The Vexilloid Tabloid #2, July 2004
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eflags03.Pdf
ISSUE 3 March 2007 Greetings all Flag Institute members and welcome to our third edition of eFlags. As you can see we have developed our logo a bit now….at least it’s memorable! This edition seems to have developed something of an African theme growing out of the chairman’s visit to the cinema to see the ‘Last King of Scotland’ (an amazing and flesh cringing film…well worth a visit by the way). Events have also moved fast in the Institute’s development, and we hope the final section will keep you all in touch. Please do think about coming to one of our meetings, they are great fun, ( its one of the few occasions when you can talk about flags and not face the ridicule of your family or friends!) and we have a line up of some fascinating presentations. As always any comments or suggestions would be gratefully received at [email protected] . THE EMPEROR, THE MIGHTY WARRIOR & THE LORD OF THE ALL THE BEASTS page 2 NEW FLAG DISCOVERED page 9 FLAGS IN THE NEWS page 10 SITES OF VEXILLOGICAL INTEREST page 11 PUTTING A FACE ON FLAGS page 12 FLAG INSTITUTE EVENTS page 13 NEW COUNCIL MEMBERS page 14 HOW TO GET IN TOUCH WITH THE INSTITUTE page 15 1 The Emperor, the Mighty Warrior and the Lord of All the Beasts. The 1970s in Africa saw the rise of a number of ‘colourful’ figures in the national histories of various countries. Of course the term ‘colourful’ here is used to mean that very African blend of an eccentric figure of fun, with brutal psychopath. -
British Royal Banners 1199–Present
British Royal Banners 1199 – Present Geoff Parsons & Michael Faul Abstract The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. It continues to show how King Edward III added the French Royal Arms, consequent to his claim to the French throne. There is then the change from “France Ancient” to “France Modern” by King Henry IV in 1405, which set the pattern of the arms and the standard for the next 198 years. The story then proceeds to show how, over the ensuing 234 years, there were no fewer than six versions of the standard until the adoption of the present pattern in 1837. The presentation includes pictures of all the designs, noting that, in the early stages, the arms appeared more often as a surcoat than a flag. There is also some anecdotal information regarding the various patterns. Anne (1702–1714) Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 799 British Royal Banners 1199 – Present Figure 1 Introduction The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. Although we often refer to these flags as Royal Standards, strictly speaking, they are not standard but heraldic banners which are based on the Coats of Arms of the British Monarchs. Figure 2 William I (1066–1087) The first use of the coats of arms would have been exactly that, worn as surcoats by medieval knights. -
STELLAR FLAGS by Scott Mainwaring Stellar Flags 1 Tion of That Word
Portland Flag Association Publication 1 Portland Flag Association ―Free, and Worth Every Penny!‖ Issue 11 October 2006 INSIDE THIS ISSUE: STELLAR FLAGS By Scott Mainwaring Stellar Flags 1 tion of that word. Never mind that real stars are twinkling point sources Pirate Flags 2 Flag design has long looked to the natural world and its phenomena as a of light (except for certain stars ob- Some Flag Related Websites 3 source of inspiration and symbolism. served through powerful telescopes October 2006 Flutterings 3 Much of this vocabulary is earth- which can resolve an actual disc of Next Meeting Announcement 4 bound, making use of plants, ani- light) that bear, at most, a very rough Flags in the News 4 mals, and landscape features. But resemblance to the decagonal shapes Correction 4 perhaps as much of it is celestial, one learns to draw as a child. Just The Flag Quiz 7 making use of astronomical objects say that it‘s our cultural convention to depict stars in this way, and that like the Sun, the Moon, and the stars – this last being the focus of this arti- depiction of a natural object is what cle. Let's call a flag with such a rela- indeed is going on in almost all cases. tionship a stellar flag. At first glance, This may be the case, but if so, this is ―stellar flag‖ is a huge category – a very weak sense of ―stellar.‖ It stars on flags are in no short supply. seems more apt to say that, even if As a rough (under-) estimate, originally inspired by the natural as- Wikipedia (as of 10/4/06) lists 403 tronomical object, most stars on current and historical flags with one most flags (like most stars in most or more stars. -
THE EAST LOTHIAN FLAG COMPETITION the Recent
THE EAST LOTHIAN FLAG COMPETITION The recent competition held to select a flag for the county of East Lothian, elicited four finalists; three of these were widely criticised for falling short of good design practice, as promoted for several years, by such bodies as the North American Vexillological Association and the Flag Institute. The latter’s Creating Local & Community Flags guide , as recently advertised by the Flag Institute's official Twitter feed on Monday 8th October 2018, states on page 7, that "Designs making it to the shortlist of finalists must meet Flag Institute design guidelines to ensure that all potential winning designs are capable of being registered." and further notes that "Flags are intended to perform a specific, important function. In order to do this there are basic design standards which need to be met." Page 8 of the same guide, also declares, "Before registering a new flag on the UK Flag Registry the Flag Institute will ensure that a flag design: Meets basic graphical standards." This critique demonstrates how the three flags examined, do not meet many of the basic design standards and therefore do not perform the specific and important intended functions. As a result, on its own grounds, none of the three can be registered by the Flag Institute. Flag B Aside from the shortcomings of its design, Flag B fails to meet the Flag Institute's basic requirement that any county flag placed on the UK Flag Registry cannot represent a modern administrative area. The Flag Institute’s previously cited, community flag guide, describes on page 6, the categories of flags that may be registered; "There are three types of flag that might qualify for inclusion in the UK Flag Registry: local community flags (including cities, towns and villages), historic county flags and flags for other types of traditional areas, such as islands or provinces. -
