Liverpool Philharmonic What's on January – April 2020
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
FOREWORD Our Funders
FOREWORD 2019 was a big year for The Duncairn programme and I need to say out and we were delighted to be able loud just how appreciative I am, to mark our five-year anniversary allowing me the space to create an in May. We did it with style and arts programme that continues to Our Funders continued to provide high quality grow in stature. arts and cultural events for the North Belfast community, for broader By the nature of how we worked Belfast, and beyond. during 2018 - 2019 we got the opportunity to programme some Highlights of our anniversary year young and emerging artists about obviously included having our whom we are very excited, and of friends at Other Voices coming whom we are very supportive. We back here to North Belfast with an started thinking that maybe we could outstanding line-up of talent, which do more to help raise the profile and not only involved amazing high showcase the work of a number of wire marquee acts, but also a very these amazing young artists. So, we healthy representation of local acts sat down and worked out ways in that are on the rise. Other Voices, which we could make that happen. we hope, is going to be a long term relationship - maybe even an annual One idea was to loosely form a event, not only for North Belfast but Creative Collective of young artists for the city. And we’re happy to play with whom we have worked. As our part in that. part of this Collective they are given the opportunity to either work Also, our collaboration with master together at The Duncairn, or curate film maker Myles O’Reilly led to a a specially commissioned weekend/ whole weekend curated and filmed stand-alone event, bringing and by the man himself. -
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 10 March 2021 Volume 1.19
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 10 March 2021 Volume 1.19 in about 1967. But it took a further 10 these dark and fearful times as a wee INTERNATIONAL years for the United Nations to glimmer of hope and inspiration acknowledge this and begin celebrating channelled by these great women WOMEN’S DAY the day in 1977. performers. TWO DAYS AGO, on Monday 8 March March 8 was adopted in socialist society, Go to PayPal to donate to 2022 we hope you were able to celebrate mostly, as a day to mark changes for the International Women’s Day. betterment of the lot of women in general the Paddy Bort Fund. But have you ever stopped to wonder what and the day took on a progressive, it’s actually about - what it’s origins were revolutionary character in Iran, China, And click here to go to and how it has played through the past 110 Germany, Spain and numerous other EFC’s YouTube channel. or so years? countries. See the panel (right) for the It all began before WW1 when the In C21, especially in the West, the day has Socialist Party of America organised a been increasingly sponsored by major performers on the video Women's Day in New York City on corporations and used to promote feel– accompanying this edition of February 28, 1909. German delegates to good messages, rather than radical social COS. that event and others proposed at the 1910 reforms. International Socialist Woman's To single out women, or any other Conference that "a special Women's Day" group, is always to risk marginalising be organised annually. -
JOE WILSON MEMORIAL MUSIC FESTIVAL PERFORMER BIOS Additional Photos Available Upon Request Jerry Douglas Recognized As One Of
Contact: Maggie Guggenheimer Communications Officer, VFH Phone: (434) 924-6562, Email: [email protected] JOE WILSON MEMORIAL MUSIC FESTIVAL PERFORMER BIOS Additional photos available upon request Jerry Douglas Recognized as one of the most renowned Dobro players, Jerry Douglas has garnered 14 Grammy Awards and numerous International Bluegrass Music Association awards, and holds the distinction of being named Musician of the Year by The Country Music Association (2002, 2005, 2007), The Academy of Country Music (11 times), and The Americana Music Association (2002 and 2003). In 2004, the National Endowment for the Arts honored Douglas with a National Heritage Fellowship, acknowledging his artistic excellence and contribution to the nation’s traditional arts, the organization’s highest such accolade. As a sideman, he has recorded with artists as diverse as Ray Charles, Eric Clapton, Phish, Dolly Parton, Paul Simon, Mumford & Sons, Keb’ Mo’, Ricky Skaggs, Elvis Costello, and Johnny Mathis, as well as performing on the O Brother, Where Art Thou? soundtrack. He has been part of such notable groups as The Whites, The Country Gentlemen, and Elvis Costello’s Sugar Canes. Douglas has produced a number of records, including overseeing albums by Alison Krauss, the Del McCoury Band, Maura O'Connell, Jesse Winchester and the Nashville Bluegrass Band, The Earls of Leicester, and Steep Canyon Rangers. Along with Aly Bain, he serves as Music Director of the popular BBC Television series, Transatlantic Sessions. Since 1998, Douglas has been a member of Alison Krauss and Union Station, touring extensively and playing on a series of platinum-selling albums. When not on the road with the group, Douglas tours with The Jerry Douglas Band and The Earls of Leicester. -
