DOCSLIB.ORG

Het Beschrijf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Universiteit Gent Academiejaar 2006 – 2007 HET BESCHRIJF INTERNSHIP AT A LITERARY ORGANISATION Verhandeling voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad van master in de Meertalige Promotor: Prof. Dr. Geert Jacobs Bedrijfscommunicatie, door Sara Clauw. TABEL MET BESCHRIJVING VAN DE STAGE: VOORAAN IN TE VOEGEN BIJ DE SCRIPTIE Bedrijf Stagebegeleider Afdeling Taken Talen Periode Het beschrijf vzw Brigitte Neervoort / ondersteuning communicatie: schrijven N, E 2 mei – 28 juni A. Dansaertstraat 46 nieuwsbrieven, persbericht, teksten websites, 2007 1000 Brussel nalezen teksten, vertaalwerk… ondersteuning productie programma’s, (25 dagen) Telefoon : (02) 223 68 32 expo’s 2 ACKNOWLEDGEMENTS There are a number of people I would like to thank for their help with this dissertation. First of all I want to thank the people at Het beschrijf for giving me the opportunity to do my internship in their organisation. I am no less grateful to professor Geert Jacobs and Luc de Bie for their useful hints and advice. Finally, I would like to thank my family for their help and comments. 3 CONTENTS ACKNOWLEDGEMENTS ..................................................................................................... 3 CONTENTS .............................................................................................................................. 4 PREFACE ................................................................................................................................. 5 1. HET BESCHRIJF ................................................................................................................ 6 1.1. HISTORY ........................................................................................................................... 6 1.2. STRUCTURE ...................................................................................................................... 6 1.3. CORPORATE IDENTITY ...................................................................................................... 8 1.4. ACTIVITIES ....................................................................................................................... 9 1.5. CUSTOMERS .................................................................................................................... 12 1.6. COMPETITORS ................................................................................................................. 12 1.7. COMMUNICATION ........................................................................................................... 13 1.8. SWOT ANALYSIS ........................................................................................................... 15 2. THE ARTS, THE AUDIENCE AND PROMOTION ..................................................... 17 2.1. ARTS AND THE MARKETING MIX ..................................................................................... 17 2.2. PROMOTION .................................................................................................................... 21 2.3. CONCLUSION .................................................................................................................. 27 3. INTERNSHIP AT HET BESCHRIJF .............................................................................. 28 3.1. COMMUNICATION FOR LITERARY PLATFORM ................................................................. 28 3.2. COMMUNICATION FOR VERS BRUSSEL ........................................................................... 37 3.3. COMMUNICATION FOR WRITERS IN RESIDENCE .............................................................. 40 3.4. PRODUCTION .................................................................................................................. 40 4. CONCLUSION ................................................................................................................... 41 BIBLIOGRAPHY .................................................................................................................. 43 4 PREFACE My search for a place for my internship went very easily. I knew from the start that I would try to do my internship at a literary or cultural organisation. I chose to do Meertalige Bedrijfscommunicatie because I thought it would be useful to acquire some knowledge about and experience with the business world, but I did not want to miss the opportunity to combine my old passion for books, one of the reasons why I chose to study Germanic Languages five years ago, with my new passion for communication, discovered this year. I therefore looked up a number of literary organisations in Flanders. Het beschrijf was the first one I contacted and I soon got a positive response. I went over to the office of Het beschrijf to discuss the details and I was quickly convinced that it would be an excellent place to do an internship. Het beschrijf occupies itself of a range of different activities, which I thought would make the work very interesting. Other positive features to me were the cooperation with a French organisation and the location in Brussels. Having now completed my internship there, I can conclude that I thought right then and that Het beschrijf is a very interesting organisation for literature enthusiasts like myself. 