Commission Report Final UK
JOINT COMMISSION ON VEXILLOGRAPHIC PRINCIPLES of The Flag Institute and North American Vexillological Association ! ! THE COMMISSION’S REPORT ON THE GUIDING PRINCIPLES OF FLAG DESIGN 1st October 2014 These principles have been adopted by The Flag Institute and North American Vexillological Association | Association nord-américaine de vexillologie, based on the recommendations of a Joint Commission convened by Charles Ashburner (Chief Executive, The Flag Institute) and Hugh Brady (President, NAVA). The members of the Joint Commission were: Graham M.P. Bartram (Chairman) Edward B. Kaye Jason Saber Charles A. Spain Philip S. Tibbetts Introduction This report attempts to lay out for the public benefit some basic guidelines to help those developing new flags for their communities and organizations, or suggesting refinements to existing ones. Flags perform a very powerful function and this best practice advice is intended to help with optimising the ability of flags to fulfil this function. The principles contained within it are only guidelines, as for each “don’t do this” there is almost certainly a flag which does just that and yet works. An obvious example would be item 3.1 “fewer colours”, yet who would deny that both the flag of South Africa and the Gay Pride Flag work well, despite having six colours each. An important part of a flag is its aesthetic appeal, but as the the 18th century Scottish philosopher, David Hume, wrote, “Beauty in things exists merely in the mind which contemplates them.” Different cultures will prefer different aesthetics, so a general set of principles, such as this report, cannot hope to cover what will and will not work aesthetically. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
An Argument from Design
Raising the Standard: An Argument from Design Tony Burton Abstract The creative process and principles informing the design of some special purpose and other flags lead to conclusions for flag design in general. The dynamics of metaphor and shape- shifting are considered. The scope for greater pageantry and innovation in flag design is explored. Current national flags of complex or awkward design present a challenge. Possible remedies are suggested. To paraphrase a famous utterance, the known delivers the unknown, and as at least one national flag of recent vintage demonstrates, the unknown can lead to an unforeseen, but serendipitous result. Among the many instances of how not to design a flag, how to is more worthwhile. Vexillologists have higher standards. Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 83 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN Tony Burton Flags Australia Tony Burton—Raising the Standard 84 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION FLAG DESIGN REALITIES GUIDELINES SOME CONGRESS FLAGS ICV 24 ICV 26 SHAPE-SHIFTING ICV 8 OTHER FLAGS CANADA BANGLADESH SURINAM(E) SOUTH AFRICA DESIGN CHANGE POSSIBILITIES MOZAMBIQUE CYPRUS DOMINICA ST VINCENT AND THE GRENADINES DESIGN ECONOMY AND A FUTURE FLAG AUSTRALIA EUREKA A CONSERVATIVE APPROACH RADICAL ORIGAMI A PARAGON OF DESIGN PRACTICAL GUIDELINES THE EUREKA MOMENT —A THEORETICAL FRAMEWORK NOTES BIBLIOGRAPHY APPENDIX A BANNER OF THE 26TH ICV SYDNEY 2015 APPENDIX B CANADA’S FLAG DESIGN QUEST Tony Burton—Raising the Standard 85 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION Flags have evolved in many ways from the medieval models paraphrased in the title slide— and not always with their clarity and flair. -
Union Flag Or Union Jack?
UNION FLAG OR UNION JACK? An Official Flag Institute Guide INDEX Foreword by the Chairman of the Flags & Heraldry Committee ...............................................................1 Introduction ............................................................................................................................................2 David Lister .............................................................................................................................................2 The Many Names of the Flag ...................................................................................................................3 Derivation of the Word “Jack” .................................................................................................................3 Origins of Flags in the Fore of Ships .........................................................................................................3 The Name of the Flag in Royal Proclamations ......................................................................................... 4 The Name of the Flag in Official Statements ........................................................................................... 6 Writers About Flags ................................................................................................................................ 6 The Jack and the Jack-Staff ...................................................................................................................... 8 Conclusion: Union Flag or Union Jack? ................................................................................................. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
Did Dürer Intentionally Show Only His Second-Best Magic Square?