Vallelyn Phd2018.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Beyond the tune: new Irish music Author(s) Vallely, Niall Publication date 2018 Original citation Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2018, Niall Vallely. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7021 from Downloaded on 2021-10-10T08:36:19Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Beyond the Tune: New Irish Music Thesis presented by Niall Vallely For the degree of Doctor of Philosophy University College Cork School of Music and Theatre Head of School: Prof. Jools Gilson Supervisor: John Godfrey 2018 2 Table of Contents Declaration 4 List of accompanying musical scores and CD 5 Acknowledgements 6 Preface 7 Chapter 1 Introduction and Background 8 Education 9 Performance 12 Impact of cross-cultural music 14 Chapter 2 Context and Influences 17 Seán Ó Riada 17 Shaun Davey 18 Mícheál Ó Súilleabháin 19 Other Composers 21 Beyond Genre 23 Chapter 3 Artistic Statement 26 Compositions 27 The Red Tree 28 Sondas 35 Ó Riada Room 37 Time Flying 38 throughother 42 Nothing Else 44 Connolly’s Chair 46 Concertina Concerto 47 Conclusion 50 Appendix 1 List of compositions used in PhD 51 Appendix 2 Complete list of compositions to date 54 Discography 75 3 Bibliography 79 4 Declaration I, Niall Vallely, declare that this dissertation is the result of my own work, except as acknowledged by appropriate reference in the text. -
Martin Cloonan: Trying to Have an Impact
58 International Journal of Music Business Research, October 2020, vol. 9 no. 2 Trying to have an impact: Some confessions of a live music researcher Martin Cloonan1 Abstract This article offers the author's reflections on over fifteen years of researching the live music industry in the UK. It raises issues such as the role of academics, how to have impact and the meaning of value. Overall it suggests that impact can be found in various ways and that it needs to be built via establishing long term relationships while remaining impartial, to be collective and to involve some opportunism. Keywords: Live music, music industries, music policy, impact 1 Introduction This article offers some reflections on the policy and other implications of researching live music. It draws upon six research projects: Mapping the Music Industry in Scotland (2002-3), the History of Live Music in the UK (2008-11), Live Music Exchange (2012-), two projects on Cultural Value (2013 and 2014) and the UK Live Music Census (2016-2018). Each is summarised and lessons drawn before a concluding section draws the findings together. Before continuing it is necessary to note that the paper deals with live music, something which can be characterised in economic terms as an experiential good. What is essentially being sold is something which the audience can imagine in its heads beforehand, experience at the event and then remember afterwards (Cloonan 2012). But the gig itself cannot be taken home, even if audience members or others video rec- ord it. A major aspect of live music - and something which helps some artists to command high fees - is the aspect of being there, of being pre- sent and involved. -
The Landscapes of Scotland 1 Shetland
The Landscapes of Scotland Descriptions 1 - 10 1 Shetland and Fair Isle 2 Orkney 3 Lewis 4 North Coast 5 Caithness 6 Assynt 7 Sutherland 8 Flow Country 9 Sutherland Kyles and Coast 10 Harris 1 Shetland Description An elongated group of islands, whose character is accentuated by the north-south trend of the hills and ridges. The dramatic coastlines are highly varied, with fjords, arches, stacks, beaches and tombolos (sand bars). The seas are busy with boat and ferry traffic. The coast is where most of the settlement is located, including the distinctive capital of Lerwick with its narrow stone-flagged streets. The islands are mostly tree-less while seabirds throng the coasts and cliffs. Frequent winds sweep over landscapes with long hours of summer light and winter darkness, and a strong sense of Nordic culture. The landscape is rich in exceptionally well preserved archaeological remains. This includes a high proportion of nationally important sites, such as, at Mousa, the best preserved broch in Scotland, and extensive Norse remains in Unst Key technical information sources: Selected creative associations LCA: Shetland Isles Music St Ninian's Isle (Aly Bain); NHF – Shetland 2002 (1) Foula, Papa Stour (Boys of the Lough) HLA Naismith – Buildings of the Scottish Countryside pp 204-206 1 The Landscapes of Scotland 2 Orkney Description A group of diverse islands centred around a larger “mainland”. The southern islands encompass the renowned anchorage of Scapa Flow. Most of the land is low-lying, with fertile green farmland, sandy beaches and rocky headlands. Hoy, with its high moorland hills and towering cliffs, provides a strong contrast. -
