DOCSLIB.ORG

Cannes Dance Festival, an International and Festive Programme to Celebrate Its 20Th Edition. from 20Th to 29Th November 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cannes Dance Festival, an International and Festive Programme to Celebrate Its 20Th Edition. from 20Th to 29Th November 2015 Cannes Dance Festival, an international and festive programme to celebrate its 20th edition. From 20th to 29th November 2015 The City of Cannes has entrusted Brigitte Lefèvre with the artistic direction of the Dance Festival: a festive menu for the celebration of the 20th edition. With its fourteen shows, six of which are French creations or premieres, the Festival presents us with a joyous and rich edition, open on the world and crossing all aesthetics of dance. The Cannes Dance Festival is fully confident in its choices, and has brought together, in this one and same edition, great and grand ballets but also bold contemporary creations, all this on a fully international scale. For this edition, Brigitte Lefèvre lays out her own vision of dance in all its variety and diversity. The 20th edition will open with a splash, with the exceptional visit – in the framework of the France-Korea Year - of the National Dance Company of Korea, presenting Vortex by the Finnish choreographer Tero Saarinen. This sensitive, delicate and poetic piece is emblematic of the trajectories and interactions that always have been part of the DNA of dance with its multiple sources of inspiration from the four corners of the earth. So, to be part of this culture trip, the Festival has, among its starring guests, dancers ranging from Brazil to the far-flung Mediterranean shores, from Sweden to Spain, from Belgium to America en passant by France. Real or imaginary crossings, the choreographers themselves, on the crest of the wave of discovery, are certainly not new to navigating different countries, different identities. Thus the Brazilian choreographer Deborah Colker, plunges the spectator delightfully into the heart of Russian literature with Tatvana (Tatiana), an original, sensitive and inspired interpretation of Pushkin’s masterpiece Eugène Onéguine (Eugene Oneguin). The new directors of the CCN (National Choreographic Centre) of Franche-Comté in Belfort, Héla Fattoumi and Eric Lamoureux have joined the Swedish singer and composer Peter von Poehl, star of Swedish post-rock, with his amazing Waves. José Martinez, ex-dancer Etoile of the Paris Opera Ballet and director of the Compagnie Nationale de Danse d’Espagne (National Dance Company of Spain) plays the ‘local colour’ card with his presentation of a flamboyant Carmen, whilst the Lyons Opera Ballet, directed by Yorgos Loukos, transports us into the universe of the brilliant choreographer Jiří Kylián with three pieces in a programme that is both Baroque and nostalgic. As for the American choreographer Daniel Linehan who studied in Brussels under Anne Teresa De Keersmaeker but now lives in France, he invents, with his dbddbb, a choreographic reflection on the rhythm of walking and marching… but perturbed by a Dadaist spirit! And the Belgian choreographer Michèle Noiret presents a new score on the music of the German composer Karlheinz Stockhausen, Palimpseste. In this chapter of phantasmatic countries, Hervé Koubi, who, after claiming loud and clear his Algerian origins, looks into those strange Peoples of the Sea, those tribes of uncertain origin in Les Nuits barbares ou Les premiers matins du monde (Barbarian Nights or The First Mornings of the World). The new director of the CCN of Montpellier Languedoc-Roussillon, Christian Rizzo, works motifs taken from the history of popular and anonymous dance, that is to say dancing in twos, by joining up with the Taiwan artist Juan- hau Chiang, creator of breath-taking synthetic images. Catherine Diverrès, galvanised from her beginnings by her love of Japan, has transformed her dancers into living calligraphies. As for Kader Belarbi, ex-dancer Etoile of the Paris Opera Ballet, now director of the Ballet du Capitole de Toulouse, he imagines a new dialogue altogether between La Bête et la Belle (The Beast and Beauty) peopled with creatures of fantasy. Finally, Josette Baïz, offers a different version of her show, including a Damien Jalet creation, with a host of choreographers from all horizons, Guests, and her troupe of astoundingly dynamic young dancers. 