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Report to the Legislature: Indoor Air Pollution in California
California Environmental Protection Agency Air Resources Board Report to the California Legislature INDOOR AIR POLLUTION IN CALIFORNIA A report submitted by: California Air Resources Board July, 2005 Pursuant to Health and Safety Code § 39930 (Assembly Bill 1173, Keeley, 2002) Arnold Schwarzenegger Governor Indoor Air Pollution in California July, 2005 ii Indoor Air Pollution in California July, 2005 ACKNOWLEDGEMENTS This report was prepared with the able and dedicated support from Jacqueline Cummins, Marisa Bolander, Jeania Delaney, Elizabeth Byers, and Heather Choi. We appreciate the valuable input received from the following groups: • Many government agency representatives who provided information and thoughtful comments on draft reports, especially Jed Waldman, Sandy McNeel, Janet Macher, Feng Tsai, and Elizabeth Katz, Department of Health Services; Richard Lam and Bob Blaisdell, Office of Environmental Health Hazard Assessment; Deborah Gold and Bob Nakamura, Cal/OSHA; Bill Pennington and Bruce Maeda, California Energy Commission; Dana Papke and Kathy Frevert, California Integrated Waste Management Board; Randy Segawa, and Madeline Brattesani, Department of Pesticide Regulation; and many others. • Bill Fisk, Lawrence Berkeley National Laboratory, for assistance in assessing the costs of indoor pollution. • Susan Lum, ARB, project website management, and Chris Jakober, for general technical assistance. • Stakeholders from the public and private sectors, who attended the public workshops and shared their experiences and suggestions -
“Pilot” Written by Corinne Kingsbury Directed by Scott Ellis FINAL
FAM “Pilot” Written by Corinne Kingsbury Directed by Scott Ellis FINAL COLLATED – 04/24/18 This script is the property of CBS Studios Inc. and Kapital Productions, LLC, and may not be copied or distributed without the express written permission of CBS Studios Inc. and Kapital Productions, LLC. This copy of the script remains the property of CBS Studios Inc. and Kapital Productions, LLC. It may not be sold or transferred and it must be returned to CBS Studios Inc. and/or Kapital Productions, LLC promptly upon demand. THE WRITING CREDITS MAY NOT BE FINAL AND SHOULD NOT BE USED FOR PUBLICITY OR ADVERTISING PURPOSES WITHOUT FIRST CHECKING WITH THE TELEVISION LEGAL DEPARTMENT CONFIDENTIALITY NOTICE You are being given a copy of this document for a particular permitted purpose, and may only use it for that purpose. Except as may be directly necessary to your proposed or actual duties, you may not make physical or digital copies of this document or share a copy of it or the contents of it (or a summary of the contents) with others. This document is protected by the laws governing copyright and confidential information. Kapital Productions, LLC (“Producer”) has strict policies with respect to protecting our scripts, plot lines, plot twists and related Production materials and/or information (the “Confidential Information”). Producer and the applicable network or other exhibitor derive independent value from the Confidential Information not being leaked in advance to the public, the media or anyone not part of the core production team. A condition of your access to the Confidential Information is that you must keep it confidential. -
Intellectual Property Rights in Tattoos, Makeup, and Other Body Art
Written on the Body: Intellectual Property Rights in Tattoos, Makeup, and Other Body Art Thomas F. Cotter* Angela M. Mirabole TABLE OF CONTENTS I. Introduction ................................................................................ 98 II. C opyright Issues ........................................................................... 103 A . Ow nership ................................................................................. 104 B. UnauthorizedReproductions of CopyrightedBody Art ............ 108 C. UnauthorizedAdaptations and Violations of Moral Rights ...... 111 D . Body Art That Infringes............................................................. 117 E . R em edies .................................................................................... 118 III. Tradem ark Issues ......................................................................... 123 IV . Publicity Issues ........................................................................... 131 V . C onclusion .................................................................................... 138 * Professor of Law and Director of the Intellectual Property Program, University of Florida Fredric G. Levin College of Law. ** J.D. 2003, University of Florida Fredric G. Levin College of Law; Associate, Conroy, Simberg, Gannon, Krevans & Abel, West Palm Beach, Florida, beginning Fall 2003. We thank Gabriel Kotch and Elizabeth Scheffler for their insightful comments and criticism. Any errors that remain are ours. 98 UCLA ENTERTA[NMENT LAW REVIEW [Vol. 10:2 I. INTRODUCTION -
