Excursion in the Old Tbilisi
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The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig. -
Wine & Brandy Tour 5 Days
WINE & BRANDY TOUR 5 DAYS Private special escorted tour for individuals and families BEST TIME JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC History and culture of Georgia have always been closely intertwined with winemaking tradition. Wine in local culture is often considered as a symbol of hospitality and friendship. Oldest evidence of winemaking has been recently discovered at the archaeological site near Tbilisi, at the 8000-year old village. Nowadays there are over 500 species of grape in Georgia, while up to 40 of those varieties are used in commercial wine production. 5-day “Wine and Brandy” introduces you to the Georgian wine. Tour takes off in the capital Tbilisi and travels to the major traditional winemaking region of Georgia – Kakheti. On this tour, travelers will be able to sightsee Tbilisi, visit the best wineries of Kakheti region, taste various local types of wine, and take a look at both modern and traditional ways of wine and brandy production of the country. Group will be accompanied by local, professional and experienced guide and driver MAIN HIGHLIGHTS & SITES: TBILISI CITY KAKHETI REGION • Holy Trinity Cathedral • Signagi town • Narikala Fortress 4Th C • Sighnaghi Pheasant’s Tears wine cellar • Legvtakhevi Waterfall • Winery & museum Numisi in Velistsikhe 16th c • Sulfur bathhouse square • Kvareli Wine Tunnels • Shardeni str & Bridge of Peace • Telavi Town • Meidan square • Telavi Farmer’s Bazaar • Georgian National Museum • Tsinandali Residence of Al. Chavchavadze 19th c • Sarajishvili Brandy Factory • Gremi Royal Residence & Castle 16th c • Funicular Train & Mtatsminda Park • Twin’s Wine Cellar and Museum DAY TO DAY ITINERARY 1 DAY Arrival in Tbilisi Airport-Tbilisi City Tour back to the 4th century. -
Tour to Georgia 10 Days /9 Nights
TOUR TO GEORGIA 10 DAYS /9 NIGHTS Day 1: Arrival at Tbilisi Meeting at the airport, transfer to the hotel. Free time. Overnight at the hotel in Tbilisi. Day 2. Tbilisi (B/L/-) Breakfast at the hotel. Tour of the historic part of the city, which begins with a visit to the Metekhi Temple, which is one of the most famous monuments in Tbilisi. This temple was honored in the 13th century, on the very edge of the stony shore of the Kura and the former fortress and residence of the Georgian kings. The first Georgian martyr, Queen Shushanika Ranskaya, was buried under the arches of the Metekhi temple. Inspection of the Tbilisi sulfur baths, which are built in the style of classical oriental architecture. These are low, squat buildings, covered with semicircular domes with large glass openings in the center, serving as windows that illuminate the interior, as the baths themselves are below ground level. In the old days, people here not only bathed, but also talked, lingering until dawn, and the city matchmakers arranged special days on special days. In the baths gave dinner parties, concluded trade deals. Walk on the square Maidan, which was the main shopping area of the city and along small streets known under the common name "Sharden". Narikala Fortress, which is the most ancient monument, a kind of "soul and heart of the city." The date of construction of the fortress is called approximately IV century AD, so it stands from the foundation of the city itself. Later, the fortress was expanded and completed several times. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
Freedom of Religion Or Belief in Georgia 2010-2019
FREEDOM OF RELIGION OR BELIEF IN GEORGIA Report 2010-2019 FREEDOM OF RELIGION OR BELIEF IN GEORGIA REPORT 2010-2019 Tolerance and Diversity Institute (TDI) 2020 The report is prepared by Tolerance and Diversity Institute (TDI) within the framework of East-West Management Institute’s (EWMI) "Promoting Rule of Law in Georgia" (PROLoG) project, funded by the United States Agency for International Development (USAID). The report is published with the support from the Open Society Georgia Foundation (OSGF). The content is the sole responsibility of the Tolerance and Diversity Institute (TDI) and does not necessarily reflect the views of the United States Agency for International Development (USAID), United States Government, East-West Management Institute (EWMI) or Open Society Georgia Foundation (OSGF). Authors: Mariam Gavtadze, Eka Chitanava, Anzor Khatiashvili, Mariam Jikia, Shota Tutberidze, Gvantsa Lomaia Project director: Mariam Gavtadze Translators: Natia Nadiradze, Tamar Kvaratskhelia Design: Tornike Lortkipanidze Cover: shutterstock It is prohibited to reprint, copy or distribute the material for commercial purposes without written consent of the Tolerance and Diversity Institute (TDI). Tolerance and Diversity Institute (TDI), 2020 Web: www.tdi.ge CONTENTS Introduction .............................................................................................................................................................. 8 Methodology ..........................................................................................................................................................10 -