1 But the journey wouldn’t be complete, if it didn’t include France, the country that devised the skilful refinements of dance. And who but the Dancing School of the Opéra de Paris, is more witness to the eternal vivacity of that famous “French School”? Elisabeth Platel brings a very symbolic programme that combines Jacques Garnier’s Aunis and Léo Staats’ Soir de Fête but will also show us, through her Master-classes of 1st division, the actual teaching methods - the core - of the Ecole de Danse. Around the Festival This anniversary is also the opportunity for encouraging meetings, debates, discussions, master-classes and practical work-shops that have been part of the DNA of this Dance Festival of Cannes since its beginnings. 2 thematic colloquiums “TraditionS in MouvementS”, organised by the University of Nice Sophia-Antipolis, department of Arts - Dance Section and Centre of Research CTEL / National Centre of Dance / Cannes Dance Festival. Tradition subtly links present-day gestures and those of the past, revealing a vibrant and moving dynamics, part of choreographic creations as in cultural and social practice too. The researchers are in Cannes to discuss this. Guest artists; Catherine Diverrès, Tero Saarinen and Christian Rizzo… “Dance in Company” will broach, in an interdisciplinary manner, all the thematic interactions that constitute the status quo of choreographic art today. The Studiotrade platform, orchestrated by the Compagnie Humaine, will present choreographers and pieces reflecting the diversity of an independent European dance scene: Legitimate Bodies Dance Company (Ireland) / Arno Schuitemaker (Netherlands) / K&C Kekäläinen & Company (Finland) The Festival will begin its 2015 edition by a big celebration: its “Bal Flash”: Let’s celebrate the 20th edition of the Cannes Dance Festival! Sunday 22nd November at 2 pm – On the forecourt La Terrasse du Palais des Festivals et des Congrès. Passers-by and enthusiasts are invited to morph into “dancers of a day” to re-enact the History of the Cannes Dance Festival by means of dance sequences borrowed from pieces that the Festival has presented since 1985. From Maguy Marin to Philippe Decouflé including Mourad Merzouki, Ohad Naharin, Mats Ek or again Angelin Preliocal. Hervé Koubi will create an original choreography available on the website of the Dance Festival so that everybody can practise! Information: Direction de l’Evènementiel (Events Management): 04 92 99 33 83 www.festivaldedanse-cannes.com www.palaisdesfestivals.com www.cannes-destination.fr Ticket Office : Palais des Festivals et des Congrès Tel : 04 92 98 62 77 Follow us on the social networks : Twitter Facebook Cannes is yours Festival de Danse de Cannes Palais des Festivals Cannes is yours Instagram Palais des Festivals Cannes is yours PRESS CONTACTS Cannes - Palais des Festivals et des Congrès : Paris - Agence Opus 64 : Elisabeth Lara Valérie Samuel T : 04 92 99 84 46 T : 01 40 26 77 94 [email protected] [email protected] Blandine Dugenetay Patricia Gangloff T : 04 92 99 84 45 T : 01 40 26 77 94 [email protected] [email protected] 2 P R O G R A M M E D A N C E F E S T I V A L from 20th to 29th November Friday 20th November >20h30 - Palais des Festivals / Grand Auditorium COMPAGNIE NATIONALE DE DANSE DE COREE « VORTEX » (French premiere) – Choreography : Tero Saarinen In the framework of the France-Korea Year Saturday 21st November >18h – Théâtre La Licorne Shared Evening MICHELE NOIRET « Palimpseste » CATHERINE DIVERRES - « Dentro » (French premiere - 2015 creation - coproduction) >20h30 - Palais des Festivals / Théâtre Debussy CCN FRANCHE-COMTE à BELFORT « Waves » - Choreography : Héla Fattoumi / Eric Lamoureux (2014 creation) Sunday 22nd November > 14h – Parvis Palais des Festivals th BAL FLASH : Let’s celebrate the 20 edition of the Dance Festival! >15h - Palais des Festivals / Grand Auditorium ECOLE DE DANSE L’OPERA DE PARIS Demonstrations of 2 classes of 1st division / « Aunis » (Jacques Garnier, choreograrphy - Maurice Pacher, music / « Soir de fête » (Léo Delibes, music / Léo Staats, choreography) >18h - Théâtre Croisette Hôtel JW Marriott CHRISTIAN RIZZO - “ad noctum” (2015 creation - coproduction) Thursday 26th November >20h30 - Palais des Festivals / Grand Auditorium BALLET DU CAPITOLE « La Bête et la Belle » - Choreography : Kader Belarbi (2005 creation for the Grands Ballets Canadiens rerun in October 2013 in Toulouse) Friday 27th November >18h - Théâtre Croisette Hôtel JW Marriott GROUPE GRENADE - JOSETTE BAIZ « Guests