5 1. HET BESCHRIJF 1.1. History Het beschrijf is a literary organisation, founded in 1998. The origin of Het beschrijf lies in the literary event Het Groot Beschrijf, which was first organised in 1997. Het Groot Beschrijf was a one-day festival in Brussels, during which a number of readings, interviews with authors and debates were scheduled at several locations in Brussels. Because the first edition was so successful, the organisers wanted to give it a permanent basis, which is how Het beschrijf was founded. The aim for Het beschrijf was to organize smaller literary events all year round, and at the same time assuring the continuation of Het Groot Beschrijf. Het beschrijf organised Het Groot Beschrijf again in 1998, 2000, 2002 and 2004. After a few years, Het beschrijf wanted to set up an international house of literature. Based in the multilingual Brussels, it was thought that it was not enough to put only Dutch literature in the spotlight. However, an international focus required a national focus first. A French literary organisation was therefore sought to cooperate with in setting up the multilingual organisation Passa Porta. This became Entrez Lire. The international house of literature Passa Porta opened its doors in 2004. In 2003 and 2005 Het beschrijf cooperated with Promotion des Lettres and Bozar to organize a new festival, Literair Rendez-vous, which was more internationally oriented. This year, Het beschrijf and Entrez Lire have organised yet another new festival, the Passa Porta Festival, which started April 19 2007 and ended with an edition of Het Groot Beschrijf /Courez Lire on April 22. Since its start in 1997, Het beschrijf has become one of the prominent players on the literary playing field in Brussels. 1.2. Structure Het beschrijf is a non-profit association with only a small number of employees. Some of them are employed as ‗project workers‘, which means they work for Het beschrijf on a specific project for a limited period of time. Paul Buekenhout is the director of Het beschrijf. 6 Het beschrijf is supported by the Flemish Literary Fund, the Flemish Community Commission of Brussels Capital-Region, the Flemish Community, Brussels Capital-Region and the City of Brussels. Het beschrijf is closely linked to the non-profit association Passa Porta vzw. As explained above, Passa Porta was founded in 2004 through a collaboration of Het beschrijf and Entrez Lire, a French-speaking non-profit association supported by the French Community. They provide content to Passa Porta‘s literary platform, the core of the house of literature. The third content provider for Passa Porta house of literature is Passa Porta Bookshop, a private limited company. The bookshop operates independently of Het beschrijf, Entrez Lire and Passa Porta vzw, but is – as a multilingual bookshop – quite an essential part of the international house of literature. Passa Porta vzw is mainly an administrative organisation: it provides accommodation for Het beschrijf, Entrez Lire and the bookshop but it does not really organize anything itself. President of Passa Porta vzw is Koen Peeters, Alain Beerenboom is vice- president. The Passa Porta house in the Dansaertstraat 46 in Brussels comprises of the bookshop, a reading and meeting place, space for workshops, a small gallery for expositions, the offices of Het beschrijf and Entrez Lire and a flat which is offered to writers and translators as temporary accommodation. The following figure shows the structure of Passa Porta. Literary … Expos Platform … 7 Although Het beschrijf provides content for Passa Porta, there are also a number of projects by Het beschrijf that are not linked to Passa Porta. The project Vers Brussel e.g., some programmes in the Brussels Public Library or the writers-in-residence scheme are Het beschrijf-activities. This complicated structure is a challenge for the communication of the activities organised by all these organisations. I will deal with this in more detail in part 1.7. 1.3. Corporate identity I discussed this topic with Brigitte Neervoort, project coordinator at Het beschrijf. The key element of Het beschrijf is of course literature. The organisation was founded to provide a platform for literature in all its forms: authors and readers, novels
Recommended publications
  • European Urology Today Official Newsletter of the European Association of Urology Vol

