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Deutsche Songs ( Nach Titel )
Deutsche Songs ( nach Titel ) 36grad 2raumwohnung '54, '74, '90, 2006 Sportfreunde Stiller '54, '74, '90, 2010 Sportfreunde Stiller 1 2 3 4 Heute Nacht da Feiern wir Anna Maria Zimmermann 1 Tag Seer, Die 1., 2., 3. B., Bela & Roche, Charlotte 10 kleine Jägermeister Toten Hosen, Die 10 Meter geh'n Chris Boettcher 10 Nackte Friseusen Mickie Krause 100 Millionen Volt Bernhard Brink 100.000 Leuchtende Sterne Anna Maria Zimmermann 1000 & 1 Nacht Willi Herren 1000 & 1 Nacht (Zoom) Klaus Lage Band 1000 km bis zum Meer Luxuslärm 1000 Liter Bier Chaos Team 1000 mal Matthias Reim 1000 mal geliebt Roland Kaiser 1000 mal gewogen Andreas Tal 1000 Träume weit (Tornero) Anna Maria Zimmermann 110 Karat Amigos, Die 13 Tage Olaf Henning 13 Tage Zillertaler Schürzenjäger, Die 17 Jahr, blondes Haar Udo Jürgens 18 Lochis, Die 180 grad Michael Wendler 1x Prinzen, Die 20 Zentimeter Möhre 25 Years Fantastischen Vier, Die 30.000 Grad Michelle 300 PS Erste Allgemeine Verunsicherung (E.A.V.) 3000 Jahre Paldauer, Die 32 Grad Gilbert 5 Minuten vor zwölf Udo Jürgens 500 Meilen Santiano 500 Meilen von zu Haus Gunter Gabriel 6 x 6 am Tag Jürgen Drews 60 Jahre und kein bisschen weise Curd Jürgens 60er Hitmedley Fantasy 7 Detektive Michael Wendler 7 Sünden DJ Ötzi 7 Sünden DJ Ötzi & Marc Pircher 7 Tage Lang (Was wollen wir trinken) Bots 7 Wolken Anna Maria Zimmermann 7000 Rinder Troglauer Buam 7000 Rinder Peter Hinnen 70er Kultschlager-Medley Zuckermund 75 D Leo Colonia 80 Millionen Max Giesinger 80 Millionen (EM 2016 Version) Max Giesinger 99 Luftballons Nena 99 Luftballons; -
Issue 148.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 148 November Oxford’s Music Magazine 2007 Little Fish Fins are going swimmingly for Oxford’s brightest new rock sprats - interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] AS HAS BEEN WIDELY Oxford, with sold-out shows by the REPORTED, RADIOHEAD likes of Witches, Half Rabbits and a released their new album, `In special Selectasound show at the Rainbows’ as a download-only Bullingdon featuring Jaberwok and album last month with fans able to Mr Shaodow. The Castle show, pay what they wanted for the entitled ‘The Small World Party’, abum. With virtually no advance organised by local Oxjam co- press or interviews to promote the ordinator Kevin Jenkins, starts at album, `In Rainbows’ was reported midday with a set from Sol Samba to have sold over 1,500,000 copies as well as buskers and street CSS return to Oxford on Tuesday 11th December with a show at the in its first week. performers. In the afternoon there is Oxford Academy, as part of a short UK tour. The Brazilian elctro-pop Nightshift readers might remember a fashion show and auction featuring stars are joined by the wonderful Metronomy (recent support to Foals) that in March this year local act clothes from Oxfam shops, with the and Joe Lean and the Jing Jang Jong. Tickets are on sale now, priced The Sad Song Co. - the prog-rock main concert at 7pm featuring sets £15, from 0844 477 2000 or online from wegottickets.com solo project of Dive Dive drummer from Cyberscribes, Mr Shaodow, Nigel Powell - offered a similar deal Brickwork Lizards and more. -
BOY S GOLD Mver’S Windsong M If for RCA Distribim
Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Im Nonnengarten : an Anthology of German Women's Writing 1850-1907 Michelle Stott Aj Mes