II» (French premiere – 2015 creation - coproduction) Duo « Déserts d’Amour » - Dominique Bagouet (extract) / « Homage to Trisha Brown » - re-creation Josette Baïz / « Entity » - Wayne McGregor | solo Random Dance’s entity (extract) / « L'évocation » - Damien Jalet (extract 2015 creation) / « Brilliant Corners » - Emanuel Gat (extract) / « Uprising » - Hofesh Shechter (extract) >20h30 - Palais des Festivals / Théâtre Debussy CIA DEBORAH COLKER « Tatyana » (French premiere) Saturday 28th November > 15h – Salle Les Arlucs PLATEFORME STUDIOTRADE (European network of choreographers, producers and dance organisations) CARTE BLANCHE CIE HUMAINE - Eric OBERDORFF >18h – Théâtre La Licorne CO. HIATUS - DANIEL LINEHAN - « dbddbb » (2015 creation - coproduction) >20h30 - Palais des Festivals / Grand Auditorium BALLET DE L’OPERA DE LYON Jiří Kylián: « Bella Figura » « Heart's Labyrinth » « 27'52" » Sunday 29th November >15h - Théâtre
Load more

Recommended publications
  • Dossier De Presse
    18e édition 19 juin > 12 juillet 2013 04 91 99 02 50 festivaldemarseille.com Contacts Dossier Cécile Robert Isabelle Juanco Attachée relations presse Responsable communication 04 91 99 02 55 04 91 99 02 58 de presse [email protected] [email protected] Calendrier JUIN juiLLET festival de Marseille samedi La comédie musicale égyptienne lundi La Bataille d’Alger danse et arts er multiples 15 Projection 1 Projection 2 Bill T. Jones / Arnie Zane mardi Batsheva Dance Company mercredi Dance Company Sadeh21 Play and Play: An Evening 2 Danse 19 of Movement and Music Danse mercredi Batsheva Dance Company Deca Dance Bill T. Jones / Arnie Zane 3 Danse jeudi Dance Company Play and Play: An Evening Hubert Colas / 20 of Movement and Music jeudi Sonia Chiambretto Danse 4 GRATTE-CIel Théâtre | CRÉatION samedi Ryoji Ikeda superposition Hubert Colas / 22 Musique / Arts numériques vendredi Sonia Chiambretto GRATTE-CIel mardi 5 Chercheuses d’or Théâtre | CRÉatION 25 Projection Sasha Waltz & Guests Les Chaussons rouges Körper Danse Projection samedi mercredi … … 26 Pierre Droulers 6 Hubert Colas / Soleils Sonia Chiambretto Danse | PREMIÈRE EN FRANCE GRATTE-CIel Théâtre | CRÉatION Flamenco, Flamenco Hubert Colas / Projection dimanche jeudi Sonia Chiambretto … 7 GRATTE-CIel 27 Pierre Droulers Théâtre | CRÉatION Soleils Danse | PREMIÈRE EN FRANCE mardi Georges Appaix / La Liseuse vendredi Univers Light Oblique Orfeu Negro 9 Danse | CRÉatION 28 Projection Georges Appaix / La Liseuse mercredi Que le Spectacle commence Univers Light
    [Show full text]
  • Télécharger Le Programme De Salle Depuis Votre Smartphone
    Emanuel Gat — Bouchra Ouizguen Daina Ashbee — Raimund Hoghe Orlin Robyn Legrand— Catherine / Bagouet Dominique Sharon Sharon Eyal & Gai Behar — Michèle Murray Mourad Merzouki Batsheva Batsheva Dance Company / Ohad Naharin Sylvie Giron & Jean-Charles Di Zazzo Di Jean-Charles Giron & Sylvie í Kylián ř Ballet Ballet de l’Opéra de Lyon / Ji Mathilde Monnier & Olivier Saillard Aina Alegre Kader — & David Attou Wampach Christian Rizzo Anne Anne Teresa De Keersmaeker & Pavel Kolesnikov Nadia Beugré — Arkadi Zaides Karam Natour — Fabrice Ramalingom Ministère de la Culture Une ambition artistique unique Franck Riester Ministre de la Culture Depuis quarante ans, Montpellier crée le mouvement avec une envie et une énergie folle. Elle fait partie des rares métropoles à avoir parié avec raison sur la danse contemporaine dès le début des années 80. Depuis, le succès du Festival Montpellier Danse est allé bien au-delà des espérances puisqu’il est devenu l’un des rendez-vous les plus importants de la danse contemporaine en Europe. Les raisons du succès sont nombreuses mais parmi elles, on peut sans aucun doute évoquer ce savant mélange dans la programmation, où les artistes venus de tous les horizons sont invités, les incontournables de la scène actuelle comme Nadia Beugré, Bouchra Ouizguen ou David Wampach côtoient les légendes Anne Teresa De Keersmaeker, Ohad Naharin ou encore Jiří Kylián. Ce méticuleux assemblage artistique est un travail de longue haleine réalisé chaque année avec brio par Jean-Paul Montanari et toute son équipe. Je salue chaleureusement cette ambition artistique unique qui ne s’est jamais essoufflée. Le ministère de la Culture s’associe pleinement à cette réussite exemplaire dans l’univers de la danse contemporaine en France où tous les publics sont avides de nouveautés et de surprises, d’enchantement et de grâce.