TWA's Caribbean Flights Caribbean Cure for The
VOLUME 48 NUMBER 9 MAY 6, 1985 Caribbean . TWA's Caribbean Flights Cure for The Doldrums TWA will fly to the Caribbean this fall, President Ed Meyer announced. The air line willserve nine Caribbean destinations from New York starting November 15; at the same time, it will inaugurate non-stop service between St. Louis and SanJuan. Islands to be served are St. Thomas, the Bahamas, St. Maarten, St. Croix, Antigua, Martinique, Guadeloupe and Puerto Rico. For more than a decade TWA has con sistently been the leading airline across . the North Atlantic in terms of passengers carried. With the addition of the Caribbean routes, TWA willadd an important North South dimension to its internationalserv ices, Mr. Meyer said. "We expect that strong winter loads to Caribbean vacation destinations will help TWA counterbalance relatively light transatlantic traffic at that time of year, . and vice versa," he explained. "Travelers willbenefit from TWA's premiere experi ence in international operations and its reputation for excellent service," he added. Mr. Meyer emphasized TWA's leader ship as the largest tour operator across the Atlantic, and pointed to the airline's feeder network at both Kennedy and St. Louis: "Passengers from the west and midwest caneasily connect into these ma- (topage4) Freeport � 1st Quarter: Nassau SAN JUAN A Bit Better St. Thomas With the publication of TWA's first-quar St. Croix ter financial results,· the perennial ques tion recurs: "With load factors like that, how could we lose so much money?" Martinique As always, the answer isn't simple. First the numbers, then the words. -
Overview and Trends
9310-01 Chapter 1 10/12/99 14:48 Page 15 1 M Overview and Trends The Transportation Research Board (TRB) study committee that pro- duced Winds of Change held its final meeting in the spring of 1991. The committee had reviewed the general experience of the U.S. airline in- dustry during the more than a dozen years since legislation ended gov- ernment economic regulation of entry, pricing, and ticket distribution in the domestic market.1 The committee examined issues ranging from passenger fares and service in small communities to aviation safety and the federal government’s performance in accommodating the escalating demands on air traffic control. At the time, it was still being debated whether airline deregulation was favorable to consumers. Once viewed as contrary to the public interest,2 the vigorous airline competition 1 The Airline Deregulation Act of 1978 was preceded by market-oriented administra- tive reforms adopted by the Civil Aeronautics Board (CAB) beginning in 1975. 2 Congress adopted the public utility form of regulation for the airline industry when it created CAB, partly out of concern that the small scale of the industry and number of willing entrants would lead to excessive competition and capacity, ultimately having neg- ative effects on service and perhaps leading to monopolies and having adverse effects on consumers in the end (Levine 1965; Meyer et al. 1959). 15 9310-01 Chapter 1 10/12/99 14:48 Page 16 16 ENTRY AND COMPETITION IN THE U.S. AIRLINE INDUSTRY spurred by deregulation now is commonly credited with generating large and lasting public benefits. -
Saratoga Drama Group Presents
Saratoga Drama Group presents May - June 2001 Saratoga Drama Group A Very Special Guest: Janis Paige presents As our opening-night guest we are extremely pleased to welcome Miss Janis Paige. Miss Paige starred in the original Broadway production of Mame, taking over the title role from its originator, Angela Lansbury. With an all-encompassing talent that embraces the worlds of stage, movies and television, Miss Paige is equally at home in dramatic, comic and musical roles. Prior to her stage career, she enjoyed wide acclaim Book by for her starring roles in motion pictures, Jerome Lawrence beginning with Hollywood Canteen and and continuing through a four-year tenure as a Robert E. Lee Warner Brothers star. Her introduction to Broadway came purely by accident, when producer Leland Hayward, desperately searching through some 200 applicants for Music and Lyrics