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Leslie Caron
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Leslie Caron Photo: John Mann Location: London, United Kingdom Eye Colour: Blue Height: 5'1" (154cm) Hair Colour: Dark Brown Playing Age: Over 60 years Hair Length: Long Appearance: White Film Film, Suzanne de Persand, Le Divorce, Merchant Ivory Productions, James Ivory Film, Madame Audel, Chocolat, Miramax Films, Lasse Hallström Film, Regine De Chantelle, The Reef, CBS, Robert Allan Ackerman Film, Marguerite, Let It Be Me, Savoy Pictures, Eleanor Begstein Film, Katie Parker, Funny Bones, Hollywood Pictures, Peter Chelsom Film, Elizabeth Prideaux, Damage, Studio Canal, Louis Malle Film, Waitress, Guns, Malibu Bay Films, Andy Sidaris Film, Jane Hillary, Courage Mountain, Triumph Films, Christopher Leitch Film, Henia Liebskind, Dangerous Moves, Gaumont, Richard Dembo Film, Mother, Imperative, TeleCulture, Krzysztof Zanussi Film, uncredited, Chanel Solitaire, United Film Distribution Company, George Kaczender Film, Lucille Berger, All Stars Film, Dr. Sammy Lee, Goldengirl, AVCO Embassy Pictures, Joseph Sargent Film, Nicole, Nicole, Troma Entertainment, István Ventilla Film, Alla Nazimova, Valentino, United Artists, Ken Russell Film, Véra, The Man Who Loved Women, United Artists, François Truffaut Film, Céleste, Surreal Estate, Caribou Films, Eduardo de Gregorio Film, Katherine Creighton, Chandler, MGM, Paul Magwood Film, Sister Mary, Madron, Four Star-Excelsior, Jerry Hopper -
Livres De La Bibliothèque, Par Auteur
Livres de la bibliothèque, par auteur Nom de l'auteur Titre Tome Genre Langue Adams Claude Évadés d'Iran histoire Français Adams Jane Chemin creux (Le) roman Français Addison Corban De l'autre côté du soleil roman Français Adichie Ngozi Chimamanda Hibiscus pourpre (L') roman Français Adler Elizabeth À cœur perdu roman Français Hôtel Riviera roman Français Liens du passé (Les) roman Français Pièges du passé (Les) roman Français Une maison à Amalfi roman Français Adler Laure Année des adieux (L') Fr. Mitterand biographie Français Marguerite Duras biographie Français Ajar Emile Vie devant soi (La) roman Français Albom Mitch Cinq Personnes que j'ai rencontrées là-haut roman Français (Les) Alexander Eben Preuve du Paradis (La) roman Français Alexander Robert Serviteur du tsar (Le) roman Français Alexandra Belinda Gardénia blanc (Le) roman Français Alexandre Philippe Dernière Reine (La) Victoria biographie Français Alia Josette Pensionnat (Le) roman Français Allegri Renzo Maria Callas biographie Français Allen Hervey Anthony Adverse roman Français Allen Vale Charlotte Fille à papa roman Français Allende Isabel D'amour et d'ombre roman Français Eva Luna roman Français Fille du Destin (La) roman Français Maison des Esprits (La) roman Français Paula roman Français Portrait sépia roman Français Allison Dorothy Retour à Cayro roman Français Amirrezvani Anita Sang des fleurs (Le) roman Français Andersen Christopher Citizen Jane Fonda biographie Français Day Dian dked (The) roman Anglais Jackie & John (Les jeunes années) 1 biographie Français 14 juin -
Coco Chanel's Comeback Fashions Reflect
CRITICS SCOFFED BUT WOMEN BOUGHT: COCO CHANEL’S COMEBACK FASHIONS REFLECT THE DESIRES OF THE 1950S AMERICAN WOMAN By Christina George The date was February 5, 1954. The time—l2:00 P.M.1 The place—Paris, France. The event—world renowned fashion designer Gabriel “Coco” Cha- nel’s comeback fashion show. Fashion editors, designers, and journalists from England, America and France waited anxiously to document the event.2 With such high anticipation, tickets to her show were hard to come by. Some mem- bers of the audience even sat on the floor.3 Life magazine reported, “Tickets were ripped off reserved seats, and overwhelmingly important fashion maga- zine editors were sent to sit on the stairs.”4 The first to walk out on the runway was a brunette model wearing “a plain navy suit with a box jacket and white blouse with a little bow tie.”5 This first design, and those that followed, disap- 1 Axel Madsen, Chanel: A Woman of her Own(New York: Henry Holt and Company, 1990), 287. 2 Madsen, Chanel: A Woman of her Own, 287; Edmonde Charles-Roux, Chanel: Her Life, her world-and the women behind the legend she herself created, trans. Nancy Amphoux, (New York: Alfred A. Knopf, Inc., 1975), 365. 3 “Chanel a La Page? ‘But No!’” Los Angeles Times, February 6, 1954. 4 “What Chanel Storm is About: She Takes a Chance on a Comeback,” Life, March 1, 1954, 49. 5 “Chanel a La Page? ‘But No!’” 79 the forum pointed onlookers. The next day, newspapers called her fashions outdated. -