    European Urology Today Official Newsletter of the European Association of Urology Vol

    European Urology Today Official newsletter of the European Association of Urology Vol. 25 No.6/Vol. 26 No.1 - Dec. 2013/Jan. 2014 What to expect in Stockholm 9th SEEM in Greece From max to mini Get a preview of what’s on during the From ‘country debates’ to research awards, Needlescopic surgery is back and the interest is 4/5 EAU Congress in Stockholm 14 the SEEM takes a new turn 30 growing Urologists, medical and radiation oncologists come together 5th EMUC in Marseille gathers delegates from 61 countries By Loek Keizer Over the course of three days, three separate but intrinsically linked disciplines attended a scientific meeting and exchanged views on the treatment of radiotherapists approach tumours with probabilities urological cancers. The 5th edition of the European and sigmoid curves. I’m convinced that by learning Multidisciplinary Meeting on Urological Cancers each other’s language and working together in (EMUC) was organised by the EAU, the European multidisciplinary teams is the future for the treatment Society for Medical Oncology (ESMO) and the European of urological cancers.” Society for Radiotherapy and Oncology (ESTRO). On the current state of urological cancer treatment: The meeting took place at in Marseille from 15-17 “We shouldn’t be working as separate, sometimes November, at the capable facilities of the Palais des opposing columns within medicine: collaboration is Congrès at the Parc Chanot. The congress centre was a vital to receive funding and improve care for the brief boulevard stroll away from the Mediterranean patient. We are starting to see multidisciplinary coast, with a temperate breeze being a warm clinics in the United States, where urologists buy their welcome to visitors from Northern Europe.
  • Herman Brusselmans Star Author and (Reluctant) Public Intellectual

    Herman Brusselmans Star Author and (Reluctant) Public Intellectual

    Werkwinkel 12(2), 2017, pp. 41-64 © Department of Dutch and South African Studies Faculty of English, Adam Mickiewicz University, Poznań, Poland DOI: 10.1515/werk-2017-0012 The Most Famous Writer of the Low Countries: Herman Brusselmans Star Author and (Reluctant) Public Intellectual RICK HONINGS Leiden University Department of Dutch Studies Universiteit Leiden P.N. van Eyckhof 3 2311 BV Leiden, The Netherlands [email protected] Abstract: The Flemish writer Herman Brusselmans is the most famous author of the Low Countries. In this article, Herman Brusselmans is analysed as a star author. First and foremost, two striking aspects of Brusselmans’s stardom are analysed: his public visibility and the cult of the private. Attention is then focused on Brusselmans’s expe- rience of celebrity, which he – like many other star authors – thematises in his books. Doing so, he consciously places himself in the context of popular culture. On the other hand, as a result of his celebrity status he has been expected – particularly in the last few years – to assume the role of public intellectual willy-nilly, and this in turn has had consequences for his work. Keywords: Herman Brusselmans; Flanders; star author; literary celebrity culture; public intellectual werkwinkel 12(2) 2017 PAPERS 42 Rick Honings Herman Brusselmans. Photo: Karoly Eff enberger PAPERS 12(2) 2017 werkwinkel The Most Famous Writer of the Low Countries: Herman Brusselmans. Star Author... 43 1. Introduction “I am just about the most famous writer,” Herman Brusselmans wrote as early as 1997 and this is no exaggeration. 1 Due to his striking image – his long hair, the cigarette as his faithful companion and his status as a womanizer and shock author – virtually everyone knows Brusselmans as the famous Flemish writer.
  • Bone Homeostasis As a Multifaceted Puzzle: from WNT Ligands to Metal-Ion Transporters

    Bone Homeostasis As a Multifaceted Puzzle: from WNT Ligands to Metal-Ion Transporters