by the role of Judy Revere in the Howard Lindsay-Russell Crouse comedy Remains To Jerry Herman Be Seen, was introduced to Miss Paige at the rehearsal hall and within the space of fifteen minutes she came away with the part. She went on to even greater success in Based on the novel by Patrick Dennis the smash hit musical Pajama Game, followed by another hit, Here’s Love. and the play “Auntie Mame” by Between shows she initiated a nightclub career, headlining across the country in major supper clubs including the famous Copacabana in New York. Miss Paige can Lawrence and Lee also claim numerous television appearances including a series, It’s Always Jan, and top variety and dramatic shows. -
Catalogue of Photographs of Performers at the Embassy Theatre
Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies. -
California's Air Pollution Hearing Boards
UCLA UCLA Journal of Environmental Law and Policy Title Fairness in the Air: California's Air Pollution Hearing Boards Permalink https://escholarship.org/uc/item/4kn150bn Journal UCLA Journal of Environmental Law and Policy, 24(1) Author Manaster, Kenneth A. Publication Date 2005 DOI 10.5070/L5241019526 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Fairness in the Air: California's Air Pollution Hearing Boards Kenneth A. Manaster* TABLE OF CONTENTS I. INTRODUCTION ................................ 2 II. HEARING BOARD BASICS ..................... 7 A . The M embers .................................. 7 B. "Getting Through" to the Members ........... 11 III. VARIANCES ...................................... 16 A. Variance Applications .......................... 16 B. The Questions to be Answered ................ 20 C . O rders ......................................... 34 1. Explaining the Findings .................... 35 2. D uration ................................... 39 3. Conditions ................................. 41 D. Interim Variances .............................. 47 E. Emergency Variances .......................... 52 F. Variance Variations ............................ 55 1. Product Variances ......................... 55 2. Links to Federal Law ...................... 58 G. General Observations .......................... 67 IV. ABATEMENT ORDERS ......................... 67 * Professor of Law, Santa Clara University; Visiting Professor of Law, Stanford Law School; Counsel, Pillsbury -
Severin Borenstein* December 31, 2010 Abstract: US Airlines Have
Draft Comments Welcome Why Can’t U.S. Airlines Make Money? Severin Borenstein* December 31, 2010 Abstract: U.S. airlines have lost about $70 billion (net present value) in domestic markets since deregulation, most of it in the last decade. More than 30 years after deregulation, the dismal financial record is a puzzle that challenges the economics of deregulation. I examine some of the most common explanations among industry participants, analysts, and researchers — including high taxes and fuel costs, weak demand, and competition from lower-cost airlines. Descriptive statistics suggest that high taxes have been at most a minor factor and fuel costs shocks played a role only in the last few years. Major drivers seem to be the severe demand downturn after 9/11 — demand remains much weaker today than in 2000 — and the large cost differential between legacy airlines and the low-cost carriers, which has persisted even as their price differentials have greatly declined. *E.T. Grether Professor of Business Economics and Public Policy, Haas School of Business, University of California, Berkeley (faculty.haas.berkeley.edu/borenste); and Research Associate of the National Bureau of Economic Research (www.nber.org). In 2010, Borenstein was a member of the USDOT’s Future of Aviation Advisory Committee. Email: [email protected]. This paper is dedicated to the memory of Alfred E. Kahn who passed away on December 27, 2010. I was lucky enough to work for Fred at the Civil Aeronautics Board in 1978 and to speak with him occasionally since then about the airline industry and government regulation. -
Article Casting Call at Forest Lawn: the Digital Resurrection of Deceased Entertainers - a 21St Century Challenge for Intellectual Property La W Joseph J