    [Show full text]
  • — Dossier De Presse —
    — Dossier de presse — Emanuel Gat — Bouchra Ouizguen Daina Ashbee — Raimund Hoghe Orlin Robyn Legrand— Catherine / Bagouet Dominique Sharon Sharon Eyal & Gai Behar — Michèle Murray Mourad Merzouki Batsheva Batsheva Dance Company / Ohad Naharin Sylvie Giron & Jean-Charles Di Zazzo Di Jean-Charles Giron & Sylvie í Kylián ř Mathilde Mathilde Monnier & Olivier Saillard Ballet Ballet de l’Opéra de Lyon / Ji Aina Alegre Kader — & David Attou Wampach Christian Rizzo Anne Anne Teresa De Keersmaeker & Pavel Kolesnikov Nadia Beugré — Arkadi Zaides Karam Natour — Fabrice Ramalingom Ministère de la Culture Une ambition artistique unique Franck Riester Ministre de la Culture Depuis quarante ans, Montpellier crée le mouvement avec une envie et une énergie folle. Elle fait partie des rares métropoles à avoir parié avec raison sur la danse contemporaine dès le début des années 80. Depuis, le succès du Festival Montpellier Danse est allé bien au-delà des espérances puisqu’il est devenu l’un des rendez-vous les plus importants de la danse contemporaine en Europe. Les raisons du succès sont nombreuses mais parmi elles, on peut sans aucun doute évoquer ce savant mélange dans la programmation, où les artistes venus de tous les horizons sont invités, les incontournables de la scène actuelle comme Nadia Beugré, Bouchra Ouizguen ou David Wampach côtoient les légendes Anne Teresa De Keersmaeker, Ohad Naharin ou encore Jiří Kylián. Ce méticuleux assemblage artistique est un travail de longue haleine réalisé chaque année avec brio par Jean-Paul Montanari et toute son équipe. Je salue chaleureusement cette ambition artistique unique qui ne s’est jamais essoufflée. Le ministère de la Culture s’associe pleinement à cette réussite exemplaire dans l’univers de la danse contemporaine en France où tous les publics sont avides de nouveautés et de surprises, d’enchantement et de grâce.
