Civiinew Music Re Oft FEBRUARY 22 1999 ISSUE 606 VOL
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Statesman, V.49, N. 50.PDF
the stony brook Statesman -.~---~~~'---------------~~--~~-~---~- - ------- I--- ~~~---~--I-I---1- VOLUME XLIX, ISSUE 48 THURSDAY MAY 4, 2006 PUBLISHED TWICE WEEKLY Campus Wide UREA Celebration Impresses A L' Inits 5tn year, tne annuai celeoration or unaergraduate researcn and creativity was neic last week. URECA Celebration photos: ©John Griffin/Media Services Photography, Art Show photos: ©Jeanne Neville/Media Services Photography BY Sunr RAMBHIA and Sociology." Kudos goes to the Department of Bio- News Editor medical Engineering, which had the greatest number of abstract submissions, 25 in total. Last week, students had the opportunity to attend The main event of the Celebration was an ,all day the annual SBU Celebration of Undergraduate Research poster presentation session where students and faculty and Creativity. The event featured the work of students. were able to see type of research that goes on across involved in undergraduate research as well as activities campus all throughout the year. Some of the other in the arts. According to a recent press release issued by featured events included symposia held concurrently Karen Kernan, the Director of Programs for Research and by the Departments of English, History, and Psychology Creative Activity (as a part of the Office of the Provost), involving student oral presentations. Also,the College there were over 225 abstracts compiled in this year's. of Engineering and Applied Sciences held its annual book of Collected Abstracts. senior design conference comprising the two best senior the day's events to a close, the purpose and scope of the These 225 project descriptions represented over 300 design projects from each of the four major engineer- Celebration of Undergraduate and Creative Activities undergraduates in the various departments of"Anesthe- ing departments, Biomedical Engineering, Electrical was clear. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Jan/Feb/Mar 2017 Winter Express Issue
Vol. 37 No. 1 INSIDE THIS ISSUE! Jan, Feb, Mar A conversation with Ellie Hakanson, Classical Vocal Techniques, Concert 2017 Reviews and more… $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org A Conversation With Ellie Hakanson By Jeff Wold hen it comes to exports, played in a band with Tristan Oregon is all over the map Scroggins (Jeff’s son) when Wwith a wide variety of Tristan was 14. So Sam was in incredible items we produce. Athletic Tristan’s first band and we were shoes, multi-tools, rail cars, timber just hanging out all weekend, the products, world-renowned wine, beer, three of us and in larger groups. whiskey and bluegrass musicians. I jammed with the whole band for several hours and clicked Wait … bluegrass musicians? really well. There’s a video on YouTub e 1 of us playing twin Yep, especially fiddlers. fiddles on Roanoke − me and Sam, with Jeff and Greg and Alex Hargreaves and his sister Tatiana, all of those guys. Later that Yonder Mountain mandolin whiz Jake summer they asked me to play a Jolliff and the newest young performer to few gigs, and then I played more hit the ground running, Ellie Hakanson, with them until eventually I was Ellie Hakanson who has become the regular fiddler with playing full time. the bluegrass band “Jeff Scroggins and coast, right before the Red, White, and Colorado.” Jeff: You left a regular job and career to go Bluegrass festival last summer around the on the road, as I gather. Fourth of July. I had been hearing about It only took a planetary alignment, the Station Inn for years. -
Perfect Partner