ARTICLE CASTING CALL AT FOREST LAWN: THE DIGITAL RESURRECTION OF DECEASED ENTERTAINERS - A 21ST CENTURY CHALLENGE FOR INTELLECTUAL PROPERTY LA W JOSEPH J. BEARD Table of Contents I. IN TRO D U CTIO N .................................................................................. 102 II. CREATION OF THE SYNTHETIC REPLICA - THE COPYRIGHT ISSUE .............................................................................. 107 A . Scope of the Issue .......................................................................... 107 B. Reproduction Rights ...................................................................... 109 C. Derivative Work Rights ................................................................ 124 D . D istribution Rights ......................................................................... 125 E. Perform ance Rights ........................................................................ 125 F. D isplay Rights ................................................................................ 127 G . Fair U se ............................................................................................ 128 II. COPYRIGHT/TRADE SECRET PROTECTION FOR THE REANIMATED ACTOR ....................................................................... 135 A . Introduction ..................................................................................... 135 B. Copyright Protection ..................................................................... 135 C. Trade Secret Protection ................................................................. -
Oklahoma Women
Oklahomafootloose andWomen: fancy–free Newspapers for this educational program provided by: 1 Oklahoma Women: Footloose and Fancy-Free is an educational supplement produced by the Women’s Archives at Oklahoma State University, the Oklahoma Commission on the Status of Women and The Oklahoman. R. Darcy Jennifer Paustenbaugh Kate Blalack With assistance from: Table of Contents Regina Goodwin Kelly Morris Oklahoma Women: Footloose and Fancy-Free 2 Jordan Ross Women in Politics 4 T. J. Smith Women in Sports 6 And special thanks to: Women Leading the Fight for Civil and Women’s Rights 8 Trixy Barnes Women in the Arts 10 Jamie Fullerton Women Promoting Civic and Educational Causes 12 Amy Mitchell Women Take to the Skies 14 John Gullo Jean Warner National Women’s History Project Oklahoma Heritage Association Oklahoma Historical Society Artist Kate Blalack created the original Oklahoma Women: watercolor used for the cover. Oklahoma, Foot-Loose and Fancy Free is the title of Footloose and Fancy-Free Oklahoma historian Angie Debo’s 1949 book about the Sooner State. It was one of the Oklahoma women are exciting, their accomplishments inspirations for this 2008 fascinating. They do not easily fi t into molds crafted by Women’s History Month supplement. For more on others, elsewhere. Oklahoma women make their own Angie Debo, see page 8. way. Some stay at home quietly contributing to their families and communities. Some exceed every expectation Content for this and become fi rsts in politics and government, excel as supplement was athletes, entertainers and artists. Others go on to fl ourish developed from: in New York, California, Japan, Europe, wherever their The Oklahoma Women’s fancy takes them. -
Fair Shares TWA Andtwu in .Agreement Game Fare
VOLUME 47 NUMBER 5 FE�RUARY 27, 1984 Going Places: 'And the Nominees are ...' TWA and TWU GoodFood - In .Agreement It's enough to make your mouth water: a Local 540 of the Transport Workers Union 10-day gastronomic air tour across the (TWU) , representing TWA flight dispatch United States and Europe for winners of . employees, has reached agreement with The Sunday Times of London competition the company on pay, benefit and work rule promoting Egon Ronay's 1984 TWA modifications to the existing contract in Guide to 500 good restaurants . support of TWA's need for co�t relief. , "Good food is good food anywhere in Following opening of the contract for the world," Ronay maintains, "and while that purpose late in 1983 , the new agree it is impossible to evaluate a dish in abso ment includes: - lute terms, there is no reason why one • Term effective immediately through shouldn't express the same delight about Sept. 30, 1985. the clean flavor of a sea bass with fennel in • A 13% wage concession across the Venice , the light creaminess of a chowder term to be achieved through both reduction in Boston, the delicious blend of shellfish and deferral. and chicken in paella in Barcelona... " • Work rule changes to improve pro In setting out to choose 500 good restau ductivity. rants in 53 cities in 18 countries for this • Establishment of reduced "B" scale year's guidebook, Ronay assembled an in wage and benefit schedules for future new ternational panel "to reach a convincing hires. consensus.': They .were: Rafael Anson, • Profit sharing and participation in the secretary of the Academy of Gastronomy," Class 4 Special Pass privilege.