Brigham Young University BYU ScholarsArchive Resources Supplementary Information 1997 Im Nonnengarten : An Anthology of German Women's Writing 1850-1907 Michelle Stott aJ mes Follow this and additional works at: https://scholarsarchive.byu.edu/sophsupp_resources Part of the German Literature Commons BYU ScholarsArchive Citation James, Michelle Stott, "Im Nonnengarten : An Anthology of German Women's Writing 1850-1907" (1997). Resources. 2. https://scholarsarchive.byu.edu/sophsupp_resources/2 This Book is brought to you for free and open access by the Supplementary Information at BYU ScholarsArchive. It has been accepted for inclusion in Resources by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. lm N onnengarten An Anthology of German Women's Writing I850-I907 edited by MICHELLE STOTT and JOSEPH 0. BAKER WAVELAND PRESS, INC. Prospect Heights, Illinois For information about this book, write or call: Waveland Press, Inc. P.O. Box400 Prospect Heights, Illinois 60070 (847) 634-0081 Copyright © 1997 by Waveland Press ISBN 0-88133-963-6 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission in writing from the publisher. Printed in the United States of America 765432 Contents Preface, vii Sources for further study, xv MALVIDA VON MEYSENBUG 1 Indisches Marchen MARIE VON EBNER-ESCHENBACH 13 Die Poesie des UnbewuBten ADA CHRISTEN 29 Echte Wiener BERTHA VON -
Helden Des Alltags Ö Nungszeiten (Vorübergehend)
Ausführung aller Lackierarbeiten Inh. M. Luther e.K. INDUSTRIELACKIERUNGEN Unfallinstandsetzung Talstraße 4 09212 Limbach-Oberfrohna Scheibenreparaturen Telefon 03722 92831 Scheinwerferaufbereitung Telefax 03722 85135 www.autolackiererei-lohs.de www.lackiererei-luther.de KW 13 | Freitag, 27. März 2020 | GLAUCHAU, HOHENSTEIN-ERNSTTHAL, LIMBACH-OBERFROHNA www.wochenendspiegel.de [email protected] [email protected] Bei uns ist Ihre Wäsche NEUES ZUM ALDI PREIS: in den besten Händen. ENTDECKEN SIE Reinigung von Textilien, Betten, VIELE ANGEBOTE Hemden, Berufsbekleidung u.v.m. IN UNSEREM MAGAZIN 81'$8)$/',ү125''( Helden des Alltags Ö nungszeiten (vorübergehend): Jeden Tag besondersҶ einfach ALDI. Mi – Fr 8 – 14 Uhr Die Heinrichsorter Bäckerei „Am Wald“ sorgt auch in schwieriger Zeit für viel Leckeres Wir sind auch in dieser schwierigen Gartenstraße 5b | 09350 Lichtenstein Situation für Sie da – gern können Sie auch Telefon 037204 3657 telefonisch einen Termin vereinbaren! Corona-Service-Telefon ist länger erreichbar Feuchte Keller – Landkreis. Ab sofort sind Anfra- nasse Wände? gen beim Service-Telefon Coro- • Abdichtungen gegen Mauerfeuchtigkeit na des Landratsamtes Zwickau für Alt- & Neubau Peter Luthe unter der Ruf-Nummer 0375 • Horizontalabdicht- Inhaber Nils Schwäbe 4402-21111 von Montag bis Frei- ungen für alle Mauer- Fachbetrieb für Bauwerkstrockenlegung arten einschließlich Chemnitz · Tel. 0371-71788 tag zwischen 8 und 18 Uhr sowie Bruchsteinmauerwerk Zwickau · Tel. 0375-4600355 samstags zwischen 8 und 14 Uhr • Außenabdichtungen gebührenfrei: 0800-7 15 88 43 möglich. Anfragen per E-Mail mit Bitumen Sanierputz im System [email protected] können an corona-hotline@land- • alles aus einer Hand www.ISOTEC.de/luthe kreis-zwickau.de gesandt werden. Zudem wurde die Kompetenz um 30 Jahre Erfahrung, rufen Sie uns an! die Bereiche Wirtschaft und Recht erweitert. -
Icebreaker: Apollo
Icebreaker: Apollo Start time: 7.30pm Running time: 2 hours 20 minutes with interval Please note all timings are approximate and subject to change Martin Aston looks into the history behind Apollo alongside other works being performed by eclectic ground -breaking composers. When man first stepped on the moon, on July 20th, 1969, ‘ambient music’ had not been invented. The genre got its name from Brian Eno after he’d released the album Discreet Music in 1975, alluding to a sound ‘actively listened to with attention or as easily ignored, depending on the choice of the listener,’ and which existed on the, ‘cusp between melody and texture.’ One small step, then, for the categorisation of music, and one giant leap for Eno’s profile, which he expanded over a series of albums (and production work) both song-based and ambient. In 1989, assisted by his younger brother Roger (on piano) and Canadian producer Daniel Lanois, Eno provided the soundtrack for Al Reinert’s documentary Apollo: the trio’s exquisitely drifting, beatific sound profoundly captured the mood of deep space, the suspension of gravity and the depth of tranquillity and awe that NASA’s astronauts experienced in the missions that led to Apollo 11’s Neil Armstrong taking that first step on the lunar surface. ‘One memorable image in the film was a bright white-blue moon, and as the rocket approached, it got much darker, and you realised the moon was above you,’ recalls Roger Eno. ‘That feeling of immensity was a gift: you just had to accentuate the majesty.’ In 2009, to celebrate the 40th anniversary of that epochal trip, Tim Boon, head of research at the Science Museum in London, conceived the idea of a live soundtrack of Apollo to accompany Reinert’s film (which had been re-released in 1989 in a re-edited form, and retitled For All Mankind. -
Die Toten Hosen
Die Toten Hosen Am Anfang war der Lärm Bearbeitet von Philipp Oehmke 1. Auflage 2015. Taschenbuch. 384 S. Paperback ISBN 978 3 499 63003 3 Format (B x L): 12,5 x 19 cm schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Leseprobe aus: Philipp Oehmke Die Toten Hosen Mehr Informationen zum Buch finden Sie auf rowohlt.de. Copyright © 2015 by Rowohlt Verlag GmbH, Reinbek bei Hamburg DIE TOTEN HOSEN AM ANFANG WAR DER LÄRM Rowohlt Taschenbuch Verlag 3 DTH_Taschebuch_Kapitel.indd 2 08.10.15 11:16 DTH_Taschebuch_Kapitel.indd 3 08.10.15 11:16 Inhalt Der Anruf 7 Vorgärten 37 Schwerstarbeit 87 Düsseldorf 119 Ehemaligentreff 159 Gründerzeit 177 1000 213 Wendepunkte 243 Blaue Stunde 281 Grenzbereich 313 Endspiel 359 Veröffentlicht im Rowohlt Taschenbuch Verlag, Reinbek bei Hamburg, Dezember 2015 Copyright © 2014 by Rowohlt Verlag GmbH, Reinbek bei Hamburg Gestaltung Bildteil Dirk Rudolph Innentypografie und Herstellung Daniel Sauthoff Satz Newzald PostScript (InDesign) bei Pinkuin Satz und Datentechnik, Berlin Druck und Bindung CPI books GmbH, Leck, Germany ISBN 978 3 499 63003 3 Inhalt Der Anruf 7 Vorgärten 37 Schwerstarbeit 87 Düsseldorf 119 Ehemaligentreff 159 Gründerzeit 177 1000 213 Wendepunkte 243 Blaue Stunde 281 Grenzbereich 313 Endspiel 359 5 7 DTH_Taschebuch_Kapitel.indd 5 08.10.15 11:16 Der Anruf ANDI: Da schluckst du, klar. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
The Underrepresentation of Female Personalities in EDM
The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
Acrobat Distiller, Job 2
Die Toten Hosen Inhaltsverzeichnis 1. Persönliche Daten der Bandmitglieder · Campino · Breiti · Kuddel · Andi · Wölli 2.Entstehung und Musikstil der Toten Hosen 3. Die Chronik der Toten Hosen – Von der ersten Deutschlandtour 1982 bis zu den Toten Hosen 2001 4. Inhalt ihrer Texte Campino Bürgerlicher Name : Andreas Frege Geburtstag : 22. Juni 1962 Geburtsort : Düsseldorf Instrument : Stimme Breiti Bürgerlicher Name : Andreas Breitkopf Geburtstag : 6. Februar 1964 Geburtsort : Düsseldorf Instrument : Rhythmus-Gitarre Kuddel Bürgerlicher Name : Andreas von Holst Geburtstag : 11. Juni 1964 Geburtsort : Münster Instrument : Lead-Gitarre Andi Bürgerlicher Name : Andreas Meurer Geburtstag : 24. Juli 1962 Geburtsort : Essen Instrument : Bass Wölli Bürgerlicher Name : Wolfgang Rohde Geburtstag : 9. Januar 1963 Geburtsort : Kiel Instrument : Schlagzeug Manager: Früher: Jochen Hülder Heute : Trini Trimpop Produzent: Jon Caffery Der erste Gedanke die Band zu gründen, entstand am Freitag den 13.Februar 1982 in einem kleinen Club in Neuss. Campino und Andy gründeten die Gruppe „ZK", der sich dann Kuddel anschloss. Andy war Roadie (Rausschmeißer ) bei dieser Band. Heute gehören alle drei "den Toten Hosen" an. Zu ihnen gesellten sich noch Breiti und Trini. Trini, der früher bei KFC Schlagzeuger war, verlies aber schon bald seinen Drummer-Job in der Band und arbeitete als Manager weiter. Als Ersatz für ihn setzten sie Wölli ein. Somit waren sie komplett. Zuerst wollten sie sich „die fünf Andreasse“ nennen, weil alle Bandmitglieder außer Breiti mit bürgerlichem Vornamen so heißen. Dann entschlossen sie sich aber für "die Toten Hosen". Der Stil der Toten Hosen ist vor allem der Punk. Genaugenommen heisst Punk übersetzt Abfall, Schund. Punk ist eine in England 1976 entstandene jugendl.