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European Urology Today Official Newsletter of the European Association of Urology Vol
European Urology Today Official newsletter of the European Association of Urology Vol. 25 No.6/Vol. 26 No.1 - Dec. 2013/Jan. 2014 What to expect in Stockholm 9th SEEM in Greece From max to mini Get a preview of what’s on during the From ‘country debates’ to research awards, Needlescopic surgery is back and the interest is 4/5 EAU Congress in Stockholm 14 the SEEM takes a new turn 30 growing Urologists, medical and radiation oncologists come together 5th EMUC in Marseille gathers delegates from 61 countries By Loek Keizer Over the course of three days, three separate but intrinsically linked disciplines attended a scientific meeting and exchanged views on the treatment of radiotherapists approach tumours with probabilities urological cancers. The 5th edition of the European and sigmoid curves. I’m convinced that by learning Multidisciplinary Meeting on Urological Cancers each other’s language and working together in (EMUC) was organised by the EAU, the European multidisciplinary teams is the future for the treatment Society for Medical Oncology (ESMO) and the European of urological cancers.” Society for Radiotherapy and Oncology (ESTRO). On the current state of urological cancer treatment: The meeting took place at in Marseille from 15-17 “We shouldn’t be working as separate, sometimes November, at the capable facilities of the Palais des opposing columns within medicine: collaboration is Congrès at the Parc Chanot. The congress centre was a vital to receive funding and improve care for the brief boulevard stroll away from the Mediterranean patient. We are starting to see multidisciplinary coast, with a temperate breeze being a warm clinics in the United States, where urologists buy their welcome to visitors from Northern Europe. -
Het Beschrijf
Universiteit Gent Academiejaar 2006 – 2007 HET BESCHRIJF INTERNSHIP AT A LITERARY ORGANISATION Verhandeling voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad van master in de Meertalige Promotor: Prof. Dr. Geert Jacobs Bedrijfscommunicatie, door Sara Clauw. TABEL MET BESCHRIJVING VAN DE STAGE: VOORAAN IN TE VOEGEN BIJ DE SCRIPTIE Bedrijf Stagebegeleider Afdeling Taken Talen Periode Het beschrijf vzw Brigitte Neervoort / ondersteuning communicatie: schrijven N, E 2 mei – 28 juni A. Dansaertstraat 46 nieuwsbrieven, persbericht, teksten websites, 2007 1000 Brussel nalezen teksten, vertaalwerk… ondersteuning productie programma’s, (25 dagen) Telefoon : (02) 223 68 32 expo’s 2 ACKNOWLEDGEMENTS There are a number of people I would like to thank for their help with this dissertation. First of all I want to thank the people at Het beschrijf for giving me the opportunity to do my internship in their organisation. I am no less grateful to professor Geert Jacobs and Luc de Bie for their useful hints and advice. Finally, I would like to thank my family for their help and comments. 3 CONTENTS ACKNOWLEDGEMENTS ..................................................................................................... 3 CONTENTS .............................................................................................................................. 4 PREFACE ................................................................................................................................. 5 1. HET BESCHRIJF ............................................................................................................... -
Herman Brusselmans Star Author and (Reluctant) Public Intellectual
Werkwinkel 12(2), 2017, pp. 41-64 © Department of Dutch and South African Studies Faculty of English, Adam Mickiewicz University, Poznań, Poland DOI: 10.1515/werk-2017-0012 The Most Famous Writer of the Low Countries: Herman Brusselmans Star Author and (Reluctant) Public Intellectual RICK HONINGS Leiden University Department of Dutch Studies Universiteit Leiden P.N. van Eyckhof 3 2311 BV Leiden, The Netherlands [email protected] Abstract: The Flemish writer Herman Brusselmans is the most famous author of the Low Countries. In this article, Herman Brusselmans is analysed as a star author. First and foremost, two striking aspects of Brusselmans’s stardom are analysed: his public visibility and the cult of the private. Attention is then focused on