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Donald J Trump: Nh Ững Điều C Ần Bi Ết Vĩnh T Ường
Th ời s ự Chính tr ị Mỹ Sưu t ầm - về Ông “Đô-la-Trâm” Donald J Trump: Nh ững Điều C ần Bi ết Vĩnh T ường Đúng v ậy! Có nhi ều ng ười b ảo r ằng tôi là th ường dân; tôi không c ần chính “ch ị” chính em gì c ả; tôi ch ỉ bầu cho b ất k ỳ ai trong đảng mà lâu nay tôi tin. Th ế có ngh ĩa là không c ần phán đoán, ch ọn lựa gì c ả vì đã có ng ười ch ọn s ẵn cho r ồi. Và b ầu c ử còn có ý ngh ĩa gì vì nó ch ẳng khác ở Vi ệt nam sau 1975 đến gi ờ! L ại có ng ười tin r ằng “th ường dân không làm chính tr ị”. Có đúng không n ếu nói r ằng ng ười dân không bao gi ờ ra kh ỏi xã h ội, không bao gi ờ ra kh ỏi sự chi phối sinh ho ạt hàng ngày trong khung c ảnh xã h ội d ưới th ể ch ế chính tr ị nh ất định mà họ đang s ống? N ếu câu tr ả lời là “Đúng” thì đã rõ m ỗi ng ười chúng ta không th ể không quan tâm đến v ấn đề chính tr ị, xã h ội chung quanh ta, tr ừ khi chúng ta t ừ bỏ hết nh ững gì thu ộc v ề chúng ta, đó chính là quy ền s ống an bình, th ịnh vượng và h ạnh phúc mà b ất k ỳ ai trong chúng ta c ũng đều hàng gi ờ đeo đuổi. -
PG Post 03.31.05 Vol.73#13F
The Prince George’s Post A COMMUNITY NEWSPAPER FOR PRINCE GEORGE’S COUNTY Since 1932 Vol. 75, No. 47 November 22 — November 28, 2007 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 Airspace Opened for Thanksgiving Fliers By DAN LAMOTHE Capital News Service BWI Thurgood Marshall Airport to Benefit from Decision essential projects, Bush said in his International Airport, said Jonathan 2006 Thanksgiving season, Dean WASHINGTON — Commercial prepared remarks, allowing its Dean, a BWI spokesman. said. Airport officials predict Nov. airliners will be able to fly unused employees to focus on limiting “It will benefit us, certainly, but 21, the day before Thanksgiving, military airspace to accommodate delays. BWI is typically a low-delay air- will be the busiest, with about an unprecedented number of peo- The decision benefits travelers port,” Dean said. “Of all the air- 74,000 travelers. ple traveling for Thanksgiving, using Baltimore-Washington ports serving the Northeast, we The changes will also be in President Bush has announced. International Thurgood Marshall have the lowest amount of delays place during the equally busy The additional airspace runs Airport, Maryland’s major airport, this year.” Christmas travel season, Bush said. from Maine to Florida. The Federal but not as much as it helps more About 490,000 travelers are Nationally, a record-setting 27 Aviation Administration will also delay-prone airports like New expected to use BWI from Nov. 19- million passengers are expected to About 490,000 travelers are expected to use BWI Thurgood place a moratorium on its non- York’s John F. -
All of the People, All of the Time: an Analysis of Public Reaction to the Use of Deception by Political Elites
All of the People, All of the Time: An Analysis of Public Reaction to the Use of Deception by Political Elites Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jakob A. Miller, B.A. Graduate Program in Political Science The Ohio State University 2017 Dissertation Committee: Thomas Nelson, Advisor Michael Neblo Nathaniel Swigger Copyright by Jakob A. Miller 2017 Abstract Despite the public's uniformly dismal assessment of politicians' honesty, they react by punishing some offences and seemingly ignoring others. I use data from multiple survey experiments as well as an examination of electoral polling data to show that public reaction to accusations of deception against politicians is guided by the principle of expectancy violations. I find that when deception is expected, it does not draw cognitive focus from members of the public, thereby causing the public to punish only lies they find unusual. In this way, a reputation as a liar may produce a sort of inoculation effect: that is, the fact that a politician is often accused of lying may contribute to public tolerance of them continuing to do so. ii Dedication To my family, for their unfailing love and support. Bless you. iii Acknowledgements I would first like to thank my committee. Thomas Nelson helped me to sort my ideas into an organized whole, and Michael Neblo and Nathaniel Swigger provided vital feedback and encouragement. I would also like to thank William Minozzi, who helped me get this project started in the first place. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers. -
The Apprentice Free Download