Guide to the Jack Siefert Woody Herman Collection
Guide to the Jack Siefert Woody Herman Collection NMAH.AC.0659 Wendy Shay 2003 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Correspondence........................................................................................ 4 Series 2: Photographs.............................................................................................. 6 Series 3: Business Records.................................................................................. -
1968-May.Pdf
-.. -4 --,- - ANOK - mw~ AE OooWN 40_ f .A l -- -_ - _-; - I, " -, - 4--':.LL-9jL - ~·~:o~~_·r+·T~R ~ ~~~ __ - ~.,, ~~~-- L_-··-__et_r4- · ,---- 7,~ -;ami: is as Ad~,~4'f~ - rW.-. .r9 a :cr mok,~~~~~~~c. --.z-.TB 3A1aW ,5l.11 I -. -1 i" \.J . ., t ' q:i t gI~ 1wDn'' fI 1 it U 0 C IA R E TT s 20 - =l~awlaqlk j Oh b vd guideIF VOO DOO may, 1968 =·\ Transformer Wesley Mo ore Attenuator Jim Tagga rt University Insuranc Commercial Gary Blau Generator Ed "The H ick" Salzburg Agency, Inc. Screw-Up John Jurewicz BoYL5ToN ST. W5sToN Antenna Rich Rosen (oYP? PRUDENTYL CENTER) Resistor Raisa Berlin Video Valve Mike Brom berg Autonobile and Motoreycle Triode Scotly Rho( es Insutrance Ionisphere Charles Deber, Ph.D., Hs. C. Sybsystem Art Polansl :y Noise Generator Mark Mariinch Ghosts Alan Chapi nan ALL RISKS ACCEPTED FOR LIABILITY, Flicks Finder and Lavin FIRE/THEFT AND COLLISION COVERAGE Nielsen Trv Simnn-'Steve Gallant Static Harold Federow Phosphor PhosphorusS "FOR PERSONAL SERVICE, CALL ON VooDoo is published 9 times ayear(Oct. thru May, and US AT THE UNIVERSITY" in August) by the VooDoo Managing Board, 84 Massa- TELEPHONE: 536 - 9555 chusetts Avenue, Cambridge, Massachusetts, 02139; en- tered as Second Class Mail at the Boston Post Office, I i , ' ;L ·r 111~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ _ Year subscription Three Dollars. Volume 51, Number 8, --Z - L-C May, 1968. Thank God. ON V. D. GUIDE'S COVER THIS WEEK ... rFF Shown on V.D. Guide's cover this week are the rising new stars Connie Linkes and Rod Fellas, hard at work on their new show, "Annie, Gotcha 'Gain" premiering &PIZZAthis week on Channel 69, Tuesdays at 8:30. -
Complete Distinguished Alumni List
Community College League of California Distinguished Alumni Awardees Allan Hancock College 1988 - Robert Mange - Principal, Folsom Junior High School 2002 - Owen W. Siler - Admiral, United States Coast Guard (Retired) 2010 - Kay Ryan - Poet Laureate, Consultant in Poetry (emeritus) American River College 2016 - Diane Bryant - Executive Vice President/General Manager, Data Center Group, Intel Corporation Bakersfield College 1964 - Walter W. Stiern - Senator, State of California 1969 - David E. Smith - Medical Director, Haight-Ashbury Medical Clinic 1971 - Ruth Love Holloway - Director, Right to Read Program, US Office of Education 1973 - Jack C. Smith - Columnist, Los Angeles Times 2005 - Beto Gonzalez - Deputy Assistant Secretary, Office of Vocational and Adult Education, U.S. Department of Education Barstow College 2000 - Gloria Romero - Assembly Majority Whip 49th District 2010 - Joe Baca - Congressman, United States Congress Butte College 2000 - Kenneth Grossman - President Sierra Nevada Brewing Cañada College 1994 - Anna G. Eschoo - Member of Congress, 14th Congressional District Cerritos College 1985 - JoJo Starbuck - Olympic and Professional Figure Skater 2015 - Peter Espinoza - Judge, Los Angeles County Superior Court Chabot College 1992 - Tom Hanks - Actor 1996 - Peggy Hora - Judge, Municipal Court 2003 - Marcy Feit - President & CEO, ValleyCare Health Systems Chaffey College 1972 - William A. Walk, Jr. - Attorney and Civic Leader 1985 - Howard Allen - Chairman of the Board, Southern California Edison 1995 - Hebert Hafif - Attorney at Law 2006 - Beverly Cleary - Author Citrus College 1980 - Gordon L. Hough - Chair of the Board, Pacific Telephone & Telegraph 1990 - Ward Munson - President (Retired), Munson Sporting Goods 2014 - Ivan Misner - Founder and Chairman, BNI City College of San Francisco 1969 - George J. Maslach - Dean of Engineering, UC Berkeley 1973 - Andrew S. -
The Changing Colour of CHANEL's Lipstick Ranges from 1960 to 2015