PERFECT PARTNER A film by Kim Gordon, Tony Oursler and Phil Morrison starring Michael Pitt and Jamie Bochert, with a live soundtrack performed by Kim Gordon, Jim O’Rourke, Ikue Mori, Tim Barnes and DJ Olive As a significant figure of alternative/avant-garde rock and one of the founders of Sonic Youth, Kim Gordon is a truly creative spirit. Enigmatic, iconic, original and multi- faceted, she is increasingly working in the medium of visual arts and diversifying her music projects into more experimental territory. Perfect Partner is a first time collaboration between Kim Gordon, highly renowned artist Tony Oursler and acclaimed filmmaker Phil Morrison. In a response to America’s enchantment with car culture, this surreal psychodrama-cum-road movie starring Michael Pitt (The Dreamers, Hedwig And the Angry Inch, Bully and Gus Van Sant’s upcoming Last Days) and Jamie Bochert unfolds to a thundering free rock live soundtrack. The sound world of Perfect Partner is textural improvised music breaking into occasional songs that interact with the narrative of the film. Kim Gordon is joined on stage by fellow Sonic Youth collaborator, producer extraordinaire, composer and School Of Rock collaborator Jim O’Rourke, percussionist Tim Barnes, laptop virtuoso Ikue Mori and turntablist DJ Olive. Audiences across the UK should fasten their seatbelts for an invigorating trip through live music, video and projection in this one-off cross media adventure. Gordon and Oursler’s shared fascination with the dream lifestyle promised by car manufacturers, and the aspirational language of car advert copy (selling cars as our ‘perfect partner’), provided the inspiration for this hugely inventive project. -
Peter Mettler
The End of Time A film by Peter Mettler 114 min, English, Digital (DCP, Blu-ray), Canada, 2012, DoCumentary FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.Com/endoftime Synopsis "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker" (Hollywood Reporter), Peter Mettler’s enthralling new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time — and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet — from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford Built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience. Praise for The End of Time "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker...THE END OF TIME Becomes immersive and hypnotic...a ravishingly Beautiful experience." – Stephen Dalton, The Hollywood Reporter "A work of vision...A gloBe-trotting cine-essay about time...poetic and lovely." – Adam Nayman, POV "Mettler's trippy -
Kenyon Collegian Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian Archives 4-8-1999 Kenyon Collegian - April 15, 1999 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 15, 1999" (1999). The Kenyon Collegian. 565. https://digital.kenyon.edu/collegian/565 This News Article is brought to you for free and open access by the Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. News OPED Features A&E Sports Student Council Student Council apa- Asian Awareness Our Country's Good, Lords lacrosse splits Candidates, page 3 thy, page 6 Month, page 9 opens tonight, page 10 recent games, page 16 T-H-- E fvE-N-Y-O- N C -- O -- L E -- G T-- A N Volume CXXVI, Number 20 ESTABLISHED 1856 Thursday, April 15, 1999 Frats respond to 'dry' national chapters Kenyon's fraternities, but also the nor of the Alpha Delta Phi frater- BY KONSTANTINE SIMAKIS 'At the very bottom the question should be Diversions Editor controversial relationship between nity, of the dry movement "A lot is, Is there a problem? And if there's a prob- fraternities and alcohol nation- of the larger ones are obviously The Phi Kappa Sigma Intern- wide. headed in that direction, so for the ational Fraternity last year imple- lem, how do we solve it?' "It's an idea that's been enter- past several years we've been en- mented a policy requiring all exi- Andy Burton '00 tained by a majority of fraternities tertaining the idea," he said. -
Richie Hawtin Has Always Been at the Leading Edge of Innovation in All Aspects of Electronic Music. Now More Than Ever, He's S
