autumn 2015) Bloomsbury and Soho in the nineteenth century were places where political refugees lived, though the Germans preferred Bloomsbury, just to the north, on the grounds that the Parisians of Soho were all drunks and womanisers. Phil Cohen is a long-standing activist and now academic, who has written his memoir of radical Bloomsbury, while writer and club manager Sophie Parkin’s history of drinking clubs takes Soho as its epicentre, and in particular the Colony Club on Dean Street. Phil Cohen was sent to St Paul’s School and later Oxford, but his attention was taken up by the London of Somerstown and Bloomsbury. As a youth worker, he wandered through the radical 1960s, being involved in various movements of the Fluxus and Situationist art scene that he met in bookshops like Better Books, India, and later Gay’s the Word, and working for a while as an assistant to the surrealist John Latham. He participated in the radical psychoanalytic movement led by R. D. Laing, paying for his treatment with more youth work, and then took part in the Dialectic of Liberation conference with Black Power’s Stokely Carmichael, New Leftist Herbert Marcuse and Beat poet Allen Ginsberg at the Roundhouse in 1967. -
STREET of DREAMS Paul Buck
www.visionsofthecity.com STREET OF DREAMS Paul Buck ondon. Charing Cross Road. I must have walked up and down that road two or three thousand times. Perhaps ten thousand. Who knows? How to calcu - Llate a figure with any form of accuracy when it traces back forty years to my early teens? Can’t I make a stab in the dark, perhaps like Simenon when he pur - ported to have had sex with ten thousand women since the age of thirteen and a half in his “need to communicate”? A figure later reduced to around one thousand two hundred by his second wife. Whatever the number, this dynamic road plays a major part in my life, a spine to my life, as it is to Central London. Or, alternatively, the aorta, the main artery of the body. What image to find to equate its importance in my life? Its vitalness. My life would have been very different if this street hadn’t been there to support and launch me in directions, like ribs from the spine, or vital organs within its sphere. Walking up the Charing Cross Road, to the left are connections to Leicester Square, Chinatown, Soho, Oxford Street. Walking up, to the right, connections to Covent Garden, Holborn, Bloomsbury. Walking up . That word suggests the bottom is at the Trafalgar Square end. But that is only because I come into the great metropolis from the south, arrive at Char - ing Cross station, the closest station of all the main ones to the centre of London. Thus I begin my walk from the bottom as I know it, behind the north side of Trafal - gar Square, behind the National Gallery. -
Reading List for the Colony Room: Art in Soho
DEPARTMENT FOR CONTINUING EDUCATION Rewley House, 1 Wellington Square, Oxford, OX1 2JA Tel: +44 (0)1865 270360 Fax: +44 (0)1865 280760 [email protected] www.conted.ox.ac.uk READING LIST Course Title: The Colony Room: Art in Soho Location: Ewert House, Oxford Term Dates: 17 Apr 2020 to 03 Jul 2020 Tutor: Jan Cox The reading list below was supplied by the course tutor. If you have enrolled on a course starting in the autumn, you can become a borrowing member of the Rewley House library from 1st September. If you are enrolled on a course starting in other terms, you can become a borrowing member once the previous term has ended. For example, students starting in January can join the Library in early December and those starting in April can join in early March. If you are planning to purchase any books, please keep in mind that courses with insufficient students enrolled will be cancelled. The Department accepts no responsibility for books bought in anticipation of a course running. Preparatory Reading List The items on this list are to give you some background to the materials and ideas that we will be covering on the course. Author Title Farson, Daniel Soho in the Fifties Moynihan, John Restless Lives: The Bohemian World of Rodrigo and Elinor Moynihan Parkin, Sophie The Colony Room Club, 1948-2008: A History of Bohemian Soho Spalding, Frances Dance Till the Stars Come Down: A Biography of John Minton Course Reading List The items on this list are to support your learning while you are taking the course. -
Gagging for It: Irony, Innuendo and the Politics of Subversion in Women's