21 1Hélène de Clermont- Gallerande The changing colour of CHANEL’s helene.declermontgallerande@ chanel-corp.com lipstick ranges from 1960 to 2015 [corresponding author] 1Nicolas Rolland nicolas.rolland@chanel-corp. com ABSTRACT 1Patrick Doucet We compiled the history of CHANEL’s range of lipsticks between 1960 and 2015 by patrick.doucet@chanel-corp. com studying the colour charts carefully kept in the company’s archives. The chosen colour 1Julie Deydier space is NCS System as the representation of hue, blackness and chromaticness [email protected] 2Anne Varichon are easy to communicate to non-colour experts. The number of shades increased anne.varichon@culturecouleur. steadily between 1960 and 2005, rising from 12 shades in 1960 to 55 shades in com 2005. From the colour point of view, there is a predominance of orangey tones. 2Barbara Blin-Barrois [email protected] Reds were always present. Bluish reds were in constant decline compared with other shades: fewer in number, with a shorter life on the markets and more unstable 1 CHANEL Parfums Beauté, 8 rue du Cheval Blanc CS40045, in Chanel’s offer. In terms of clarity, dark shades ranging to nearly black are in the 93694 Pantin Cedex FRANCE great majority. As regards chromaticness, there is continuity in the saturated shades, 2 Culture Couleur SAS, 600 bureaux du Jas, 84000 especially the reds. Lastly, the shades are fashioned with a high degree of subtlety Roussillon France as they are often very close to one another in the colorimetric space. At CHANEL, the delicacy of the shades is due to their colorimetric fashioning with all the subtlety typical of the brand KEYWORDS Lipsticks, evolution, colour, colour charts, CHANEL, hue, NCS Received 28 June 2017; Revised 27 August 2018; Accepted 27 August 2018 CITATION: de Clermont-Gallerande H., Rolland N., Doucet P., Deydier J., Varichon A. -
Sonia Manzano Television's “Maria” on Sesame Street To
SONIA MANZANO TELEVISION’S “MARIA” ON SESAME STREET TO RECEIVE LIFETIME ACHIEVEMENT AWARD AT THE 43rd ANNUAL DAYTIME EMMY® AWARDS To be Honored on Sunday, May 1, 2016 at the Daytime Gala New York, NY – April 6, 2016 - The National Academy of Television Arts and Sciences (NATAS) today announced that Sonia Manzano, legendary performer of “Maria” from Sesame Street, will be honored with the Lifetime Achievement Award at the 43rd Annual Daytime Emmy® Awards on Sunday, May 1, 2016 at the Westin Bonaventure Hotel and Suites in downtown Los Angeles, CA. “My children and just about every child in America has grown up learning their ABC’s from the iconic character of “Maria,” on Sesame Street played by Sonia Manzano,”said Bob Mauro, President, NATAS. “Sonia not only brought the life events of marriage, having a baby, and being a mother to viewers young and old, she also brought a seldom-seen diversity, a Latin role-model, unlike anything on television at the time. She is one of the most beloved female performers in the history of Sesame Street, and the National Academy is proud to be honoring her with our prestigious Emmy Award for Lifetime Achievement.” "Honoring Sonia Manzano has a special meaning for me - as we both started our professional careers doing the play, Godspell, though in different casts when we were practically children," said David Michaels, SVP, Daytime (NATAS). "Her talent both in front of the camera and as a writer, bringing the themes of diversity to a national audience on Sesame Street, is an extraordinary achievement worthy of this well-earned recognition!" Ms. -
WILL GEORGE Will George Was Raised Along the Historic North
WILL GEORGE Will George was raised along the historic North Shore in Boston, where, in the late 1960s, he attended the School of the Museum of Fine Arts, Boston. He studied painting under the hand of T. Lux Feininger, son of the great German Expressionist, Lionel Feininger. George has since created a unique collection of paintings with an underlying common thread: reflection. He is well known for his celebration of unique spaces that we would otherwise consider commonplace. His use of light and composition makes these spaces dance on the canvas and allows us to look again with a certain reminiscence. Where the presence of the human form can sometimes dictate the mood or tenor of a painting, he chooses to leave the scene void of figures to enable observers to imagine themselves in the vignette, to oblige their own narrative. Whether it’s a restaurant, train