THE APPRENTICE FREE DOWNLOAD Tess Gerritsen | 366 pages | 01 Aug 2003 | Random House Publishing Group | 9780345447869 | English | New York, NY, United States Бизнес - шоу "The Apprentice" The player must perform well in a series of business tasks, played across 18 minigamesto avoid a boardroom confrontation with Donald Trump and his advisors, George Ross and Carolyn Kepcher. Currently, the show is being broadcast by Band and Canal Sony. The Apprentice Malaysian version spin-off in Asiastarted on October 3,and aired every Monday on He presents two weekly shows on The Apprentice Lord Sugar tweet broke UK advertising rules, says watchdog. Pro Sieben fires "Hire or Fire" - show cancelled after first episode which was The Apprentice byviewers 2. The candidates are divided into two teams, treated as "corporations" within the show. Add the first question. Wikinews has related news: Award show producers try Emmy Idol. Sign in. Talking Points Memo. The Apprentice: Martha Stewart. The Apprentice host says his wife is upset he The Apprentice never been allowed to keep a statuette. The Apprentice franchise. Unfortunately, applications are now closed for the The Apprentice, however, this may well change if they decide to do two series next year. Williams and Jeff Lippencott of Ah2 Music. Retrieved July 11, For more information about how we hold your personal data, please see our privacy policy. Key scenes were filmed in Rotterdamalthough the Boardroom scenes take place in a theatre in the city of Bredawhich is the city where Ouborg's HQ. It has a very different visual and musical style to the US series, and in keeping with BBC guidelines, features no product placement. -
The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases
Vanderbilt Journal of Entertainment & Technology Law Volume 8 Issue 1 Issue 1 - Winter 2005 Article 7 2005 The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases J. Matthew Sharp Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation J. Matthew Sharp, The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases, 8 Vanderbilt Journal of Entertainment and Technology Law 177 (2021) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol8/iss1/7 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. The Reality of Reality Television: Understanding the Unique Nature of the Reality Genre in Copyright Infringement Cases I. A BRIEF BACKGROUND ON COPYRIGHT INFRINGEMENT ............... 180 A. Protectinga Compilation of Ideas ..................... 181 B. SubstantialSimilarity and the Tests for Infringement ..... 183 II. RECENT CASES INVOLVING REALITY SHOWS AND IN FRIN GEM EN T ........................................................................... 186 III. THE PROBLEM: THE UNIQUENESS OF THE REALITY GENRE ..... 193 A. The Differences -
Into Aspohyxiated
1! INTO ASPHYXIATED AIR Part 1: My Empathy Trek with The Trump Voter Vincent Greenwood, Ph.D., Executive Director “I hoped something would be gained by spilling my soul in the calamity’s immediate after- math, in the roil and torment of the moment… it hasn’t, of course.” -Jon Krakauer from Into Thin Air In 1996, 630 climbers attempted to reach the summit of Mt. Everest and 155 died. On May 10 of that year alone, 9 died, marking it as the deadliest day in the history of mountaineer- ing. On that day at 1pm, Jon Krakauer, a climber and journalist, stood on the summit, one foot in 2! China, one in Nepal. He had been hired by Outsider magazine to write a story about a growing trend: the development of commercial climbing expeditions, which many in the serious climbing community derisively termed the “monetization” of Everest. There is no question that the rivalry between such for-profit enterprises opened the door to amateurism, compromised safety procedures, and encouraged greed, hubris and poor judg- ment, borne of the need to deliver the goods (securing the summit) because the price was so steep: 65 grand back then, mostly ponied up by wealthy Western clients, some with scant climb- ing experience. On that ill-fated day, five such expeditions were zeroing in on the summit. Bot- tlenecks were created which exacerbated organizational and communication problems, certainly a key factor in the disaster that developed that day. Krakauer gazed at the vista below, the Tibetan Plateau, and beyond, where one can dis- cern the curvature of the Earth. -
Trump's New Face of Power in America