Tbilisi Architecture at the Intersection of Continents
Tbilisi Architecture at the Intersection of Continents From 10 March until 27 April 2016 Concept: Adolph Stiller Exhibition venue: Exhibition Centre in the Ringturm 1010 Vienna, Schottenring 30 Opening hours: Monday to Friday, 9 am to 6 pm, free admission (closed on public holidays as well as 25 March 2016) Press tour: Wednesday, 9 March 2016, 4 pm Speakers: Irina Kurtishvili, Rostyslaw Bortnyk, Adolph Stiller Official Opening Wednesday, 9 March 2016, 6.30 pm (by invitation only) Enquiries to: Romy Schrammel T: +43 (0)50 350-21224 F: +43 (0)50 350 99-21224 E-Mail: [email protected] Free press photos are available for download at http://go.picturedesk.com/ElaVKAiP WIENER STÄDTISCHE WECHSELSEITIGER VERSICHERUNGSVEREIN – VERMÖGENSVERWALTUNG – VIENNA INSURANCE GROUP Ringturm, Schottenring 30, PO Box 80, A-1011 Vienna Mutual insurance company with a registered office in Vienna; Commercial Court of Vienna; FN 101530 i; DVR no 0688533; VAD ID no ATU 15363309 Tbilisi – architecture at the crossroads of Europe and Asia The name Tbilisi is derived from the old Georgian word “tbili”, which roughly translates as “warm” and refers to the region’s numerous hot sulphur springs that reach temperatures of up to 47°C. The area was first settled in the early Bronze Age, and ancient times also left their mark: in Greek mythology, the Argonauts sailed to Colchis, which was part of Georgia, in their quest for the Golden Fleece. In the fifth century King Vakhtang I Gorgasali turned the existing settlement into a fortified town, and in the first half of that century Tbilisi was recognised as the second capital of the kings of Kartli in eastern Georgia. -
PRO GEORGIA JOURNAL of KARTVELOLOGICAL STUDIES N O 27 — 2017 2
1 PRO GEORGIA JOURNAL OF KARTVELOLOGICAL STUDIES N o 27 — 2017 2 E DITOR- IN-CHIEF David KOLBAIA S ECRETARY Sophia J V A N I A EDITORIAL C OMMITTEE Jan M A L I C K I, Wojciech M A T E R S K I, Henryk P A P R O C K I I NTERNATIONAL A DVISORY B OARD Zaza A L E K S I D Z E, Professor, National Center of Manuscripts, Tbilisi Alejandro B A R R A L – I G L E S I A S, Professor Emeritus, Cathedral Museum Santiago de Compostela Jan B R A U N (†), Professor Emeritus, University of Warsaw Andrzej F U R I E R, Professor, Universitet of Szczecin Metropolitan A N D R E W (G V A Z A V A) of Gori and Ateni Eparchy Gocha J A P A R I D Z E, Professor, Tbilisi State University Stanis³aw L I S Z E W S K I, Professor, University of Lodz Mariam L O R T K I P A N I D Z E, Professor Emerita, Tbilisi State University Guram L O R T K I P A N I D Z E, Professor Emeritus, Tbilisi State University Marek M ¥ D Z I K (†), Professor, Maria Curie-Sk³odowska University, Lublin Tamila M G A L O B L I S H V I L I, Professor, National Centre of Manuscripts, Tbilisi Lech M R Ó Z, Professor, University of Warsaw Bernard OUTTIER, Professor, University of Geneve Andrzej P I S O W I C Z, Professor, Jagiellonian University, Cracow Annegret P L O N T K E - L U E N I N G, Professor, Friedrich Schiller University, Jena Tadeusz Ś W I Ę T O C H O W S K I (†), Professor, Columbia University, New York Sophia V A S H A L O M I D Z E, Professor, Martin-Luther-Univerity, Halle-Wittenberg Andrzej W O Ź N I A K, Professor, Polish Academy of Sciences, Warsaw 3 PRO GEORGIA JOURNAL OF KARTVELOLOGICAL STUDIES No 27 — 2017 (Published since 1991) CENTRE FOR EAST EUROPEAN STUDIES FACULTY OF ORIENTAL STUDIES UNIVERSITY OF WARSAW WARSAW 2017 4 Cover: St. -
Peter Nasmyth's Georgia