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X (2018) Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/23853/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
GAVIN TURK Born 1967 Guildford, UK Lives and Works in London
GAVIN TURK Born 1967 Guildford, UK Lives and works in London Education 1991 MFA, Royal College of Art 1989 BFA, Chelsea College of Arts Selected Solo Exhibitions 2018 Gavin Turk Works, Maruani Mercier & Hadida, Paris, France God is Gone, Galerie Krinzinger, Vienna, Austria 2017 History of Art, Mimmo Scognamiglio artecontemporanea, Milan, Italy Cracks in Reality, Marta Herford GmbH, Herford, Germany Give In, Ben Brown Fine Arts, London 2016 Who What When Where How and Why, Newport Street Gallery, London GT, Jablonka Maruani Mercier Gallery, Knokke, Belgium Petroleum, Baldwin Gallery, Aspen, CO Water Biscuit, The Box, Pippy Houldsworth Gallery, London 2015 Gavin Turk: Wittgenstein’s Dream, Freud Museum, London A Vision, Galerie Krinzinger, Vienna, Austria Yard, CCA Andratx, Mallorca, Spain The Mechanical Turk, Metropole Hotel, Venice, Italy Gav, Bruchium – Al Forno: Historical Bakery, Venice, Italy Golden Delicious, Louisa Guinness Gallery, London 2014 We Are One, New Art Centre, Roche Court, Salisbury, UK A, Ben Brown Fine Arts, Hong Kong Liqueur d’Expédition, Christian Larsen, Stockholm, Sweden Seven Billion Two Hundred and One Million, Nine Hundred and Sixty Four Thousand And Two Hundred and Thirty-Eight, The Bowes Museum, County Durham, UK (cat.) Seven Billion Two Hundred and One Million, Nine Hundred and Sixty Four Thousand And Two Hundred and Thirty-Eight, New Art Centre, Roche Court, Salisbury, UK Vestige, Foundation Frances, France Pense Bete, LARM Galleri, Copenhagen, Denmark 2013 The Monaco Project for the Arts presents Gavin -
FRENCH HOUSE Auction Catalogue * 8 MAY 2021 Proud Supporters of the French House
FRENCH HOUSE Auction catalogue * 8 MAY 2021 Proud supporters of The French House FRENCH HOUSE 02 AUCTION CATALOGUE FRENCH HOUSE Auction catalogue * 8 MAY 2021 Please register early to bid online as it can take 24 hours to verify new accounts: www.easyliveauction.com/register/ How can I register and bid in an auction? To register for any auction, simply click on the green Register to Bid button where the catalogue is listed, or directly on the catalogue. On the registration page, you’ll need to: Sign into your account. Verify your details. Choose/add your card. Choose your registration type. Check your update settings. Click Register to Bid. If you choose the FREE registration type, you may see a 10p deferred payment on your bank statement. Once you have successfully registered, the green Register to Bid button will then change to a ‘Bid Now’ button. Now you can leave Autobids before the sale. The day of the auction, you will also see a Bid Live button, however this will show as Bid Now until this point. Thank you. FRENCH HOUSE 03 AUCTION CATALOGUE FRENCH HOUSE Auction catalogue * 8 MAY 2021 Many, many, many thanks to our wonderful artists who have been so generous in helping us with this lovely auction, and especially to sculptor Anthony Hawken who came up with the idea in the first place! We have survived two world wars but we have been flattened by this pandemic! Despite an amazing £80, 000 raised from last year’s crowd funder and a very generous rent break from the landlords we find ourselves facing the merde hitting the fan, if you will pardon my French! To paraphrase Dan Farson, between the crisis and the catastrophe there is always time for a glass of champagne..and some fabulous, FABULOUS art! We are so lucky to be the meeting and stomping ground for so many hugely talented artists. -
NEWS and REVIEWS from the PEOPLE and the PLACES in OUR SOHO TALES from the COLONY RUBY VENEZUELA ROBERT DAVIS RESIGNATION Clarion Summer 17 V4.Indd 2 26/06/2017 14:02
WINTER 2018 NO. 171 SOHO THE CLARION CALL OF THE SOHO SOCIETY clari n December 2018 Issue Number 171 INSIDE: NEWS AND REVIEWS FROM THE PEOPLE AND THE PLACES IN OUR SOHO TALES FROM THE COLONY RUBY VENEZUELA ROBERT DAVIS RESIGNATION Clarion_Summer_17_V4.indd 2 26/06/2017 14:02 SOHO CLARION CONTENTS From the Tower, Editorial ................................................................................................2 Soho News ...........................................................................................................................3-8 Interview with Lina Stores ...............................................................................................9 