    Faculteit Farmaceutische, Biomedische en Diergeneeskundige Wetenschappen Bone Homeostasis as a Multifaceted Puzzle: From WNT Ligands to Metal-ion Transporters Bothomeostase als een Veelzijdige Puzzel: Van WNT Liganden tot Metaal-ion Transporters Proefschrift voorgelegd tot het behalen van de graad van Doctor in de Biomedische Wetenschappen aan de Universiteit Antwerpen te verdedigen door Gretl HENDRICKX Bone Homeostasis as a Multifaceted Puzzle: From WNT Ligands to Metal-ion Transporters Doctoral dissertation, University of Antwerp, Belgium ISBN: 978-94-6299-582-6 Author: G. Hendrickx Cover Design: Lien Campo, concept by G. Hendrickx Printing: Ridderprint BV © Copyright G. Hendrickx, Antwerpen 2017 All rights reserved. No parts of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means without prior permission of the holder of the copyright. Curiosity-Driven MEMBERS OF THE JURY Prof. Dr. Wim Van Hul, promotor Center of Medical Genetics, University of Antwerp and University Hospital of Antwerp, Belgium Dr. Eveline Boudin, co-promotor Center of Medical Genetics, University of Antwerp and University Hospital of Antwerp, Belgium Prof. Dr. Vincent Timmerman, chairman VIB Department of Molecular Genetics, University of Antwerp, Belgium Prof. Dr. Marc Cruts VIB Department of Molecular Genetics, University of Antwerp, Belgium Prof. Dr. Bart Loeys Center of Medical Genetics, University of Antwerp and University Hospital of Antwerp, Belgium Prof. Dr. Geert Carmeliet Department of Cellular and Molecular Medicine, KU Leuven, Belgium Prof. Dr. Martine Cohen-Solal Department of Rheumatology, University Paris-Diderot, France TABLE OF CONTENTS Table of Contents I. Summary/Samenvatting 9 II. Introduction 15 Chapter 1 17 A Look Behind The Scenes: The Risk and Pathogenesis of Primary Osteoporosis Gretl Hendrickx, Eveline Boudin and Wim Van Hul Nature Reviews Rheumatology 2015; 11;462–474 Chapter 2 51 An Introduction to WNT Signaling III.
  • You Can't Change What People Don't Know

    You Can't Change What People Don't Know

    You can’t change what people don’t know ANNUAL REPORT 2019 Table of contents PREFACE 3 – AWARDS 45 MISSION 5 – POSTGRADUATE INTERNATIONAL RESEARCH JOURNALISM 45 – OUR MISSION AND VISION 5 - Purpose 45 - Publications by students 45 – OUR ORIGIN 5 – THE JOURNALISM WE STAND FOR 5 OBJECTIVE II – FACILITATING NETWORKS OF JOURNALISTS IN EUROPE 46 – OUR VALUES 5 – GRANTEES AT CONFERENCES 46 OBJECTIVE I – PROMOTING INVESTIGATIVE – LECTURES / EXTERNAL REPRESENTATION 46 INDEPENDENT JOURNALISM IN EUROPE 6 – MEDIA CAFES 47 – A PACT FOR IMPACT? 6 - Regional media: Which role can they still play? 47 - AI and journalism 48 – INCREASING APPLICATIONS FOR SUPPORT 8 – DIFFERENCE DAY 48 – EUROPEAN CROSS-BORDER GRANTS (ECBG) – PROJECT 9 – DEBATES 48 - Statistics 10 - In search of the enemy 48 - Pre-application advice 11 - Debate: Documentary photography in Flanders - Jury 11 and the Netherlands 48 - Criteria 12 - Overview of grants published in 2019 12 – EXHIBITION 49 - Mentoring programme ECBG 15 - Exhibition: ‘New faces’ 49 – GRANTS AWARDED BY THE PASCAL DECROOS FUND FOR INVESTIGATIVE JOURNALISM – PROJECT 16 OBJECTIVE III – AN EFFICIENT, EFFECTIVE AND - Purpose 16 SUSTAINABLE ORGANISATION 50 - Statistics 17 - Jury 19 – COMMUNICATION 50 - Overview of grants published in 2019 19 - Websites 50 - Electronic newsletters 52 – FLEMISH JOURNALISM FUND 29 - Social media 53 - General framework 29 - Memorandum 54 - Grant programme for innovative journalism 30 - Survey 54 - Knowledge sharing 32 - Database 55 - Flemish-dutch cooperation 35 - Printed FDP newsletter 55
  • With the Above Passage, the Flemish Reviewer and Publicist Marc