PICTURE STORY Peter Nasmyth’s Georgia January 2009 Peter Nasmyth’s Georgia Today's Georgia can only be understood if it is seen in the light of the events of the past two decades. The very difficult transformation the country went through after it declared its independence in 1991, and the conflicts in Abkhazia and South Ossetia which plagued the country since then, still largely shape its present day policies. And nowhere is this better described than in Nasmyth's "Georgia" which is a collection of personal stories of the author and author's friends in Georgia over the years. In his words: I collected stories of people, very specific ones, through which I tell the bigger story of Georgia over time… I never wanted to write about the political forces here, rather the forces that make the politics. This will always give a book a longer life. [Interview with Peter Nasmyth, Tbilisi, October 2008] In the next few pages you will get a guided tour of this excellent book. It is written and it reads like a novel, yet it is full of facts that give a complete account of Georgia's modern day history. The descriptions are so colourful that reading this book is the next best thing to visiting Georgia yourself. What makes the book special is also that the author has updated the book and added new chapters two times after it was first published in 1998. Here we discuss the 2006 edition which covers the modern history of Georgia up to the events of the Rose Revolution. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
For the Annotation of Titlo Diacritic
Irina LOBJANIDZE Associate Professor Ilia State University Tbilisi, Georgia For the annotation of Titlo Diacritic Abstract: The paper describes different levels of annotation used in the Corpus of Modern, Middle and Old Georgian Texts. Aiming at building a new, extensive and representative tool for Georgian language the Corpus was compiled under the financial support of the Shota Rustaveli National Science Foundation and the Ilia State University (AR/266/1-31/13). In particular, the Corpus of Georgian language is envisaged as collecting a substantial amount of data needed for research. The scope and representativeness of texts included as well as free accessibility to it makes the corpus one of the most necessary tools for the study of different texts in Modern, Middle and Old Georgian (see, http://corpora.iliauni.edu.ge/). The corpus consists of different kind of texts, mainly: a) Manuscript- based publications; b) Reprints; c) Previously unpublished manuscripts and; d) Previously published manuscripts and covers Modern, Middle and Old Georgian. The paper presents the research area, the design and structure and applications related to the compilation of the corpus, in particular, different levels of annotation as meta-data, structural mark-up and linguistic annotation at word-level, especially, from the viewpoint of Titlo Diacritic. This paper is structured as follows: Section 1 includes background and research questions; Section 2 presents a methodological approach and briefly summarizes its theoretical prerequisites; Section 3 includes the findings and hypothesis, which refers generally to the differences between the annotation of Modern and Old Georgian texts; and Section 4 presents the answers to the research questions. -
Armenians in the Making of Modern Georgia
Armenians in the Making of Modern Georgia Timothy K. Blauvelt & Christofer Berglund While sharing a common ethnic heritage and national legacy, and an ambiguous status in relation to the Georgian state and ethnic majority, the Armenians in Georgia comprise not one, but several distinct communities with divergent outlooks, concerns, and degrees of assimilation. There are the urbanised Armenians of the capital city, Tbilisi (earlier called Tiflis), as well as the more agricultural circle of Armenians residing in the Javakheti region in southwestern Georgia.1 Notwithstanding their differences, these communities have both helped shape modern Armenian political and cultural identity, and still represent an intrinsic part of the societal fabric in Georgia. The Beginnings The ancient kingdoms of Greater Armenia encompassed parts of modern Georgia, and left an imprint on the area as far back as history has been recorded. Moreover, after the collapse of the independent Armenian kingdoms and principalities in the 4th century AD, some of their subjects migrated north to the Georgian kingdoms seeking save haven. Armenians and Georgians in the Caucasus existed in a boundary space between the Roman-Byzantine and Iranian cultures and, while borrowing from both spheres, struggled to preserve their autonomy. The Georgian regal Bagratids shared common origins with the Armenian Bagratuni dynasty. And as part of his campaign to forge a unified Georgian kingdom in the late 11th and early 12th centuries, the Georgian King David the Builder encouraged Armenian merchants to settle in Georgian towns. They primarily settled in Tiflis, once it was conquered from the Arabs, and in the town of Gori, which had been established specifically for Armenian settlers (Lordkipanidze 1974: 37).