Review Lina Stores ............................................................................................................10 Jonathan Glanz ......................................................................................................................11 Pancho Lewis ........................................................................................................................12 Review Co & Ko Restaurant ........................................................................................13 Tales from the Colony ......................................................................................................14 Message from St Annes ................................................................................................15 Soho 7:09am ..........................................................................................................................16 -
Annals of the Liverpool Stage, from the Earliest Period to the Present Time
ajorttcU Hmoeraitg ffithrarg FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSITY Cornell University Library PN 2596.L5B86 Annals of the Liverpool stage. 3 1924 026 123 822 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026123822 ANNALS OF THE LIVERPOOL STAGE ?'f .^i^ , . I . ,'/. ''f ,-V. , M. , , , i THE THEATRE ROYAL. Reduced fac-sitnile of the original front elevaiion. from a drawing by Robert Chaffers, May iz, 1773. By kind permission of Mrs. L. E. Thompson, Union Hotel, Liverpool. ANNALS OF THE LIVERPOOL STAGE FROM THE EARLIEST PERIOD TO THE PRESENT TIME TOGETHER WITH SOME ACCOUNT OF THE THEATRES AND MUSIC HALLS IN BOOTLE AND BIRKENHEAD R. J. BROADBENT AUTHOR OF 'STAGE WHISPERS' 'A HISTORY OF PANTOMIME' ETC. WITH ILLUSTR^TIOD^S LIVERPOOL EDWARD HOWELL ,^o8 PREFACE It is not a whit surprising that although the annals of most of the other provincial theatres of importance have long been published, no one hitherto has written any record of the Liverpool stage. The difficulties of the task lie in the fact that data are at once too sparse and too abundant. Owing to the incompleteness of the collection of playbills in the I,iver- pool Free Library, there are many gaps in the story of the I/iverpool Theatres which it is weU-nigh impossible to fill- This is all the more regrettable as the remoter period in the annals of our local drama is much more individual and char- acteristic than the record of the last half century. -
Music Hall and the Age of Resistance
Music Hall and the Age of Resistance Music Hall and the Age of Resistance: A Study of the Censorship Practices Which Influenced the Form of the Victorian Music Hall Leading to the 1912 Royal Command Performance and Beyond By KIRSTEN FELDNER, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirement for the Degree of Master of Arts McMaster University © Copyright by Kirsten Feldner, July 2019 i McMaster University MASTER OF ARTS (2019) Hamilton, Ontario (English Literature) TITLE: Music Hall and the Age of Resistance: A Study of the Censorship Practices Which Influenced the Form of the Victorian Music Hall Leading to the 1912 Royal Command Performance and Beyond. AUTHOR: Kirsten Feldner, B.A. (McMaster University) SUPERVISOR: Doctor Catherine Annette Grisé NUMBER OF PAGES: ix, 107. ii Lay Abstract This thesis pairs an analysis of meeting minutes, newspaper articles, song-sheets, and theatrical programmes from London’s Victorian music halls with contemporary music hall scholarship and studies of censorship to add to the discussion of the genre’s “end” or “death.” Using the work of Judith Butler, this thesis is divided into a study of how censorship transformed the music hall’s landscape, content, and culminating performance from its onset. As a result, this thesis argues that the controlling factors which shaped the genre led to what other music hall scholars have considered its end. By identifying the styles and modes of censorship used in the evolution of the English music hall genre, and in in-period methods of resistance to social control, this project suggests the radical potential of the music hall form as a contemporary style of theatre. -
W Artcentre Ltd