What's on at The
themet.org.uk 0161 761 2216 Music Theatre Comedy Family shows Learning Food & drink What’s on at The Met January–April 2018 Address The Met From renovation Market Street Bury BL9 0BW to innovation… Phone Ticket office: 0161 761 2216 Administration: 0161 761 7107 Restaurant: 0161 763 9399 Welcome to The Met Email [email protected] Website themet.org.uk As we approach the first anniversary of our Social refurbishment we’re thrilled to have welcomed L themet 50,000 people to enjoy and be inspired by great F metbury art in Bury. This time last year the finishing touches I metbury were being made for a much anticipated reopening following nearly seven years of work to redevelop our much loved (and well worn) building. The spring 2018 programme continues to build on our ambition to support exciting new work by artists and attract audiences to high quality performance and workshop opportunities. This season we’re thrilled to have a focus on family The Met is here to be enjoyed; to challenge and theatre and comedy alongside our trusted music excite and offer a diverse programme for audiences Learning programme. We sincerely hope you are as excited from throughout the north-west. as we are about the likes of Griff Rhys Jones, the Our thanks to our patrons and funding partners who legendary Graham Fellows (John Shuttleworth) allow us to develop and extend, to deliver projects Festivals amongst new work from exciting new artists we believe are relevant and will impact positively including Just Turf, Lizzie Nunnery’s Horny throughout our community. -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Wedding Ceremony Classical Favourites Charts 50'S, 60'S, 70'S
W edding Ceremony Classical Favourites Charts 50’s, 60’s, 70’s, 80’s Charts 90’s, 00’s, Now Christmas Classical Film and TV Jazz, Rags and Tangos Opera and Ballet Scottish & Irish Traditional Video Game Soundtracks ___________ EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM © 2018. The Cairn String Quartet. All Rights Reserved Wedding Ceremony Classical Favourites BACK TO MENU A Thousand Years / Christina Perry Air on a G String / Bach All about You / McFly Ave Maria / Beyonce, Schubert and Gounod Canon / Pachelbel Caledonia / Dougie McLean For the Love of a Princess / Secret Wedding / Braveheart Here Come the Girls turning into Pachelbel’s Canon / Sugababes / Pachelbel Highland Cathedral I Giorno / Einaudi Kissing You / From Romeo and Juliet One Day Like this / Elbow The Final Countdown / Europe Wedding March / Wagner Wedding March / Mendelssohn Wedding March turning into Star Wars / Mendelssohn / Star Wars Wedding March turning into All you Need is Love / Mendelssohn / Beatles Wedding March turning into Another One Bites the Dust / Mendelssohn / Queen Wings / Birdy 500 Miles / the Proclaimers BACK TO MENU EMAIL | FACEBOOK | TWITTER | YOUTUBE | INSTAGRAM © 2018. The Cairn String Quartet. All Rights Reserved Charts 50, 60, 70, 80s BACK TO MENU A Forrest / The Cure A Hard Days Night / The Beatles A Little Help from My Friends / The Beatles A Little respect / Erasure Africa / Toto Ain't No Mountain High Enough / Marvin Gaye/Diana Ross Albatross / Fleetwood Mac All I Want is You -
Frank Allen the Searchers
Chats to: Frank Allen The Searchers Please introduce yourself, and maybe for some of our younger audience especially, please can you tell us a brief history about The Searchers? I am Frank Allen, bass player and front man with The Searchers and a very long standing member, having celebrated on August 3 rd 49 years as one of the group. For the benefit of younger readers The Searchers came to national and international prominence in 1963 when the Beatles change the whole outlook on popular beat music across the globe at a time when in particular America was a closed shop to artistes from the U.K. The first record, Sweets For My Sweet , was released in June that year and started a run of fourteen chart hits which included Sugar & Spice , When You Walk In The Room , Needles & Pins , Love Potion Number Nine , Someday We’re Gonna Love Again, Goodbye My Love, Don’t Throw Your Love Away, He’s Got No Love , Take Me For What I’m Worth , Take It Or Leave It , Bumble Bee and Have You Ever Loved Somebody as well as a succession of albums and extended play discs that charted. Like the Beatles and many of the new bands at the time it was formed in Liverpool and I broke that chain when I replaced the original bass player, Tony Jackson in 1964. My first disc with The Searchers was When You Walk In The Room , our most covered hit ever, and I was to play on 9 of the chart singles. Originally the group was called ‘Johnny Sandon & The Searchers’.