    With the Above Passage, the Flemish Reviewer and Publicist Marc

    “THE NETHERLANDS IS DOING WELL. ALLOCHTOON WRITING TALENT IS BLOSSOMING THERE”: DEFINING FLEMISH LITERATURE, DESIRING “ALLOCHTOON” WRITING SARAH DE MUL Nederland heeft Hafid Bouazza … Nederland heeft Khalid Boudou .… Nederland heeft Abdelkader Benali … En Nederland heeft een paar mindere goden .… Ja, Nederland doet het goed. Allochtoon schrijftalent bloeit er. En in België? Er is misschien maar één iets dat de Vlaamse boekensector liever zou hebben dan een degelijk boekenprogramma op tv: een handvol allochtone schrijvers.1 With the above passage, the Flemish reviewer and publicist Marc Cloostermans opens an essay in his book De tak waarop wij zitten, in which he tackles the following issue: compared to the range of successful “allochtoon” writers debuting in the neighbouring Netherlands, there were up to that point no “allochtoon” writers emerging on the literary scene in Flanders. Around the turn of the millennium, not only Cloostermans but also various other critics and policymakers were bothered by the mysterious absence of “allochtoon” writers in Flanders. Where were they? Why did not they speak? What was wrong with Flanders that it did not have any? Although these questions were addressed in various ways, it was hard to find individuals who would dispute the assumption that Flanders was in need of “allochtoon” writers. 1 Marc Cloostermans, De tak waarop wij zitten: Berichten uit de boekenbranche, Antwerp: Epo – UNESCO Centrum Vlaanderen, 2006, 71ff.: “The Netherlands has Hafid Bouazza … The Netherlands has Khalid Boudou .… The Netherlands has Abdelkader Benali … And the Netherlands has a few minor Gods.… Yes, the Netherlands is doing well. Allochtoon writing talent is blossoming there.
  • Iedereen Kan Stukje Van Nieuw Barokorgel 'Kopen'

    Iedereen Kan Stukje Van Nieuw Barokorgel 'Kopen'

    1 17 Herman de Coninck overal in de wijk aanwezig Onze beste Vlaamse dichter en wijkbewoner Herman de Coninck wordt de komende tijd in de wijk herdacht. Zo hangen er MAART op meer dan 150 plaatsen in de wijk gedichten van hem aan de ramen. APRIL Foto Herman SELLESLAGHS Pagina 18-19-20-21 Gazet van Zurenborg – Stierstraat 3 – 2018 Antwerpen – [email protected] – www.gazetvanzurenborg.be Iedereen kan stukje van nieuw barokorgel ‘kopen’ Pagina 2-4-5-6 De Sint-Norbertuskerk aan de Dage- raadplaats heeft binnenkort twee or- gels in plaats één. Uit een gesloten kerk in Nederland werd een barokorgel gekocht dat om en bij de 200.000 euro kost. Om dat bedrag te kunnen ophoes- ten, rekent de vzw op subsidies, giften en de wijkbewoners die een stuk van het orgel kunnen “kopen”, adopteren Een tekening van het orgel dat op grondniveau zal staan zodat iedereen de muzikant aan het werk kan zien. in een of andere vorm. Hoe dat precies in zijn werk zal gaan wordt binnenkort beslist. Maar waarom dit barokorgel PAGINA een belangrijke muzikale en culturele De Burgerbegroting heet het en dat wil zeggen dat elke bewoner aanwinst voor de kerk en de wijk is, legt van de wijk suggesties kan doen om met geld van de stad dingen organist Emmanuel Van Kerckhoven in geuren en kleuren uit. (SC) te realiseren. 12 2 Gazet van Zurenborg | ww.gazetvanzurenborg.be Edito Swa Collier, hoofdredacteur van de Gazet van Zurenborg laat elke keer zijn gedachten gaan over de gebeurtenissen in de wijk. BACHKLANKEN Niemand kan er nog naast kijken: Herman de Coninck is terug.
  • Jaarverslag 2015 Beheersovereenkomst 2012-2016