Trump’s New Face of Power in America (updated and revised June 2021) Bob Hanke1 York University, Toronto, Canada Abstract: This article proposes that the advent of Trumpism was an historical moment of danger that compels us to analyze the micropolitics of the present. In the first part, I describe the constellation that gave rise to Trumpism. In the second part, I recall Goffman’s concept of face-work and discuss how it remains relevant for describing Trump’s aggressive face-work. In the third part, I take Deleuze and Guattari’s concept of faciality as a point of departure for understanding micro- fascism. As an abstract machine, Trump’s faciality engendered and diffused fascisizing micropolitics around a messenger/disrupter in chief. It worked in connection with a landscape and relative to a collective assemblage of enunciation that extracted a territory of perception and affect. In the micropolitics of the present, the defining feature of Trumpism was how the corrupt abuse of power and the counterforces limiting his potency collided on an ominous, convulsive political reality TV show that threatened US democracy. Keywords: Trumpism, face-work, faciality, assemblage, micropolitics, impeachment, coronavirus pandemic We are all sufferers from history, but the paranoid is a double sufferer, since he is afflicted not only by the real world, with the rest of us, but by his fantasies as well. – Richard Hofstadter (1964) When a man unprincipled in private life desperate in his fortune, bold in his temper, possessed of considerable talents, -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
March 2011 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on Lights, Camera, Action – and Brands! Brand in Entertainment CEO Rolfe Auerbach explains why DR marketers should try brand integration. BY CHRIS ROSICA The President’s Corner DVRs, TiVo and Hulu.com are just a few of the reasons why advertisers have created alternative ways to reach audiences rather than rely on traditional commercials. In Our first joint venture with the AIMP, the Music Industry movies, television programs, video games, live theater Toolbox on February 22nd, was an astounding success. productions, books—virtually every form of Hundreds of music industry professional flooded the entertainment—branded products increasingly have Gibson Showroom in Beverly Hills to network and check roles. Not only are products seen in passing like the out the products and services of cutting edge companies cereals on the shelves in Jerry Seinfeld’s kitchen, they in music and income tracking. are woven into plots. Giving products cameos or even I look forward to this evening's panel on Branding in the bigger parts has become a widely used and accepted Music Industry, moderated by CCC Past-President marketing practice, especially in movies. Cheryl Hodgson. Please make sure to join us next month when Past-President Teri Nelson Carpenter moderates a Movie-goers have grown accustomed to seeing familiar panel of guest from overseas discussing changes in the products on screen and even having them used as plot music industry from an International perspective. -
Showcase Luncheon EWTG's Calendar of Events
PUBLISHED BY EXECUTIVE WOMEN IN TEXAS GOVERNMENT JANUARY 2007 Showcase Luncheon Roxanne Wilson “Lessons from the Austin Apprentice” by Laure McLaughlin, 2006 Program Director EWTG’s Austin attorney Roxanne Wilson is used to challenges. Calendar of Events As an undergraduate at Baylor University, she was the first woman, the second African American member, and later, the president of the Baylor Chamber of January 24 Showcase Luncheon Commerce. While a University of Michigan law student, she received a leadership award for helping raise more than $200,000 in grants for law students wishing to Austin Woman’s Club, 708 San spend their summers working in non-paid, service-based legal positions. And before Antonio, at noon. Speaker: Roxanne becoming an appellate attorney with Winstead Sechrest & Minick PC in Austin, Wilson, Austin appellate attorney. Roxanne clerked for two justices of the Supreme Court of Texas. Topic: Lessons from the Austin Apprentice. For information and Her biggest and most recent challenge, however, was becoming one of the four reservations, contact [email protected] or call 512.248.2044 (note new finalists during the fifth season of NBC’s show, The Apprentice, the first African number). American woman to do so. “The Donald” Trump said of her, “Roxanne is very, very smart...brilliant...she is really something.” He continued, stating, “You’re a very good February 28 Scholarship speaker... I would like to have you represent me in court. You are very impressive." Application Deadline Besides remaining active in Baylor alumni organizations, Roxanne remains involved EWTG scholarships are awarded on in her community as a founding member of the Riverbend Church’s Young a quarterly basis to those wanting an opportunity for professional Professionals group, Riverbend choir member, Jazzercise instructor and franchisee, advancement or personal growth. -