station or diner, the play of interior and exterior light are key components of his work. The intent is to reveal the unseen, to feel the air, to experience the blistering heat through the window of a desert café in contrast to the cool sanctuary within. It’s George’s love of the ocean that leads to the literal works of reflection both above and below the water’s surface. The way light reflects and refracts creates an interesting conversation about how we’re all essentially energy. The figures in his “Water Club Series” react as one with the water expanding the human body and filtering it into abstract reflection. Collections Betty Ford Center at Eisenhower; Rancho Mirage, California Thomas Borer, Swiss Ambassador; Potsdam, Germany Merv Griffin; Beverly Hills, California Michael Connelly; Los Angeles, California Argus Entertainment; Beverly Hills, California Levar Burton; Beverly Hills, California Mort Lindsey; Malibu, California Vince McKewin; Hollywood, California . -
Marie-France Pisier
DIATOGUE Marie-FrancePisier: "Goco,c'est moi" Marie-Frqnce Pisier dans <Chanel solitaire>: pqssionnéeà laville comme à la scène. rrOn va se faire une tasse de Elle incarneà l'écranune Coco Chanel vie de Mademoiselle Chanel. thé.> Marie-France Pisier file à libre D'un orphelinatde province.au lacuisine, revient avec plateau et mais solitaire. seuil, dans les années20, de la lasses,repart. J'ai le temps de Martine Storti I'a interrogéesur sa découverte gloire internationale. Les jupes m'enfoncerdans un confortable d'une féministequi s'ignorait. de femmes, alors, se sont rac- fauteuil, de prendre plaisir à courcies,leq corsets ont étéjetés regarderce vaste appartement aux orties, les petits chapeaux 1uquartier Latin, plein de soleil féministe,ne ressemblepas à la réalisateursparfois qualifiés ont fait leur apparition et le :t de meublesclairs. De retour vie de la petite femme qui, près d'<intellectuels>.Mais elle s'est < numéro 5 >,à peinelancé, a fait tvec la théière, elle s'asseoit d'un demi-siècle,régna sur la aussiamusée à tourner desfeuil- fureur. Quant au support roma- levant la table basse, le dos couture française. Si ce n'est, letonspour Ia télévision,prenant nesque,il vient du grand - et rppuyéau canapé,et allume une tout de même, la passion: Ga- plaisir,chaque fois, à faire naître peut-être unique - amour de )garette. brielle Chanel eut celle de la une nouvelle Marie-France. Coco, Boy Capel. Une liaison qui Evidemment,à regarderMarie- mode, Marie-France Pisier a Avec Chanel solitaire qui se termineradans les larmes: en lrance en jean et pull, on ne celle du cinéma. -
Pittsburgh REIA Newsletter – July 2012 THIS MONTH's MEETING
Pittsburgh REIA Newsletter July 2012 Pittsburgh REIA Newsletter – July 2012 THIS MONTH'S MEETING This month’s meeting will be July 17th, at 7 PM with special guest speaker Dr. Albert Lowry. Dr Lowry is the original real estate guru. For over 30 years, Dr. Albert Lowry has been America's premiere authority on real estate investing, training such real estate “Gurus” as: Carlton Sheets, Robert Kiyosaki, Robert Allen, Ron LeGrand, Wright Thurston and Robert Shemin. Albert often headlines with such speakers as Donald Trump, Suze Orman, Rudy Giuliani, Louis Rukeyser, Zig Ziglar, Sandy Goodkin, Dr. Robert Schuller and Tony Robbins. In addition, Dr. Lowry has been featured in high-circulation publications such as the New York Times and on the covers of such magazines as Money Magazine and People. He has also appeared on numerous national TF and radio shows such as Wall Street Week, The Today Show, Regis Philbin Show, Merv Griffin and Larry King Live. And for one night only, he will be in Pittsburgh !!! Inspiration With the 4th of July being American Independence Day, I thought a quote from a great American about financial independence would be good for this month’s inspiration section. “Every person who invests in well-selected real estate in a growing section of a prosperous community adopts the surest and safest method of becoming independent, for real estate is the basis of wealth.” -Theodore Roosevelt 1 Pittsburgh REIA Newsletter July 2012 Introduction My name is Josh Caldwell, and I will be running the WPREIA along with my board of directors. It is still the same club, the meetings are still at the same place and at the same time. -
Hollywood and France, 1914-1945 Louise G
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee.