Spring 2017 Weekend Two I’M So Glad You’Re Here! Welcome
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DOG SPIDERS Written by Ammon Gilbert from A
DOG SPIDERS Written by Ammon Gilbert From a Concept by Ammon Gilbert, Jim Law, and Johnny Moreno © BingeMedia 1 We open up the movie in a science lab, and not just any science lab, but something out of THE AMAZING SPIDER - MAN (that's for you Law, no w shut your mouth), something that's filled with lab coats, beakers, and fancy high - tech equipment that nobody really knows how to operate, but goddamn does it look cool. There are various scientists wandering around with clipboards, pocket protectors, thi ck - rimmed glasses, and classic white shin - hanging lab coats. It's a typical day at the ol' science lab doing typical science lab shit. Trotting down one of the many isles like it owns the place is a Golden Retriever. Like many Golden Retriever, this one ha s a perpetual smile on its face and looks about as happy as a pig in shit just being there. We focus on its collar to find its name is GINGER ). Ginger trots down the a isle on its way to its owner, Dr. Jack Hammer. Jack is a regular Rico Suave: handsomely g ood looking with a chiseled chin and a beefed out frame to match (i.e., the perfect role for Paul Logan). He is also sporting a lab coat and thick rimmed glasses because he's a scientist and that's what scientists do. He's currently working on some science shit, pouring liquid into various beakers, analyzing data, and concentrating intensely. Ginger stops trotting and sits by Jack , obviously wanting attention. -
Additional Karaoke Listings Updated February 2021! 1
Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft. -
Captain Cosmo's Whizbang Has Finally Made the Big Time with a Real Book Review1n Kilobaud Courtesy Satisfied Reader Larry Stone
CAPTAIN ..COSMO'S WHIZ BANG .. By _Jeff • Duntemann For Me and You and the 1802 I WHAT IS THIS? It's a book, by cracky, about the 1802; hopefully the oddest and most entertaining book on any microprocessor ever written. The 1802 is, after all, an odd and entertaining chip. This view is not shared by all. Physicist Mike Brandl said he could swallow a mouthful of sand and barf up a better microprocessor than the 1802, and another colleague claims its instruction set demands that he program with his left hand. Bitch, bitch, bitch. I kinda like it. Much of this material I.rd oped out while recovering from hernia surgery not long ago and couldn't lift anything heavier than a 40-pin DIP. I had a lot of fun and thought you might like to be copied in on it. Like everything else I do, this book is an experiment. If I don't take a serious loss on production and mailing costs, I may do up another one. I've got a little gimcrack on the bench that'll make you people drool: an easy-to-build thermal printer for the 1802 that you can make for seventy bucks flat with all new parts. I'm working on an automatic phone dialer board and a few other things. Selectric interface. Robotics. Ham radio stuff. All kindsa things. Are you interested? Would you lay out another five beans for a Volume II? Let me know; drop me a note with any and all comments and spare not the spleen; I'm a hard man to offend and I lQ~~ crackpot letters. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Understanding Black Feminism Through the Lens of Beyoncé’S Pop Culture Performance Kathryn M
Seattle aP cific nivU ersity Digital Commons @ SPU Honors Projects University Scholars Spring June 7th, 2018 I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance Kathryn M. Butterworth Follow this and additional works at: https://digitalcommons.spu.edu/honorsprojects Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Butterworth, Kathryn M., "I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance" (2018). Honors Projects. 81. https://digitalcommons.spu.edu/honorsprojects/81 This Honors Project is brought to you for free and open access by the University Scholars at Digital Commons @ SPU. It has been accepted for inclusion in Honors Projects by an authorized administrator of Digital Commons @ SPU. I GOT HOT SAUCE IN MY BAG: UNDERSTANDING BLACK FEMINISM THROUGH THE LENS OF BEYONCÉ’S POP CULTURE PREFORMANCE by KATHRYN BUTTERWORTH FACULTY ADVISOR, YELENA BAILEY SECOND READER, CHRISTINE CHANEY A project submitted in partial fulfillment of the requirements of the University Scholars Program Seattle Pacific University 2018 Approved_________________________________ Date____________________________________ Abstract In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between poetry, surrealist aesthetics and popular culture—challenging the accepted understanding of cultural production within academia. Furthermore, Lemonade centers black life while presenting mainstream audiences with poetry and avant-garde imagery that challenge dominant views of black womanhood. Using theorists bell hooks, Stuart Hall, Patricia Hill- Collins and Audre Lorde, among others, I argue that Beyoncé’s work challenges the understanding of artistic production while simultaneously fitting within a long tradition of black feminist cultural production. -
Karaoke-Katalog Update Vom: 17/06/2020 Singen Sie Online Auf Gesamter Katalog
Karaoke-Katalog Update vom: 17/06/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Cordula grün - Die Draufgänger Dance Monkey - Tones and I Rote Lippen soll man küssen - Gus Backus Amoi seg' ma uns wieder - Andreas Gabalier Perfect - Ed Sheeran Tears In Heaven - Eric Clapton Chasing Cars - Snow Patrol Griechischer Wein - Udo Jürgens My Way - Frank Sinatra You Are the Reason - Calum Scott Someone You Loved - Lewis Capaldi Lemon Tree - Fool's Garden Tage wie diese - Die Toten Hosen Angels - Robbie Williams 99 Luftballons - Nena Up Where We Belong - Joe Cocker Im Wagen Vor Mir - Henry Valentino And Uschi I Want It That Way - Backstreet Boys Zombie - The Cranberries All of Me - John Legend Ich war noch niemals in New York - Ich War Noch New York, New York - Frank Sinatra Blinding Lights - The Weeknd Niemals In New York Hulapalu - Andreas Gabalier Hallelujah - Alexandra Burke Creep - Radiohead EXPLICIT Verdammt, Ich Lieb' Dich - Matthias Reim Can't Help Falling In Love - Elvis Presley Let It Be - The Beatles Always Remember Us This Way - A Star is Born Atemlos durch die Nacht - Helene Fischer A Million Dreams - The Greatest Showman Kuliko Jana, Eine neue Zeit - Oonagh Eine Nacht - Ramon Roselly In The Ghetto - Elvis Presley (Everything I Do) I Do It For You - Bryan Adams Can You Feel The Love Tonight - The Lion King Bohemian Rhapsody - Queen Egal - Michael Wendler Warum hast du nicht nein gesagt - Roland Kaiser Der hellste Stern (Böhmischer Traum) - DJ Ötzi Ich wollte nie erwachsen sein (Nessajas Lied) - Über Sieben Brücken Musst Du Gehn - Peter Maffay Uber den Wolken - Reinhard Mey Losing My Religion - R.E.M. -
Calum Scott Decided to Start Writing His Own Material
ABOUT In autumn 2015, after drawing raves for his breakthrough cover of Robyn’s “Dancing On My Own,” Calum Scott decided to start writing his own material. With his first attempts including a deeply personal track about coming out to his father, the British vocalist soon discovered the cathartic power of songwriting. With his stripped-down and sweetly devastating rendition of “Dancing On My Own” gaining more than 550 million streams worldwide—as well as earning a Brit Award nomination for Best Single—Scott is now ready to deliver his full-length debut. Made with producers like Fraser T Smith (Adele, Ellie Goulding), Jayson DeZuzio (Skylar Grey, Imagine Dragons), and Oscar Görres (Taylor Swift, Britney Spears), Only Human showcases the tender yet commanding vocal work he’s recently displayed in touring with artists like Emeli Sandé. In releasing his original material for the first time, Scott reveals the rare gift of his songwriting: an intense vulnerability that somehow leaves the listener more hopeful and assured. Growing up in the Northern England city of Kingston upon Hull, Scott’s singing experience mainly involved belting along to the Shirley Bassey and Queen songs his mom often played in the car. Although he took up drumming as a kid—and admired his sister Jade for her dedication to singing and dance—Scott entered the workforce right after high school with no intention of venturing into music. “Then about four years into my job, I’d gotten incredibly sick of making photocopies and cups of tea,” he recalls. “I just knew it wasn’t what I was meant to do with my life.” In 2015, Scott performed his poignant version of Robyn’s 2010 electro-pop classic, “Dancing On My Own” on Britain’s Got Talent, then emerged as a semi- finalist. -
Commentary V2 Proofed FINAL
!1 Sonic autoethnographies: six | records | of | the | listening | self Iain Findlay-Walsh Submitted in fulfilment of the requirements for the degree of PhD Music (Composition) School of Culture and Creative Arts College of Arts University of Glasgow February 2016 !2 Portfolio contents 1. Commentary (including portfolio on USB flash drive) 2. plastic 2 x CD case - corresponding to postface 3. 1 x CD wrapped in packing tape - corresponding to In Posterface: 1 4. 12” art print in PVC sleeve - corresponding to Somehere in 5. removable vinyl sticker - corresponding to _omiting in the changing room !3 Acknowledgements Thanks to Louisa-Jane, Blue and Bon Findlay-Walsh for providing the support and space to develop and complete this work. Thanks to Nick Fells and Martin Parker Dixon, who supervised throughout the project. Thanks to the following for supporting me in this work, providing opportunities to test and present parts of it, and contributing to the ideas and practice. Alasdair Campbell, Clare McFarlane, Tristan Partridge, John Campbell, May Campbell, Ruth Campbell, FK Alexander, Rob Alexander, Nick Anderson, Calum Beith, Rosana Cade, Liam Casey, Martin Cloonan, Lewis Cook, Carlo Cubero, Euan Currie, Anne Danielsen, Neil Davidson, Barry Esson, Stuart Evans, Paul Gallagher, Mark Grimshaw, Louise Harris, Paul Henry, Fielding Hope, Katia Isakoff, Bryony McIntyre, Emily McLaren, Jamie McNeill, Rickie McNeill, Felipe Otondo, Dale Perkins, Emily Roff, Calum Scott, Toby Seay, Sam Smith, Craig Tannoch, Rupert Till, Fritz Welch, Simon Zagorski-Thomas. !4 Abstract This commentary accompanies a portfolio of pieces which combine soundscape composition and record production methods with aspects of autoethnographic practice. This work constitutes embodied research into relations between everyday auditory experience, music production and reception, and selfhood. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
Conserving the Irreplaceable Open Space and Recreation Plan 2017
Conserving the Irreplaceable Open Space and Recreation Plan 2017 Pembroke, MA Devan Arnold, Ben Covino, & Ben Rippe The Conway School Winter 2017 PEMBROKE OSRP 1 PEMBROKE OSRP 2 Section 1: Plan Summary Pembroke is a growing south shore community with a rich history and wealth of natural, cultural, and historic resources. Foremost amongst these are copious ponds, rivers, streams, and wetlands that dominate the landscape. It is a town that many of its residents identify as being semi-rural, and possessing a charming, small New England town character. This character and the sense of community that accompany it are some of the most highly enjoyed aspects of living within Pembroke. Part of what makes up this character is the abundance of open spaces where people can enjoy recreating or simply basking in the beauty and wonder of undeveloped natural landscapes. The 2017 Open Space and Recreation Plan (OSRP) Update provides guidance for protecting and enhancing the many valued natural and cultural resources within the town. Through two community meetings, an online survey, and conversations with members of assorted town boards and committees, five main goals have been articulated to satisfy Pembroke’s conservation and recreation needs moving into the future: 1. Pembroke’s abundant water resources are clean and sustainably managed. 2. Future development is consistent with and protects Pembroke’s environmental, historic, and cultural resources. 3. An interconnected network of forest, riparian and wildlife habitats enhance Pembroke’s ecological integrity and sustain a resilient landscape. 4. The citizens of Pembroke enjoy better access and increased recreational use of town open space. -
Intimacy, Authenticity and 'Worlding' in Beyoncé's Star Project
8 Intimacy, Authenticity and ‘Worlding’ in Beyoncé’s Star Project Phoebe Macrossan At the 2014 MTV Video Music Awards, African-American pop star Beyoncé Knowles-Carter (known professionally as Beyoncé) performed a 12-song medley from her self-titled visual album, Beyoncé (2013), recreating its imagery across moving stages, treadmills, giant screens and a large troupe of dancers. To open this typically large-scale performance, she said, ‘MTV, welcome to my world’. This choice of words is interesting because, as a dominant figure in the popular music scene, Beyoncé hardly need introduce herself. What this moment captures, however, is the increasing personal intimacy of Beyoncé’s stardom, and her transition to the active creation and ownership of an identifiable, holistic ‘world’. This chapter argues that Beyoncé’s stardom extends beyond constructing a star image through media texts (Dyer, 1998, p. 10). I argue that her star project, her ongoing construction and maintenance of her stardom is creating an intimate, identifiable, holistic world: ‘Beyoncé World’. I use the term ‘star project’ because there is no beginning, middle and end as suggested by a term like ‘star narrative’, and because worlding is more encompassing and widespread than the term ‘star image’ put forward by Richard Dyer (1998, p. 10), although it is a continuation of it. 137 POPULAR MUSIC, STARS AND STARDOM Beyoncé World is created and maintained primarily through Beyoncé’s music videos and visual albums, but also across her concerts, performances and public appearances, and her social media accounts and website. Therefore, Beyoncé World is primarily created through media images, but, importantly, it also includes public appearances, actions and performances outside these visual images. -
Introduction
Chapter I Introduction 1.1 Background of the Study Feminism is a movement that advocates for gender equality. The goal of feminism is for all people to be treated equally. This movement appears because women are sick that they are got no rights, cannot give opinions freely, cannot vote, cannot work, cannot get a fair education, to earn fair wages, and told to behave, unlike men. They want to change their lives to have a free life that not strict by their genders roles and wanted an equality between men and women by having the same opportunities that men received. Therefore, feminism has helped a lot of women to live their life to be free and had a huge impact on the everyday role of women in fighting what they believe in. The difference between feminism from other social movement is feminism focusing on gender and how it relates to the oppression of women all around the world. Female empowerment is the movement to make all the feminist goal to happen. Without female empowerment, feminism goal will not be achieved because, if women do not march to empower others, how can others understand what women want, what women have been through, what equal rights are if not properly given the understanding if women do not speak up and women do not 1 fight for it. Female empowerment is to empower other people. To invite all people, to fight together for their rights, to fight for equality. Empowerment enables them to take control of their lives, and their rights. Besides, organize to help each other and make demands on the nation to back and support their movement and for the society for a change of men perspective of women.