    [Show full text]
  • Pressemappe Impulstanz2019.Pdf
    Presseinformation Pressekontakt Theresa Pointner, Almud Krejza & Zorah Zellinger ImPulsTanz – Vienna International Dance Festival Museumstraße 5/21 1070 Wien, Austria T +43.1.523 55 58-34 T +43.1.523 55 58-35 F +43.1.523 55 58-9 [email protected] impulstanz.com Laufend aktualisierte Presseinformationen, -texte und -fotos zu unserem Festivalprogramm finden Sie in unserem Pressebereich auf der ImPulsTanz-Website. impulstanz.com/presscontact Pressetexte Hier finden Sie eine Auswahl der aktuellen Pressetexte, die Sie als PDF herunterladen können. impulstanz.com/pressfiles Pressefotos In diesem Bereich steht Ihnen eine Auswahl an Fotos des diesjährigen Performance- und Workshop- Programms zur Verfügung. Bitte beachten Sie, dass die Fotos nur im Zusammenhang mit ImPulsTanz und unter Angabe des Copyrights verwendet werden dürfen. Sollten Sie an weiterem Fotomaterial interessiert sein, wenden Sie sich bitte an uns. impulstanz.com/presspictures Presseakkreditierungen Es gibt die Möglichkeit, per Online-Formular einen Antrag auf Akkreditierung für das ImPulsTanz Festival 2019 zu stellen. Bitte füllen Sie dieses aus und senden Sie es gemeinsam mit den genannten Unterlagen ab. Wir werden uns nach Ansicht und Bearbeitung Ihrer Unterlagen mit Ihnen in Verbindung setzen. impulstanz.com/mediaaccreditation 11 Juli — 11 August 2019 1 Inhaltsverzeichnis Presseinformation 1 Inhaltsverzeichnis 2 Spielplan 5 Compagnie Übersicht 14 Spielstätten 17 Vorverkauf & Tageskassen 18 ImPulsTanz Performances 19 ImPulsTanz X Museum 21 Grußworte 22 [8:tension] Young Choreographers’ Series 23 Compagnies A-Z 25 Artists 25 Agudo Dance Company 26 Alleyne Dance 31 [8:tension] Eric Arnal-Burtschy 36 Simone Aughterlony, Petra Hrašćanec & Saša Božić 39 Jérôme Bel 44 Jonathan Burrows 50 Dimitri Chamblas & Boris Charmatz / Terrain 54 [8:tension] Tatiana Chizhikova & Roman Kutnov 60 Steven Cohen 63 Claire Croizé & Matteo Fargion / ECCE vzw 69 Ivo Dimchev 74 Cie.
    [Show full text]
  • Les Spectacles Du Palais Des Festivals CANNES 2017/18
    les spectacles du palais dES festivals CANNES 2017/18 Abonnez-vous ! www.palaisdesfestivals.com Un événement #MairiedeCannes - Programmation Palais des Festivals et des Congrès La scène, la sève de la vie ÉDITO Le spectacle vivant est la sève toujours renouvelée de cette part de la culture qui s’évanouit dans l’instant sauf dans l’émotion du spectateur. La programmation de la Ville de Cannes, de son Palais des Festivals et des Congrès et de l’Orchestre de Cannes est une nouvelle occasion pour chacun de revivifier cette émotion au contact de grands artistes qui, à chaque représentation, nous donnent en direct une part d’eux-mêmes. Et comme toujours, l’éclectisme domine afin de satisfaire tous les goûts et tous les publics. Sortir, à Cannes, est synonyme de découvertes, de petites distractions et de grands plaisirs. C’est l’assurance de passer un très agréable moment, confortablement installé dans le fauteuil d’une salle cannoise, ou même encore dehors, « hors les murs », à la recherche de sensations inédites au cœur de la ville où s’étend volontiers la scène, à la conquête de nouveaux espaces culturels pour s’exprimer. Car la culture à Cannes gagne chaque jour un peu plus de terrain, développée par ce foisonnement de rendez-vous musicaux, intellectuels et artistiques, par des infrastructures municipales de qualité - le tout dans une dimension de promotion créative et économique du territoire - et portée par une volonté affichée d’ouvrir son accès au plus grand nombre. Cet accès commun renforce le goût du partage, de la conversation et du débat.
    [Show full text]
  • Compiled Transcripts
    Timecode Adrienne Topic/Comments 11:00:00 Adrienne. My name is spelt A for apple, D – R – I for ink, E for elephant, N for nut, N for nut, E, and the surname is Sichel, S for sugar, I C H E L for lovely. 11: 01:00 What makes South African contemporary dance unique is WS that obviously, it’s had international influences but during Apartheid we were part of...Effected by the cultural boycott. So when South African contemporary dance kind of began in earnest, I, dare to say the mid nineteen seventies…And there were the Apartheid driven separations, so you had the classical Western arts, uh, you also had African community performance and a lot of traditional dance. And in the mid-seventies, some, History mainly white South Africans, teachers, 11:02:03 choreographers, started rebelling. So it became a, an act of, um, political resistance in a way. But the influences…Because of the cultural boycott, we couldn’t get really good teachers coming into South Africa, so people brought in techniques like the Martha Graham technique. Umm there was some Limon, which I’ve only discovered recently, um, some Cunningham, a lot of Horton. And the teaching uh happened uh some of the teachers, the pioneers like Sylvia Glasser in Johannesburg and people in Cape Town like the Jazz 11:02:42 Art uh pioneers broke the law basically by teaching people of color. But it’s more complicated than that because the University of Cape Town School of Dance which was founded in the ‘30s uh Dulcie Howes the founder, found a way of breaking the law.