W ARTCENTRE LTD Tracey Emin 1963 Born London Lives and works in London and France Education 1989 Royal College of Art (MA), London 1986 Maidstone College of Art (Bachelor of Fine Art), UK Solo Exhibitions 2020 — Tracey Emin / Edvard Munch, Royal Academy, London, UK 2019 — LEAVING, Galleria Lorcan O’Neill, Rome, Italy — The Fear of Loving. Orsay through the eyes of Tracey Emin, Musée d’Orsay, Paris, France — An Insane Desire for You, Art Projects Ibiza, Ibiza, Spain — A Fortnight of Tears, White Cube, Bermondsey, London, UK 2018 — I Want My Time With You, Terrace Wires public art commission, St. Pancras International, London, UK — The Distance of Your Heart, LoveArt, Sydney, Australia — The Distance of Your Heart, permanent public art commission, Sydney, Australia 2017-2018 — My Bed, Turner Contemporary, Kent, UK 2017 — The Memory of your Touch, Xavier Hufkens, Brussels, Belgium — Surrounded by you, Château La Coste, Le Puy Sainte Réparade, France 2016 — In Focus, With William Blake, Tate Liverpool, Liverpool, UK — NeW Monotypes, Carolina Nitsch Project Room, NeW York, NY, USA — Stone Love, Lehmann Maupin, NeW York, NY, USA — I Cried Because I love you, White Cube, Hong Kong, China — I Cried Because I love you, Lehmann Maupin, Hong Kong, China 2015 — Where I Want to Go, with Egon Schiele, The Leopold Museum, Vienna, Austria — Waiting to Love, Galleria Lorcan O’Neill, Rome, Italy 2014 — The Last Great Adventure is You, White Cube, London, UK 2013 — I FolloWed You To The Sun, Lehmann Maupin, NeW York, NY, USA — Angel without You, Miami MoCA, -
Spring 2020 the Soho Society’S Free and Yet Priceless Magazine
NO. 176 THE CLARION CALL OF THE SOHO SOCIETY spring 2020 The Soho Society’s Free and yet Priceless Magazine www.thesohosociety.org.uk 1 FACING A RENT REVIEW? Speak to the leisure property specialists Fleurets is regularly appointed to negoti ate rent reviews involving pubs, bars, restaurants and nightclubs in Soho and the West End. Our extensive knowledge of rental values puts us in a positi on of strength to negoti ate the best outcome. Fleurets were invaluable in successfully negoti ati ng my last two rent reviews and I look forward to working with them in the future. Keith Todd, Soho Bars - Freedom and Soho Residence, Wardour Street Truly professional and straightforward... pragmatic and brilliant negoti ators who kept us informed throughout every step of the process. Brian Brodie, Old Coff ee House, Beak Street If you would like an initi al view of the likely outcome, please contact our Soho specialist, Philip Smith, to discuss how Fleurets can help you. 020 7280 4704 07786 510640 philip.smith@fl eurets.com SohoRentReview_Clarion_Ad_v1.indd 2 07/11/2019 15:58 27 Frith Street London W1D 5LE 020 7734 6204 Soho Housing Association works to www.bistro1.co.uk provide well managed affordable housing Open daily to 1 am to enhance and sustain the diverse communities in the heart of London. Relaxed and friendly Mediterranean restaurant on two floors with coloured glass lamps, serving 2 and 3 www.sohoha.org.uk course set menus. Menus: bistro.co.uk Christmas menu available Soho Clarion Spring 2020 Editorial Pre-History of Twentieth Century House -
Copyri Ght by P H I L I P Alan Macomber
Copyri ght by Philip Alan Macomber 1959 THE ICONOGRAPHY OF LONDON THEATRE AUDITORIUM ARCHITECTURE, 1660-1900 DISSERTATION Presented in Partial Fulfillm ent of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By P hilip Alan Macomber, B. A., n. A. The Ohio State University 1959 Approved by: Advi ser Department of Speech ACKNOWLEDGMENTS At this point in any study it is customary to acknowledge the moral and material assistance given by various individuals to an author. I, of course, am most grateful to my many friends who have helped make th is work possible. However, my deepest appreciation must go to The Ohio State University Theatre Collection which pointed out the potential or this study to me and then helped provide much of the pictorial evidence necessary for the realization of this project. Through the unique organizational concept of this Collection, the doors of the major libraries all over the world were opened to me, materials heretofore unavailable except to traveling scholars were placed at my disposal. This is more than just the mere accumulation of a few items on microfilm, this Theatre Collection represents an organized approach in a field of essentially disorganized material. The Ohio State University Theatre Collection could never have been without the understanding guidance of its Director, John H. McDowell. To Dr. McDowell, for the foresight and stamina necessary to the creation of The Ohio State University Theatre Collection, a word of thanks from a student. P h ilip A. Macomber Columbus, Ohio, 1959 I I TABLE OF CONTENTS Chapter Page I.