RICHIE HAWTIN WordsRichie Richie Hawtin and Thomas H Green Photos www.alexanderkoch.com 0123456789 Hawtin 0123456789 new horizons Richie Hawtin has always been at the leading edge of innovation in all aspects R e of electronic music. Now more than ever, he’s searching for fresh horizons and new MM joe pli worlds to conquer. Who better to launch the first ever Mixmag Live? [[1L]] MARCH 2012 RICHIE HAWTIN Plastikman @ Brixton Academy, London from his lively blue eyes. He’s in dance music’s warlock, derive from his family’s move on November premier league these days, an immediately 14 1979 from the Northamptonshire village of recognisable name atop bills at clubs, raves and Middleton Cheney to LaSalle, Ontario, Canada, festivals and someone who is these days recognised when he was nine years old. even in the least likely of places. “My main memory of Middleton Cheney is a R te “I took a vacation on the coast of Morocco with strong sense of extended family, cousins, aunts, S ee my girlfriend,” he says in his relaxed Canadian uncles, a very close-knit family, everyone getting M accent, “walking though streets without pavements, together regularly,” he says. “That’s why the Canadian eule so far away from our world – and someone was like, move was such a big change: becoming isolated, M ‘Are you Richie Hawtin? Can I get your autograph?’.” introverted. The ‘DJ Richie Hawtin’ aspect of me Ann De : He laughs – “But it’s alright, people who come up are reflects what I remember of myself before I went S long term fans, not ‘I know that guy’s face from a to Canada: having all these people around, being boot D 0123456789 n 0123456789 A magazine.’ It’s a nicer sort of fame.” in elementary school, the cool kid in class who CH As Richie Hawtin he is the DJ who brings techno everyone talked to. -
The Hurricane Notebook.Indd
The Hurricane Notebook The Hurricane Notebook Three Dialogues on the Human Condition By Elizabeth M. Edited by Alexander Jech Wisdom/Works Published by Wisdom Works TomVMorris.com • W Published 2019 Copyright © 2019, Alexander Jech Printed in the United States of America ISBN: 978-0-9994813-9-4 Set in Adobe Garamond Pro Designed by Abigail Chiaramonte Cover Concept by Sara Morris Edited by Megan Fritts This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. τῷ μαθητῷ CONTENTS GNOTHI SEAUTON 3 Hyperion 4 A Conversation about Carrots 11 Diapsalmata 67 THE ANALYSTS 73 Niakani 86 Blood Brothers 133 Johnnie Walker Blue 152 The Ballad of the Matin Sea 162 Coda 192 The Black Swan 195 JOUSKA 215 Sarah 225 On the Friend 249 Joshua 276 Golden Slivers 303 Brooklyn, Once 347 THE ROSE-GARDEN 361 Macrina 364 PROVENANCE AND RECONSTRUCTION OF THE HURRICANE NOTEBOOK I. The text of this “philosophical dialogue,” “philosophical novel,” or whatever label one may set on this tragic tale is drawn from the notebook of a recent student at the University of North Caroli- na at Wilmington. The notebook was first recovered by fisherman Thomas Marian following a recent tropical storm that struck the Carolinas. Mr. Marian found the brown-covered notebook down by the fishing piers, wrapped in plastic to keep the water out, tied together with repurposed elastic cord of the sort one might find tucked about somewhere in many basements or garages. -
Ken Jacobs & Aki Onda: “A Primer in Sky Socialism” with Alan Licht
1000 Dean St. #208 Brooklyn, NY 11238 718-330-0313 issueprojectroom.org Press Contact: Nick Scavo [email protected] Ken Jacobs & Aki Onda: “A Primer In Sky Socialism” with Alan Licht / Susan Alcorn Solo Saturday, January 13th, 2018 - 8pm ISSUE Project Room 22 Boerum, Brooklyn, NY 11201 $15 / $12 ISSUE Members + Students Ken Jacobs, Still from A Primer In Sky Socialism Saturday, January 13th, ISSUE is pleased to present a screening of Brooklyn-born avant-garde film pioneer Ken Jacobs’ 3D film A Primer in Sky Socialism, presented alongside the premiere of a film score by Aki Onda. Enfolding the broad collaborative spirit of Jacobs’ Nervous Magic Lantern (staged with Onda at ISSUE in 2012), Onda’s new score develops their uncanny audio-visual overlap and filmic dialogue -- one that exists between the found sonic interventions of Onda’s field recording practices and the ghostlike illusions, visual obfuscations, and abstract images existing in Jacob’s projection techniques. The new score is performed live in Ken Jacobs & Aki Onda: “A Primer in Sky Socialism” with Alan Licht / Susan Alcorn Solo January 13th, 2018 | ISSUE Project Room collaboration with musician and writer Alan Licht, who has extensively