Did D¨urer Intentionally Show Only His Second-Best Magic Square? William H. Press The University of Texas at Austin December 25, 2009 1 Introduction Albrecht D¨urer’s magic square, which appears as one of many scientific-mathe- matical allusions in the 1514 engraving Melencolia I [1], plays a key role in Dan Brown’s recent popular thriller, The Lost Symbol [2]. No longer a mere artifact of recreational mathematics, the D¨urer square has been elevated to the status of pop cultural meme. The square, which we will call “DA” (for reasons soon to be clear) is 16 3 2 13 5 10 11 8 ≡ DA (1) 9 6 712 4 15 14 1 DA is of order n = 4 and is “normal,” meaning that it is composed of the positive integers 1 to n2, and that its rows, columns, and diagonals sum to n(n2 + 1) S = = 34 (2) 2 Within DA, the sum S is also to be found in a variety of other places [3] (hereafter abbreviated by the terms following in italics), including, • the four 2 × 2 quadrants, e.g., 16+3+5+10 (quads) • the outer corners, 16+13+4+1 (corners) • the inner 2 × 2 box, 10+11+6+7 (inner), • the corners of the four enclosed 3×3 squares, e.g., 16+2+9+7(3-squares), • the corners of the centered 4 × 2 and 2 × 4 rectangles 3+2+15+14 and 5+8+9+12(rects) • the corners of the two diagonal 2 × 3 rectangles 2+8+15+9 and 5+3+ 12+14 (diagrects) 1 • the two skewed squares 8+14+9+3 and 2+12+15+5 (skewsquares) • the cruciform (Latin cross) shapes 3 +5 +15+11 and 2 +10+14 +8 (latin) • the upside-down cruciforms (St. -
The Nordic Cross Flag: Crusade and Conquest April 22, 2020 Show Transcript
Season 1, Episode 5: The Nordic Cross Flag: Crusade and Conquest April 22, 2020 Show Transcript Welcome back to another episode of Why the Flag?, the show that explores the stories behind the flags, and how these symbols impact our world, our histories, and ourselves. I’m Simon Mullin. On the last episode, we discussed the Y Ddraig Goch – the red dragon flag of Wales – and the deep historical and mythological origins of the red dragon on a green and white ground. We traveled back nearly 2,000 years to the Roman conquest of Britannia and the introduction of the dragon standard to the British Isles by the Iranian-Eastern European Sarmatian cavalry stationed at Hadrian’s Wall. We explored how the dragon was adopted by the Roman army as a standard, and after their withdrawal from Britannia, its mythological rise as the symbol of Uther Pendragon and King Arthur, and then its resurrection by Henry VII – whose 15th Century battle standard closely resembles the flag of Wales we see today. National mythology plays a significant role in shaping our identities and how we see ourselves as a community and as a people. And, as we found in episode 4, these mythologies are instrumental in shaping how we design and emotionally connect to our national flags. We’re going to continue this theme about the cross-section of history, mythology, and national identity on the episode today as we discuss the rise of the Nordic Cross, a symbol that shapes the flags of all eight Nordic and Scandinavian countries today, and rules over nearly 28 million citizens speaking 15 distinct languages. -
Vexillum, March 2018, No. 1
Research and news of the North American Vexillological Association March 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Mars 2018 1 INSIDE Page Editor’s Note 2 President’s Column 3 2017 NAVA Membership Map 3 Steamboat’s a-Comin’: Flags Used Incorporating NAVA News and Flag Research Quarterly Afloat in the Nineteenth Century 4 The Mississippi Identity: Summary of an Academic Project in Flag Design 11 Flag Heritage Foundation: Japanese Heraldry and Heraldic Flags 12 Regional Groups Report: PFA and VAST 12 • Grants Committee Report • Letters • New Flags • Projected Publication Schedule 13 11 Oh Say, Can You See...? 14 Captain William Driver Award Guidelines 16 Treasurer’s Report 16 Flags for the Fallen 18 Annual Meeting Notice, Call for Papers 24 18 4 2 | March 2018 • Vexillum No. 1 March / Mars 2018 Issue 1 / Numéro 1 Editor's Note | Note de la rédaction Dear Reader: No. 1 Welcome to the first edition of Vexillum. Please allow me to explain its origins and our Research and news of the North American plans for it. Vexillological Association / Recherche et NAVA has a long history of publishing for its members and others interested in vexill- nouvelles de l’Association nord-américaine ological matters. NAVA News began in 1967 as a newsletter about association affairs, and de vexillologie. Published quarterly / Publié later expanded its coverage to include reprints of newspaper articles about flags and original quatre fois par an. research papers. Raven has delivered twenty-four volumes of peer-reviewed vexillological Please submit correspondence and research since 1994. In 2013, Flag Research Quarterly was launched to provide a forum for submissions to / Veuillez envoyer toute correspondance à l’adresse suivante: amply illustrated, shorter research articles.