    [Show full text]
  • Dancing the Other in South Africa
    DANCING THE OTHER IN SOUTH AFRICA Gerard M. Samuel Thesis submitted for the degree of Doctor of Philosophy UniversityFaculty of of Humanities, Cape Town University of Cape Town. Supervised by Associate Professor Sally Swartz and Professor Ida Mara Freire December 2016 i The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Plagiarism declaration I declare that this doctoral thesis is my own work unless specifically stated otherwise in this text. Each significant contribution to, and quotation in this thesis from the work/s of other people has been attributed, and has been cited and referenced. I have used the Harvard UCT 2015 for all citation and referencing. This doctoral thesis is submitted in fulfilment of the requirements for the PhD in the Faculty of Humanities, University of Cape Town and has not been submitted before for any other degree or examination in any other university in South Africa or abroad. __________________________________________ Gerard M. Samuel 9 November 2016 ii Acknowledgements The freedom and process of this writing owes much to my father, Harold and mother, Stella Samuel, who continue to (w)rite me. The stories of my sisters Mary Ann, Denise and her husband Yunus, brothers Michael and Kenneth, and his wife Elaine are still to be written.
    [Show full text]
  • Dance Composition Ii Daa2611/ 2 Credit Hours/ Spring 2020/ Mcguire Studio G-11/ T H 12:50Pm- 2:45Pm Up-To-Date Class Syllabus Posted At
    DANCE COMPOSITION II DAA2611/ 2 CREDIT HOURS/ SPRING 2020/ MCGUIRE STUDIO G-11/ T H 12:50PM- 2:45PM UP-TO-DATE CLASS SYLLABUS POSTED AT: HTTP://ARTS.UFL.EDU/SYLLABI/ PROFESSOR Dr. Joan Frosch CONTACT [email protected] OFFICE HOURS Tuesday 3:00-5:00 pm, Wednesday 3:00-4:00 pm and by appointment, Nadine McGuire Theatre and Dance Pavilion, 213 COURSE COMMUNICATIONS When in doubt, communicate. Whenever you have a question…ask! Please see me in or after class, stop by, or message me on Canvas using the subject line to ask your question and the body of the message for any additional information. Stay on task and in communication on projects and other assignments. REQUIRED READING, REQUIRED LIVE PERFORMANCE VIEWINGS AND REQUIRED VIDEO VIEWINGS (There are many viewings—we will use these profitably in your class work! If you are involved in the performance, you will receive “viewing” credit.) 1) Buckwater, Melinda. Composing while Dancing: An Improviser’s Companion. Madison: University of Wisconsin Press, 2012. (Selected required readings available on CANVAS). 2) Invertigo Dance Theater “Formulae & Fairy Tales” on February 5th at 7:30pm OR Paul Taylor Dance Company on March 6, 2020 (Limited UFPA Philips Center $10 student tickets are available if you purchase early in the semester—note that this show is DURING UF spring break). http://performingarts.ufl.edu/students/ 3) HMoD 5.0—The Harn Museum of Dance: March 21 from 1-4 pm at the Harn Museum of Art (free). 4) MALPASO Dance Company (Santa Fe Fine Arts Hall) on March 21, 2020 https://tickets.vendini.com/ticket- software.html?t=tix&w=cc5d3f5d01e45efac6a75aaac3c774f8 TWO REQUIRED SoTD PERFORMANCE VIEWINGS 5) DANCE 2020 February 7-16 at 7:30 pm (coupon show)*.