collaborated with Onda, most notably on their collaborative LPs Everydays and Lost City (also with Loren Connors). To celebrate the opening of ISSUE’s 2018 season, Baltimore-based pedal steel guitarist Susan Alcorn also performs solo before the film, showcasing her signature extension of the instrument’s emotional strengths and microtonal possibilities -- existing in parallel to the evening’s spectral subject matter. Premiered at the Museum of Modern Art in May 2013, A Primer in Sky Socialism continues Ken Jacobs’ exploration into 3D filmmaking, renewing his fascination with the histories and technologies of the moving image, a theme that has preoccupied his work for over 50 years. -
BEAUTIFUL NOISE Directions in Electronic Music
BEAUTIFUL NOISE Directions in Electronic Music www.ele-mental.org/beautifulnoise/ A WORK IN PROGRESS (3rd rev., Oct 2003) Comments to [email protected] 1 A Few Antecedents The Age of Inventions The 1800s produce a whole series of inventions that set the stage for the creation of electronic music, including the telegraph (1839), the telephone (1876), the phonograph (1877), and many others. Many of the early electronic instruments come about by accident: Elisha Gray’s ‘musical telegraph’ (1876) is an extension of his research into telephone technology; William Du Bois Duddell’s ‘singing arc’ (1899) is an accidental discovery made from the sounds of electric street lights. “The musical telegraph” Elisha Gray’s interesting instrument, 1876 The Telharmonium Thaddeus Cahill's telharmonium (aka the dynamophone) is the most important of the early electronic instruments. Its first public performance is given in Massachusetts in 1906. It is later moved to NYC in the hopes of providing soothing electronic music to area homes, restaurants, and theatres. However, the enormous size, cost, and weight of the instrument (it weighed 200 tons and occupied an entire warehouse), not to mention its interference of local phone service, ensure the telharmonium’s swift demise. Telharmonic Hall No recordings of the instrument survive, but some of Cahill’s 200-ton experiment in canned music, ca. 1910 its principles are later incorporated into the Hammond organ. More importantly, Cahill’s idea of ‘canned music,’ later taken up by Muzak in the 1960s and more recent cable-style systems, is now an inescapable feature of the contemporary landscape. -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
Felix Issue 1131, 1999
February 1999 KEEP THE CAT FREE EST 1949 The Students' Newspaper at Imperial College RAG Hits the Ground Running ICU Rag week got off to a sizzling start By Ed Sexton and Sanjay Sikdar 'The Corbett Situation' continued the on Saturday 23 January, with the saxophone tinged theme set by Jazzy famous Sponsored Nude Kamikaze Khazee' but also diversified into slower Parachute jump. This involves a group more melancholic melodies. of enterprising students jumping out of After the brief interval, the red a van next to Harrods at opening time, shirted Dramsoc members tried to rally wearing only an invisible parachute, the spectators. The decision not to use and then pegging it to the Union Build• microphones to enable greater stage ing. movement was ill advised because to In recent years the event has been most observers they appeared to rep• somewhat undersubscribed, but this resent an intriguing silent comedy. year's SNKPJ was a huge success, rais• They beat a hasty retreat to the derisory ing an estimated £1,000. Sixteen men cheers of the music fans. took part, watched by around 200 stu• The show resumed on the right dents and hundreds more shoppers. side of rock as for most the top-draw The fastest time to the Union was 7.30 event was to see 'Cereal Killer', at the minutes by James, with the slowest, moment the second most popular 14.30 by Stan, being rewarded with a band to emerge from Imperial. bottle of booze. All involved seemed to Unashamedly on the lookout for a pos• enjoy the experience, with one SNKP- Photos: Gareih sible record deal they graced the Jer commenting "the best bit was Har• assembled throng with a judicious mix• rods".