    Jaarverslag 2015 Beheersovereenkomst 2012-2016

    jaarverslag 2015 Beheersovereenkomst 2012-2016 HOOFDSTUK 18 RAPPORTERING, §1: > OD3.2 – Het overleg van de VRT met jongeren en jongerenorganisaties heeft niet meer een specifiek “De VRT zal jaarlijks en dit voor 1 juni aan de Vlaamse Regering aanbod voor jongeren op televisie op het oog. een door de Raad van Bestuur goedgekeurde nota voorleggen > OD7.3 – Omdat de opdracht van Cobra.be wordt die voor elk van de performantiemaatstaven opgenomen in de stopgezet (en overgenomen door Canvas.be), stelt Cobra beheersovereenkomst aangeeft in hoeverre de vooropgestelde nieuw online cultuuraanbod, vanaf 23 augustus, doelstellingen reeds bereikt zijn.” niet meer beschikbaar voor niet-commerciële derden, maar gebeurt dat door Canvas.be. AANGEPASTE VERPLICHTINGEN > SD11 – De VRT blijft beschikken over drie volwaardige Missie EN GEVOLGEN televisiekanalen. Op het derde kanaal wordt de doelgroep jongeren, vanaf 1 januari 2015, niet meer De aanpassing van de overheidsfinanciering van de VRT voor bediend met een specifiek aanbod. De VRT wil alle Vlamingen informeren, inspireren en verbinden, het jaar 2015 heeft tot gevolg dat een aantal opdrachten van > OD11.3.2 – Een specifiek aanbod voor jongeren en zo de Vlaamse samenleving versterken. de openbare omroep in 2015 teruggeschroefd of afgeschaft op VRT-Televisie dat uitgezonden wordt op een werden. Na overleg tussen de minister van Media en de VRT afzonderlijk kanaal (van Ketnet), wordt stopgezet De VRT wil als dienstverlenende organisatie een bijzondere positie kwamen beide partijen overeen om bepaalde verplichtingen vanaf 1 januari 2015. innemen in de samenleving. De VRT wil met een kwaliteitsvol en die opgenomen waren in de Beheersovereenkomst 2012- > OD11.3.3 – Het aanbod voor expats (Fans of Flanders) onderscheidend aanbod dat voortkomt uit zowel interne als externe 2016 tussen de Vlaamse Gemeenschap en de VRT aan te wordt vanaf 1 januari 2015 niet langer uitgezonden op creativiteit, vernieuwend is en inzet op durf en lef alle mediagebruikers passen of bij te sturen voor het jaar 2015.
  • The Low Countries. Jaargang 5

    The Low Countries. Jaargang 5

    The Low Countries. Jaargang 5 bron The Low Countries. Jaargang 5. Stichting Ons Erfdeel, Rekkem 1997-1998 Zie voor verantwoording: https://www.dbnl.org/tekst/_low001199701_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 12 Antwerp, World Port and Provincial City The name ‘Antwerp’ - or ‘Antwerpen’ as it is in Dutch - is related to the Middle Dutch ‘aenwerp’, meaning alluvial land, but no true citizen of Antwerp will accept this modest explanation. In the local dialect the ‘h’ of, for example, ‘hand’ is not sounded, and so clearly ‘Antwerpen’ derives from ‘Hand-werpen’, meaning ‘Hand throwing’. This explanation of the The Brabo fountain on the main square, by Jef Lambeaux (1887). name has its origin in the well-loved legend of the young hero Brabo, who freed the poor fishermen from the tyranny of the giant Antigoon. The giant would chop off and throw away the hand of any fisherman sailing down the River Scheldt who refused to pay a toll. After Brabo had defeated Antigoon, the Emperor allowed him to throw the giant's chopped-off hand from the tower of his stronghold, thereby demarcating the area of the new city. This legend comfortably links the origin of the city with the right to free navigation and liberation from tyranny. However, alongside the Antigoon legend, which the romantic nineteenth century consecrated with the impressive statue of the hand-throwing Brabo on the main square, there also persists another die-hard Antwerp self-image, and this one does have a historical basis.