Brusselmans’s expe- rience of celebrity, which he – like many other star authors – thematises in his books. Doing so, he consciously places himself in the context of popular culture. On the other hand, as a result of his celebrity status he has been expected – particularly in the last few years – to assume the role of public intellectual willy-nilly, and this in turn has had consequences for his work. Keywords: Herman Brusselmans; Flanders; star author; literary celebrity culture; public intellectual werkwinkel 12(2) 2017 PAPERS 42 Rick Honings Herman Brusselmans. Photo: Karoly Eff enberger PAPERS 12(2) 2017 werkwinkel The Most Famous Writer of the Low Countries: Herman Brusselmans. Star Author... 43 1. Introduction “I am just about the most famous writer,” Herman Brusselmans wrote as early as 1997 and this is no exaggeration. 1 Due to his striking image – his long hair, the cigarette as his faithful companion and his status as a womanizer and shock author – virtually everyone knows Brusselmans as the famous Flemish writer. -
With the Above Passage, the Flemish Reviewer and Publicist Marc
“THE NETHERLANDS IS DOING WELL. ALLOCHTOON WRITING TALENT IS BLOSSOMING THERE”: DEFINING FLEMISH LITERATURE, DESIRING “ALLOCHTOON” WRITING SARAH DE MUL Nederland heeft Hafid Bouazza … Nederland heeft Khalid Boudou .… Nederland heeft Abdelkader Benali … En Nederland heeft een paar mindere goden .… Ja, Nederland doet het goed. Allochtoon schrijftalent bloeit er. En in België? Er is misschien maar één iets dat de Vlaamse boekensector liever zou hebben dan een degelijk boekenprogramma op tv: een handvol allochtone schrijvers.1 With the above passage, the Flemish reviewer and publicist Marc Cloostermans opens an essay in his book De tak waarop wij zitten, in which he tackles the following issue: compared to the range of successful “allochtoon” writers debuting in the neighbouring Netherlands, there were up to that point no “allochtoon” writers emerging on the literary scene in Flanders. Around the turn of the millennium, not only Cloostermans but also various other critics and policymakers were bothered by the mysterious absence of “allochtoon” writers in Flanders. Where were they? Why did not they speak? What was wrong with Flanders that it did not have any? Although these questions were addressed in various ways, it was hard to find individuals who would dispute the assumption that Flanders was in need of “allochtoon” writers. 1 Marc Cloostermans, De tak waarop wij zitten: Berichten uit de boekenbranche, Antwerp: Epo – UNESCO Centrum Vlaanderen, 2006, 71ff.: “The Netherlands has Hafid Bouazza … The Netherlands has Khalid Boudou .… The Netherlands has Abdelkader Benali … And the Netherlands has a few minor Gods.… Yes, the Netherlands is doing well. Allochtoon writing talent is blossoming there. -
The Low Countries. Jaargang 5
The Low Countries. Jaargang 5 bron The Low Countries. Jaargang 5. Stichting Ons Erfdeel, Rekkem 1997-1998 Zie voor verantwoording: https://www.dbnl.org/tekst/_low001199701_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 12 Antwerp, World Port and Provincial City The name ‘Antwerp’ - or ‘Antwerpen’ as it is in Dutch - is related to the Middle Dutch ‘aenwerp’, meaning alluvial land, but no true citizen of Antwerp will accept this modest explanation. In the local dialect the ‘h’ of, for example, ‘hand’ is not sounded, and so clearly ‘Antwerpen’ derives from ‘Hand-werpen’, meaning ‘Hand throwing’. This explanation of the The Brabo fountain on the main square, by Jef Lambeaux (1887). name has its origin in the well-loved legend of the young hero Brabo, who freed the poor fishermen from the tyranny of the giant Antigoon. The giant would chop off and throw away the hand of any fisherman sailing down the River Scheldt who refused to pay a toll. After Brabo had defeated Antigoon, the Emperor allowed him to throw the giant's chopped-off hand from the tower of his stronghold, thereby demarcating the area of the new city. This legend comfortably links the origin of the city with the right to free navigation and liberation from tyranny. However, alongside the Antigoon legend, which the romantic nineteenth century consecrated with the impressive statue of the hand-throwing Brabo on the main square, there also persists another die-hard Antwerp self-image, and this one does have a historical basis.