Reinventing Nollywood: the Impact of Online Funding and Distribution on Nigerian
Reinventing Nollywood: the impact of online funding and distribution on Nigerian cinema Abstract The Nigerian film industry often referred to as Nollywood, is currently experiencing significant transformations in its mode of production and distribution. These far-reaching transformations are driven by tech-savvy Nigerian filmmakers who are willing to consider innovative models in the filmmaking practice – from crowdfunding to content distribution via online platforms – in their effort to become relevant in the changing digital global marketplace. Drawing on pertinent case studies and in-depth interviews with stakeholders in the Nigerian film industry, this paper suggests that advances in digital technologies, such as the Internet and digital media are creating new ways for ‘new generation’ filmmakers in Nigeria to fund and circulate their creative work to a vast global audience. Keywords Nollywood, new media, digital distribution, Nigerian cinema, crowdfunding, crowdsourcing, online distribution, digital media, digital filmmaking, digital cinema. Introduction Whilst the mode of screen content production, circulation and consumption continue to transform in an age that is driven by technological innovations, change in market dynamics and audience behaviour are radically altering traditional business models globally. The drift is overthrowing institutional relationships, cultural hierarchies, and conventional business models (Curtin et al, 2014). In Nigeria especially, some of the traditional business models associated with the industry have become less viable as emerging and established filmmakers are increasingly looking to the Internet as an alternative means to raise funds and distribute their work. Although some of these web-based funding and distribution models are in their infancy, current trends in Nollywood suggest that these innovative approaches to film finance and distribution are gradually establishing themselves alongside the traditional Nollywood system. -
Alluvion! Seizing Momentum Driving Change
ALLUVION! SEIZING MOMENTUM DRIVING CHANGE ALLUVION! SEIZING MOMENTUM DRIVING CHANGE ALLUVION! SEIZING MOMENTUM DRIVING CHANGE WELCOME! Alluvion! Seizing Momentum, Driving Change Africa matters! Africa’s economic pulse has quickened, infusing the continent with new commercial vibrancy. Africa’s economic growth has given rise to an environment that can be characterized as “Alluvion” By definition this is an overflowing; an inundation; a flood of change. Relationships, policies, institutions are currently inundated with ideas and changing in non-linear ways. Continent wide, organizations are working at intersections of policy, institutional and behavior change to address those issues. There is an unprecedent- ed opportunity for a more strategic and collaborative, social impact agenda and a need to be adept at seizing the opportunities present in this overflow environment. Current dynamics are highly favorable for strengthening cross-sectoral collaboration. Over the last few years, new spaces have opened up for engaging actors around their com- parative advantages and respective interests as the benefits of partnering have become obvious. The private sector understands that it needs the access and knowledge of local partners and national governments to grasp the enormous opportunities available. Gover- ments and civil society organizations are recognizing the value of the resources, capaci- ties, and expertise that the private sector can bring to their development efforts. As the interests of various sectors continue to converge and improvements in regulatory environ- Doyin Oluntona ments make cooperating easier and safer, opportunities for partnerships continue to grow. Co-Founder/CEO, Uturn Africa The private sector is incentivized to invest in well thought out social ventures not just for immediate returns but for longer-term change that will strengthen the entire value chain and social stability.