    [Show full text]
  • BALLET 2000 Compañía Nacional De Danza, Madrid B.P
    the international dance magazine • ENGLISH Edition • n°251 TOM 650 CFP) • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; Ullate and Spanish (Euro zone) contemporary ballet € 4,90 www.ballet2000.com 9 10 Directeur de la publication Direttore responsabile / Editor-in-chief Alfio Agostini la revue internationale de la danse Collaborateurs/Collaboratori/Contributors Erik Aschengreen édition France Leonetta Bentivoglio la rivista internazionale della danza Donatella Bertozzi Valeria Crippa edizione Italia Clement Crisp the international dance magazine Gerald Dowler Elisa Guzzo Vaccarino English edition Marc Haegeman Anna Kisselgoff Kevin Ng Jean Pierre Pastori Olga Rozanova Emmanuèle Rüegger Roger Salas Sonia Schoonejans René Sirvin Isis Wirth Víctor Ullate Ballet – ( Marlen Fuerte, Josué Ullate: Editorial advisor “El Amor brujo”, Elisa Guzzo Vaccarino c. Víctor Ullate Editorial assistant (ph. Javier del Real) Cristiano Merlo Traductions/Traduzioni/Translations Simonetta Allder 4 Calendar Cristiano Merlo collaborateur à la rédaction Alain Garanger 20 News Collaborateur à la rédaction - web services Luca Ruzza 30 Cover : Víctor Ullate Ballet, Publicité / Advertising Madrid [email protected] Chargée de communication et pub. (France) Anne-Marie Fourcade 36 On Stage : Tél. 06.99.55.96.52 [email protected] The Royal Ballet, London Pubblicità, PR & International advertising Bayerisches Staatsballett service American in Paris Bayerisches Staatsballett, Munich: “Paquita” Annalisa Pozzi Ph +39.338.7797048 [email protected] Staatsballett Berlin Abonnements/Abbonamenti/Subscriptions Ballet du Grand Théâtre de Genève [email protected] Het Nationale Ballet, Amsterdam n° 251 - Janvier/Février - Gennaio/Febbraio - January/February 2015 Stuttgart Ballet Balletto del Teatro alla Scala, Milano Ballet Zurich BALLET 2000 Compañía Nacional de Danza, Madrid B.P.
    [Show full text]
  • Dancing Encyclopaedia on The
    MultiMedia immortel Sacre du printemps, y compris. De John Neumeier, on peut revoir des extraits de Sylvia, outre une série de virtuosités technico- Web Web Web expressives de Jirí et Otto Bubenícek, deux ju- meaux formidables. L’hommage à William Forsythe avec la divine Sylvie Guillem dans In the Middle, Somewhat Elevated est incon- Encyclopédie dansante Enciclopedia viva sul Web Dancing Encyclopaedia tournable. Ensuite, on trouve des personnali- sur le Web Sull’ottimo sito in lingua spagnola on the Web tés culte comme Alicia Alonso dans Giselle, www.danzaballet.com, c’è una ricchissima col- Antonio Gades dans sa Carmen et Zizi Jeanmaire Sur l’excellent site en langue espagnole lezione di Videos recomendados con molte pic- On the excellent Spanish-language site dans Carmen de Roland Petit. www.danzaballet.com pour lequel écrit égale- cole perle da gustare. Anzitutto, Ulyana Lopatkina www.danzaballet.com, for which Ballet2000 Pour finir, tout au moins provisoirement, pour ment Isis Wirth, collaboratrice de Ballet2000, e Ivan Kozlov in Trois Gnossiennes di Hans van contributor Isis Wirth also writes, there is an ceux qui ne les ont pas vus ou qui voudraient on trouve une collection très riche de Videos Manen, dove la più carismatica delle ballerine abundant collection of Videos recomendados les revoir, voici une liste de petits joyaux: Smoke recomendados, avec de petites perles. Tout russe esibisce la sua concentrazione interiore, il with many small gems to enjoy, starting with de Mats Ek, Bella Figura de Kylián avec Les d’abord, Oulyana Lopatkina et Ivan Kozlov dans suo aplomb perfetto, i suoi slanci drammatici (anche Ulyana Lopatkina and Ivan Kozlov in Trois Grands Ballets Canadiens de Montréal, Trois Gnossiennes de Hans van Manen, où la disponibile nel DVD pubblicato da Digital Classics Gnossiennes by Hans van Manen.
    [Show full text]
  • Robyn Orlin's Deconstruction of the Classical Ballet Canon
    PROBING THE POLITICS OF THE FEMALE BODY: ROBYN ORLIN'S DECONSTRUCTION OF THE CLASSICAL BALLET CANON Cecilia Johanna Katzke MRSCEC002 Town A dissertation submitted in fulfillment of the requirements for the award of the degree of Masters in Music specialising in DanceCape of Faculty of Humanities University of Cape Town 2014 University The financial assistance of the National Research Foundation (NRF) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the NRF. The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ACKNOWLEDGMENTS I would like to express my heartfelt thanks to the following people: My supervisor, Jay Pather, for his invaluable guidance, mentorship and continued encouragement. Adrienne Sichel, for her help, knowledge and wisdom and her enthusiasm for sharing and mentoring. My husband, Rudi, for his patience and his steadfast love, care and support. My parents, for their prayers, love and assistance. COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced.
    [Show full text]